Exploring gender and fear retrospectively: stories of women’s fear during the ‘Yorkshire Ripper’ murders

The murder of 13 women in the North of England between 1975 and 1979 by Peter Sutcliffe who became known as the Yorkshire Ripper can be viewed as a significant criminal event due to the level of fear generated and the impact on local communities more generally. Drawing upon oral history interviews carried out with individuals living in Leeds at the time of the murders, this article explores women’s accounts of their fears from the time. This offers the opportunity to explore the gender/fear nexus from the unique perspective of a clearly defined object of fear situated within a specific spatial and historical setting. Findings revealed a range of anticipated fear-related emotions and practices which confirm popular ‘high-fear’ motifs; however, narrative analysis of interviews also highlighted more nuanced articulations of resistance and fearlessness based upon class, place and biographies of violence, as well as the way in which women drew upon fear/fearlessness in their overall construction of self. It is argued that using narrative approaches is a valuable means of uncovering the complexity of fear of crime and more specifically provides renewed insight onto women’s fear.     

Redefining the Republic of Letters: The Literary Public and Mudie’s Circulating Library

In late 1860, Charles Mudie’s plans to expand his circulating library inspired his detractors and competitors to challenge the validity of his ‘right to selection’ – the process by which he chose which texts he would loan from his library. Over the next few months, prominent periodicals featured correspondence and editorials that decried or supported Mudie’s ostensible monopoly over literary exchange. While the initial argument was economic, the dispute extended beyond economics to religion, literary quality and culture. To connect these disparate fields, writers turned to the politics of interpretation: that is, whether specialists should define literary culture, or if a public comprised of individual, ‘common’ readers should determine their own standards for books. Mudie’s opponents advocated for individual readers’ right to read what they liked, how they liked. His supporters argued that the public needed specialists to guide their literary tastes. The resulting exchange about what I call the ‘literary public’ amplified conversations integral to the burgeoning field of literary studies as it was emerging in the London colleges through the 1850s and 1860s. The contributing authors, publishers and critics justified or refuted ideas foundational to the establishment of English literature as an academic study for the common reader. As part of the mid-century confrontation between popular literary consumption and academic culture, the Mudie debate helped to politicize the reception and circulation of English literature.     

Universal,acid: Houellebecq’s clones and the evolution of humanity

ABSTRACT

This article examines Houellebecq’s two genomics novels, Les Particules élémentaires and La Possibilité d’une île and elaborates their relationship with Neo-Darwinian evolutionary naturalism and neoliberal capitalism. In these works, the mutual interdependence of these two regimes of thought both necessitates and makes possible the technology of human cloning, which promises humanity an escape from the misery of its own biological, political predicament. Houellebecq’s work, I show, problematises this dialectic, and in doing so offers an incisive critique of utopian posthumanism, providing instead only an aporetic—but rigorously materialist—form of hope.     

Tehran’s subway: gender,mobility, and the adaptation of the ‘proper’ Muslim woman

Tehran’s subway, the most affordable means of public transportation in the city, offers a useful context to study the relationship between women’s spatial mobility, the construction of self, and social production of space. This study focuses on Line 1 of Tehran’s subway that connects Tehran’s Bala Shahr (Northern Tehran) and Paeen Shahr (Southern Tehran) neighborhoods. This study draws upon 46 semi-structured interviews with women who were using subway Line 1 in the fall and winter of 2012. The average hour-long interviews examine how women’s emotional states as well as their perceptions of self and space vary as they traverse the city on Line 1. Representing a cultural as well as a spatial transect through the city, the perceptions of women on subway’s Line 1 convey the repudiation of the state’s attempt to promote a singular Muslim female identity. The findings suggest that similar to women’s perception of space, their gendered identities are constantly changing through the enhanced mobility that is facilitated by Tehran’s subway system. In contrast to what is presumed in the West, with a simple change in their hijab style or make-up, Iranian women innovatively negotiate contrasting spaces.     

John Hewitt’s curatorial eye: art and poetry in the municipal galleries

ABSTRACT

This article examines the art writing of the poet, critic, and curator John Hewitt in mid-twentieth century Ireland and Northern Ireland. Hewitt’s promotion of modern art and artist collectives in Ulster through shifting definitions of internationalism and regionalism will be linked to the art writing of Herbert Read and the late poetry of W.B. Yeats. Taking an interdisciplinary approach to Hewitt’s poetry and art writing reveals the sustained imbrication of politics, poetry and the visual arts in his thinking. Hewitt’s ottava rima poem in response to Yeats, “The Municipal Gallery Revisited, October 1954”, will be reassessed with recourse to the context of the Municipal Gallery in Dublin and its mid-century sculpture collections. By identifying artworks within the Municipal Gallery poem, the article illustrates Hewitt’s broader dialogues with the late Yeats and the art scene in Ireland.     

Concrete and non-concrete: exploring the contemporary authenticity of historic replicas through an ethnographic study of the St John’s Cross replica,Iona

ABSTRACT

What do we actually know about how replicas of historical objects and monuments ‘work’ in heritage contexts, in particular their authenticity, cultural significance and intangible qualities? In this article we examine this question drawing on ethnographic research surrounding the 1970 concrete replica of the eighth-century St John’s Cross on Iona, Scotland. Challenging traditional precepts that seek authenticity in qualities intrinsic to original historic objects, we show how replicas can acquire authenticity and ‘pastness’, linked to materiality, craft practices, creativity, and place. We argue that their authenticity is founded on the networks of relationships between people, places and things that they come to embody, as well as their dynamic material qualities. The cultural biographies of replicas, and the ‘felt relationships’ associated with them, play a key role in the generation and negotiation of authenticity, while at the same time informing the authenticity and value of their historic counterparts through the ‘composite biographies’ produced. As things in their own right, replicas can ‘work’ for us if we let them, particularly if clues are available about their makers’ passion, creativity and craft.     

Painting for the blind: Nathaniel Hone’s portraits of Sir John Fielding

ABSTRACT

Nathaniel Hone’s three portraits of Sir John Fielding establish a public image for the magistrate and a visual language for representing his blindness. Fielding is represented in 1757 as a family man, in 1762 as a sociable member of the Republic of Letters, and finally in 1773 as the embodiment of Justice. The movement across the portraits from empiricism to allegory not only conveys his increasing social status and celebrity, but also the mingling of philosophical and poetic ideas about blindness in Enlightenment thinking. This paper argues that Hone’s construction of Fielding’s vision impairment in the latter two portraits reflects changing attitudes to blindness resulting from Lockean sensationalism and the widespread success of cataract operations. The more academically ambitious final portrait, however, also draws on iconographic tropes of blind justice, casting Fielding in allegorical guise that confers upon him heightened powers of reason and impartiality. For Hone, Fielding’s blindness is a crucial part of his status and identity, but it also provides opportunities to push portraiture beyond its association with the imitation of the visible and into the realm of invention.     

Between cooperation and competitive bargaining: the Council of Europe,local and regional networking,and the shaping of the European Community’s regional policies, 1970s–90s

Abstract:

In many ways, the Council of Europe paved the way for European Community (EC) action in local and regional affairs. It was the first European organisation to establish a conference of local and regional authorities in 1957, in which local actors and associations were represented and tried to influence the shaping of European regional policies. This article analyses the links between the Council of Europe and the EC in the development of regional policies from the 1970s to the 1990s by focusing on three transmission vectors: through institutional cooperation between the two European organisations; through competitive bargaining among local and regional groups; and through intensive lobbying at EC level. It argues that the transfer of ideas was not so much achieved through cooperation between the organisations’ experts or political committees but rather by means of transregional networking promoting the idea that local and regional authorities had to be associated with the elaboration and implementation of European regional policy. From 1988, these networks shifted their attention away from the Council of Europe towards the EC because of the possibility to receive direct funding from the European Commission.     

Between Utopia and Tradition: William Morris’s A Dream of John Ball

ABSTRACT

William Morris, author of the famous nineteenth-century utopian novel News from Nowhere, thought it both possible and desirable to develop a utopian vision that could be affirmed by many individuals. However, Morris also recognised that achieving such utopian unity was not easy. There is, at least potentially, something personal about utopian visions; they are shaped by idiosyncratic desires that cannot be shared. Through a reading of Morris’s A Dream of John Ball, I argue that Morris offers a temporal solution to the problem of utopian unity. The central characters in the text, medieval priest John Ball and a nineteenth-century socialist agitator, come to recognise their shared adherence to the same image of a new society. This is achieved through the mediation of tradition: Ball and the agitator overcome their differences by committing themselves to disappointed hopes elaborated in past struggles that have been handed down to the present. Morris’s articulation of utopia and tradition—the sense that visions of the future can be made shareable through reference to the past—offers the possibility of a transtemporal solidarity of utopians and the bringing together of the dreams of a plurality of individuals.     

Empire,Colonial Enterprise,and Speculation: Cape Breton’s Coal Boom of the 1860s

ABSTRACT

During the 1860s Cape Breton Island’s Sydney coalfield, at the northeastern tip of Nova Scotia, experienced dramatic economic expansion. Historical interpretation of this understudied coal boom has emphasised the transition towards a liberal era of competition and growing dependence upon American capital and markets. This article presents a revised interpretation, and reflects a renewed engagement with empire in the writing of the history of Canadian capitalism. Drawing upon the work of James Belich and John Darwin, it locates this coal boom in an evolving and expanding ‘Angloworld’ and ‘British world-system,’ and demonstrates how the Sydney coalfield was shaped by the social and economic configurations that developed in the region under the British Empire. During this period, established colonial elites captured coal property and sought to integrate Cape Breton coal into the Atlantic economy in which their region had historically operated. They treated coal as a new commodity to trade and profit from, but coal mining required the mobilisation of credit and infrastructure expenditures that exceeded what was typically required to participate in the region’s traditional staples trades. Large fixed investments engendered economic and political commitments that spurred growth even under highly volatile circumstances, as promotion and speculation drove growth from the supply side and attracted London capital. Overcapacity, ruinous competition, and social crisis eventually resulted, as the Atlantic economy that gave rise to the boom fell apart. This episode reveals the operation of colonial networks and an ‘empire effect’ that produced a distinctive pattern of development on the Sydney coalfield whose legacy would be lasting.     

John Howard and the ‘Anglospherist’ reshaping of Australia

The conceptual category of the Anglosphere never found explicit currency in John Howard's narrative when he was prime minister. While in office, he ostentatiously avoided ‘putting Australia into a particular sphere – Anglo or otherwise’. This article suggests instead that his endeavour to reshape Australia drew on an Anglospherist perspective. The reshaping of Australia he undertook when he won office rested on two pillars of Anglospherism: the rejection of multiculturalism and the alignment to countries with ‘shared values’ in Australia's external relations. The article traces how these two Anglospherist precepts found actual implementation in Howard's re-framing of ‘Australian multiculturalism’ and re-conceptualisation of ‘Australia's engagement with Asia’.

约翰·霍华德担任总理期间,英语圈的说法在他的叙述里并不通行。在他的官方官样文章里,他明确地避免把澳大利亚放进特定的圈子——英语圈也好,别的圈也好。霍华德在职的时候重塑澳大利亚的努力,其实是基于英语圈的视角。他赢得竞选时要重塑澳大利亚的事业,有两个英语圈的支柱：拒绝多元文化;对外关系中优先“持共同价值观”的国家。本文研究了霍华德如何将这两个英语圈思路落实到对“澳大利亚多元文化”的重新塑造、对“澳大利亚与亚洲关系”的重新思考中的。     

China’s Evolving Policy towards the Democratic People’s Republic of Korea under Xi Jinping

Despite international pressure to condemn North Korea (DPRK), China’s successive leaderships have dealt carefully with Pyongyang, especially vis-à-vis its nuclear weapons program. This moderate stance reflects the two countries’ decades-long relationship, summarised in the Chinese idiom that Pyongyang and Beijing are “as close as lips and teeth”. Nevertheless, the DPRK’s third nuclear test in February 2013 raised enormous challenges for the new Xi Jinping leadership to maintain the previous DPRK policy focused on the status quo and stability on the Korean Peninsula. China’s attitudes and policies towards the DPRK after the provocative third test signified a possible reorientation of Beijing’s DPRK policy. This generated repercussions in the countries concerned and prompted debates among experts. This article asks how these events should be understood and what their implications are for the Xi leadership’s policy on the DPRK, the stability of the Korean Peninsula, and Northeast Asia. Given China’s competitive relations with other major powers, we conclude that the Xi leadership will not abandon the DPRK; indeed it will reinforce the policy of strengthening China’s influence over it. Nonetheless one aspect of doing so will involve China opening up to other – cooperative, multilateral – approaches to reinforcing stability on the Korean Peninsula and in Northeast Asia.     

“Inhabitants of rustic parts of the world”: John Locke’s collection of drawings and the Dutch Empire in ethnographic types

This article analyses a collection of 26 watercolour drawings which portray ethnographic types from the Americas, Asia, and Africa. These drawings, presently kept at the British Library, were made for John Locke by his servant Sylvester Brounower during Locke’s exile in the Netherlands in the 1680s.