Milton’s Euripides and the superior rationality of the heathen

ABSTRACT

If arguments have always been made either that Milton maintains the primacy of the Bible over classical literature, or that he often presents classical sentiments as congruent with the biblical, one claim that has rarely been made is that Milton is willing to assert the truth of classical literature over that of the Bible. This article argues that there are moments in the canon that show him capable of doing precisely this, with particular reference to the invocation of his favourite Greek dramatist, Euripides. The article considers Milton’s reading and interpretation of Euripides in his early poetry and prose, before examining more closely the citation of Euripides in two of the prose works which bear heavily on the question of how politically and religiously radical Milton was: The Tenure of Kings and Magistrates and De Doctrina Christiana. The turn to Euripidean authority over the biblical reveals Milton’s willingness to subject Scripture to the test of pagan wisdom, if he judges that wisdom to have superior claims to rationality. This willingness derives from the development of his ethical thought in the 1630s and early 1640s, and from his understanding of classical, patristic and contemporary authorities, including John Selden.     

Milton,drama, and Greek texts: preface

ABSTRACT

This collection of essays explores the connection between Milton’s approach to drama and his engagement with Greek antiquity. Paying attention to early Christian and early modern interpretive traditions as well as Greek literature, it situates the power of this conjunction for Milton within the larger project of the northern Renaissance.     

The religious geography of Marvell’s “An Horatian Ode”: popery,presbytery, and parti-coloured picts

ABSTRACT

Marvell’s “Ode” (1650) is an English poem about a British problem – a problem further problematized by religion. The “Ode” lauds Cromwell’s Irish and Scottish campaigns, but English responses to these “colonial” wars were in reality complicated by protestant infighting among presbyterians, independents, and sectarians. Writers like Milton and Nedham rallied English support for Cromwell’s Irish campaign by recycling Spenserian stereotypes of Irish catholic barbarity. But Milton and Nedham also undercut English protestant unity by flinging these same anti-catholic stereotypes at Scottish presbyterians in Belfast and Edinburgh. Departing from previous studies, this article argues that Marvell’s “Ode” eschews Milton and Nedham’s anti-Presbyterianism in ways calculated to elide, rather than divide, protestant communities. The article explores how the “Ode” presents Cromwell’s Irish and Scottish campaigns as exclusively anti-catholic (rather than anti-presbyterian) crusades, comparing Marvell’s presentation of Cromwell in the “Ode” with his identification of Cromwell as an anti-catholic crusader in “First Anniversary” (1655). Both poems anticipate in this respect Marvell’s later anti-catholic, but pro-nonconformist, approach to Ireland in Rehearsal transpros’d (1672–1673). The article is therefore concerned to root Marvell’s post-Restoration commitment to protestant tolerationism within the anti-catholic language of the “Ode”.     

Christianity and Secularisation in the West and the Middle East: A Theological Stance

In this article I argue that Christianity is essentially secular. Hence, secularisation not only has a theological connotation concerning Christian faith but also it is the highest and most perfect realisation of Christian religion, since it signifies the cross that is in the centre of Christian faith. As Christians take upon themselves secularisation as an existential choice, namely the powerlessness of God and of the human being, they simultaneously take the worldly‐human existence as “here” and “now” upon themselves. I will argue that this is the culmination of Reformation. Further, I want to demonstrate that secular Christianity, in the sense given in this article, remains a challenge for both Western and Eastern worlds. In order to accomplish this I will reflect in the first part of this article — from a theological point of view — upon some sociological interpretations or theories concerning mainly secularisation in Western Europe and also the contemporary socio‐political scene in the Middle East. In the second part of the article I will present several Western and Eastern theological positions that defend secularisation, and through their contributions I will construct my own theological stance for secular Christianity.     

Athanasian Paganisation of Arius: Unprecedented Application of the Deification Theme

Athanasian contribution to the development of the deification theme and its subsequent influence on Christian spirituality remains significant. Athanasius certainly applied deification in his fight with Arianism. A generally acknowledged application of deification in Athanasius in an anti‐Arian context also finds additional support in a seemingly unexpected place—Athanasian criticism of pagan divinization, mostly concentrated in Against the Pagans. Relying on a traditional Christian apologetic approach for criticism of pagan divinization, Athanasius contextualizes the theology of Arius as the paganization of Christianity as well as proposes necessary prerequisites for Christian understanding of deification. This is an unprecedented application of deification in Christian theology where one Christian author portrays the teaching of another Christian author as pagan divinization.     

Paul’s Euripides,Greek tragedy and Hebrew antiquity in Paradise Regain’d

ABSTRACT

The exchange between Satan and Jesus in Book IV of Paradise Regained is the first substantial account of tragedy in John Milton’s 1671 volume. In his response to Satan’s Athenian temptation, Jesus offers an alternative to the more familiar defence of tragedy in the preface to Samson Agonistes. Here, Jesus invokes the Hebrew prehistory of Attic tragedy, expanding Milton’s tragic archive beyond the antique Athenians themselves, drawing instead upon Clement of Alexandria and Socrates of Constantinople – both of whom support Milton’s idiosyncratic belief that Paul quoted Euripides at I Corinthians 15:33. And where Clement and Socrates support this tragic provenance, they also address the vexed relationship between Christian faith and heathen learning. Far from showing contempt for Athenian art or erudition, Milton invokes these Patristic sources to enable readers to locate Jesus’ critical response in a dynamic relationship to the relevant preface to Samson Agonistes.     

Public Faith and the Common Good A Radical Messianic Proposal

Abstract

The article inquires into the implications of Christianity not being a religious perspective among others in the contemporary Western debate on religious pluralism. A quick glance at a recent debate in Sweden serves to demonstrate how Christianity, although marginalized in its traditional forms, remains a dominating cultural interpretative scheme that continues to influence the majority’s view on private and public, individual and collective, rational and irrational. Against this background, the author argues, it is imperative that any Christian theologian who engages in the question of religion in the public sphere in the Western world, also must critically confront the question of Christianity’s particular status. Not least in light of contemporary right-wing rhetoric about the West as an exclusively “Christian civilization,” theologians need to reflect on how to avoid articulations of the Christian vision of the common good that manifest themselves at the expense of other religious traditions. The article ends by sketching a possible direction for such reflection.     

William T. Cavanaugh and René Girard

Abstract

This article examines the argument of William T. Cavanaugh’s The Myth of Religious Violence in the light of the mimetic theory of the French-American cultural theorist Rene Girard. Though the two projects are significantly different I argue for their mutual compatibility. Each author is “apologetic” for the Christian revelation, though the presence of theology in “The Myth . . .” is muted or implicit, as in Walter Benjamin’s parable of the puppet and the dwarf. I argue for four areas of specific convergence between Cavanaugh and Girard, arising from a shared Augustinian, “two Cities” suspicion of the state, and their resistance to the secularising marginalisation of the Judeo-Christian tradition. The notion of martyrdom as a “dramatic” performance is a further shared dimension. Finally, I argue that the apparent divergence of their approaches, between an anthropological thesis (Girard’s) and a historical one (Cavanaugh’s) is narrowed when we consider the later work of Girard and its examination of nineteenth century dynamics of escalation in warfare in his last book Battling to the End.     

From Dionysus to the Anti-Christ

Abstract

This essay is a reconstruction of Rene Girard's Christian apology in “I saw the Devil fall like Lightening.” It develops Nietzsche's antithesis between Christ and Dionysius which Girard identifies as the antithesis of modernity as such. Against Girard's own alliance with Carl Schmitt the essay adopts the Trinitarian point of view suggested by the author, in order to show that it is Erik Peterson's “Trinitarian” critique of Carl Schmitt's political theology of sovereignty which could fulfill the “true” aim of the author in fact much better.     

Antimodernist Antecedents in Early Canadian Modernism: Archibald MacMechan’s “A Ballade of Canadian Literature” and F.R. Scott’s “the Canadian Authors Meet”

ABSTRACT

Archibald MacMechan’s regular column in the Montreal Standard entitled “The Dean’s Window” (1906–1933) is an important index to educated antimodernist literary values. MacMechan brought his reading of world literature into his appraisals of the Canadian scene, through his groundbreaking work, Headwaters of Canadian Literature(1924). In a 1912 “Dean’s Window” column, MacMechan, a published poet, opened with a poem of his own, “The Ballade of Canadian Literature,” which anticipated F.R. Scott’s “The Canadian Authors Meet”—itself a seminal work of early Canadian modernism. By no means binaries, the degree to which modernism and antimodernism could resemble each other is manifest in MacMechan’s and Scott’s poems, even though Scott’s poem eviscerates the Canadian Authors Association, an organization of which MacMechan was a founding member.     

Circean transformation and the poetics of Milton’s Masque

ABSTRACT

Circe’s presence in A Masque Presented at Ludlow Castle (Comus) invites readers to read both Milton’s Circe and Milton’s own poetic activity through long and intertwined traditions of theology and literary commentary. Stretching from Augustine and Aquinas to the commentaries and translations of Homer and Ovid by Sponde, Sandys, and Chapman, these traditions use Circe to explore and conflate the possibility, the permanence, and the experience of both human and literary transformation. Taken up by Townshend and Jones in their Caroline court masque Tempe Restored, they become essential intertexts for Milton’s Masque. Milton embeds this discourse in his masque – a genre that places metamorphosis at the heart of its poetics – to examine the nature of Renaissance intertextuality and the authorial self and interrogate his own use of Renaissance practices of imitatio and aemulatio. In Comus’ wood, Circean transformation becomes a touchstone for the virtuous soul and the virtuous poet alike.     

Gramsci and the issue of religion: Catholic modernism and the Italian Partito Popolare

ABSTRACT

Gramsci's interest in Italian politics led him to tackle a key issue in the present-day discourse: the relationship between the Holy See and the national State. Additionally, he paid close attention to internal issues of Christianity, from its origins to his own times and – similar to many other socialist thinkers – he believed that there were several echoes between the early Christian experiences and contemporary socialism. From this arose his concern with the religious crisis of the early twentieth century – so-called ‘Modernism’ – as well as the story of the Partito Popolare (Popular Party, PPI), the organization founded by the priest Luigi Sturzo after the First World War, which was marked – especially amongst its left-wing components – by its anti-fascist positions.     

Lactantius’s Power Struggle

Abstract

During the Diocletianic Persecution and at the dawn of Constantine’s rise to power, Lactantius penned Book V of the Divine Institutes, in which he offers a striking account of Church-state relations. For Lactantius, imperial power is at odds with the Christian “course of life.” To be a people of virtue, Christians must perform justice from below, under the rule of a secular state whose gaze is fixed on its self-preservation at all costs. Lactantius makes clear that if Christians collude with the power of the state, exercising power from above, justice becomes an impracticable virtue. Not only would Christianity’s transition to the imperial seat alter the material conditions which best form Christians in virtue, it would, in Lactantius’s view, cultivate lives of vice and alienation from God. This essay contends that in Book V of the Divine Institutes, Lactantius employs Christian reasoning to demonstrate how secular politics are antithetical to Christian discipleship.     

The Poeta-Theologus from Mussato to Landino

Abstract

Fundamental to the modern conception of historical perspective was the position that nature had its own integrity and that a common human nature underlay human action in history. The first tenet was an achievement of the Scholastics, the second of Italian humanists of the fourteenth century. In order to justify the reading of ancient pagan texts an early humanist Albertino Mussato (1261–1329) had resorted to the late ancient and medieval tradition that the pagan poets had been divinely inspired to predict the coming of Christ and a number of other revealed truths. Subsequently, however, Petrarch (1304–74), Boccaccio (1310–75), and Salutati (1332–1406) argued that if poetic genius was a divine gift to individuals, poetic creation was a product of human effort. The consequent desanctification of the ancient writers allowed them to be approached as historical human beings. Nevertheless, the new enthusiasm for Plato beginning with Bruni (1370–1444) initiated a retreat from this position and a return to the medieval confusion between the world of grace and the world of nature. By the second half of the fifteenth century, Plato’s “divine madness of the poets” was being interpreted to mean that the ancient poets had been divinely inspired to utter Christian truths.     

The Ethics of Philanthropy

Abstract

This essay considers the ancient antecedents to the “new field” of the ethics of philanthropy, arguing that key questions such as “to whom should we give our money?” have already been explored by ancient authors and that the answers they give to these questions can be quite different to the answers given by contemporary scholars. By analysing the treatment of giving in Aristotle’s Nicomachean Ethics, Cicero’s De Officiis, and Seneca’s De Beneficiis, I argue that the focus of ancient thinkers upon giving within one’s own community can be viewed as a possible response to a number of issues that have been raised by modern scholars, including the “problem of acting at a distance” and the “problem of accountability.” Moreover, these ancient thinkers have additional, positive reasons for thinking that philanthropy should take place within one’s own community, based upon their ideas of man’s natural duty to his political community, and the social benefits that can be derived from local philanthropy. The integration of ancient perspectives, then, into these modern debates, can serve to complement and broaden research in this emerging field.     

Lactantius's “Modern” Conception of Religio*

Scholars of religion sometimes argue that a distinctively modern conception of religion takes religion to be a trans-cultural category, divisible into “true” and “false” versions, of which Christianity is the core type. Thus, according to the so-called modern conception of religion, every culture has its own religion. Some are true (paradigmatically Christianity), some are false. This paper argues that these ideas were present in Lactantius's (c. 250–325) conception of religio. It shows this by presenting Lactantius's development of a theory of religio. This theory was the product of Lactantius combining one Ciceronian conception of religio and a Christian origin-story about where religio comes from. Lactantius used this theory to analyse Christianity and what he took to be its competitors.     

The politics of Greek tragedy in Samson Agonistes

ABSTRACT

This essay charts Milton’s engagement in Samson Agonistes with Greek political thought as critiqued in Athenian tragic drama, particularly that of Euripides. In early modern Europe, Euripides’ plays were not only understood to denounce tyranny but also to remain rigorously sceptical about the workings of Athenian democracy (in itself a highly limited kind of representational politics). Milton knew well the commentary tradition that framed Euripidean tragedy in such terms, and found a corollary to his own political views within it, most notably in the writings of Gasparus Stiblinus whose prefaces are included in the 1602 Stephanus edition of the playwright’s works, which he used heavily. Stiblinus shows how Euripides relentlessly scrutinizes corruption, which his tragedies reveal to be not only characteristic of tyrants but also to pervade democratic systems. Milton’s allusions to Euripidean tragic form in Samson Agonistes evoke these commentaries to denounce political corruption.     

The Christian Peace of Erasmus

The aim of this essay is to show that Erasmus’s concept of peace should be understood as a form of irenicism rather than pacifism. I argue that Erasmus’s basic claims on war and peace do not qualify him as a pacifist, first of all because his concept of peace is non-universal: it is exclusively Christian since it does not include Muslims and Jews unless they have converted to Christianity. Secondly, Erasmus’s willingness to fight the Turks and his call for a Christian war against them suggests that he was not a pacifist. Since the peace Erasmus preached for was exclusively Christian, it cannot be identified as pacifism in its accepted universal sense, but rather as a commitment to the peace of Christendom, and therefore his concept of peace should more precisely be described as irenic. By shedding new light on Erasmus’s notion of war and peace, this essay suggests that his alleged religious tolerance should be considered anew.     

Ireland’s eternal Easter: Sorley MacLean and 1916

Abstract

This essay examines the treatment of the 1916 Easter Rising by Scottish Gaelic poet Sorley MacLean. From his early work onwards, the Rising assumes a mythical significance in MacLean’s poetry. Throughout, this aetheistic, socialist poet uses rhetoric borrowed from the Gaelic Christian tradition to present the rebels of 1916 as exemplary secular martyrs. James Connolly plays a crucial role as the Scottish son of Irish immigrants. MacLean’s later praise poem for Connolly, “Àrd-Mhusaeum na h-Èireann”, deploys biblical rhetoric to present the Rising as an act of ritual sacrifice, recalling Patrick Pearse’s “Fornocht do Chonaic Thu”. MacLean’s valorisation of violence takes place against the backdrop of the modern Troubles, and prompts a reassessment of the political legacy of his poetry.