Getting Acquainted With Alfonso Hernández-Catá

Traditionally it has been considered that Castilian cancionero poetry has hardly preserved diálogos interestróficos, such as the primitive tensón. However, the Cancionero de Palacio contains a very significant sample of the different possibilities of the cancioneril dialogic mold: beyond poetic dialogue forms more common in Fifteenth Century Spanish poetry, through whole texts juxtaposed, the Cancionero de Palacio contains several other more original forms, and as a result it serves as a codex unicus. This article offers, for the first time, an analysis of all the diálogos interestróficos collected in this Cancionero. This analysis contradicts the widely held view about the rarity and scarcity of these texts and confirms the originality of the dialogic schemes and the strong presence of polyphonic texts in this colectánea. The article presents a list of twelve compositions—a very significant number—in which the dialogue articulates all the text, with voices alternating stanza to stanza or even within each stanza. After establishing this body of work, the study centers on a typological analysis based on the voices found in these poems.     

Singers without borders: a performer’s rotulus and the transmission of jeux partis

The jeu parti – a debate in song weighing questions of love, sex, wealth, ethical behaviour – enjoyed popular acclaim across social classes in thirteenth-century France. Despite the appeal of these texts as historical sources, suggestive of the mentalité of a medieval community through frank discussion of taboo subjects, jeux partis have received sporadic scholarly attention. A rare scroll, copied by an Anglo-Norman scribe (London, Lambeth Palace Library, MS 1681) supplies new evidence of the genre’s transmission outside the pages of a codex and outside northern France. The only known document of its kind to contain jeux partis, it has been overlooked by scholars for a century, yet it suggests that the transmission of music and culture could be achieved textually, borne along the performance circuits of medieval Europe. This study investigates how jeux partis were composed, transmitted and refashioned for new audiences with the aid of text and improvisation.     

Death at St Bernard's: Anti-vivisection,Medicine and the Gothic

Displaying a Gothic fascination with the misapplication of science, Edward Berdoe's St Bernard's: The Romance of a Medical Student (1887) was one of a number of novels in the 1880s that repackaged the horrors of vivisection for public consumption. Although the novel can be dismissed as derivative, it departed from standard themes found in other anti-vivisection texts. Through the device of a hero struggling with the moral implications of science and the reckless treatment of patients, St Bernard's challenged the legitimacy of the teaching hospital. The present article moves debate about the Gothic, literature and science beyond well-known texts by Stevenson and Wells to examine how St Bernard's combined ‘the methods of science with the methods of romance’ and shifted the anti-vivisection narrative into the hospital. In locating the novel within anti-vivisectionist uses of fiction and late-Victorian anxieties about experimental medicine and the teaching hospital, the article explores the novel's relationship with other anti-vivisection texts and Gothic fiction, and examines what it says about scientific practices and mentalities. St Bernard's fashioned a very different hospital from existing representations to warn readers of how brutish students and cruel doctors tortured patients. In doing so, the novel recast the teaching hospital as an uncanny and dangerous place.     

María Zambrano’s and Albert Camus’s communal ethics

ABSTRACT

Maria Zambrano and Albert Camus had much in common, especially their sympathy for the Second Spanish Republic and their ethical vision. Both intellectuals employed literary forms to explore philosophical ideas allegorically, explicitly notions related to exile and solitude. Works included in the study are ‘Delirio de Antigone,’ La tumba de Antigone, and Delirio y destino [Delirum and Destiny] by Zambrano and The Plague and The Myth of Sysifus by Camus. Zambrano’s works are interpreted as allegories of Franco’s Spain, while Camus’s novel and essay represent Vichy France under the Nazis. Like Camus, Zambrano was a master of blending political, philosophical, and literary themes and genres.     

Readers and responses to George Sandys' A Relation of a Iourney begun An: Dom: 1610 (1615): Early English Books Online (EEBO) and the history of reading

This paper will discuss Early English Books Online (EEBO) as a tool for locating and researching contemporary references and responses to historical texts and authors, specifically George Sandys' A Relation of a Iourney begun An: Dom: 1610 (1615). It will focus upon two main themes. The first is methodological and will discuss the nature of EEBO and the possibilities and limitations it presents for this kind of historical research. The second turns to a case study of seventeenth-century responses to, and readings of, the Relation and shows how references found through EEBO can both broaden the context within which we view this work and alter our interpretation and understanding of it.     

From Plato to Pullman—The Circle of Invisibility and Parallel Worlds: Fortunatus,Mercury, and the Wishing-Hat,Part II

In this sequel to the article in the August edition of Folklore on the early German prose text Fortunatus, the history of the Wishing-Hat is continued up to the present with selective examples. Two major themes—the moral implications of invisibility, and the nature of movement through time and space—are examined in detail with reference to such texts as the Nibelungenlied, the tales of the Brothers Grimm, Plato's…Ring of Gyges fable, Keats's Lamia, Wells's Invisible Man, and Pullman's His Dark Materials Trilogy.     

Decolonization in the Heart of Empire: Some Fanonian Echoes in France Today

Abstract: This paper offers a translation of key texts by the contemporary Mouvement des Indigènes de la République (MIR) and its key intellectuals: Sadri Khiari and Houria Bouteldja. Following Khiari, post‐colonial situations are best understood as recompositions: territorially mediated re‐articulations of colonial pasts with other social relations. To respond to the complexities of this post‐colonial recomposition, MIR propose an ambitious politics of “autonomy” and “mixity”. “Autonomy” (externally in relationship to the state and organized politics and internally for feminist groups) is seen as an indispensable precondition for a socio‐politically mixed, and potentially universalizing, political formation politics. More counter‐colonial than post‐colonial in orientation (Hallward), MIR attempt to give direction to three decades of revolt emanating from France's racialized popular neighbourhoods, including the uprising of 2005. I argue that MIR's interventions take up themes from the analyses by Frantz Fanon, Albert Memmi and Suzanne and Aimé Césaire to make countercolonial critique “live” in France today.     

Visions/versions of the war: Ramón Pérez de Ayala and Juan Pujol on the Italian front

In 1915, the Spanish journalist Juan Pujol visited the Italian front. His reports appeared in ABC, and were later incorporated in his book In Galitzia and the Isonzo (1916). A few months later, the Spanish writer Ramón Pérez de Ayala visited the same territories. His reports appeared in El Imparcial (Madrid) and La Prensa (Buenos Aires), and were later published in his book Herman in Chains (1917). The poetics evident in the reports of both writers were clearly different, not only for ideological reasons (Juan Pujol supported the Central Empires; Pérez de Ayala favored the Allies), but also for discursive reasons: the reflexive and digressive culturalism of Pérez de Ayala, for example, contrasted vividly with the direct narrative of Juan Pujol. However, since both writers shared some stereotypes about war and used a common repertoire of rhetorical and stylistic strategies, there are significant similarities between their texts.     

Children and Print Visual Culture During the Chilean Popular Unity Government

This article analyses the visual figuration of children during the Chilean Popular Unity government (1970–1973) in a diverse archive of photographs, posters, album covers, magazines, and comics. First, it reads the realist representation of children in photography, which emphasises the dramatics of poverty as a form of establishing a photographic “civil contract” (Azoulay, The Civil Contract of Photography, 2008). Second, it interprets posters and texts concerning the Allende government’s Plan de Leche (Milk Plan) as an affirmative biopolitics. It concludes by showing that the children on illustrated posters are the idealised version of childhood projected by adults as a way of imagining a coming community.     

Alberta Wilson Server

By highlighting central anthropological theories of food and identity—(1) food events, (2) group eating, (3) the act of eating itself, and (4) the idea of consumption—and linking them to medieval portrayals of Iberian diet, this article aims to elucidate societal coding based on a culinary system and reveal unconsidered or unnoted aspects of medieval Castilian culture. Medieval texts are analyzed, including Cantigas de Santa María, Siete Partidas, El libro de Alexandre, and El cantar del Mio Cid.     

Literacy in the Byzantine World

Abstract

The historian Nicephorus Gregoras, writing of the Patriarch Athanasios I, dismisses him scathingly as <inline-graphic href="splitsection4_in1.tif"/><inline-graphic href="splitsection4_in2.tif"/>. Yet we know that Athanasius, who came from the countryside near Adrianople, was reading the Lives of Saints before the age of twelve. And his surviving writings—homilies, encyclicals, canonical decisions, letters, etc.—fill the 204 folios of codex Vaticanus graecus 2219. Most of these writings still await publication. But the recent edition by Mrs. Alice-Mary Talbot of 115 of Athanasios' letters shows that he wrote fluent literary Kaine Greek, without the archaizing affectations of Byzantine Atticism and with occasional voluntary or involuntary lapses into the spoken language of his time. He was no stylist: for him it was the matter, not the manner, that counted. He had little acquaintance with classical Greek literature. But in addition to the Scriptures, which he constantly quotes, he was familiar with the more widely read works of the fourth-century fathers, knew the basic texts of civil and canon law, and could quote the Epanagoge. Clearly he was no illiterate, but a professional user of the written word.     

Sovetskaya Arktika journal as a source for the history of the Northern Sea Route

This paper is about reading and using the Soviet texts published in the 1930s on the Northern sea route (NSR) and the Arctic in general. The history of the NSR exploration and exploitation and its current potential as a round-the-year transportation waterway connecting the Pacific and the Atlantic is outlined. Specific features of the 1930s’ sources for the study of the NSR are explored using the example of the journal Sovetskaya Arktika (The Soviet Arctic), published between 1935 and 1941. The representation of the Northern Sea Route in this journal is described from two perspectives: what was presented (and what wasn't) and how it was presented. Special characteristics of the language used are considered to be interesting examples of the Soviet version of “totalitarian language” (newspeak, langue de bois). Historical sources written in this kind of language require special skills and special caution to read, interpret, and use.     

The role of the past in late medieval hidalgo historical writing and memory

ABSTRACT

This essay is structured around two themes: the writing of history and memory. On the one hand, it analyses the use of the past in Lope García de Salazar's Libro de las buenas andanças e fortunas (1471–5). His approach to history is imbued with nostalgia for a legendary past, and more specifically for a political arrangement between the Lord of Biscay and the lesser nobility (hidalgos) which ensured respect for their privileges. This is set in contrast to a second group of material, legal documentation relating to the town of Escalante in Cantabria. Historically under seigniorial control, the inhabitants created a collective memory that framed a past prior to the fourteenth century which was free of lords and feudal obligations.     

Interview with Jeanne Hyvrard

Born in Paris in 1945, Jeanne Hyvrard published her first novel, Les Prunes de Cythère (Minuit), in 1975, and her subsequent work ranges from prose novels to short stories, poetry, essays, and experimental texts which exceed the bounds of conventional genre definitions. Hyvrard claims to be articulating the emergence of a new organisation of thought, la tierce pensée, which will enable us to understand and to manage the economic changes brought about by the increasing globalisation of trade and by technological advances. She is an economist by training, and her writing manifests a deep concern with relationships of production, exchange and consumption between individuals, at the heart of which is the possibility of a renewed ethical relationship between the self and the other. This ethical stance influences Hyvrard's thought on themes as diverse as psychology, gender, education, literature, environmentalism, and immigration; and her holistic vision of the world, as structured by networks of interconnected relationships, is now attracting growing critical attention, as it strikes a chord with contemporary concerns about the effects of economic and cultural globalisation.     

Photius,Phlegon, and Virgil

Abstract

In his Bibliotheca, codex 97, Photius passes under review the Compilation of Olympic Victors and Chronicles by Phlegon of Tralles, a freedman of Hadrian. This work was dedicated by Phlegon to an imperial official, P. Aelius Alcibiades. Neither the official nor the book are mentioned in the Historia Augusta or the extant Byzantine epitomes of Dio Cassius, or indeed in any literary source. The name Aelius, however, might have helped the HA to create one of its many bogus sources, to wit Aelius Maurus, a supposed freedman of Phlegon himself and supplier of an anecdote about Septimius Severus on his deathbed.