Origin Narratives and the Making of Dynastic History in al‐Dīnawarī's Akhbār

This article takes the reader on a journey into the historical writing of the ninth century Muslim historian al‐Dīnawarī (d. 895) and examines the motives behind composing his al‐Akhbār al‐?iwāl. The themes and narrative arrangements of this work give insight into al‐Dīnawarī's historical agenda that demonstrates his interest in royal histories that exemplify the rise and fall of nations, dynasties, and powerful rulers. Al‐Dīnawarī's emphasis on specific episodes and events demonstrates that only certain ethnic groups whose political legitimacy derives from a respectable and prominent origin can bring about political and social stability. By dealing with these sociopolitical concerns, this article also sheds new light on the intellectual discourses and political crises that dominated Islamic society during the eighth and ninth centuries and the way al‐Dīnawarī reacted to these challenges.     

Ṭūsī Reloaded: Ismāʿīlī Paths of Sufi Wayfaring and Sufi Paths of Ismāʿīlī Apophaticism

Much ink has been spilled on the tumultuous life and works of Na?īr al-Dīn ?ūsī. This paper re-evaluates his connections with Sufism and Ismā?īlism, and challenges the reduction of the former to a late interest, and the latter to an early affiliation abandoned in the wake of the Mongol invasion. The paper argues that Sufi and Ismā?īlī themes, sources, and ideas are in an organic interpenetration in ?ūsī’s works throughout his career. While his early Ismā?īlī eschatology has a fundamentally Sufi nature, his late Sufi treatise adopts the key components of Ismā?īlī negative theology of the divine nature. The case of ?ūsī illustrates that the Ismā?īlī double negation was preserved in Iran and Central Asia, and put into creative interactions with Sufism in the thirteenth century.     

The Ḥanbalī Emigration of 551–569 AH/1156–1173 AD in the Context of the Legal Discourse on Muslims under Non‐Muslim Rule

In 551 AH/1156 AD the ?anbalī shaykh A?mad ibn Qudāma (491–558/1098–1163) emigrated from the Frankish‐ruled region of Samaria. He reached Damascus and advised his relatives to follow suit, thus initiating the two‐decade exodus of the Banū Qudāma from the Latin Kingdom of Jerusalem. The migration story survives in a tenth/sixteenth century chronicle and is attributed to A?mad's grandson, ?iyā’ al‐Dīn (569–643/1173–1245). According to ?iyā’ al‐Dīn, the cause of the emigration was the extreme oppression of the local Frankish lord, Baldwin of Ibelin (d. c. 582/1186), and A?mad ibn Qudāma's inability to practice his religion. But scholars have also attributed the emigration to wider ideological and political developments under the reign of Nūr al‐Dīn ibn Zengi (541–569/1146–1174), namely the counter‐crusade and the institutionalization of jihad propaganda. Here I explore the context of the emigration in greater detail while focusing primarily on legal theory. In most cases, a historian can determine the circumstances that led to the issuance of certain legal opinions but in the case of the ?anbalī emigration we have an event without an accompanying legal opinion. Accordingly, the emigration must be analyzed in light of developments in ?anbalī legal thought prior to and during the crusades and in consideration of how members of the Banū Qudāma perceived their role prior to and during the emigration. A?mad's role as a charismatic shaykh and spiritual leader became ever more critical and contentious at a time when political tensions between Franks and Muslims were escalating. Furthermore, the heightened religiosity of the Muslims of Greater Syria inspired other members of the Qudāma family to leave the Frankish domains even though their lives were not in danger. This chapter thus aims to complement Steven Gertz's analysis of legal opinions on the obligation to emigrate (The Muslim World , vol. 103) by providing a grounded example of how such opinions could be enacted.     

The Kambārī in the Museum of the Frankincense Land,Salalah, Oman

This article examines the kambārī vessel now housed at the Museum of the Frankincense Land, Salalah, Oman, built for display in 1980. This sewn‐plank boat type, used for fishing and lightering in Dhofar, is discussed in the context of other similar vessels in Oman, South Yemen, and Somalia. As one of only five known surviving kambaris, a detailed account of this vessel's construction is given accompanied by an accurate pictoral record.     

The Battīl and Zārūqah of Musandam,Oman

Most of the traditional boats still in use in Musandam, Oman, are essentially batātīl or zawārīq. Both types of vessel are described and compared in detail and placed within the larger context of boat types found in the surrounding region. This article attempts to establish a classification based primarily on shape, construction and decorative features, and provides names of individual components in both in Arabic and Kumzari.     

Vintages of the Sāqī-nāma: Fermenting and Blending the Cupbearer's Song in the Sixteenth Century

Drawing on a rich tradition of anacreontic poetry and taking inspiration from works by Nizāmī and Hāfiz, the sāqī-nāma or “cupbearer's song” emerged as an independent genre in the early sixteenth century and flourished throughout the Persian literary world for the next 250 years. Looking back on the development of the genre, the early seventeenth-century literary historians ‘Abd al-Nabī Qazvīnī and Awhadī Balyānī give contrasting accounts of its formation, but both agree on the significance of the work of Hakīm Partuvī Shīrāzī (d. 928/1520–21). An examination of his sāqī-nāma, together with two other early representatives of the genre by Sidqī Astarābādī (d. 952/1545) and Sharaf Jahān Qazvīnī (d. 968/1561), shows how closely this new genre was tied to the politics and ideology of the new Safavid state and reveals profound structural similarities to the preeminent panegyric genre of the Islamicate world, the qasīda. But once the basic components of the sāqī-nāmā were distilled and taken up by poets outside this socio-political environment, the genre proved to be as protean as the wine symbolism at its core. Cupbearer songs from the end of the century, particularly those of Muhammad Sūfī Māzandarānī (d. 1035/1625–26) and Sanjar Kāshānī (d. 1021/1612), show how the basic elements of the genre could be reconfigured to serve a variety of more personal interests.     

Behçet Kemal Çağlar's Kur’ân‐ı Kerîm'den İlhamlar (Inspirations from the Holy Qur’ān): A Kemalist's Personal,Poetic Response to the Qur’ān

Behçet Kemal Ça?lar, 1908–1969, is the author of a commentary of the Qur’ān, Kur’ân‐? Kerîm'den ?lhamlar (‘Inspirations from the Holy Qur’ān’), published in 1966. This work can be described as a poetic reflection on the Qur’ān. It does not adhere to rendering every line or verse, but instead insists on maintaining a rhythmic cadence and end‐rhyme. Although it resembles a translation in some ways, Ça?lar refuses to call his work a translation. This paper begins by introducing Ça?lar and his text, a brief history of Turkish translations of the Qur’ān, then Ça?lar's approach is contrasted with the aims of translators of the Qur’ān. Ça?lar's text is studied in more detail, providing a sample of the Turkish text and a translation of it into English, focusing on Ça?lar's reflection on Sūrat ?aha. Through this study, it becomes clear that as a result of his prioritizing the literary aspects of the Qur’ān in his reflection, Ça?lar's book has an advantage over literal translations of the Qur'an and it can be useful for Qur’ān translation. At the same time, Ça?lar's book is a reflection of a desire to develop a Turkish Islam—a manifestation of Islam that came from Turkey, that reflected its language and culture and that was intelligible to its people.     

The Poetics of Devotion in ʿĀʾisha al‐Bāʿūniyya's Praise of God and Muḥammad

Recently, there has been an effort within Islamic Studies to reassess the common belief that the so‐called ‘post‐classical’ era of Islamic history was characterized by intellectual stagnation and decline. The Mamluk era is one such period that has suffered from a dearth of scholarly attention resulting from outdated stereotypes. This article contributes to scholarship on this era through examining some poems by a late Mamluk poet, ?ā?isha al‐Bā?ūniyya (d. 1517). While much scholarship on al‐Bā?ūniyya focuses on her lyrical mystical verse, the poems studied here incorporate selective allusions to key Islamic sources in order to narrate a history of divine favor as the speaker imagines it. This innovative history expresses a poetics of devotion that focalizes Mu?ammad and the poet's own peers. The poems intertextually anchor this narrative in key Islamic sources, reflecting al‐Bā?ūniyya's extensive scholarly training. They constitute an unusual example of a female poet writing beyond the genres with which women's premodern poetry is conventionally associated. This poetry also represents a post‐classical contribution to Islamic literary and religious history. However, the criterion of originality should ultimately be reconsidered in evaluations of scholarly merit, and scholarship should pay more attention to continuities and intertextuality in texts.     

Permission to Stay in “Enemy” Territory?

Muslim scholars writing about the legal situation of Muslims living under non‐Muslim rule during the seventh/thirteenth and eighth/fourteenth centuries were primarily concerned with whether Muslims should be allowed to live under non‐Muslim rule or whether they should emigrate (or go on hijra) from it. Two ?anbalī legists, Ibn Qudāma (d. 620/1223) and Ibn Mufli? (d. 763/1362), both of whom lived and wrote in Damascus (Ayyūbid and Mamlūk, respectively), address this issue in their legal works (fiqh). Their scholarship, when compared with that of the ?anbalī scholar Ibn Taymiyya (d. 728/1328), is instructive, particularly when one considers differences between these scholars’ experiences of non‐Muslim rule. A guiding question is how experience may shape (or fail to shape) a jurist's position on hijra, since the events of the time (the Crusades and, later, the Mongol invasions) forced Muslims living under non‐Muslim control to decide whether they must leave such lands. Loyalty to one's school (taqlīd) appears to have influenced the jurists most in their thinking, but experience shaped how they justified their positions on whether a Muslim must emigrate from lands under non‐Muslim control.     

“SEEING” THE PAST: TEXT AND QUESTIONS OF HISTORY IN THE RĀJATARAṄGIṆĪ

Traditional scholarly opinion has regarded Kalha?a's Rājatara?gi?ī, the twelfth‐century Sanskrit chronicle of Kashmiri kings, as a work of history. This essay proposes a reinvestigation of the nature of the iconic text from outside the shadow of that label. It first closely critiques the positivist “history hypothesis,” exposing its internal contradictions over questions of chronology, causality, and objectivity as attributed to the text. It then argues that more than an empiricist historical account that modern historians like to believe it is—in the process bracketing out integral rhetorical, mythic, and didactic parts of the text—the Rājatara?gi?ī should be viewed in totality for the kāvya (epic poem) that it is, which is to say, as representing a specific language practice that sought to produce meaning and articulated the poet's vision of the land and its lineages. The essay thus urges momentarily reclaiming the text from the hegemonic but troubled understanding of it as history—only to restore it ultimately to a more cohesive notion of historicality that is consistent with its contents. Toward this end, it highlights the concrete claim to epistemic authority that is asserted both by the genre of Sanskrit kāvya generally and by the Rājatara?gi?ī in particular, and their conception of the poetic “production” of the past that bears a striking resonance with constructivist historiography. It then traces the intensely intertextual and value‐laden nature of the epistemology that frames the Rājatara?gi?ī into a narrative discourse on power and ethical governance. It is in its narrativity and discursivity—its meaningful representation of what constitutes “true” knowledge of time and human action—that the salience of the Rājatara?gi?ī may lie.     

Fragments of an early Islamic Arabic papyrus from Khirbet Hamrā Ifdān

Excavations in 2013 at the site of Khirbet Hamrā Ifdān in the Faynān revealed several pieces of an Arabic papyrus, the first ever found in Jordan. Although the papyrus is poorly preserved, a detailed analysis of the fragments based on parallels have suggested that it dates to the late seventh/early–mid‐eighth century AD. This article discusses the papyrus fragments and places them within their papyrological and archaeological contexts.     

IN THE FOLDS OF TIME: RASHĪD AL‐DĪN ON THEORIES OF HISTORICITY

By focusing on Rashīd al‐Dīn's (d. 718/1318) historiographical oeuvre and here in particular his “History of the World,” this article challenges the usual approach to his Jāmi? al‐tawārīkh (Compendium of Chronicles) and argues that his was a deeply pluralistic enterprise in a world with many centers, tremendous demographic change, high social mobility, and constantly shifting truth‐claims in an ever expanding cosmos, to which Rashīd al‐Dīn's method, language, and the shape of his history were perfectly adaptable. This article introduces the notion of “parallel pasts” to account for Rashīd al‐Dīn's method. By placing the Jāmi? al‐tawārīkh and its author in their historical and intellectual context, this article also argues that this method is not restricted to Rashīd al‐Dīn's historiography: His historiographical work ought to be seen as part of his larger theological and philosophical oeuvre into which the author placed it consciously and explicitly, an oeuvre that is, like Rashīd al‐Dīn's historiography, pluralist at heart, and that could be as easily classified as “theology” or “philosophy” as “historiography.”     

Lives of Frankish princes from al-Ṣafadī’s biographical dictionary,al-wāfī bil-wafayāt

This article endeavours to bring to the English reader unpublished historical sources about Frankish figuers in the fourteenth century biographical dictionary al-Wāfī bil-wafayāt. This work, one of the largest biographical dictionaries in the history of the genre in Arabic, was written by Khalīl b. Aibak ?alā? al-Dīn, al-?afadī who was born in 1297 to a Mamluk father and a respected amir of the Mamluk military troops in ?afad. This article analyse nine biographies of Frankish historical figures and endeavours to answer the question: how original were al-?afadī’s biographies on Frankish princes?     

BOOK REVIEWS

Book reviewed in this article: Iran Between Two Revolutions , By Ervand Abrahamian Mollā Sadrā Sh?rāz?: Le Livre des pénétrations métaphysiques (Kitāb al-Mashāir). Translated from the Arabic, with an Introduction and Notes, by Henry Corbin Le livre du licite et de l'illicite (Kitāb al-halāl wa-l-harām , Book XIV of Al-Gazāl?'s Ihyā Ulūm ad-D?n). Introduction, translation and notes by Régis Morelon Society, State, and Urbanism: Ibn Khaldun's Sociological Thought. By Fuad Baali Shari'at and Ambiguity in South Asian Islam. Edited by Katherine P. Ewing The Making of the Last Prophet: A Reconstruction of the Earliest Biography of Muhammad. By Gordon Darnell Newby Muslim Hausa Women in Nigeria: Tradition and Change. by Barbara J. Callaway Neopatriarchy: A Theory of Distorted Change in Arab Society. By Hisham Sharabi The Islamic Impulse. Edited by Barbara Freyer Stowasser Christians and Muslims Together: An Exploration by Presbyterians. Edited by Byron L Ägypten unter Mubarak: Identität und nationales Interesse. by Gudrun Krämer Towards Understanding the Qur⁾ān. Vol. 1, Sura 1–3. English version of Sayyid Abul A⁽la Mawdudi's Tafhim al-Qur⁽ān, translated and edited by Zafar Ishaq Ansari Middle East Contemporary Survey. Vol. IX. Edited by Itamar Rabinovich and Haim Shaked. The Sufi Path of Knowledge : Ibn al-⁽Arab?'s Metaphysics of Imagination. By William C. Chittick Colonising Egypt. By Timothy Mitchell Past-Revolutionary Iran. Edited by Hooshang Amirahmadi and Manouchehr Parvin Sacred Performances: Islam, Sexuality, and Sacrifice. By M. E. Combs-Schilling Islam: The Straight Path. By John L. Esposito Islam, Politics, and Social Movements. Edited by Edmund Burke, III, and Ira M. Lapidus Veiled Sentiments: Honor and Poetry in a Bedouin Society. By Lila Abu-Lughod     

Jāmī's Salāmān va Absāl: Political Statements and Mystical Advice Addressed to the Āq Qoyūnlū Court of Sultān Ya‘qūb (d. 896/1490)

This article explores Salāmān va Absāl, one of seven poems which comprise Jāmī's collection of long masnavīs, known collectively as the Haft aurang. The work, which gained some renown outside Iran due to the English version of Edward FitzGerald, has nevertheless received little attention in modern scholarship. The few investigations of Salāmān va Absāl, moreover, have dwelled on its narrative, which tells the story of the carnal attraction of a prince for his wet-nurse, and never situated the work in its historical context or examined its political content. In addition, the allegorical symbolism of the tale, especially its depiction of key stages of the Sufi path, such as the act of repentance, has not been discussed in terms of representing a work of mystical advice. With these concerns in mind, the present article discusses the possibility that the political elements in Salāmān va Absāl complement the advice it gives on becoming a Sufi. Seen from this perspective, it would appear that Salāmān va Absāl correlates the notion of the just ruler to the Sufi concept of the “Perfect Man” to the extent that Jāmī presents the Sufi-king as the ideal medieval Islamic ruler. By implication, the work advises its royal patron, Sultān Ya‘qūb, to repent and embark upon the Sufi path, doing so, Jāmī intimates, would lead Ya‘qūb to realize his rank as God's “true” vicegerent.     

Mesopotamian or Iranian? A New Investigation on the Origin of the Goddess Anāhitā

Ar?dvī Sūrā Anāhitā, a popular Zoroastrian yazatā, is celebrated in Ya?t 5 (ābān Ya?t). Anāhitā is mostly believed to be an Indo-Iranian or Iranian deity who has absorbed influences from the creed and iconography of Ishtar, the Mesopotamian goddess, in the course of history. The type and the degree of such influences are still under debate. The paper places this goddess into the context of ancient Western Asia. Findings are presented in two sections: in the first section, the Indo-Iranian, Iranian and western Iranian origins of Anāhitā are questioned, and in the following section two points are clarified: first, the Mesopotamian origin for Anāhitā is more consistent with historical and archaeological evidence, and second, Anāhitā is the same as Annunit/Annunitum, Sippar—Amnamum’s goddess of war and victory and the avatar of Antu, who was added to the list of his royal patron deities as a result of political and military developments early in the reign of Artaxerxes II.