欢聚秦皇岛 合唱旅游歌——“2007年欢聚秦皇岛第二届百家旅行社经理人联谊会”侧记

<正>由秦皇岛龙洋旅行社/招商国旅主办,秦皇岛市旅游局、海港区旅游局、山海关区旅游局、北戴河区旅游局联合主办的“2007年欢聚秦皇岛第二届百家旅行社经理人联谊会”于2007年3月30日——4月1日在秦皇岛举行。本次联     

2008“新加坡·新大使·新主题”

新加坡旅游局揭幕全新旅游主题——非常家庭,非常新加坡,发布会上,还首推了非常家庭虚拟人物形象大使。推出 F1夜间赛赛道、摩天轮等新景点,新加坡美食节、热卖会等活动,并针对孩子,推出暑期亲子游特惠计划。刚刚上任的新加坡旅游局大中华区署长许文威强调,方便的签证措施     

“后花园”给中外旅行商一个主题 长城·大海·奥运

<正>中国北京奥运5个足球分赛区的人民,随着盛会即将来临的跫音,心跳声已经怦怦可感,用秦皇岛人的话说:"这回零距离体会了北京为什么叫‘祖国的心脏’。"秦皇岛是距离首都最近的地级滨海城市,约定俗成为"北京的后花园",     

A thought style perspective on making decisions about technology

Abstract

Continuing with the many interdisciplinary activities of Benjamin Franklin, the Institute named after him more than 150 years ago embraces today two large research centers, one scientific press, a museum and far-flung international activities, including research at the South Pole. The Institute's important pioneering activities to establish American industry and technology are recalled and emphasis is placed on the Institute's present research work.     

探古寻秘--汝窑考古的最新发现

汝窑系宋代五大名窑之一,有“青 瓷之首”的美誉。汝窑继承了隋唐时期 安阳相州窑釉下刻、划、堆、贴的工艺 传统,同时又吸收了越窑的施釉技术, 定窑的印花技术和耀州窑的支钉托烧技 术,创造了印花青瓷的独特风格。汝瓷 土质细腻,视如碧玉。胎呈香灰色,胎 骨坚硬。其色以微带黄的卵白、天青、豆 青、虾青为主,还有葱绿、天蓝等色,尤 以天青为贵。其釉如堆脂,扣声如磐。汝 窑碗、盘器皿多采用外裹足满釉支烧, 图案以印或刻划出的云山海水、禽鸟游 鱼及各种缠枝、折枝花卉和团菊、菊瓣 为主,其刻花风格较为犀利,略带锋芒。 汝窑在…     

Approaches to style in lithic archaeology

A key issue in lithic archaeology is how to identify the respective roles played by ethnicity and activity—that is, style and function—in the formal variation exhibited by stone tools. This paper argues that style is most profitably regarded as the ethnic idiom imparted to lithic technology in each and all of its aspects due to the culture-historical context of its manufacture and employment. Style is thus a full complement of function, and it is to be looked for wherever artisans encounter options of form and use to “choose” from in pursuing a given task. Because it equates ethnicity with functionally equivalent choice, this is labeled the isochrestic approach to style. Contrasted to this is the iconological approach, which restricts style solely to those aspects of formal variation that artisans purposefully invest with symbolic content reflecting self-conscious social groups. Pottery decoration appears to reveal such investment and therefore ceramic sociology is a feasible enterprise. However, a parallel iconological approach to stone tools is much less promising. At least as it is exemplified by the writings of Lewis Binford, lithic sociology would seem to have little substantive grounding in the relevant empirical data, to be argued within what may be an unsound theoretical frame (including the distinction between curative and expedient technologies), and in any case to resist translation into a workable analytic machinery. Not least among the reasons for this last is the fact that stone tools do not possess formal variation wherein iconologically significant investment can be objectively identified and defined. The archaeological frame of reference within which the isochrestic and iconological approaches are discussed is largely contributed by the classic Paleolithic sequence of the Perigord region of southwestern France.     

《诗经·唐风》新探

本文对<唐风>的探讨,主要涉及<唐风>的地域、时代、诗歌的题旨、特色及其影响等,对传统的各种说法加以辨析、清理、批判或补充,以期对<唐风>的诸多问题进行较为系统而深入的探讨.     

陈振孙生卒年新考

陈振孙,字伯玉,号直斋,南宋著名目录学家.有关振孙之生卒年,自宋迄清似无人考及之者.宋人刘克庄<后村大全集>卷七十五<外制>有<故通奉大夫宝章阁待制致仕陈振孙赠光禄大夫>一文,曰:     

浅议博物馆培养员工的忠诚度

员工对于单位的忠诚度是团队组织管理好坏的重要指标,也是关系到团队组织能否顺利发展的大事,作为管理者,对此应当有充分的认识,要理解员工,创造出使员工更加忠诚于组织的内部环境。