The female body as the bearer of national identity in Iran: a critical discourse analysis of the representation of women's bodies in official online outlets

Abstract

The female body has been in the foreground of nation-building in Iran especially since the 1930s projects of modernization, when unveiling women and adaptation to Western clothing became a crucial factor of bolstering modern Iranian national identity as opposed to a religion-based national identity. After the 1979 Revolution, the Islamic dress code became compulsory and female imagery depicting modesty and piety became a source of national identity. Although the representation of women's bodies in nationalist discourses has been subject of different studies, women's representation in official online outlets is still understudied. This article discusses how women's bodily appearance and representation in official online outlets feed into the nationalist discourses in Iran. Three key cases between 2014 and 2017 are addressed: (i) actress Leila Hatami kissing a man at the 2014 Cannes Film Festival; (ii) the public debate on women's entrance to sports stadiums in 2014–2015; (iii) the public revelation of actress Taraneh Alidoosti's tattooed forearm in 2016. Data were collected from multiple Iranian official online platforms and a critical discourse analysis was undertaken to analyse different forms of discursive articulation regarding women's bodies and national identity. Drawing on feminist literature inspired by the Foucauldian concept of biopolitics, the article discusses the ways in which women's bodies are discursively constructed to illustrate a uniform Islamic nationalistic discourse.     

The Ethics of Gender and Globalization: Military Madness and Ecological Stress

Abstract

Globalization has an impact on gender relations in complex and contradictory ways. The consequences are neither solely detrimental nor the same everywhere. Globalization may offer new opportunities to women, but overall globalization from above has exacerbated gender inequality. Globalization disperses local and national decision-making powers. Flexible labor laws weaken worker protections and job security. All of these threaten advancement in women's interests. The oft-accompanying environmental degradation directly affects women responsible for domestic necessities and caring labor, which is the situation of most women within the Pacific Rim. Military activities around the Pacific Rim continually erode women's rights. This paper discusses the ethics of globalization, adopting micro, macro and global categories.     

Rethinking Twentieth‐Century Guadalajara

This paper discusses the impact of the conference ‘Las Olvidadas: Gender and Women's History in Post‐Revolutionary Mexico’ that took place at Yale University in May 2001, into my own work on women's political mobilisations. It points out from where I departed and how it changed my perspective from women's history to gender history by focusing on women workers in the tortilla industry, a union cacicazgo (political bossism), civic culture, narratives, cultural memory and female political trajectories after the granting of women's suffrage in 1953 in Jalisco.     

'Who do you talk to,when a body's in trouble?: M. Nourbese Philip's (un)silencing of black bodies in the diaspora

This paper examines Marlene Nourbese Philip's 'Dis Place—The Space Between' to argue that black women's bodies are troubled by Philip in order to reconceptualize and reinvent location, corporeality, subjectivities, and dominant historical narratives. In situating blackness and black femininity within a displaced, or 'anywhere' framework, Philip scrutinizes and redraws the places of black women's bodies in the New World so that we might reconsider the geographical and historical importance of blackness. This paper therefore analyses how Philip takes up the chaotic in between-ness of black womanhood in order to embrace discourses and spaces of 'elsewhere' and possibility, while also acknowledging sites of racism, sexism, memory and struggle.     

An overview of women's health in the U.S. since the mid-1960 s

Women's health became intertwined with the second wave of feminism in the 1960s. The process and history of the interactions among physicians, feminists, health care consumers, activists, and politicians have brought women's health into the foreground of health research and curricular agendas in several ways. It identified major gaps in research and practice and initiated a critique of the current health care system at all levels; it originated from, and remains connected with, the non-medical community; it is interdisciplinary and requires interdisciplinary teams for research and clinical practice, as well as collaboration with colleagues in non-medical academic fields; it developed new curriculum focused on women's health; it emphasizes race, class, sexual orientation, and other diversities among women. The continuing presence of activists and feminist scholars will insure that health and science include women's needs to provide better health for all.     

The Textile Millwright in the Early Industrial Revolution

Abstract

Newspaper runaway advertisements are one of the best sources of information on American women's working-class dress, but have only been minimally analysed in quantity. This article presents a project in which the notices of 900 women's elopements and their 5,600 garments have been catalogued in a relational database to provide greater access to garment data in runaway advertisements, including textile use, colour and patterning information. Data about the women, including physical characteristics, geographical location and ethnicity are linked to the garment data to allow contextual searches. Select initial investigations into preconceived notions of women's working-class clothing during this period are included to demonstrate future research directions based on this approach.     

The occluded role of royal women and lost works of pre-Norman English and Irish art (tenth to twelfth centuries)

ABSTRACT

Medieval women's involvement with artworks and building campaigns can sometimes be hidden, particularly when, as with architectural patronage, that involvement is familial and multi-generational; it is also likely to be routinely underestimated by scholars in the absence of the artworks themselves. This paper discusses various interactions between royal women, art and architecture from the turn of the tenth century to the arrival of the Normans in England and the Anglo-Normans in Ireland. Moving to portable objects, the analysis of two lost artworks – Edith of Wilton's alb, described by Goscelin, and Derbforgaill of Mide's chalice given to Mellifont – suggests that historical sources can be more revealing of iconography and meaning than is often assumed. Finally, a brief examination of the Ælfflæd/Frithestan/Cuthbert embroideries shows that these fit the same paradigms as the lost works, and that they may offer some further insight into Ælfflæd's status and fate.     

Reviews

Abstract

Since the beginning of the 1970s the women's/feminist theatre has gained a dominant position on the European and the American stage. Women have stormed the postmodern stage either as solo dramatists and artists or as collaborative teams, forging a new female theatre language and training audiences to new ways of theatre reception. The publication of Lizbeth Goodman's Contemporary Feminist Theatres: To Each Her Own (Routledge, 1993), one in a long series of recent studies on women's theatre, already heralded an advanced epoch of a polyvocal feminist theatre embracing a multiplicity of female differences along the paradigms of gender, race, sexuality and ethnicity. Within the dynamic spectrum of development and intercultural exchange that ensued in the field of women's theatre the Greek women's contribution is faceless and anaemic. The situation is both distressing and calling for systematic research, especially since the scanty sociological studies concerning the position of women in contemporary Greece are inadequate in throwing full light on such a complicated problem. In 1992 Savas Patsalidis made the first serious attempt to analyse the foetal state of women's theatre in Greece in his article ‘Greek Female (Feminist?) Theatre: A Preliminary Approach', published in the Greek journal Utopia (4, Nov.-Dec. 1992, 105–38). My own interest in the issue in my capacity as a feminist and drama critic springs from my long-standing research in British women's theatre and my understandable comparative inquiry, as a Greek national, into the causes that might have led to the striking absence of an analogous phenomenon in my native country. I have deliberately used the word immaterial in the title of this paper in order to suggest, on the one hand, the relative lack of a distinct theatre discourse of women as speaking subjects and moving bodies on stage, inscribing female experience and female desire, and, on the other hand, the unimportance, in terms of power, of women theatre practitioners as still very few of them hold key positions in theatre institutions and the theatre industry.     

Teaching Geography to Non-geographers at Glasgow Caledonian University

This paper discusses the teaching of geography to 'non-geographers' at Glasgow Caledonian University (GCU). GCU is one of the so-called 'new' universities in the UK and it shares with many of these institutions a mission to facilitate access to groups that have traditionally been under-represented in higher education. Human geography is one of the six subject area streams within the interdisciplinary social sciences degree programme, although geographical subject matter is taught in many other degree programmes, in each of GCU's three faculties. The arrangements for teaching human geography at GCU present pedagogical challenges for staff. Means to address these problems have been implemented. In this case study, it is argued that the experience of teaching human geography to 'non-geographers' at GCU may be of more general significance to the discipline, to the teaching of geography in both 'old' and 'new' universities and to those responsible for the delivery of mainstream geography degree programmes.     

‘Women—Keep Australia Free!’: Women Voters and Activists in the 1951 Referendum Campaign

Abstract

This article considers three aspects of the women's vote and activism during the 1951 referendum campaign. First, it is argued that the appeal to women was conducted in terms of the democratic right to freedom of expression and protest especially as it connected to domestic issues. Second, women's engagement in this campaign has been overlooked, but was influential, diverse and prominent, as evidenced by the involvement of activists such as Millicent Preston Stanley and Margot Mahood. Finally, the campaign directed at the woman voter points to the increasing appeal by the major parties to women as independent voters.     

New Technologies of Embroidered Robe Production and Changing Gender Roles in Zaria,Nigeria, 1950–2005

Abstract

The old walled section of the Northern Nigerian town of Zaria known as Zaria City is renowned for the production of elaborately hand-embroidered robes, worn by men throughout Nigeria and West Africa. These garments are of some antiquity, yet they continue to be produced. None the less, there have been several changes in their production, including the introduction and expanded use of embroidery machines and new materials by men, new marketing practices, and women's hand-embroidery of robes. These changes are closely linked with political, economic, and socio-cultural factors, reflecting technological innovation, changes in gender-associated work, and the impact of federal import regulations in Zaria.     

Time,place, and the lifeworlds of feminist geographers: the US in the 1970s

The 1970s, the decade in which Susan Hanson took up an academic appointment in American geography, was a period of marked growth in women's representation and political activism in the discipline and of the emergence of feminist research and teaching. Susan's career illustrates the changes in consciousness, resiliency in the face of setbacks, and creativity of the times. Inspired by the women's movement, and exemplifying collegiality, women geographers identified masculine biases in scholarship and professional practices, initiated research and teaching on women and gender, and worked to enter the leadership of the Association of American geographers. Their efforts were the genesis of the feminism in the profession that has since flourished in the United States. It is fitting that Susan Hanson's leadership and contributions in this arena are widely recognized and honored.     

Painted Textiles in a Buddhist Temple

Abstract

This article investigates women's dye practice at a time when natural dyes were deemed obsolete, or when created by men working from an artisanal studio, transformed into idealized labour more consistent with the ideals of the Arts and Crafts Movement. The objective of this article is to assess the extent to which gender plays a role in the historical and contemporary determination of the aesthetic, cultural, and social value of natural dyeing. Another goal is to move away from the term 'craft work' with its acquired pejorative context and locate dyeing within 'artisanal practice' as an occupational choice. Current studies on women's participation in the Arts and Crafts Movement raise questions as to the distinction between amateur and professional status among practitioners in many media. The only dyer deemed to be 'professional' was William Morris; yet in north-west Ireland, the Scottish Highlands, and England's Lake District, female dyers contemporary with Morris also made important contributions. That their production of colour originated from the separate sphere of home need not mitigate against professional status nor historical value, but there is a lingering perception that men such as Morris possessed inherently superior abilities. The focus of this article is also to analyze the mythology of natural dyeing which has limited the opportunity to recognize female dyers whose practice aligned with the utopian ideals of the Arts and Crafts Movement. Three examples are discussed here against a brief summary of centuries of women's involvement in the business and trade of dyeing. The Arts and Crafts dyers discussed in this paper are also compared to Morris. Women's abilities as colourists were as worthy of professional designation as were those same skills when they emanated from men who comprised the Movement's elite.     

The Poverty–Purdah Trap in Rural Bangladesh: Implications for Women's Roles in the Family

Trends in poverty, working through changing roles of women in income generation, have been advanced as one explanation of changing fertility in Bangladesh. This paper examines women's work patterns in two rural villages in northern Bangladesh and finds little evidence of increasing workforce participation, despite high contraceptive use rates. Observation of women's work patterns suggests that purdah, the practice of female seclusion, influences and conditions women's decisions regarding roles they assume, and remains a dominant influence in women's lives, showing little evidence of responsiveness to poverty.     

Petztorme Women: Responding to Change in Lihir,Papua New Guinea

The goldmining project on Lihir Island in New Ireland Province, Papua New Guinea, has brought dramatic socio‐economic changes. In this matrilineal society, while women's economic contributions were substantial, their political status was not. Women's participation in decision‐making about the mine has been restricted, mainly because men have excluded them. The mining company established a women's section that has supported the development of women's organizations and a range of economic development projects. The women's organizations provide the context for new political roles for women but have experienced many setbacks that are common in such groups across Papua New Guinea. Through the Lihir experience in the first five years of the mine, this paper examines the tensions and divided loyalties that constrain women's organizations and often lead to the failure of income‐generating women's projects in Papua New Guinea.     

The Catholic and the Communist Women's Press in Post-War Italy—An Analysis of Cronache and Noi Donne

This article aims to provide a systematic, comparative analysis of two of the main women's mass publications in order to trace continuities and changes in the development of women's role in the public sphere in Italy. The analysis begins with an elaboration of the social and political context, which is crucial for the understanding of media texts in general. It shows how the existence of only limited political spaces in post-war Italian society due to the polarisation of Catholicism and communism delayed both an open political discourse on women's conditions and the gradual development of an autonomous and lay feminist movement. Noi Donne of Union Donne Italiene (UDI) was closely aligned with and financed by the Italian Communist Party (PCI) and lacked any substantial autonomy until the early 1970s, while Cronache of the Catholic women's organisation Centro Italiano Femminile (CIF) was a faithful instrument for the propagation of those Catholic concepts of femininity that were redefined and reinforced by the Vatican in the Catholic publication Civiltà Cattolica.     

Conformity and resistance in the Victorian penal system: archaeological investigations at Parliament House,Edinburgh

Abstract

Archaeological investigations at Parliament House in Edinburgh included the recovery of artefacts from a void discovered during building works. This space had been used as undercourt jail cells in the late 19th century, a time of penal reform. The assemblage contains items representing domestic, light industrial and clerical activities, as well as personal items such as children's toys and women's clothing. The Victorian penal code, contemporary accounts of prisoners, warders and chaplains, and historical and criminological studies suggest that they reflect not only the Prison Board's attempt to enforce conformity but also prisoners' and prison employees' resistance to the system.     

Having her hand in it? Elite women as ‘makers’ of textile art in the Middle Ages

ABSTRACT

In the Middle Ages, elite women acted as creators, donors and recipients of textile art. This article analyses a small but representative group of seventh- to thirteenth-century embroideries in order to examine the motivation for their creation and to investigate the ways in which women could mark their own presence through textile art. It discusses written sources alongside the material evidence; these sources include documentary, hagiographical and literary texts, which provide information about cultural norms and the expectations of society. Set within the context of these sources, the evidence suggests that society both channelled women's creativity into textile art and idealised it. At the same time, as artists and patrons of ornamented textiles, noblewomen had creative control over the medium; embroidery became a field in which their works were noted and celebrated.     

Female Representation in the Discipline of Geography

This report updates earlier findings of women's progress in the discipline of geography from a feminist perspective. A variety of data sources are used in the analysis, including survey data from doctorate-granting US geography departments. Results reveal that there has been progress; however, significant inequity remains in student and faculty representation, particularly in the upper levels of the discipline.     

‘Playing the Game to the Army’: The Royal Army Medical Corps,Shell Shock and the Great War

Abstract

The utilization and role of female combatants in modern armies is a subject generally fraught with half-truths and misinformation. The mobilization of women in supporting roles during the Second World War is generally well understood, but the German use of women as combatants in the last years of the war raises important issues of women's place in the Nazi state and ideology as well as considerations of gender and military service.