The Calderstones,Near Liverpool

Abstract

This article is a contribution to the revisionist literature on the monastic orders in late medieval England and their art and architecture. It discusses the visual and material cultures of the Cistercians in northern England in the period immediately before the Dissolution of the Monasteries, demonstrating the enduring popularity of the Order in the late Middle Ages and that patronage of art and architecture continued until the very moment of the Suppression. Evidence is also discussed showing that monks and nuns salvaged property from their houses in the hope that their monasteries would be restored.     

Forty-Fourth Annual Congress,Liverpool, 1887

Abstract

The limestone quarried on Ham Hill near Yeovil in Somerset is very distinctive and readily identifiable. It was used extensively throughout the medieval period for a great variety of purposes. Whole buildings were constructed using it from floor to roof and it was also employed for decorative work and sculpture. A large group of church monuments was carved in Ham Hill stone, especially effigies and cross slabs. Monument production can be appreciated in the context of a much larger industry and analysis of the figures has revealed that the clients were predominantly the local gentry. Consequently, there are significantly more male civilian and female effigies than are typically found elsewhere, such as in Devon and Yorkshire. There is evidence of an awareness of the products from other stone centres in the south-west, which the carvers of Ham Hill stone were willing to imitate in order to satisfy customer requirements.