Les « Causes Secrètes » Causalité et Déterminisme à L’âge Classique

The notion of the “secret cause”, which appears in many classical texts is tied to a particular practice of science and a conception of its methods where the “law” finds itself at the center of the nexus. If certain phenomena appear to escape the law, one is obliged to amend the law through the introduction of a series of “small equations.” If the calculation of probabilities is deployed, this is to precisely reveal causes which are, at their origin, secret, but which will gradually become less so and eventually conform to laws.     

Réalisme et mythologie de la raison d’État

Sans résumé Laurie Catteeuw, née en 1974, est actuellement attachée temporaire d’enseignement et de recherche à l’école des hautes études en sciences sociales. Elle a récemment soutenu sa thèse, Censures et raisons d’état aux origines de la modernité politique. Dialogues franco-italiens des XVI ^e et XVII ^e siècles. Ses recherches portent sur l’histoire de la pensée politique des époques moderne et contemporaine. Elle a notamment codirigé avec Fran?ois Bordes, le Cahier Kostas Papa?oannou. L’amitié, les travaux et les jours (Paris, Acedia, 2004) et publié plusieurs articles dans différentes revues. ? Censure, raison d’état et libelles diffamatoires à l’époque de Richelieu ? vient de para?tre dans les Papers on French Seventeenth Century Literature (vol. XXXVI, n^o 71, juin 2009).     

« Vivre de sa Plume » Réflexions sur un topos de l’Auctorialité Moderne

What does it mean to « live by the pen »? The expression has often been invoked by historians advancing an account of progress in literary practices marked by the passage of writers from patronage to the marketplace; an account hoping to define authorial « modernity » with respect to an older model of the literary figure who is protected by nobility. Yet a careful examination shows that this progress towards economic autonomy based on the sale of works is hardly as self-evident as it has been assumed. This article thus studies the ambiguities of the historical account implicit in the idea of « living by the pen ». It then proposes a different approach, which considers this idea not as the reflection of a new professional reality, but as an element in a new rhetoric of self-presentation as intellectual. As a topos, the image designates and indeed, constitutes the social liberation of the author from nobility as well as his moral authority when his efforts to live off his writing inevitably fail yet he persists nonetheless to sacrifice his personal happiness for his art.     

« Techno-Esthétique » de L’Économie Smithienne Valeur et Fonctionnalité des Objets dans L’Angleterre des Lumières

From The Theory of Moral Sentiments to his essay on The Nature of that Imitation Which Takes Place in What Are Called the Imitative Arts, Adam Smith offered a vision of aesthetics combining beauty and utility. An echo of exchange value as the “ability to buy other goods” — the “power” to organize and achieve one’s goals — his definition of beauty was premised on the “aptness” of things, that is, the fact that they were also useful. Sustained by the commodification of products, a kind of “techno-aesthetics” thus emerged in England in the 18^th century, one that implied designing, adapting, reducing and showcasing the means of production.     

Les «yeux d’Argos» et les «étoiles d’Astrée» pour mesurer l’univers les jésuites italiens et la science nouvelle

As what happened for thenova in 1604 and for the three comets which appeared in 1618 starting the debate between Galileo and the Jesuits of the Roman College, even the comet of 1644 enhanced the curiosity and expectations in astrometers’ and astrologers’ minds. This work focuses on some aspects of the European debate, by fixing our attention on the Bolognese observatory school of Santa-Lucia in particular, where Giovan Battista Riccioli and his socios had started an experimental activity which was known and appreciated for its accuracy all over Europe. It also closely examines the revaluation of the «medium sciences», such as geography and hydrometry, to point out the sociocultural conditions that originated the growth of new professional characters like engineers and technicians in Bologna.     

La République, l’affaire Dreyfus et la raison d’État

It is often said that the Dreyfus Affair was a key moment in the history of french republicanism. But the philosophical sens of this turning point remains to be elucidated. Indeed it is not certain that the republican discourse can then be reduced to the apology of the individual and of justice against the reason of State. The aim of this article is to analyse the arguments mobilised in the Dreyfus camp by certain figures of republican socialism, like Jean Jaurès, or of republicanism like Alfred Fouillée, Emile Durkheim and others. The examination of the positions of Célestin Bouglé, a young sociologist close to Durkheim, is here privileged: it is situated, through his biography and his work, at the crossroads of diverse tendencies, from positivism to neo-criticism.     

Un « Artiste Connaisseur» ? L’Expertise du Restaurateur Dans L’Institution Muséale à la Fin du XVIIIe Siècle

The conservator's expertise is defined in Paris in the museum at the end of the 18(th) century. On the one hand, this article analyses the competences claimed by the conservator in order to give proof of his expertise and to create a professional identity distinct from other implicated actors. On the other hand, this text shows how this expertise is constructed through the collaboration between the curator and the conservator, and underlines the negotiation and porosity of their respective fields of competence.     

«L’europe» 125e congrès national des sociétés historiques et scientifiques université de Lille III 10–15 avril 2000

Vie Scientifique

?L’europe? 125^e congrès national des sociétés historiques et scientifiques université de Lille III 10–15 avril 2000