共查询到20条相似文献,搜索用时 15 毫秒
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Ruben Gonzalez Cuerva 《The Seventeenth century》2014,29(1):31-44
The historiographical term “the favourite” has proved to be very successful in explaining this figure in many monarchical regimes in Early Modern Europe. However, there is much discussion about the limits of the favourite’s power and the extent to which he shared power with other relevant individuals. Micro-political research on power dynamics in Habsburg Spain leads us to the figure of Baltasar de Zúñiga (1561–1622), the Count-Duke of Olivares’s uncle and eminence grise. The more or less civilised struggle between Olivares and Zúñiga for royal favour provides a relevant case study of power management and its impact on public opinion at the time. 相似文献
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Alice A. Nelson 《Journal of Latin American Cultural Studies (Travesia)》2017,26(3):409-435
Focusing primarily on Guillermo Núñez’s work, this essay juxtaposes two almost-identical exhibits of his ‘exculturas’ (sic: xculptures/ex-cultures) – one at the Chilean-French Cultural Institute in 1975, which resulted in his detention and exile, the other in 2010 for the official inauguration of the Museum of Memory and Human Rights (MM) – to explore their relationships to memory production in Chile four decades after the military coup. In the first, Núñez offered a pointed critique of the repressive post-coup context through a series of caged and netted objects; the second reconstructed the first as a memory gesture, framed within the ultra-modern, state-sponsored MM, in its designated art space, at once included and physically separated from the historical narrative of the Museum. How do the politics, aesthetics and design of the MM work to complement, complicate, or contradict Núñez’s – and, perhaps, any – artistic proposal? What challenges might the aesthetic of memory in Núñez’s work pose to the Museum’s narrative frame? Examining Núñez’s ‘exculturas’ (and, briefly, Gonzalo Díaz’s reconstructed Lonquén) reveals several tensions – around politics of inclusion and exclusion, the state’s role in memorysites, and the relationships between human rights concerns and museological and artistic strategies – marking the social production of memory in Chile today. 相似文献
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Maria do Rosario Monteiro 《History of European Ideas》2013,39(4-6):633-638
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María M. Carrión 《Romance Quarterly》2016,63(1):40-50
ABSTRACTThis article explores the complex landscape of devotion in sixteenth- and seventeenth-century Spain, comparing the legislated Christian-only history of Counter-Reformation with the various alternative strands of belief, faith, and devotion present in a variety of areas of cultural production. The article first examines representations of devotion—and methodologies of reading such representations—in areas of production such as architecture, dictionaries, literature, and the arts; at the end of this first section, it coins the concept of “After Thought” as a reading tool to better comprehend and possibly experience devotion in ways particular to early modern Spain, not merely en cristiano but in multiconfessional forms. “After Thought,” both the tool and the article, follow intellectual engagements with Andalusi (not merely Andalusian) past, present, and future environments in early modern Spain. They also engage alternative somatic dimensions of a different “entendimiento” of Christianity, as described by Teresa de Jesús and practiced by both her and Cervantes. Finally, in reviewing the six ducal chapters of the second part of Don Quijote as a rewriting of Castillo interior, the apocryphal condition of this segment of the novel mobilizes yet another wheel in the Trojan horse of fiction, one that exposes the way in which Cervantes refigures Teresa de Jesús, thus yielding two interactive models of “After Thought” in early modern Spain's arts, religion, and spirituality. 相似文献
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In its first term, the Howard government hired Australasian Research Strategies (ARS), headed by pollster Mark Textor, to conduct market research for several Commonwealth departments and agencies. This was, the Labor Opposition claimed, a case of the Liberals handing jobs to their 'mates'. Textor played a key role in the Liberals' 1996 and 1998 federal election campaigns. However, Labor's attack rings hollow since in the 1980s the Hawke government similarly contracted Rod Cameron's ANOP to conduct opinion research for Commonwealth departments and agencies. At the time Cameron was Labor's strategic pollster and centrally involved in planning Labor election campaigns. On both sides of Australian politics, governments have begun to channel patronage towards their party's pollsters. In this research note, we suggest that this development cannot be explained as 'jobs for the boys'. Instead, this new form of patronage has its roots in the vital role that pollsters now play in guiding election campaigns, and in the commercial reality that Australian politics provides too little work to sustain specialist political pollsters. Parties in government now appear to utilise incumbency to sustain an ongoing relationship with the commercial polling organisations like ANOP and ARS to whom they will entrust much of the planning of their campaign for re-election. 相似文献
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Indo-Iranian Journal - 相似文献
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Deasún Breatnach 《Folklore》2013,124(1-2):105-110
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Colin M. Betts 《Midcontinental journal of archaeology, MCJA》2019,44(1):94-112
A fine-grained spatial and temporal analysis of relevant seventeenth-century French documents reveals that from circa 1650 to 1685 the two terms principally associated with the Ioway, Aiaouez and Paouté, were consistently applied to geographically distinct branches of that tribe. The conflation of these two terms after circa 1700 is the product of both changes in the contact-period cultural landscape and the manner in which it was defined. This conclusion has importance for the use of these accounts as analogues for reconstructing Oneota tradition social organization and highlights the value in applying contemporary theoretical perspectives and analytical techniques to ethnohistoric data. 相似文献
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María Silvina Delbueno 《Romance Quarterly》2018,65(1):11-20
This Latin American Medea plunges us into the well-known classical Greek myth from a novel approach. The Cuban writer Roberto Viña redefines the heroine's voyage with the Argonauts from the moment of her escape from her native Colchis. That is why Viña fragments the myth and focuses his tragedy on the sorcerer's maritime itinerancy that bears another nomination. Thus we identify the ethos of an ambivalent woman, peculiarly shy, and yet able to commit fratricide. Within the framework of the literary reception studies, we will analyze the expressions of extreme violence perpetrated by the characters of this play from very dissimilar perspectives. 相似文献