A geopolitics of migrant women,mobility and abortion access in the Republic of Ireland

Drawing on three select case studies and feminist engagements with mobility studies, I illustrate the Irish state’s use of a dialectic of gendered and racialized citizenship, and mobility and fixity, in the creation of ‘new geographies of belonging and exclusion’. Using detailed analyses from select cases, I argue for more nuanced feminist engagements with mobility that acknowledge and analyse ‘processes and trajectories’ in relation to a geopolitics of abortion – one that eschews undifferentiated uses of the category migrant and discourses of tourism, in analysing abortion in the Republic of Ireland. I expose how their use constructs limited ideas about gender, nation and Irishness to assure exclusions from Ireland, and from its diaspora.     

BIFFOs,jackeens and Dagenham Yanks: county identity, “authenticity” and the Irish diaspora

Despite being an everyday point of reference in Irish discourse, the extent to which the county serves as a locus of identification has been oddly overlooked in the Irish studies literature. In particular, the persistence of identification with the county of origin post-migration offers new insights on the construction and maintenance of identity within the Irish diaspora. Drawing on my PhD research on discourses of authenticity and identity among the Irish in England, this article investigates the ways in which county identity is invoked both by Irish migrants and those of Irish descent. It illustrates how the county is used as a rhetorical tool to situate the speaker within discourses of belonging and authenticity, but how this may also act as a constraint on the articulation of a collective, diasporic identity. It argues for a greater research focus on translocalism within the context of changing Ireland–diaspora relations.     

Discourses of nation among migrants from Northern Ireland: Irishness,Britishness and the spaces in‐between

Narratives of nation and identity are highly contested in Northern Ireland, with allegiance usually given to an Irish nation or a British nation, or located somewhere along a continuum between the two. The negotiation of one's identity along this continuum can become particularly complex once one migrates outside Northern Ireland. Adopting a sense of belonging to or exclusion from an Irish diasporic community is part of this process of negotiation. This paper explores these negotiations of identity among both Catholic and Protestant migrants from Northern Ireland to England. It utilises an oral history archive of interviews with individuals who migrated in the latter half of the 20th century, and focuses on narratives of nation and identity among these migrants. Drawing on the notion of England as a diaspora space, in order to make sense of these narratives, the intersections between diasporic Irishness and different British identities are untangled in an attempt to draw out the spaces ‘in‐between’ two, often polarised, narratives of nation.     

Forging a ‘Good Diaspora’: Political Mobilization among Somalis in the UK

This article is about a campaign that was initiated by Somalis in London in 2013 against Barclays Bank's decision to shut down the accounts of four Somali remittance companies in the UK. It explores how young Somalis mobilized politically around the issue, and how, in the process, they created and reified a particular ‘imagined community’. By drawing on multicultural notions of community, and development idioms of diaspora engagement, they fashioned themselves around a notion of ‘good diaspora’ based on generation, pan‐Somali unity, and ideas of ‘professionalism’. In so doing, they were able to mobilize politically as both national and transnational actors, but were also confronted with some of the limits of the ‘good diaspora’ identity category. This article establishes a dialogue between the literature on diaspora engagement and that on migrant political mobilization by exploring how young Somalis navigate across these different national and transnational conversations, discourses and social categories.     

The ‘Iranian Diaspora’ and the New Media: From Political Action to Humanitarian Help

This article looks at the shifting position of the ‘Iranian diaspora’ in relation to Iran as it is influenced by online and offline transnational networks. In the 1980s the exilic identity of a large part of the Iranian diaspora was the core factor in establishing an extended, yet exclusive form of transnational network. Since then, the patterns of identity within this community have shifted towards a more inclusive network as a result of those transnational connections, leading to more extensive and intense connections and activities between the Iranian diaspora and Iranians in Iran. The main concern of the article is to examine how the narratives of identity are constructed and transformed within Iranian (charity) networks and to identify the factors that contribute to this transformation. The authors use the transnational lens to view diasporic positioning as linked to development issues. New technological sources help diaspora groups, in this case Iranians, to build virtual embedded ties that transcend nation states and borders. Yet, the study also shows that these transnational connections can still be challenged by the nation state, as has been the case with recent developments in Iran.     

The Irish question and the concept ‘identity’ in the 1980s1

ABSTRACT. This article critically investigates the social construction of ‘identity talk’ in relation to the Irish Question in the 1980s. Our contention is that the utilisation of ‘identity’ imagined people as bounded groups in a particular way – as the two traditions or communities in Northern Ireland – and that this way of imagining people was deployed against ‘will’‐based conceptions of politics. The first part of the article places the emergence of ‘identity’ as a concept in its historical context and suggests four phases in the use of ‘identity’. The second part focuses on ‘identity’ as a concept and locates its emergence within the meta‐conflict regarding Northern Ireland. The article concludes by reflecting on Brubaker and Cooper's (2000) analysis of ‘identity’ as a category of analysis in light of our case study of ‘identity’ as a category of practice regarding the Irish Question.     

Gaeltacht Thuaisceart an Oileáin Úir: post-territorial Irishness and Canadian multiculturalism

In 2007 a remarkable development for the Irish language outside of Ireland took place. A dedicated space for speaking and learning the language was established in Ontario, Canada, now known as Gaeltacht Thuaisceart an Oileáin Úir. While the adoption of the term ‘Gaeltacht’ may be controversial in an allochthonous context, this site is sustained by a diasporic community that endeavours to preserve an Irish cultural identity through learning and speaking the language. This paper presents the results of fieldwork conducted among Irish-language learners in Canada who have invested time and resources to establish a permanent space for the language. Data retrieved through an online survey reveal that the language serves as a vehicle for those wishing to maintain or connect with an Irish cultural identity, as well as for those outside of the diaspora who learn the language for other social, professional or educational purposes. Notably, such narratives are perfectly at ease within a modern, multicultural Canada.     

Chopsticks,phone bells and farms: Fuyuko Taira's diasporic spatial practice

In this article, I revisit my earlier project on local poetry practices by Japanese ‘war brides’ from the Second World War and explore a creative, transnational home-making activity by focusing on one of my informants, Fuyuko Taira's senryu poetry. Drawing on theories of global space and diasporic home-making practices, I suggest that her engagement in senryu involves a transnational spatial practice through the use of familiar everyday language. While the experience of displacement among Taira and other so-called ‘war brides’ cannot be understood without a consideration of socio-historical and economic constraints that characterized their emigration, my aim here is not to analyse how Taira's senryu simply reflects her diasporic victimhood but to explore how she exercises her creative agency to make her new home familiar and habitable by engaging with the everyday poetry practice of alternation between ‘pause’ and ‘move’ in the midst of changing landscapes. I argue that to a member of the Japanese diaspora like Taira senryu can be thought of as a different mode of experiencing at once the local and the global in an organic way.     

Translocational Irish identities in Edna O’Brien’s memoir Country Girl (2012)

A rural-urban exodus subsequently followed by overseas migration has characterised geographical movement in Ireland. While Irish women have outnumbered men in their diaspora, physical and symbolic identification with Ireland has been decisive to the polemic of Irish female migration. This article explores how real and symbolic contradictions in Irish women experiencing displacement are reflected in Edna O’Brien’s memoir Country Girl (2012). Using translocational positionality as an intersectional research framework, the article reveals the importance of spatiality in the ‘life writings’ of a particular situational subject and its major role in identity construction processes. Furthermore, this article relates the individual biography to the collective and complex construction of identity of Irish women abroad in the second half of the twentieth century. The analysis sheds light on many unvoiced experiences shared by female migrants and discloses key aspects of Irish migration that result in a problematic gendered relation with the land still unresolved.     

Performing identities: music and dance in the Irishcommunities of Coventry and Liverpool

This article will examine how British-born second- and third-generation Irish people use Irish music and dance in the production of an Irish cultural identity. The article draws on research undertaken with members of the Irish communities in the English cities of Coventry and Liverpool. The research was conducted with music and dance practitioners in Liverpool who strongly identify as Irish and also with schoolchildren in Coventry whose parents or grandparents were born in Ireland. The paper first explores the comments of the Liverpool respondents and points to how music and dance can offer a space in which different generations can mark out their affiliation or embody their Irishness. Secondly, the paper considers interview work with schoolchildren in Coventry, concentrating on their responses as listeners to Irish traditional music. Their comments point to the capacity of this music to resonate with multiple, even conflicting, productions of Irishness. The comments of all the respondents raise key debates about authenticity and the construction of identity.     

Irish language education and the national ideal: the dynamics of nationalism in Northern Ireland

Since the beginning of the Northern Ireland conflict in the late 1960s, Irish nationalism has been identified as a prominent force in the political culture of the state. Recent studies have suggested, however, that the ‘Nationalist’ population has become increasingly content within the new political framework created by the peace process and the aspiration for Irish unity diminished. In placing the Northern Ireland situation within the theoretical framework of nationalism, this paper will analyse how these changing priorities have been possible. Through an analysis of Irish language study in Northern Ireland's schools, the paper will examine how the political ideals espoused by the nationalist Sinn Féin Party reflected the priorities of the ‘nationalist community’. It will be contended that the relationship between the ideology and ‘the people’ is much more complex than is often allowed for and that educational inequalities are a significant contributing factor to this.     

Diasporic identifications: exile,nostalgia and the Famine past in Irish and Irish North-American popular fiction, 1871–1891

During the nineteenth century, “exile” became a key term to describe the Irish-diasporic community in North America. More recently, scholars in the fields of diaspora studies and Irish studies have described this community as a “victim diaspora” with connotations of forced expulsion, exile, and nostalgia for the homeland. Moreover, among scholars and within the Irish-American community, the notion exists that the Great Irish Famine (1845–1851) constitutes the Irish-American “charter myth”, that it was the starting point of an Irish-American identity. This article sheds a different light on these (self-)identifications by discussing the concepts of origin myth, exile and nostalgia and also considers the concept of diasporic belonging in the context of Irish and Irish North-American works of popular “Famine fiction” written between 1871 and 1891. Consequently, the impact of these late nineteenth-century literary considerations on present-day conceptualisations of the Irish-American community as a victim diaspora are discussed.     

Emer Martin and multimodal family dysfunction: More Bread or I’ll Appear (1999)

Emer Martin’s More Bread or I’ll Appear (1999) revisits the discourse of the family in Ireland between the 1970s and the 1990s. This article contends that Martin intersects her work with family “issues” of the day so as to accommodate the representation of what can be termed as multimodal family dysfunction. She provides insights to the role of women, family and global female diaspora. This paper draws upon work by Diarmaid Ferriter, Alpha Connelly and the tenets of transnational feminism to account for the historical, ideological and sociocultural contexts of the time. For Martin, dysfunction is multimodal in the way in which the Irish family portrayed faces real “hidden issues” from different discourses. Her novel also focuses on the “wounds” that have been the effect of abuse, secrets, appearances, violence and lack of communication within the family. Another mode of Martin’s representation of dysfunction considers the transnational experiences of her female characters on the margins of an Ireland becoming global. Her novel invokes transnational perspectives so as to commit to dislodging nation-centric and family-centric visions of Ireland.     

The strange case of ‘John Black’ and ‘Mr Hyde’: constructing migrating Jamaicans as (un)worthy nationals

This paper examines how migrating Jamaicans were constructed as ‘worthy’ or ‘unworthy’ of Jamaican diasporic membership in the early years of statehood, to demonstrate the role of nationalist cultural repertoires in constructing particular diasporic imaginaries. I conduct a discourse analysis of Jamaica's national newspaper, The Daily Gleaner, between 1962 and 1966, a period encompassing crucial transitions in Jamaican migration movements and from colony to statehood. I argue that tropes of respectability present in Afro‐creole nationalist ideology form the cultural repertoires used to distinguish migrants' actions as worthy or unworthy of national membership. These distinctions specify who ‘counts’ as part of the diaspora and how migrants of different social positions may claim and articulate their membership.     

Heritage,transnational memory and the re-diasporisation of Scotland

For a long time in Scotland, diasporic – and popular – heritage with its imaginary emphasising kinship, stylised images and ritualised practices was either overlooked or discredited. The term ‘diaspora’ itself to define Scotland’s vast overseas population has been scrutinised for its usefulness. However, since devolution, it has gained currency in public discourse and policies and has led to the ‘re-diasporisation’ of Scotland. Yet, the ‘diaspora’ had long been identified as an important niche market in relation to heritage perceived as an economic resource. This article explores the changing perception and place of diasporic heritage in Scotland since the 1970s through two case studies. Focusing on processes of remembrance of nineteenth-century Highland emigration materialised through monuments and museums, it highlights the conflicting and shifting relationships that different communities – home and diasporic – have with their past, place and the meanings ascribed to them. The transnational memories increasingly promoted in Scotland act as a means of re-energising nationhood and initiating revisions and re-reading of popular and diasporic culture.     

The ummah as nation: a reappraisal in the wake of the ‘Cartoons Affair’†

ABSTRACT. In the wake of the 2006 ‘Cartoons Affair’ which saw international protests by Muslims against the publication of cartoons depicting the Prophet Muhammad, it is clear that identity based on membership in the Islamic ummah goes far beyond simple religious affiliation. This essay presents a novel argument for treating the ummah (the transnational community of Muslim believers) as a nation. I begin with a theoretical treatment of the ummah as nation which employs historic and current interpretations of what constitutes nationhood. I then turn to the current state of the ummah; my findings present a potent nexus of information and communications technology (ICT), emergent elites, and Muslim migration to the West that has facilitated a hitherto impossible reification of the ummah. I also discuss how globalisation, Western media practices, and the nature of European society allow ‘ummahist’ elites to marginalise other voices in the transnational Muslim community. Based on the global events surrounding the Danish cartoons controversy of 2005–06, I conclude that there is need to recognise ummah‐based identity as more than just a profession of faith – it represents a new form of postnational, political identity which is as profound as any extant nationalism.     

A portrait of the chief as a general paralytic: rhetorics of sexual pathology in the Parnell split*

The O’Shea trial and the ensuing fall of Charles Stewart Parnell occupy an epochal position in accounts of the sexual politics of Victorian Britain and the development of Irish nationalism. This article examines how the “Parnell myth” came to serve (and was constructed from the outset) as a symbolic edifice within which anxieties concerning the relationship between Irishness and sexuality could be foregrounded and negotiated. In particular, it will analyse Timothy Healy’s influential post-split denunciations of Parnell, and the rhetoric of sexual contagion through which they were conducted, a campaign which set the discursive terms of twentieth-century mainstream Irish nationalism. Through an analysis of Healy’s post-split journalism, contemporary political memoirs by T.P. O’Connor, and a range of nineteenth-century medical and psychiatric texts, this article will highlight the ways in which discourses of sexual health were used to reshape Parnell’s public persona at the level of gender and ethno-national affiliation. In doing so, it will illustrate how a sensitivity to the history of medicine can enrich critical understandings of a crucial moment in the political and cultural history of Ireland, and shed fresh light on the vexed collocation of Irish identity and sexual purity which the Parnell split reinforced.     

A place called ‘Bielany’: negotiating a diasporic Polish place in Sydney

This paper examines the creation of a distinctly Polish place by Polish migrants and their children, in Sydney, Australia. I explore the use of place as a means of maintaining distinct ethno-cultural identity in diaspora by evaluating how different groups of Polish people contextualise their diasporic identity, attribute meaning to place, and how these meanings change through time. Differing generational cohorts and waves of migration within Sydney's Polish diaspora (re)create Bielany as a place for maintaining Polish identity by reproducing a familiar and homely place and by centring Bielany as a main venue for recreation and social functions. Notions of place attachment, expressed through participation in activities, ownership and maintenance of a communal Polish place, and emotional linkages to that place, evince their preference for and their connection to a shared and distinctly Polish place.     

Issues of mutuality and sharing in the transnational spaces of heritage – contesting diaspora and homeland experiences in Palestine

Wars, colonialism and other forms of violent conflict often result in ethnic cleansing, forced dispersion, exile and the destruction of societies. In places of diaspora and homelands, people embody various experiences and memories but also maintain flows of connections, through which they claim mutual ambitions for the restoration of their national identity. What happens when diaspora communities ‘return’ and join homeland communities in reconstruction efforts? Drawing on heritage as metaphorical ‘contact zones’ with transnational affective milieus, this study explores the complex temporalities of signification, experiences and healing that involve both communities in two specific sites, Qaryon Square and Al-Kabir Mosque, located in the Historic City of Nablus, Palestine. Conflicts at these two sites often become intensified when heritage experts overlook the ‘emotional’ and ‘transnational’ relationships of power that revolve around the diverging narratives of both communities. This study proposes new methodological arts of the contact zone to enhance new ways in heritage management that can collective engage with the multiple and transnational layers of heritage places beyond their geographic boundaries and any relationship with defined static pasts. Such engagement can help explore the contentious nature of heritage and the resonances it may have for reconciliation in post-violent conflict times.     

Is the classic diaspora transnational and hybrid? The case of the Ukrainian Canadian Congress

Scholars studying migration processes through the transnational prism have expanded the concept of ‘diaspora’ with a new meaning as a transnational, hybrid identity and condition, which has displaced the classical interpretation constructed around ethnicity and territory. By analyzing the activities of the Ukrainian Canadian Congress, which represents the organised Ukrainian community in Canada, an old‐type diaspora, this paper argues that transnationality and hybridity have always been the inner attributes of diaspora identity and experience and stresses the importance of an essential characteristic of diaspora: the conscious effort to maintain a distinctive collective identity. Only if a community succeeds in maintaining its collective identity throughout multigenerational change can it qualify as a diaspora. These two dimensions – the self‐consciousness of diaspora as a distinctive group and the survival of its distinctive identity through multigenerational change – set diasporas apart from transnational communities.