Commodification of indigenous crafts and reconfiguration of gender identities among the Emberá of eastern Panama

This article examines the recent involvement of Emberá indigenous women from eastern Panama in the production and commercialization of handicrafts for national and international markets, using life stories collected in two Emberá communities. Emberá women's increased participation in market economies provides a critical medium through which dominant norms of gender roles are partly reworked and new subjectivities are forged, providing them temporary spaces of authority from within to negotiate relationships with men in domestic spaces. The study does not look for obvious shifts of power inside the household. Instead, it conceptualizes handicraft activities and the conflicts they spark as discursive sites, thus focusing on how women (through their work and purchases) understand themselves and their roles, and how power operates through competing discursive constructions of ‘women’, ‘men’, or ‘work’ in everyday practices. This approach produces a nuanced understanding of the complex reconfiguration of gender relations, and the particular shapes that changing social interactions and meanings of femininity/masculinity take, and it challenges dominant representations of indigenous societies as static and inexorably harmed by capitalist transformation. Findings demonstrate that indigenous women's experiences and realities are multifaceted and dynamic, and that the outcomes of market economies in indigenous communities are complex and ambiguous, rather than uniform and necessarily oppressive.     

Indigenous bodies,indigenous minds? Towards an understanding of indigeneity in the Ecuadorian Amazon

This article explores how perceptions about bodies and interpersonal exchanges contribute to the production of indigenous subjectivities in the Ecuadorian Amazon. Drawing on feminist methodologies and experiences with Cofán, Quichua and Secoya peoples in the province of Sucumbíos, I reflect on how bodies and their ‘grammar’ can become analytical spaces through which to understand indigeneity. Specifically, I look at the body as object and subject of imaginaries of difference with the goal to examine how moments and interactions through which people commonly identify as ‘indigenous’ construct, contest and/or maintain indigenous subjectivities. I conclude with a discussion on the possibilities of thinking about and with bodies to further a post-colonial questioning of indigeneity.     

‘Thinking of the land in that way’: indigenous sovereignty and the spatial politics of attentiveness at Skwelkwek’welt

Grassroots Secwepemc attempted to stop the expansion of Sun Peaks resort on a site for Indigenous knowledge. I attend to the practice of Indigenous knowledge related to the confrontation and assert that Indigenous sovereignty and identity were outcomes. To make this argument, I investigate the space made for emotion, affect and intuition in the performance of Indigenous knowledge. From a relational materialist position, these more-than-representational forces play an important role in epistemology, ontology, ethics, and subjectivity. Identity therefore materialized in three ways related to feeling(s). As a result of their attunement to these forces, the Secwepemc understood that (non)humans underpin their material being and placed the collective on the political horizon. Furthermore, the practice of Indigenous knowledge encouraged an identity characterized by “attentiveness” to feeling(s) and to the activity of feeling itself. From the perspective of the struggles of subjugated knowledge, I also contextualize the attentiveness at the core of Indigenous knowledge practices as part of a more-than-representational and decolonizing spatial politics.     

Red Christmases: the Sandinistas,indigenous rebellion,and the origins of the Nicaraguan civil war, 1981–82

In December 1981, Nicaragua’s Sandinista government forcibly resettled some 8,500 Miskito Indians, killing dozens and displacing thousands in a controversy known as la Navidad Roja – the Red Christmas. Two starkly contrasting narratives exist around this episode: one which viewed the affair as a domestic one driven by longstanding ethnic tensions, and another which saw a CIA plot behind the violence. This article explores the chasm between those narratives and traces the breakdown in the FSLN–Miskito relations in 1981, ultimately showing how both indigenous action and Latin American state interventions played an understudied role at the onset of the Nicaraguan Civil War.     

The ruse of consent and the anatomy of ‘refusal’: cases from indigenous North America and Australia

This article takes the notion of ‘refusal’ to be an alternative to recognition politics in settler colonial society. This is argued as alternative with recourse to ethnographic examples that highlight the way in which ‘consent’ operates as a technique of recognition and simultaneous dispossession in historical cases from Indigenous North America and Australia. Attention is paid to the ways in which Indigenous life in these cases refused, did not consent to, and still refuses to be folded into a larger encompassing colonising and settler colonial narratives of acceptance, and in this, a governmental fait accompli. It is those narratives that inform the apprehension and at times, the ethnography and governance of Indigenous life and are pushed back upon in order to document, reread, theorise and enact ways out of the notion of a fixed past and settled present.     

Reproducing the indigenous: John Møller’s studio portraits of Greenlanders in context

Between 1889 and 1922, John Møller (1867–1935), the first professional Greenlandic photographer, produced more than 3000 glass plate negatives documenting life in Western Greenland around the turn of the twentieth century. Rooted in an internal understanding of self, Møller’s photographs played an important part in the formation of a contemporary image of Greenlandic indigenous identity. At the same time, Møller’s photographic practice was arguably entangled in and delimited by a historical reality that was structured by colonial relations of power. This paper examines the social and art-historical contexts of Møller’s work, focusing in particular on a selection of his formal studio portraits. My reading of these portraits suggests a case in which conflicting impulses coincide. On the one hand, Møller produced images that played out the “ethnographic convention”, a European form of representation dating back to the sixteenth century used for the documentation of non-Western indigenous peoples as specimens. However, in acting out that convention, Møller’s photographs hint at a subtle, progressive building-up of identity that reclaimed images of Greenlanders for themselves, and turned an originally negative, external image of indigeneity into a positive sense of self.     

Postcolonial polar cities? New indigenous and cosmopolitan urbanness in the Arctic

ABSTRACT

The arrival into geography, and especially urban geography, of a frame of questioning coming from postcolonial studies has contributed to a fascinating debate about what a “postcolonial” city is and how the urban duality between ethnically, socially, and spatially segregated “European” towns and “native” settlements is being reformulated and transformed. Obviously, Arctic cities are not postcolonial in the political sense of being independent from the former colonial centre – although this process may be under way in Greenland – but they have seen a progressive move from a Eurocentric culture toward greater hybridization. This article looks into two new trends that contribute to making Arctic cities postcolonial: first, the arrival of indigenous peoples in cities and the concomitant diminution of the division between Europeans/urbanites and natives/rurals; and second, the arrival of labour migrants from abroad, which has given birth to a more plural and cosmopolitan citizenry. It advances the idea that Arctic cities are now in a position to play a “decolonizing” role, in the sense of progressively erasing the purely European aspect of the city and making it both more local and rooted (through indigenous communities) and more global and multicultural (through foreign labour migrants).     

Dwelling at the margins,action at the intersection? Feminist and indigenous archaeologies, 2005

Este artículo aborda los posibles interconexiones entre lo que podría considerarse arqueología feminista y arqueología indigenista. El ensayo pasa de una historia de intersecciones en la Escuela Occidental a una consideración de ambas arqueologías, sus diferencias y sus posibles intereses comunes, y pregunta “jqué puede conseguirse a partir de un enfoque interconectado?” Existen dos dimensiones de la interpretación arqueológica que integran a los eruditos de ambas arqueologías, la feminista y la indigenista: (1) el lugar y el papel de “la experiencia”, y (2) el uso de las narraciones de cuentos y las tradiciones orales. Se sugieren para la arqueología algunas metodologías que descolonizan y alguna contra-investigación. Finalmente, se discuten dos aspectos de la arqueología en los que la interconexión y la colaboración podrían ser especialmente fructíferas: en cómo se sobreentiende el papel del género y en la arqueología espacial. Sugiriendo que ambas arqueologías trabajan hacia la transformación de las prácticas arqueológicas, esta revisión se propone promover el desarrollo adicional de conciencias de coalición transformativas.

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Résumé Cet article se situe à l'intersection de ce qui pourrait être considéré comme les archéologies féministes et autochtones. Cet essai va de l'histoire des intersectionalités” dans la pensée occidentale à une considération de ces deux archéologies, leurs différences et leurs préoccupations communes et pose la question suivante: que pouvons-nous apprendre d'une approche intersectionelle. Deux dimensions de l'interprétation archéologique sont intégrales aux modes de pensée des chercheurs féministes et autochtones (1) la place et le r?le de l'expérience et (2) l'utilisation de la tradition orale et de la petite histoire. Des méthodologies décolonisatrices et une contre-recherche en archéologie est suggérée. Finalement, nous discutons deux aspects de la recherche en archéologie où l'intersectionalité et la collaboration sont particulièrement enrichissantes: celui de la comprèhension des r?les sexuels et celui de l'archéologie de l'espace. En suggérant que ces deux archéologies travaillent à la transformation des pratiques archéologiques, cette révision désire encourager le développement futur d'une conscience coalitionelle transformative.

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“Voyager, there are no bridges, one builds them as one walks”. —Anzaldúa (1983)     

‘It shocks me,the place of women’: intersectionality and mining companies’ retrogradation of indigenous women in New Caledonia

Indigenous women’s social positionings are complex and dynamic, informed by culture and post-colonial politics; gender and ethnicity intersect with age, socio-economic status, and social hierarchies. This article uses an ethnographic study of Kanak women’s engagements with mining in New Caledonia, to examine three questions. First, how do indigenous women’s dynamic social positionings shape their possibilities for negotiation with and resistance to industry? Secondly, how do women’s possibilities for engagement in turn shape the wider community’s possibilities for negotiation with or resistance to industry? Finally, what is the companies’ role in shaping women’s possibilities for such engagement? I draw on the critical feminist concept of intersectionality, bringing this into conversation with concepts of symbolic and cultural violence and hegemony. Over time, women began to actively negotiate with and resist industrial projects, in line with growing gender equity in New Caledonia, but the mining companies referenced – and thus reinforced – women’s dominated social position as an excuse to sideline their concerns, a type of cultural violence I term ‘retrogradation.’ Thus, this article recognizes indigenous women’s increasing agency in engaging with external actors, such as industrial projects, yet also shows how outsiders can commit retrogradation to further marginalize young, rural, poor community women. I discuss how such marginalization limits options for the larger group. Finally, I point to a way out of oppression, through transformation of hegemonic ideologies.     

The governance of urban indigenous spaces: Norwegian Sámi examples

How do different ways of governing urban indigenous social spaces facilitate or frustrate local indigenous self-government? A major challenge in Norway is the absence of actors that represent the entire local indigenous population. The main Norwegian Sámi NGO is a driving force in establishing and governing indigenous spaces, but is now one of several and often competing organizations due to specialization (new organizations form to promote specific subgroups' interests) and partisanization (organizations compete in elections to the Sámediggi representative organ). Social media facilitate communication across organizational divides, but do not produce any unified local indigenous “voice”. Private businesses and public cultural institutions take part in establishing and governing indigenous spaces – the former often in complete autonomy from Sámi NGOs, the latter more likely to seek cooperation or coordination. Local and regional state-based actors generally do not take initiatives to establish indigenous spaces, but involve themselves as co-organizers with Sámi leads and as sources of (often unstable) economic support. The state-based Sámediggi is increasingly proactive: financing, facilitating contact between actors, and occasionally participating directly in urban indigenous governance. The Sámediggi provides a unifying representative voice at the macro level that is missing at the local level.     

The Ainu of Japan: an indigenous people or an ethnic group?

Abstract

In 1997 the Japanese Parliament ratified the Act for the Promotion of Ainu Culture and the Dissemination and Advocacy for. the Traditions of the Ainu and Ainu Culture; this act officially designates Ainu culture and language for restoration and promotion in Japan. However, despite demands from Ainu people to be recognized as an indigenous group, the Japanese government designates the Ainu only as an ‘ethnic minority’. Generally, the Japanese define Ainu people as descendants of those. who assumed Ainu culture in Hokkaido during the period of Japanese colonization (from the 13th/14th centuries to the middle of the 19th century). A primary consideration today is to identify and date the origins of Ainu culture (which can then be conserved in accordance with the 1997 Act). Most Japanese academics agree that the Ainu people are the prior inhabitants of Hokkaido, but they also consider Hokkaido ‘Japan's inherent territory’. At present, the Japanese authorities seem to consider the term ‘indigenous’ to mean a population who had prior possession of land, but who now have no right to it or its natural resources. However, many Ainu continue to demand recognition as an ‘indigenous people’, rather than an ethnic minority.     

Who's indigenous? Whose archaeology?

Abstract

The International Labour Organisation, the United Nations and various indigenous Organisations have raised and/or objected to diverse criteria through which indigenous groups have been defined and the rights that should be accorded to them. This paper discusses the implications of these issues in relation to archaeological research and heritage management and uses this to position the other papers in this volume. Specific themes that are addressed include: the impact of colonialism and nation-forming on indigenous groups; the continuing influence of 19th and early 20th century social evolutionary concepts on the representation of indigenous groups and the role of archival material from this period today; the contrasting processes of cultural continuity and assimilation within ‘dominant’ societies in which indigenous communities have participated, and the effects that this has had on more recent claims over land rights; the cultural differences that surround the concepts of individual and community ownership, particularly in relation to copyright; the role of academia, museums and the media in the representation of indigenous people in the past and the present.     

‘ … por decir Dios Trino y Uno,dijo Dios tres y uno son cuatro’: the Christian Trinity and the multiplicity of Andean Deities: indigenous beliefs and the instruction of the Christian doctrine in Quechua

In this paper I examine how Christian priests in the early colonial period in the Andes tried to communicate the Christian concept of the Trinity to the indigenous population, mainly through textual but also through visual means. On the basis of these sources, I will address the following questions: how did the priests present the concept in Quechua, one of the general languages of the Andes, in morphological, lexico-semantic and argumentative terms; how was the Trinity represented in painting and, could the Indians relate these explanations to something they were familiar with in their own religion? Answering these questions will provide us with hypotheses as to how the indigenous population might have understood this Christian concept, which, in turn may enable us to better understand modern Andean belief forms with respect to the Trinitarian concept, which I shall briefly discuss in the final section. On the whole, the evidence suggests that, whilst the Christians may have thought that they could explain their Trinity to the Andean people better by using the Quechua language, the adoption of Andean concepts and language resources resulted in different reception strategies, such as the accommodation of Christian beliefs in the Andean religious system, but also the creation of new hybrid concepts based on Amerindian as well as Christian belief forms.     

The politics of expressive forms,ethnographic practice,and indigenous–state relations

This review examines four recently published ethnographies of North American Indian communities in both the United States and Canada, each reflecting the ways in which sovereignty and self-determination are realized and compromised. The evolving indigenous polities discussed in these works each articulate with the nation-state that encompasses them in different ways, in large part by virtue of the kinds of resources the communities are perceived to manage by salient institutions in the dominant society. These works are also insightful concerning the possibilities and limitations of ethnography in highly politicized settings.