KOSELLECK,ARENDT, AND THE ANTHROPOLOGY OF HISTORICAL EXPERIENCE

This essay is the first attempt to compare Reinhart Koselleck's Historik with Hannah Arendt's political anthropology and her critique of the modern concept of history. Koselleck is well‐known for his work on conceptual history as well as for his theory of historical time(s). It is my contention that these different projects are bound together by Koselleck's Historik, that is, his theory of possible histories. This can be shown through an examination of his writings from Critique and Crisis to his final essays on historical anthropology, most of which have not yet been translated into English. Conversely, Arendt's political theory has in recent years been the subject of numerous interpretations that do not take into account her views about history. By comparing the anthropological categories found in Koselleck's Historik with Arendt's political anthropology, I identify similar intellectual lineages in them (Heidegger, Löwith, Schmitt) as well as shared political sentiments, in particular the anti‐totalitarian impulse of the postwar era. More importantly, Koselleck's theory of the preconditions of possible histories and Arendt's theory of the preconditions of the political, I argue, transcend these lineages and sentiments by providing essential categories for the analysis of historical experience.     

KOSELLECK ON MODERNITY,HISTORIK, AND LAYERS OF TIME

In the scholarly reception of his work, Reinhart Koselleck's notion of modernity and his theory of multiple times have been cast as essentially at odds with each other. This article argues that although these positions are valid, Koselleck's writings can also accommodate an interpretation according to which the theory of multiple temporalities, or “layers of time,” provides theoretical ground for the modern understanding of time and history. Elaborating on this insight, the article shows the linkages sustaining the unity between Koselleck's formal theory of multiple times and his interpretation of modernity. To that end, I outline the main premises of the temporalization thesis that lies at the heart of Koselleck's theory of modernity, scrutinize his notion of Historik within which the framework “layers of time” belongs, and explore Niklas Olsen's and Helge Jordheim's interpretive accounts on how to conceive of the relationship between the two strands in Koselleck's thought. Ultimately, I argue that “layers of time” entails the formal conditions for historical acceleration, which is crucial for explaining the emergence of a specifically modern temporality wherein experience and expectation increasingly grow apart.     

REOCCUPYING SECULARIZATION: SCHMITT AND KOSELLECK ON BLUMENBERG'S CHALLENGE

This article analyzes the compound of the categories of secularization and reoccupation in its variations from Hans Blumenberg's philosophy to Carl Schmitt's political theory and, ultimately, to Reinhart Koselleck's conceptual history. By revisiting the debate between Blumenberg and Schmitt on secularization and political theology with regard to the political‐theoretical aspects of secularization and the methodological aspects of reoccupation, I will provide conceptual tools that illuminate the partly tension‐ridden elements at play in Koselleck's theorizing of modernity, history, and concepts. For Schmitt, secularization is inherently related to the question of political conflict, and, correspondingly, he attempts to discredit Blumenberg's criticism of secularization as an indirectly aggressive, and thereby hypocritical, attempt to escape the political. To this end, I argue, Schmitt appropriates Blumenberg's concept of “reoccupation” and uses it alternately in the three distinct senses of “absorption,”“reappropriation,” and “revaluation.” Schmitt's famous thesis of political concepts as secularized theological concepts contains an unmistakable methodological element and a research program. The analysis therefore shows the relevance of the Blumenberg/Schmitt debate for the mostly tacit dialogue between Blumenberg and Koselleck. I scrutinize Koselleck's understanding of secularization from his early Schmittian and Löwithian theory of modernity to his later essays on temporalization of history and concepts. Despite Blumenberg's criticism, Koselleck holds onto the category of secularization throughout, but gradually relativizes it into a research hypothesis among others. Simultaneously, Koselleck formalizes, alongside other elements, the Schmittian account of reoccupation into his method of conceptual analysis and uses the term in the same three senses—thus making “reoccupation” conceptually compatible with “secularization,” despite the former notion's initial critical function in Blumenberg's theory. The examination highlights a Schmittian residue that accounts for Koselleck's reserved attitude toward Blumenberg's metaphorology, regardless of a significant methodological overlap.     

AGAINST PERIODIZATION: KOSELLECK'S THEORY OF MULTIPLE TEMPORALITIES

In this essay I intend to flesh out and discuss what I consider to be the groundbreaking contribution by the German historian and theorist of history Reinhart Koselleck to postwar historiography: his theory of historical times. I begin by discussing the view, so prominent in the Anglophone context, that Koselleck's idea of the plurality of historical times can be grasped only in terms of a plurality of historical periods in chronological succession, and hence, that Koselleck's theory of historical times is in reality a theory of periodization. Against this interpretation, to be found in works by Kathleen Davis, Peter Osborne, and Lynn Hunt, among others, I will argue that not only is Koselleck's theory of historical times, or, with a more phenomenlogical turn of phrase, his theory of multiple temporalities, not a theory of periodization, it is, furthermore, a theory developed to defy periodization. Hence, at the core of Koselleck's work is the attempt to replace the idea of linear, homogeneous time with a more complex, heterogeneous, and multilayered notion of temporality. In this essay I will demonstrate how this shift is achieved by means of three dichotomies: between natural and historical, extralinguistic and intralinguistic, and diachronic and synchronic time.     

A REGIME OF UNTRANSLATABLES: TEMPORALITIES OF TRANSLATION AND CONCEPTUAL HISTORY

This essay focuses on untranslatability to discuss the diachronic temporality of the history of concepts. Defining untranslatables as the paradoxical origin and product of translating, it explores their role in mediating the long‐term history of concepts by disrupting the historical boundaries of a period and challenging the contexts through which past meaning is confined to the moyenne durée. Addressing first the critical appraisal of the history of ideas by Quentin Skinner and J. G. A. Pocock, it discusses their alternative suggestion of a history of discourses, rather than concepts or ideas, to move to Pocock's formulation of the category of “diachronic translation” as a shift from the moyenne to the longue durée. It then turns to Begriffsgeschichte to explore the interrelation of untranslatables, Koselleck's consideration of translation, and his theory of historical times. It suggests that Koselleck not only states that translation mediates the history of concepts, but also envisions a distinct temporality associated with the aporetic condition of translating what is untranslatable. The aporia of translations underlies both the historical depth of concepts as a conceptual reserve and an act of silencing past meaning. The ensuing conjunction of surplus and erasure qualifies Koselleck's category of multiple times by designating the time of translation as “obscure time.” It is a time that displaces us from the apparent meaning of concepts in a certain period by receding toward the otherness of the past and suspending meaning that is already in the future. These two characteristics of obscure time, its receding and suspending nature, not only stand against the continuity of periodizing; they also make visible a politics of translation as an act of disruption of the present wherein the past becomes a reserve of meanings resisting appropriative interpretation.     

IMAGINATION AS A CATEGORY OF HISTORY: AN ESSAY CONCERNING KOSELLECK'S CONCEPTS OF ERFAHRUNGSRAUM AND ERWARTUNGSHORIZONT

Reinhart Koselleck is an important thinker in part for his attempt to interpret the cultural changes resulting in our modern cultural outlook in terms of the (meta)historical categories of experience and expectation. In so doing he tried to pay equal attention to the static and the changing in history. This article argues that Koselleck's use of “experience” and “expectation” confuses their metahistorical and historical meaning, with the result that his account fails to do justice to the static, to continuity in history, and mischaracterizes what is distinctive of the modern era. As well as reconfiguring the categories of experience and expectation, this essay also introduces a third category, namely, imagination, in between experience and expectation. This is done to render intelligible what is obscure in Koselleck's account, and as a stimulus to a study of history that divides its attention equally between the static and the changing. In fact, it is argued that the category of imagination is pre‐eminently the category of history, on the concrete historical as well as the metahistorical level.     

FROM HISTORICAL STRUCTURES TO TEMPORAL LAYERS: HANS FREYER AND CONCEPTUAL HISTORY

This article assesses, for the first time, the significance for German conceptual history of the sociologist, philosopher, and conservative political theorist Hans Freyer. Freyer theorized historical structures as products of political activity, emphasized the presence of several historical layers in each moment, and underscored the need to read concepts with regard to accumulated structures. He thus significantly influenced not only German structural history but also conceptual history emerging from it in the work of Otto Brunner, Werner Conze, and, most notably, Reinhart Koselleck, whose theories of temporal layers in history and concepts reworked the Freyerian starting points. Underscoring the openness and plurality of history, criticizing its false “plannability,” and reading world history as European history writ large, Freyer shaped the politically oriented theory of history behind Koselleckian Begriffsgeschichte. Further, Freyer theorized the eighteenth- and nineteenth-century transition to industrial society as a historical rupture or “epochal threshold,” which bears close, and by no means coincidental, similarity to Koselleck's saddle-time thesis (Sattelzeit). Freyer's theory of history sheds light on the interrelations of many Koselleckian key ideas, including temporal layers, the contemporaneity of the noncontemporaneous, the plannability of history, and the Sattelzeit.     

Revolution,Reaction, Restoration: The Meanings and Uses of Seventeenth-Century English History in the Political Thinking of Benjamin Constant,c.1797–1830

Comparisons, juxtapositions or analogies between France's recent Revolutionary and post-Revolutionary history and England's experiences of Revolution, Civil War and Restoration between the 1640s and the Glorious Revolution of 1688 were a common but controversial feature of political discourse dealing with France's contemporary situation in the decades following the Revolution of 1789. The present article probes this dimension of post-Revolutionary political debate, by tracking the shifting meanings and uses of seventeenth-century English history in the published and unpublished political writings of the leading liberal thinker and politician Benjamin Constant, from the 1790s through to his death in 1830. Such an analysis reveals the sometimes striking reversals and inconsistencies to which Constant was driven in his effort to adjust his historical readings to France's rapidly changing political conditions, but it also reveals underlying continuities in his historical and political thinking. The exemplarity of England's case lay, for Constant, less in the provision of a constitutional model that France might hope to appropriate than in the historical spectacle of a nation's struggle for liberty, and the value of this spectacle lay as much in its cautionary messages—focused on the sterile brutality of the Stuart Restoration—as in its eventually progressive outcomes.     

The "Trial" of Lee Benson: Communism, White Chauvinism, and The Foundations of the "New Political History" in the United States

Lee Benson was one of the first American political historians to suggest a “systematic” revision of traditional political history with its emphasis on narrow economic class analysis, narrative arguments, and over‐reliance on qualitative research methodologies. This essay presents Benson's contributions to the “new political history”—an attempt to apply social‐science methods, concepts, and theories to American political history—as a social, cultural, and political narrative of Cold War‐era American history. Benson belonged to a generation of ex‐Communist American historians and political scientists whose scholarship and intellectual projects flowed—in part—out of Marxist social and political debates, agendas, and paradigmatic frameworks, even as they rejected and revised them. The main focus of the essay is the genesis of Benson's pioneering study of nineteenth‐century New York state political culture, The Concept of Jacksonian Democracy, with its emphasis on intra‐class versus inter‐class conflict, sensitivity to ethnocultural determinants of political and social behavior, and reliance on explicit social‐science theory and methodology. In what follows, I argue that The Concept of Jacksonian Democracy has its roots in Benson's Popular Front Marxist beliefs, and his decade‐long engagement and subsequent disenchantment with American left‐wing politics. Benson's growing alienation from Progressive historical paradigms and traditional Marxist analysis, and his attempts to formulate a neo‐Marxism attentive to unique American class and political realities, are linked to his involvement with 1940s radical factional politics and his disturbing encounter with internal Communist party racial and ideological tensions in the late 1940s at Cornell University in Ithaca, New York.     

Restorationist Counter‐Enlightenment: Thomas M'Crie on the Concept of Civil Liberty

Enlightenment notions for Counter‐Enlightenment purposes have not to date been used to provide a comprehensive context for Scottish religious history‐writing in the age of Counter‐Revolution and Restoration. The Evangelical historian and divine Thomas M'Crie's studies on Scottish Reformation history, Life of John Knox and Life of Andrew Melville, published in 1811 and 1819 respectively, exhibit an abundance of historiographical material for research. M'Crie was among the most renowned writers of his own time, but his historical works have been briefly passed over in recent secondary sources. The main purpose of this study is to rescue M'Crie's historical works on the Scottish Reformation past from near oblivion. This article argues that M'Crie produced an apology for the Scottish Reformation, adopting an aggressive style that attacked Scottish Enlightenment historians and thinkers such as William Robertson and David Hume, especially in the matter of their treatment of John Knox and Andrew Melville. M'Crie tried to restore his chosen past in order to influence the religious and political affairs of Scotland. In M'Crie's Counter‐Enlightenment historiography, the concept of civil liberty and Presbyterianism become interchangeable in a Restorationist religio‐political discourse. That is why M'Crie's enthusiasm for the Scottish Reformation constitutes the most representative example of the Presbyterian interpretation, which held its own against Enlightenment influence.     

DAVID CARR'S THEORY OF EXPERIENCING TIMES PAST

This article is a review of David Carr's “Reflections on Temporal Perspective” in which Carr argues that present‐day historians or philosophers can experience the past, given that the past persists into the present and thus has a “presence” in contemporary life that makes it directly accessible to us. On that basis, Carr seeks to craft a phenomenological approach to history that puts experience in the place of representation and memory, rejecting thereby traditional notions of how we come to know and understand the past. Inherent in this approach is a new, and now widely shared, revision of our understanding of historical temporality, for such an experiencing of the past analytically demands a revised understanding of what “past” signifies when it is “present.” In this, Carr participates in a much broader movement in current historiography, which can be seen in the work of Frank Ankersmit, Hans Ulrich Gumbrecht, Dominick LaCapra, Ewa Domanska, Eelco Runia, and others who focus on the persistence of the past in the present, embracing a materialist rather than linguistic or narrativist approach to historical research and writing. But if history signifies change over time, what “past” in the present do we actually experience? How is it logically possible to embrace both a commitment to the notion of historical development—as Carr does—and a notion of historical perseverance so powerful that the past as such survives and can be experienced? Carr's answer to this query is that “the present point of view is somehow permanent and yet always changing, framed at each moment by a different past and future.” What makes this possible, in his view, is the reality of superimposed temporalities, an idea he illustrates in his analysis of Braudel's La Mediterranée and other works. Hence it is precisely his “reflections on temporal perspective” that enable the experience of the past.     

A challenge to the reigning theory of the just war

Troubled times often gives rise to great art that reflects those troubles. So too with political theory. The greatest work of twentieth century political theory, John Rawls's A theory of justice, was inspired in various respects by extreme social and economic inequality, racialized slavery and racial segregation in the United States. Arguably the most influential work of political theory since Rawls—Michael Walzer's Just and unjust wars—a sustained and historically informed reflection on the morality of interstate armed conflict—was written in the midst of the Vietnam War. It should be no surprise, then, that the bellicose period of the past 20 years should give rise to a robust new literature in political theory on the morality of armed conflict. It has been of uneven quality, and to some extent episodic, responding to particular challenges—the increased prevalence of asymmetric warfare and the permissibility of preventive or preemptive war—that have arisen as a result of specific events. In the past decade, however, a group of philosophers has begun to pose more fundamental questions about the reigning theory of the morality of armed conflict warfare—just war theory—as formulated by Walzer and others. Jeff McMahan's concise, inventive and tightly argued work Killing in war is without doubt the most important of these challenges to the reigning theory of the just war. This review article discusses McMahan's work, some of the critical attention it has received, and its potential implications for practice.     

Alphonse Aulard Revisited

Alphonse Aulard (1849–1928) institutionalised and professionalised the practice of history. Beyond this undisputed contribution, however, Aulard's place in historiography remains contested. Scholars' perceptions that anti-clerical and radical-republican commitments skewed his research findings, and that he chose narrowly to study history as a series of constitutional, institutional and political developments in stark contrast with his student Albert Mathiez, have divided opinion regarding the beliefs and significance of Aulard. Yet Aulard's work and the cultural and political contribution it made have become a source of inspiration for a generation of scholars now studying revolutionary and European history. Based for the first time on an examination of his private papers, professional activities and oeuvre in tandem, this article revisits Aulard, and, using a post-analytic hermeneutics, re-reads his work in order to show how in his age Aulard advanced a demonstrably original contribution to historical research. He likewise left behind him a neo-Jacobin legacy more attentive to raison d'état than party division and championing international, liberal democracy and human rights. Multifaceted commitments therefore both explain the content of Aulard's oeuvre and help to understand contemporary developments, and suggest future directions, in historical enquiry.     

The “Zhanguoce” school's effort of wartime cultural reconstruction, 1940–1942

This article examines the Zhanguoce school's unique cultural, historical, and political thinking in the context of cultural transformation and a search for meaning during the Anti-Japanese War (1937–1945). The group was mainly composed of scholars who were born in the 1900s and educated in America and Europe. Keenly concerned for China's survival and influenced by the theories of Oswald Spengler, Arnold Toynbee and Chinese Legalism, the group challenged the May Fourth intellectual legacy of positivism and evidential research, presenting in its place an amoral, militarist worldview, a culture-based global historical theory, and a state-centered political philosophy. The school attempted moreover to interpret world history in the light of the Chinese historical pattern. Their radical outlook was quite different from the contemporaneous trends of positivism and historical materialism, but they did attempt to provide an alternative ideology to guide China's wartime cultural reconstruction.     

On Political Theology: The Hidden Dialogue between C. Schmitt and Ernst H. Kantorowicz in The King's Two Bodies

In recent years, Ernst H. Kantorowicz's work The King's Two Bodies (1957) has been the object of both historical and philosophical research. Kantorowicz decided to subtitle his book ‘A Study in Medieval Political Theology’, but few scholars have actually recognised his work as research in ‘political theology’. The aim of this article, then, is to uncover the sense(s) in which his book might be considered a work of ‘political theology’, especially in the sense coined by Carl Schmitt in 1922. Such a discussion ultimately aims to contribute to the foundation of political-theology research, a subject that has been widespread among European intellectuals in the twentieth century and which continues to be a focus of interest. This article argues that Kantorowicz's book can be interpreted as a practice of—and also an enriching addition to—Schmitt's thesis on political theology, even if it does not mention Schmitt's name. Such a conclusion is only possible by accepting that there was a heated dialogue between Kantorowicz and Schmitt through Erik Peterson's work. The article further discusses its approach with other scholars that, even though they are based on similar hypotheses, make different conclusions.     

2. CONFRONTING DEFEAT: CARL SCHMITT BETWEEN THE VICTORS AND THE VANQUISHED

Quoting a text on Tocqueville written by Carl Schmitt in 1946, Reinhart Koselleck hypothesized about the epistemological advantage of being vanquished in writing history. This essay analyzes Schmitt's intellectual and political positions in reaction to three successive defeats: the collapse of the German Empire in 1918; the end of the Weimar Republic in 1933; and the overthrow of the Third Reich in 1945. Schmitt was a German nationalist and, at least until Hitler's rise to power, an anti‐Nazi conservative, but he easily adapted to both the Weimar Republic in 1919 and National Socialism in 1933, two political turns that coincided with significant improvements in his academic career. He felt vanquished only in 1945, after his double imprisonment, the Nuremberg trial, and finally his retirement to Plettenberg. 1945 was a watershed that he symbolized through two metaphorical figures: the reactionary thinker of Spanish Absolutism Juan Donoso Cortés and Melville's literary character Benito Cereno. Thus, the case of Carl Schmitt does not confirm Koselleck's hypothesis, insofar as the most productive and creative part of his intellectual life does not fit into an awareness of being vanquished. Koselleck's statement deals with the gaze of the ruled, whereas Schmitt belonged to a different tradition of political thinkers interested in building domination and smashing revolution (Hobbes, Maistre, Donoso Cortés). He was a thinker of action, not of mourning. Defeat did not inspire, but rather paralyzed his thought.     

Selected writings on Philosophy,Religion and Politics

Benedetto Croce was the author of the most important and original theory of history in the 20th century. His theory was that of ‘absolute historicism’, and this necessarily entailed an acute critique of inherited ideas about the Enlightenment. This article studies both Croce's theoretical analysis of Enlightenment and his historical analysis of the Neapolitan Enlightenment. Croce's interest in the Enlightenment had political as well as philosophical roots. All over Europe in the 1920s and 1930s historical and theoretical research was occurring into in the Age of Enlightenment. The broad goal of such research was to bring forth a new concept of reason, which would have purchase in the contemporary debate about rationalism and irrationalism. This debate, which flourished in the era of totalitarian regimes, raised a series of further questions: What was culture? What was the task of culture in the fight against political irrationalism? What was the relationship between culture and the growth of public opinion? With respect to the latter relationship an important role was played by intellectuals, as evinced by the works of Benda, Max Weber and Croce himself. The genealogy of the modern intelligentsia led again to Enlightenment. In the third part of the article Croce's position on this issue is discussed in the light of his historical researches on Enlightenment by reference to his correspondence with two young historians, Delio Cantimori and Franco Venturi.     

Lady Gregory's The Gaol Gate,Terence MacSwiney and the Abbey Theatre

In September 1920, a French translation of Lady Gregory's 1906 play The Gaol Gate was staged in a Parisian drawing room. The play's original setting outside the gate of Galway Gaol was transferred to Mountjoy Prison at a time of republican hunger strikes. The drama's central character of Denis Cahel – refusing to inform on his neighbours and hanged as a consequence – gained contemporary currency with Terence MacSwiney's hunger strike and impending death as both men had turned their bodies into a political tool. With a focus on the concept of the political body, this article illustrates the power of The Gaol Gate by tracing the play's provenance and production history, demonstrating its flexibility through performance in a particular historical context.     

Contiguity and Similarity as Poetic Modes in Some Poems of Gongora

This article explores how different authors who suffered the violence of the 1970s and 1980s revolutionary movements and military dictatorships in the Southern Cone countries of Latin America look back from a post-dictatorship present to write the history of their recent past. Nostalgia and critical reflection join forces to recreate the feelings of loss of individuals whose identities crashed due to the failure of political projects that once were conceived as messianic, as well as to critically reclaim the past in order to construct alternative futures for themselves as individuals and for the community. The article focuses mainly on the Chilean Diamela Eltit's novel Jamás el fuego nunca (2007), in which an old couple of former revolutionary militants of the Left imprisoned in a claustrophobic space—an old bed—explore their past as militants and as a couple to understand and question notions of individual and collective identity in the aftermath of traumatic and tumultuous experiences. The novel is read in the context of other narratives such as Chilean Luz Arce's testimonial, El infierno (1993) and Argentine political scientist Pilar Calveiro's essays, Poder y desaparición (1998) and Política y/o violencia (2005), among others. This article's theoretical contribution lies in its emphasis on the ethical consideration of listening to all of the narratives that speak to us about that era cognizant of their differing motivations, desires, tonalities, and subjective trajectories. Only by paying close attention to the polyphony of voices and documents about the past—especially those that speak to us from a time of subjective crisis and trauma—can we achieve a true sense of historicity.     

The Savage Science: Sigmund Freud,Psychoanalysis, and the History of Religion

This article analyzes how Freud takes issue with the prioritization of the present over and above the historical past. Significantly, Freud's understanding of history is closely related to his interest in Christianity's historical dependence on Jewish antiquity. He emphasizes the common sources of both religions: both are shaped by the experience of guilt. Christianity, however, relegates the historical past to the realm of the “old Adam.” According to Freud, Jewish culture, by contrast, revolves around the commemoration of a “savage” (i.e. pre‐modern) past. This article thus focuses on how Freud combines his analysis of onto‐genesis (in his psychoanalytical case studies) with a discussion of phylogeny. The manifestation of psychic illness gives body to the unconscious remembrance of phylogenetic history. Thanks to religious and literary documents an irrational past has been put down in writing. According to Freud, this characterizes their historical truth value.