Language,religion and the politics of difference

Language and religion are arguably the two most socially and politically consequential domains of cultural difference in the modern world. Yet there have been very few efforts to compare the two in any sustained way. I begin by aligning language and religion, provisionally, with ethnicity and nationhood, and by sketching five ways in which language and religion are both similar to and similarly intertwined with ethnicity and nationhood. I then identify a series of key differences between language and religion and draw out their implications for the political accommodation of cultural heterogeneity. I show that religious pluralism tends to be more intergenerationally robust and more deeply institutionalised than linguistic pluralism in western liberal democracies, and I argue that religious pluralism entails deeper and more divisive forms of diversity. The upshot is that religion has tended to displace language as the cutting edge of contestation over the political accommodation of cultural difference – a striking reversal of the longer‐term historical process through which language had previously displaced religion as the primary focus of contention.     

The last refuge of a scoundrel: patriotism,militarism and the Russian national idea*

In a nation‐state, where ethnic and territorial borders coincide, patriotism may easily have an exclusivist‐nationalist component, and be used to serve the goals of politicians hoping to mobilise the population for destructive goals. In a multinational state like Russia, the militaristic patriotism that Yeltsin's and Putin's administrations promote can also carry that risk. The Russian state leadership's use of a militaristic patriotism as a means to generate popular support risks unleashing ethnic chauvinism and the military domination of civilian institutions. Such phenomena cast doubt on the prospects for Russia's state‐building process to proceed along liberal democratic lines. Non‐governmental organisations, such as Russia's Committee of Soldiers' Mothers , however, have devised an alternative vision of patriotism, relying on rule of law and the observance of civil rights, and thereby hold out a slim hope for reframing Russian patriotism and building a peaceful democracy.     

Roots,rock, Breizh: music and the politics of nationhood in contemporary Brittany*

Abstract. The three terms Roots, Rock and Breizh (or ‘Brittany’) seem to make unlikely companions: their meeting looks more like a collision than a confluence. However, these disparate forces have fashioned a unique cultural dynamic in Brittany. This paper analyses this cultural‐nationalist movement. It considers its socio‐cultural context, presents some case studies of particular singers and festivals, and evaluates the movement's significance.     

The 2010 independence jubilees: the politics and aesthetics of national commemoration in Africa

In 2010, as many as seventeen African states celebrated their independence jubilees. The debates surrounding the organisation of these celebrations, and the imagery and performances they employed, reflect the fault lines with which African nation‐building has to contend, such as competing political orientations as well as religious, regional and ethnic diversity. The celebrations represented constitutive and cathartic moments of nation‐building, aiming to enhance citizens' emotional attachments to the country and inviting to remember, re‐enact and re‐redefine national history. They became a forum of debate about what should constitute the norms and values that make‐up national identity and, in the interstices of official ceremonies, provided space for the articulation of new demands for public recognition. A study of the independence celebrations thus allows us to explore contested processes of nation‐building and images of nationhood and to study the role of ritual and performance in the (re)production of nations.     

The role of classical music in the construction of nationalism: a cross‐national perspective

This paper explores the role of classical music in the construction of nationalism in the twentieth century. It takes its point of departure in the Danish composer Carl Nielsen and analyses competing interpretations and receptions of his works. The paper seeks to move beyond the single case study. Hence, it includes three additional cases: the Soviet composer Dimitry Shostacovich (particularly the reception of his 5th Symphony); the position of Paul Hindemith in the Third Reich; and finally the development in Aron Copland's oeuvre. In so doing, it aims to clarify the relationship between classical music and nationalism.     

Performative citizenship and the politics of scale: Local,national and global citizenships in Zimbabwe

This paper explores the interaction between different scales of governance and performative citizenship, understood as acts by citizens that claim new political rights and reshape the political arena. Performance allows citizens to creatively transform the meanings and functions of citizenship during struggles over rights. The paper focuses on a series of examples in Zimbabwe, which highlight the entanglement of different scales of citizenship and the ways that the acts of citizenship both challenge and sustain these relationships. This is examined through a framework that combines theories of performative citizenship with concepts from human geography that examine scales of governance. The argument draws out the implications of these dynamics in relation to conflicts over customary citizenship in rural Zimbabwe, the issue of dual citizenship among white Zimbabweans and the exercise of citizenship rights by non-Zimbabweans. It highlights both the ways in which citizens have harnessed the creative potential of acts of citizenship which address multiple scales, and the constraints that scalar hierarchies put on citizen action. The examples demonstrate that new forms of political rights can be produced across scales, but that opportunities for creative acts of citizenship are unevenly distributed due to these scalar hierarchies, which are produced by postcolonial legacies.     

Framing indigenous self-recognition: the visual and cultural work of the politics of recognition

Visual and cultural modes of expression and intercultural engagement have broad implications for recognition politics. Recognition-based strategies for the governance of Indigenous difference in settler colonies engage in an economy of perception that capitalises on the currency of inclusion and diversity. This paper explores the visual and cultural fields of recognition politics in the Canadian settler state through the examples of the 2008 Apology from the federal government for Indian Residential Schools and the stained-glass window – Giniigaaniimenaaning (Looking Ahead) by Métis artist Christi Belcourt – commissioned to commemorate the Apology. The paper uses Judith Butler’s concepts of recognisability and framing to make sense of these events as legitimations of settler colonialism. It goes on to explore the possibility of rupture in the inherent instability of ‘frames of recognition’, in Butler’s terms, and uses Jolene Rickard’s conceptualisation of visual sovereignty to also make sense of the simultaneous subversion and self-recognition that takes place in Belcourt’s artwork. In doing so, this paper furthers a critical dialogue surrounding the normativity of recognition policies and practices in Canada as well as the intersubjective or interpellative orientation of visual-cultural expressions of recognition.     

The bi‐national idea in Israel/Palestine: past and present

Abstract. This article reviews four different advocacies of bi‐nationalism in the context of the Israeli–Palestinian conflict. Despite the differences in their context, content and style, let alone in motivations and implications, the four advocacies – the ‘old school’ and the ‘new school’ of Jewish bi‐nationalism, contemporary Palestinian bi‐nationalism, and bi‐nationalist advocacy that comes from outside observers – present certain similarities which reduce their chances of becoming a mainstream option: (a) in all cases bi‐nationalism is not the most desirable option; (b) they all gained momentum on both sides in periods of instability – due to transformations in the power relations between them or when the conflict reaches a point where the violence seems to become unbearable; (c) all these bi‐nationalisms present a rather uneasy mixture of moralistic arguments and pragmatic ones; (d) in all cases the people who embrace the bi‐national model are intellectuals. This gives their recommendations a touch of ‘ivory tower’ overrationalisation, further reducing thier public appeal.     

Situating banal nationalism,the culture wars,and civil religion: governing localized geographies of national identity in Indiana

Various material forms of national identity have become ubiquitous features of the post-9/11 American cultural landscape. This research specifically examines the ‘In God We Trust’ (IGWT) license plate in the state of Indiana as a material expression and territorialized form of national identity. While conceptually anchored in banal nationalism research, exploring the spatial patterns of adoption or non-adoption of IGWT license plates by Indiana residents is only possible through situating this research through the mediating lens of the culture wars and civil religion. Although the IGWT license plate project legislatively materialized through the localized spatial networks of non-state actors in the context of a new and conservative state–citizen relationship firmly anchored in the culture wars, adoption behavior is also mediated through the much broader influence of civil religion. We conduct a quantitative analysis to determine license plate spatial distribution by county, but more importantly to explore the sociodemographic dimensions of IGWT license plate adoption and non-adoption. While our results generally mirror the sociodemographic findings of social issue-based electoral geography, the imbrication of banal nationalism, the culture wars, and civil religion as materially expressed by the IGWT license plate yields an ideologically different and broader dynamic when compared to culture wars defined by national identity.