Was there an early Polynesian ‘sky father’?∗

Abstract

There is a recurring Polynesian cosmogonic tradition whereby the primordial world was transformed into the modem world by a series of events often consisting first of vague cosmic beings (whose names and nature are not generally cognate) giving rise to a Primordial Pair who then gave rise to first order anthropomorphic gods. The Primordial Pair in Tonga were ‘Seaweed’ and ‘Sediment/Slime’ while in Nuclear Polynesian we find the female named Papa‐adj. and evidence for the male being named Papa‐adj. in Proto Nuclear Polynesian and Proto Central Eastern Polynesian as well. These are thought of as physical strata or rock in Samoa while in Central Eastern Polynesia there was commonly the notion that Papa (the female) was the earth itself and that her mate was the sky or the space between the sky and the earth. It was, however, only amongst New Zealand Maori that the male was specifically given the name ‘Sky’ although an alternative name for the male in the Marquesas is ‘Sky Parent’ but seems a (lexical) development independent of the N.Z. Maori.     

The comfort of the river: understanding the affective geographies of angling waterscapes in young people’s coping practices

ABSTRACT

This paper draws on ethnographic research with angling intervention programmes working with ‘disaffected’ young people in the UK to demonstrate how young people use the affective geographies of waterscapes to regulate their feelings and escape stressful lives. But rather than interpret the restorative or therapeutic quality of waterscapes as the consequence of (passive) immersion into green/blue spaces, we argue that ‘comfort’ is derived from an ongoing, active engagement with(in) the world. Drawing on works influenced by phenomenological theories and relational understandings of the more-than-human world, we illustrate how the affectual qualities of waterscapes are continually ‘woven’ into being through the material and embodied practices of young anglers. However, understanding why waterscapes ‘matter’ to young people also requires accounting for those assemblages originating in the past that shape these co-experienced worlds.     

Imagining Otherwise: Autism,Neuroaesthetics and Contemporary Performance

Abstract

Perspectives on the phenomenology of the autistic experience are presented with particular reference to the imagination in autism and what may be conceptualized as ‘neurodivergent aesthetics’. Drawing upon a research project that explored the potential of drama as an ‘intervention’ in autism, an attempt is made to de-mythologize the condition by challenging stereotypes and by suggesting that the multimodalities of performance offer an appropriate space for ‘encounters’ with autistic states of being while also questioning the dualisms which distinguish between the aesthetic and non-aesthetic.     

Make your practicals open‐ended

Abstract

Most practical work in geography can be characterised as ‘closed’ teaching which offers little opportunity for students to develop important research skills. I prefer, where possible, an alternative ‘open’ approach, and this is illustrated by examples of work in quantitative methods.     

The Big Buddha of Hong Kong: an accidental Buddhist theme park

ABSTRACT

The Tian Tan Buddha is the core of a tourism site on Lantau Island, Hong Kong, around which a cable car ride, the Po-Lin monastery and its museum, and the village of Ngong Ping have come to comprise an eclectic set of tourism nuclei that ‘accidentally’ became the ‘Buddhist theme park’ of Hong Kong due to the spatial juxtaposition in an isolated site of these disconnected and even dissonant components built at different times by different jurisdictions. The first objective of this article is to explore the developmental process of a religious site into a theme park of sort through a lengthy process filled with contestation and manipulations. The history-dependent and erratic nature of this process validates the notion of ‘accidental’ theme park used here. It is shown that over time, the Big Buddha went from being a Buddhism-themed leisure site to being generally perceived and promoted as essentially a theme park through a process of partial Disneyization. The second objective is to examine how the ‘theme park’ is perceived by its visitors, more precisely how they see it after their visit and what first-time visitors expect from it beforehand. The first enquiry, performed through the analysis of TripAdvisor reviews, indicates that ex-post, the visitors typically describe having experienced a visit to a theme park. The second enquiry, performed by interviewing first-time visitors about to access the site, suggests that while many first-time visitors expect to visit a theme park as well, others, mainly Western tourists, are expecting a more cultural experience. The findings of the two inquiries are compared to each other and to the image of the site promoted by the local tourism authorities. The subdued political message of the Big Buddha and the degree to which it is discerned by visitors are also discussed.     

On the Uniformity of Design and Purpose,in the Works and Customs of the Earliest Settlers in Britain,Evidenced by Comparative Archaeology

Abstract

Within the building and grounds of the Bell Inn, Alveley (Shropshire) there is preserved a group of sculptures, the style of which is unmistakably that of the Herefordshire School. Thought to derive from a 12th-century church in Alveley, the group is the product of at least two hands and includes zoomorphic interlace and other interlace, together with figural scenes of ‘Samson and the Lion’, ‘St Michael and a Serpent’, and a ‘Man in Foliage’. The sculpture is indicative of a lavish decorative scheme at Alveley, in a style that was vigorous, striking and readily associated with the needs of seigneurial patronage.

The sculpture may be dated to the period 1155-early 1160s, a chronology determined not only by stylistic comparisons, but also independently by a detailed examination of the patronage context. In the discussion of the patronage, Guy Lestrange, sheriff of Shropshire, is identified as the likely patron, and as being fairly typical of the kind of patron who generally supported the work of the School. It is further argued that the role of aristocratic affinities in artistic patronage has been over-emphasised and that, as in other aspects of aristocratic activity, neighbourhood was a more influential factor.     

Italians and music. Financescape,ideoscape and mediascape

Abstract

This article explores the reasons why Italian contemporary musical life is generally considered to be below the standards set by other European and overseas countries, a situation that is all the more striking when the contrast with Italy's glorious musical tradition in past centuries is born in mind. The failings of public institutions and the inadequacies of policies have often been blamed for this, but in fact the causes are more complex. Arjun Appadurai's terminology that is cited in the title and the subsections of the article that are organized around the themes of ‘financescape’, ‘ideoscape’ and ‘mediascape’ provide the opportunity to develop a better understanding of the complex factors playing a role in the Italian music scene. In terms of structure and organization that greatest problems lay in the production system of the Opera theatres, in the progressive fall in public funds for the performing arts and in a visibly shrinking music market. These factors have created a crisis, but they have deep roots in Italian culture, one symptom being the relatively small demand for music in Italy. These different factors have combined to create a situation of immobility and conservatism that in turn weighs heavily on both serious and pop music.     

Archaeology from below

Abstract

This paper identifies and discusses two contrasting approaches to field archaeology in contemporary Britain. The dominant approach is that of ‘official archaeology’ rooted in professional rescue (or contract) work and represented by bodies such as English Heritage, county archaeology units and the Institute of Field Archaeologists. This ‘archaeology from above’ threatens alternative approaches to fieldwork, since state legislation and other bureaucratic controls are being used to restrict access to archaeology to an elite of self-accredited practitioners, and a persuasive and sophisticated ideology of heritage ‘protection’ and professional ‘standards’ is being deployed to legitimize this policy. This attempt to universalize the practices of professional rescue archaeology is academically incoherent and politically undemocratic. An alternative ‘archaeology from below’ is proposed in which fieldwork is rooted in the community, open to volunteer contributions, organised in a non-exclusive, non-hierarchical way, and dedicated to a research agenda in which material, methods and interpretation are allowed to interact. These points are illustrated with detailed references to the experience of ‘democratic archaeology’ on the author's project at Sedgeford in northwest Norfolk in 1996–98.     

‘Seeing in the Dark’: Franz Joseph Thun and his Encyclopedia

Abstract

In the late 1790s the extravagant Bohemian aristocrat Franz Joseph Thun (1734–1801) composed a massive encyclopedia containing his wide-ranging and esoteric knowledge, which was not discovered until 2009. In this article I discuss the contents of his encyclopedia and investigate Thun’s place within the broader intellectual climate in Central Europe. I argue that Thun was an exceptional case in the Habsburg context, where scientists generally rejected outright the sort of excesses his encyclopedia contains. None the less, he became famous for his experiments with a spirit named ‘Gablidon’ and for his sessions in Mesmerism. His encyclopedia focuses on three topics: human ethics, man’s place in nature, and the sins of the French Revolution. He saw man as the middle link in the ‘great chain of being’, whose morality must be based on submission to God. Although he distanced himself from the Catholic Church, he rejected the French Revolution as an attempt to establish a state without religious basis.     

Transgender migrations: prostitution,identity and notions of ‘home’ in contemporary France

ABSTRACT

Migrant street prostitution in France has increased since the 1990s, largely as a result of the ease of movement facilitated by political shifts in Eastern Europe opening up national borders and the arrival of greater numbers of prostitutes from Africa and China. These often precarious migrations have generally been made by cisgender females; although, a comparatively smaller (but progressively significant) number are transgender. The representation of this latter group is explored in this article through four documentary/docufiction films that respectively recount what can be described as the sequential stages of geographical mobility (i.e. pre-migration, migration, and post-migration). Motivated by the concern that more particular voices within the ‘queer community’ are insufficiently represented, the focus here will be on how this group of transgender migrant prostitutes articulate a sense of ‘home’. Analysis is framed through Sara Ahmed’s notion of ‘home’ as ‘skin’, a porous space that blends the static and the mobile, the ‘here’ and ‘there’. The selected texts disarticulate the epistemology of prostitution in gendered terms and dislocate the transgender body from material associations that link successful migration with the movement from one place and body to another.     

Responses to classroom needs: the US Census Bureau's college curriculum support project

Abstract

An approach to improving teaching is described which consists of simply offering teachers a wide range of alternative classroom techniques. Extracts from two collections of teaching techniques, on lecturing and on seminars and tutorials, are presented and commented on to illustrate the approach. Doubts concerning the advisability of offering ‘tips’ to teachers are discussed.     

Symbolism and Irony in Three Novels by Kosmas Politis

Abstract

In a recent book, Mario Vitti has described Kosmas Politis as ‘emotionally the most highly charged novelist’ of the Generation of 1930. Vitti also points out that Eroica is ‘compositely organized down to the minutest detail’, despite the author's assertion that he wrote each instalment ‘on the presses’. In an attempt to account for the ‘magical’, ‘Poetic' quality of Politis’ writing as pointed out by Greek critics, Vitti investigates Politis' use of irony and of the interior monologue. My purpose in this article is to examine further Politis' ironical approach and to make some preliminary remarks about his use of symbols and imagery (a subject on which far more work has to be done), in the hope that, in so doing, I shall shed some light on the ‘emotionally charged’ and ‘highly organized’ nature of Politis' writing. For reasons of space and time I must confine myself to his first three novels, Lemonodasos (1930), Hekate (1933) and Eroica (1937).     

Elemental mobilities: atmospheres,matter and cycling amid the weather-world

Abstract

Everyday experiences of movement have become a central concern for social and cultural geography in recent years. Work here has begun to unpack the specific meanings, imaginaries and experiences that come to be bound up with mobile bodies and their practices. However, it has been suggested that more could be done to examine the material, elementary, molecular and physical aspects of movement which are significant to the experience of being on the move. Therefore, this paper explores the experience of cycling amid such turbulent ‘elemental’ materialities. Such ‘matters’ matter to cycling in the way that they (re)make both mobile environments and mobile subjectivities. Cyclists come to have quite immediate and intimate relationships with the material and ‘elementary’ aspects of the environments they move through given their relatively unmediated encounters with them. This paper draws on video-interview based research with 24 commuter cyclists in Plymouth, UK to consider cyclists’ experience of atmospheric conditions in terms of air’s force and air quality. From this, the paper reflects on how the experience of such ‘elemental’ matters might be significant to future research on and planning for cycling.     

Re‐writing the ‘book of blots’: Critical reflections on histories of technological ‘failure’

Abstract

Although an interest in technological ‘failure’ has become prominent in recent history of technology, historians have not always clearly articulated the presuppositions of attributing ‘failure’ to technology. This paper undertakes a critical examination of two main historiographies of ‘failure’: ‘failure’ as categorization of ‘pathological’ technologies that clearly demarcates them from ‘successes’, and ‘failure’ as a mundane and inevitable prerequisite of subsequent ‘success’. To reconcile these divergent analyses, this paper argues that historians should not treat ‘failure’ as residing in the technology itself. It is rather a matter of imputation according to socially‐embedded criteria of what constitutes success and failure. Accordingly judgements of ‘failure’ are prone to interpretive flexibility in a manner that is not necessarily settled by any process of ‘closure.’ I will argue that any ‘failure’ of technologies should be located in the socio‐technical relations of usage, especially in the expectations, skills and resources of human users. The moral irony of attributing responsibility for ‘failure’ to technologies themselves rather than to humans users will thereby be highlighted.     

The Media and the Military: Australian War Correspondents and the Appointment of a Corps Commander 1918—A Case Study

Abstract

‘You are unfortunate in being prisoners of a country whose living standards are much lower than yours. You will often consider yourselves mistreated, while we will think of you as being treated well.’ Unidentified Japanese officer, 1942     

Silencing the laws to save the fatherland: Rousseau’s theory of dictatorship between Bodin and Schmitt

ABSTRACT

Jean-Jacques Rousseau devoted an important chapter of his Social Contract to the dictatorship. Carl Schmitt interpreted Rousseau’s chapter as marking the transition from ‘commissarial’ to ‘sovereign dictatorship’. This article argues that Schmitt’s interpretation is historically and conceptually inaccurate. Instead of paving the way for sovereign dictatorship, Rousseau carefully distinguished the dictatorship from the people’s sovereign authority. Taking position in the ‘debate’ between Bodin and Grotius on the relation between dictatorship and sovereignty, he argued that the dictator could provisionally suspend the people’s sovereign authority, but not abolish it. More particularly, the dictator did not possess the power to make generally binding laws, which had to remain the exclusive authority of the popular assembly. However, this did not prevent Rousseau from recognizing the dictatorship as a means for democratic reform. Rousseau thus conceived of the dictatorship as a time-limited and revocable commission to protect the constitution and to provide for a more stable and effective state organization based on the principle of popular sovereignty.     

Seventeenth‐ and eighteenth‐century commentators on the chemical composition of the brain

Abstract

The period between 1600 and 1800 was one of great change in the history of science, generally, and in the history of chemistry, specifically. It opened with Francis Bacon's visionary recognition of the benefits to mankind that would accrue from the expansion of scientia and closed with the overthrow of the phlogiston hypothesis. New chemical knowledge resulted from the efforts of the alchemists, especially the Paracelsians, and of the phlogistic philosophers, some of it recorded by writers of magic books (Thorndike, 1958; Camporesi, 1989). The authors of these works reflected ‘the general mentality… imbued with magic, occult beliefs, unreal suggestions, ‘voices’, and ‘rumours’, … ‘errors’ and ‘prejudices’.‘ In respect to brain chemistry there appeared, beside the fantastic, elements of fact that characterise this period as embracing the ‘pre‐history’ of neurochemistry.     

Crusading in Africa: Religion,Race, and Post-9/11 Intervention in Antoine Fuqua’s Tears of the Sun (2003)

Abstract

African American director Antoine Fuqua’s Tears of the Sun, a 2003 war ?lm made with US Navy cooperation, imagines the intervention of Navy SEALs in an ethnic cleansing being conducted against Christians by Nigerian Muslims. It is at once an exercise in black diasporic consciousness and an expression of American exceptionalism. The director aimed to raise awareness of contemporary African crises, but the picture is also the closest Hollywood combat cinema came in the immediate post-9/11 years to addressing and endorsing the polarizing discourse and militarism of the Bush administration. The ?lm’s use of reductive religious imagery, its weak box of?ce return, and its generally hostile reception overseas expose its failure as a tool of diplomacy and reveal the waning ability of triumphalist Hollywood cinema to de?ne or explain the ‘War on Terror’.     

Rethinking ‘safe spaces’ in children’s geographies

ABSTRACT

In this editorial, we provide a preliminary definition of ‘safe spaces’ before exploring how the collected authors have taken a fresh approach to understanding ‘safe spaces’ though a geographical lens. Until now, the material ‘location’ of safe spaces have remained under theorised, but by turning attention to how children and young people co-produce and bring safe spaces into being through their situated practices, this Special Issue provides rich ground for re-evaluating why places ‘matter’ in children’s lives. This editorial maps out those common threads that are uncovered across a diverse collection that spans playful protest in Johannesburg, family food struggles in Warsaw, to the theatrical parodies of second generation Somali youth in London.