考古学的定位和有关问题

考古学是一门独立的科学,往往被历史学、人类学或古器物学所包括。事实上它以田野工作为基础,以遗迹、遗物的实证为前提,其方法论是其它学科所无法代替的。     

People with history: An update on historical archaeology in the United States

Historical archaeology has expanded greatly in the past decade. This essay discusses some of the trends and themes that have become important in historical archaeology in the United States since 1982. The first section briefly assesses the field. The second discusses capitalism as one theme that may serve to unify research. Cross-cultural research, integrative analyses, and the concepts of power and ideology are central to this theme. The third section is a brief case study concerning the historic Cherokee. The conclusion comments on the institutional state of historical archaeology.     

Archaeology, History, and Historical Archaeology in South America

This paper discusses the relationship between history and archaeology in general, their common concerns and links with historical archaeology. It deals with the development of historical archaeology in three related South American countries, Argentina, Brazil, and Uruguay, and pays attention to recent trends in the theory and practice of the discipline in the area.     

Reconceptualizing Resistance in the Historical Archaeology of the British Isles: An Editorial

The present resonates with the harmonics of past events. Our archaeologies, because they deal with the everyday materiality of life, should not neglect to concern themselves with the domination of past people, since many similar forms of oppression persist. Moreover, we should consider the resistance to such domination. Rather than seeing resistance as simply reactive a problem which has generated much criticism—we can reconceptualize it to encompass a more nuanced understanding of the volition and agency of people in inferior positions of power. This lends new strength to the role of archaeologists in representing historical narratives of resistance.     

Social Analysis of Mortuary Evidence in German Protohistoric Archaeology

German early historical archaeology has witnessed since the 1960s an intensive debate on the social analysis of mortuary remains. It started out with the question of archaeological criteria for the inference of social status in early medieval cemeteries. In the 1970s, attention shifted from quantitative to qualitative analyses of grave goods and to the use of data on labor investment and skeletal data. In the last decade or so, younger colleagues have tried to overcome the weaknesses of traditional inferences from grave goods (status, religion, ethnic affiliation) by looking at the implications of ritual, and new methods of analyzing biological kinship have been applied to identify families in prehistoric and early medieval cemeteries. The German debate shows similarities to as well as differences from the Anglophone debate. It is suggested that we may learn from these parallel developments, but we should also learn from the fact that two scholarly debates on the same subject could ignore each other for 3 decades.     

The role of abrasives in the formation of lithic use-wear

This paper briefly examines the question of the influence of abrasive particles on the development of use-wear on stone tools. It is argued that grit inclusions may have been a common element of prehistoric tool using conditions, hence the need for archaeological experiments which consider this variable. A series of experiments are described where end-scrapers were used on bone and hide surfaces both with and without a grit inclusion. The resulting wear patterns are discussed and illustrated. It is concluded that the addition of grit to the worked surface causes a dramatic and demonstrable change in use-wear development.     

Lest the Lowliest Be Forgotten: Locating the Impoverished in Early Medieval Ireland

In early medieval Ireland (ca. a.d. 400–850), every person's rank in society was codified in documents and visibly apparent by their material possessions. Early Irish literature is overwhelmingly concerned with the negotiation of status, but it is focused primarily on the rights and responsibilities of the nobility and wealthy farmers. Those of lower status are often ignored, and it has been difficult as archaeologists to agree on what constitutes a lower class site or artifactual assemblage. This paper addresses these arguments and challenges the belief that the lowest members of medieval Irish society are invisible to archaeology due to their impoverished existence.     

Zooarchaeology and Historical Archaeology: Progress and Prospects

This review assesses the development and current status of zooarchaeological research in historical archaeology. Analytical issues in recovery, identification, quantification and interpretation are discussed with particular reference to assemblages from historical sites. The results section summarizes the substantive contributions zooarchaeological studies of historical assemblages have made to our understanding of past diet, food production systems, social and cultural variation, and archaeological interpretations. The last four decades of research has provided a strong basis for future analyses that draw together diverse strands of zooarchaeological, historical, scientific, and anthropological evidence.     

An Anglo-Saxon dog from Salter Street,Stafford

A dog skeleton from a well-dated eleventh century context was recovered from a kiln in Stafford. The animal exhibits particular morphological characteristics, identified metrically, and their similarity to modern comparative animals is discussed. The disposition of the animal in the structure is also described and the possible circumstances of the burial considered. © 1998 John Wiley & Sons, Ltd.     

‘Resemblances to archaeological finds’: Guido Boggiani,Claude Lévi-Strauss and Caduveo body painting

In 1942, Claude Lévi-Strauss published an article on Caduveo body painting in the first number of the surrealist magazine VVV, with the editorial assistance of André Breton and cover by Max Ernst. In the article, Lévi-Strauss uses the photographs of the Caduveo women taken during his fieldtrip in 1935–36, together with drawings of facial designs collected to reflect on their ‘strong originality’, which ‘evokes a very ancient culture, and one full of preciosities’. Amongst these illustrations, there is an engraving taken from Guido Boggiani’s book, I Caduvei, published in 1895. Boggiani, an Italian landscape painter who visited South America in 1887–93, was captivated by the Caduveo graphic art, which he sketched in detail. In 1896 he returned, travelling to Paraguay, this time equipped with a new tool to help his ethnographic research: a photographic camera. Over a period of five years, Boggiani completed more than 400 photographs on glass gelatin plates of various sizes. For Lévi-Strauss, as for Boggiani, the originality of the Caduveo graphic art remained enigmatic, evoking a very ancient culture; it was a topic to which he would return in several of his most influential works. In this article, I focus on the visual images (engraved, drawn, photographed and filmed) that depict the body painting of the Caduveo people in central Brazil by Boggiani and Lévi-Strauss in order to explore the ways in which they enabled an ephemeral art – delicate arabesques painted on skin – to be studied as archaeological vestiges. In the process, I trace the aesthetic sensibility of Boggiani and Lévi-Strauss that provided them with the imaginative tools to do so.