A Messiah Untamed: Notes on the Philology of Shah Ismāʿīl’s Dīvān

The article aims to refute a long-standing thesis first put forth by Vladimir Minorsky about how the various copies of the dīvān of Shah Ismā?īl might reflect shifts and changes in the religious and political landscape of early modern Iran. Contrary to the luminary Russian Orientalist’s claims, it demonstrates and contextualizes the observation that there were several textual traditions and that most of the copies continued to reflect messianism and “extremist” notions of religiosity well into late ?afavid times, appealing to a broad audience which was likely made up of Sufi adepts and nomadic Qizilbash, as well as a more refined echelon of courtly connoisseurs, residing in the borderland between the Ottoman lands and Iran. At the same time, it suggests that the main theme of Shah Ismā?īl’s messianic poetry was sainthood and that in this sense ?afavid messianism was not a unique aberration but comparable and connected to such similar ideologies as are known from the Timurid, Ottoman or Mughal context.     

The Daoguang Response to the Āfāqī khoja Jahāngīr during the 1826–1828 Jahāngīr Uprising

This study examines Qing state attention to the Muslim challenger Jahāngīr, leader of Xinjiang’s 1826–1828 Jahāngīr Uprising. It considers how imperial agents, guided by Emperor Daoguang, defined and processed this contender, as well what this rendering implied for views of “Hui Frontier” Muslims. As will be seen, Jahāngīr was depicted as not just “treacherous” and duplicitous, but also an external “barbarian.” This image – crafted from military reports, imperial edicts, confessions, ritual, sentencing, and punishment – served to clarify a narrative with two salient characteristics. First, the khoja was set as the keystone of the conflict, the management of whom signaled a restoration of imperial integrity. Second, he was differentiated from local Turkic Muslims “Hui,” who (with ambiguity) were framed as Qing subjects. This rendering mirrored earlier Qing (esp. Jiaqing Reforms) depictions of borderland rebel leaders, suggestive of a solidification of the “idea” of Xinjiang as interior to the empire.     

The Perside Language of Shiraz Jewry: A Historical-Comparative Phonology

This study concerns the native language of Shirazi Jews, most of whom live in diasporic communities outside Iran. The language Judeo-Shirazi belongs to the Southwest Iranian group, as do most other native languages spoken in southern Iran. As such, Judeo-Shirazi shows general agreements with native rural varieties spoken in inland Fārs. There are, however, phonological features suggesting that Judeo-Shirazi is an insular survivor of the Medieval Shirazi language, from which a sizable literature has survived dating back to the fifteenth century.     

The Role of Azerbaijani Turkish in Safavid Iran

Turkic languages and dialects played a much more important role in Safavid Iran than is generally thought, while Azerbaijani Turkish in particular was widely spoken and written in Safavid Iran. It was not only the language of the court and the army, but it was also used in poetry, even by renowned poets who usually wrote in Persian. The Safavid shahs, many of whom wrote poetry in Turkish themselves, promoted its literary use. Also, Turkish was used in the court's official correspondence, for both internal and external affairs.     

A Linguistic Survey of Khorasan: Implications for Language Isolation,Language Change,and Contact Linguistics

This paper describes and analyzes data from a number of Modern Iranian dialects spoken in Khorasan in the east of Iran which are unusual among the other Western Iranian languages in that they have grammaticalized a split tense-sensitive alignment in indexation, compared to other Iranian languages whose indexation splitness is sensitive to both tense and transitivity. These dialects are the former dialect of Birjand in the late nineteenth and early twentieth century, the present-day dialect of Ferdows, Khanik, and Se-Ghal’e. The findings are put in the context of the available data from the Classical Persian texts to show that the tense-sensitive splitness mentioned above is traceable in those texts. A number of external factors are discussed which seem to have been influential in the restructuring of the split-alignment of the former dialect of Birjand into a uniformly nominative-accusative alignment in terms of indexation as observed in the present-day dialect of Birjand. It is proposed that this restructuring is an instance of simplification. The three other dialects cited above are endangered in the sense that they can undergo the same kind of restructuring as happened to the dialect of Birjand.     

On Language Distribution in Ilam Province,Iran

As is still the case in many parts of Iran, the distribution of languages and dialects in Ilam Province, western Iran, is unevenly documented. There have been several studies on specific language varieties spoken throughout the province but, in large part because of conflicting perspectives on the relationship between language and ethnicity, the situation for the region as a whole has until now remained unclear. The present study first of all brings together existing sociolinguistic and demographic data on language distribution and highlight areas of uncertainty. The main part of the study provides an overview of local perceptions of language distribution and language use based on field research and interviews conducted in each of the province's ten regions (shahrestān) and their twenty-five districts (bakhsh). Here, respondents' assessments of the geographic extent of the province's four main languages—Kurdish, Luri, Laki and Arabic—as well as more minor languages spoken by immigrants from elsewhere in Iran are summarized. For Kurdish in particular, which is the major of the four languages, the article shows the perceived geographic distribution of each major dialect and its affiliation within one of two major Kurdish dialect groups: Ilāmi (or “Feyli”) and Kalhōri. This analysis is followed by a brief discussion of multilingualism. The results of the study are brought together in a map of the province's languages.     

Yaḥyā Dawlatābādī’s Contribution to Persian Poetic Modernity

In 1912, Ya?yā Dawlatābādī composed two poems, the form of which diverged greatly from the canonical rules of tradition. Both poems were based on syllabic meters. Critics and historians of modern Persian literature have given these poems little consideration, and discussed them merely from the point of view of metrics. When compared to the great modernist endeavors in the poetry of the time, these pieces were judged severely, or altogether disavowed. This paper aims to show that, beyond mere metrical audacity, Ya?yā Dawlatābādī’s syllabic poems were in fact innovative. As the article argues, they were born out of the same quest for fresh poetic forms that induced contemporaneous modernists to create new, individualized poetic patterns.     

The Prophetic and the Limitation of Authority in Modernist Islam

ABSTRACT

The “prophetic”, as a central concept in modernist Islamic political philosophy, has been invoked to show that Islamic political philosophy takes into account the spiritual as well as the material world. However, this expansion of the prophetic had remained relatively silent as to the authority that is granted to experiencing individuals. This essay is a story of these reinterpretations the “prophetic” by three major Muslim thinkers – Muhammad Iqbal (d. 1938), Ali Shari‘ati (d. 1977), and Abdolkarim Soroush (b. 1945). Writing in different periods and trying to respond to different questions, these authors engaged with the question of politics by reference to prophetic experience. I will explain their intellectual context, according to their cosmologies and their notions of language (participation vs. representation). Then, I will see how in different intellectual context, the force of a democratic notion of the prophetic was undermined by different reinterpretations.     

The identification of the medieval church of St Sabas in Jerusalem in the light of new documentary evidence

ABSTRACT

For over a century the church that the Greek monks of Dayr Mar Saba are known to have possessed inside the walls of Jerusalem in the twelfth century has usually been associated with a chapel surviving inside the Disy family house opposite the police barracks south of the Citadel, while the Zāwiyyat al-Shaykh Ya?qūb (Ya?qūbiyya), on the east side of Christ Church, has been identified as having originally been built in the twelfth century, possibly by Monophysites, as a church dedicated to St James the Persian, or the ‘Cut-up’ (Intercisus). New documentary research, however, now makes it appear more likely that Mujīr al-Dīn was correct in attributing the building of the Ya?qūbiyya to the Greeks and that it was also the church referred to by pilgrims in the twelfth century as that of St Sabas. This means that the identity of the church in Dār Disy, if indeed it was a church, remains to be determined.     

The “Metal Army” of Alexander in the War against the Indian King Porus in Three Persian Alexander Books (Tenth‒Fourteenth Centuries)

The article focuses on a very particular episode of the eastern Alexander legend, i.e. the building of an extraordinary “metal army” employed by Alexander in his war against the Indian King Porus, which is present in at least three Persian accounts written between the tenth and fourteenth centuries CE: the “Book of Kings” (Shāh-nāmeh) by Ferdowsi, the “Book of Dārāb” (Dārāb-nāmeh), attributed to Tarsusi, and an “Alexander-book” (Eskandar-nāmeh) in prose copied by ?Abd al-Kāfi ibn Abu al-Barakāt. Compared to the most remote source, the text of Pseudo-Callisthenes, and to the closest ones (the Armenian version of the fifth century, the Syriac text of the sixth?seventh centuries, and the Hebrew version of the tenth?eleventh centuries), it is argued that the Persian authors have not passively received the inherited materials; on the contrary, they have been able to liven up the scene of Alexander’s battle against the Indian King Porus by bringing onto the battlefield a fiery and phantasmagorical army of metal, giving us one of the more amazing episodes in the eastern legend of the great Macedonian.     

Where is the Islamic republic of Iran heading?

The ‘war on terror’ has had significant repercussions for the Islamic Republic of Iran in both international and domestic arenas. In the international context, Iran is finding itself isolated. Gains made by the moderate leadership of President Khatami in normalising relations between Iran and the West appear to have been lost. In the domestic arena, the moderates seem powerless against the concerted advances of the hardliners, most evident in the February 2004 Parliamentary election.     

Treaty of Zohab, 1639: Foundational Myth or Foundational Document?

Beginning with their first confrontation in 1514, the Ottomans and the dynasties ruling over Iran fought over the borderlands extending from the Persian Gulf to Mount Ararat. The transformation of this indeterminate borderland into a clearly defined and increasingly monitored border took almost four centuries. It became an internationally recognized border only after seven decades (1843–1914) of intermittent work by mixed international commissions. Despite such a tangled history, a well-entrenched tradition of Middle Eastern history suggests that the Iranian–Ottoman frontier was firmly established by the Qasr-i Shirin/Zohab Treaty of 1639; and it is one of the oldest boundaries of the world. The myth of 1639 is powerfully enshrined in the historiographies and nationalisms of the countries sharing this boundary. Questioning this myth in the light of Ottoman–Iranian relations, this paper analyzes different versions of 1639 Treaty that were brought to boundary negotiations and exist in various chronicles, and suggests an alternative reading of this foundational myth.     

开疆文化在海南传播的方言印证研究

虽然移民在新地久居之后,在社会生活、风俗习惯方面可能会受到新地居民的影响而变得一致或近似,但是仍然可以依循口语、基本词汇的称谓等方言方面残存的某些特征,追寻出这些移民的出发地,进而了解文化传播、扩散的相关规律。海南岛作为一个文化发展较为晚近的岛屿,其文化的外源性十分突出,即在黎族本底文化的基础上,由汉、苗、壮、回等民族文化,以及近代华侨文化、农垦文化、西方文化等多种文化的长期相互碰撞、整合生成的一种具有独特个性的文化类型。文章在界定海南文化是一种开疆文化的基础上,通过对海南方言的形成、特点、演变、地域分布等内容的分析,解释现存海南方言的存在系完全源自历史时期开疆文化的不断传播和扩散,从而对海南开疆文化的传播作出相应的印证。