Forgetting to remember,remembering to forget: late modern heritage practices,sustainability and the ‘crisis’ of accumulation of the past

This paper considers the implications for cultural heritage of observations regarding individual and collective memory which suggest that the process of forgetting is in fact integral to remembering – that one cannot properly form new memories and attach value to them without also selecting some things to forget. Remembering is an active process of cultivating and pruning, and not one of complete archiving and total recall, which would overwhelm and cause us to be unable to make confident decisions about which memories are valuable and which are not. I argue that the same is true of heritage; that as a result of its increasingly broad definition, and the exponential growth of listed objects, places and practices of heritage in the contemporary world, we hazard becoming overwhelmed by memory and in the process rendering heritage ineffective and worthless. I refer to the consequence of this heterogeneous piling up of disparate and conflicting pasts in the present as a ‘crisis’ of accumulation of the past. To deal with this crisis adequately, we must pay increased attention to the management of heritage. This should not only refer to processes of preservation and conservation, but also to active decisions to delist or cease to conserve particular forms of heritage once their significance to contemporary and future societies can no longer be demonstrated. Deaccessioning and disposal must become a key area of attention for critical heritage studies in the coming decades if heritage is to remain sustainable and uphold its claims to relevance in contemporary global societies.     

WONDER: FROM POETICS TO POLITICS

Marnie Hughes-Warrington's book, History as Wonder: Beginning with Historiography, invites readers to reconsider the power of wonder as a critical concept whose theoretical implications go far beyond its evident ability to inspire historical research. Wonder is supposedly a neutral weapon for historians, one that is limited to promoting incessant curiosity about the past. Attempting to move from a poetic and aesthetic vision of wonder to a consideration of the concept's ethical and political uses, Hughes-Warrington claims that “historians since Herodotus have engaged with or responded to the efforts of thinkers who attempt to make general sense of the world, metaphysicians” (xii). In what follows, I challenge Hughes-Warrington's approach by emphasizing and exploring the epistemological questions History as Wonder raises about who holds the power to establish a conventional sense of the world and to what extent historical research may offer general explanations of the world without succumbing to precritical assumptions or metahistorical reductionisms.     

The novel spaces and power-geometries in tourism and hospitality after 2020 will belong to the ‘local’

Abstract

The global crisis we have experienced due to the COVID-19 pandemic emergency challenges our perception of the global and local context in which we live, travel, and work. This crisis has spread novel uncertainties and fears about the future of our world, but at the same time, it has also set the ground to rethink the future scenario of tourism and hospitality to bring about a potentially positive transformation after 2020. Such a scenario can be understood in light of the work of Doreen Massey and the pivotal theorisations on ‘space’ and ‘power-geometry’ she presented in her book For Space (2005). Massey conceives space as the product of multiple relations, networks, connections, as the dimension of multiplicity, the result of an ongoing making process, and in a mutually constitutive relationship with power. Interweaving Massey’s theorisations with a critical examination of the neoliberal capitalism approach to the conceptualization of space, the COVID-19 global crisis prompts us to rethink the space inside and outside of tourism and hospitality by re-focusing on the local dimension of our space as the only guarantee of our own wellbeing, safety, and security. While the global dimension seems more broken than ever, the urgency of belonging to the local is more and more evident. Hence, we propose a critical reflection on the implications of such a scenario in the space of tourism and hospitality, foreseeing a potentially positive transformation in terms of activation of local relations, networks, connections, and multiplicities able to open up such space to multiple novel functions designed not just for tourists and travelers but also for citizens.     

The German Argentines between Nazism and Nationalism: The Patagonia Plot of 1939

Abstract

When seizing control of the US embassy In Tehran in November 1979 during the Iranian revolution, militant students not only took sixty-one US citizens hostage, but also captured thousands of pages of official documents. During the 1980s, they published seventy-seven volumes of selections in order to prove to the world that the United States had colluded with the Pahlavi regime, and to discredit Iranian moderates by revealing their former ties to US officials. In keeping with the militants' perception of the embassy's role in Iran's domestic politics, they entitled the publications Documents from the US Espionage Den (Asnad-i Lanah-yi Jasusi).¹ Surprisingly, among the papers published is one by Harvard University anthropologist Michael M. J. Fischer entitled ‘Religion and Progress in Iran’, apparently written for a state department colloquium on Iran held on 25 May 1979. In the introduction, Fischer characterizes the Islamic Republic as a ‘challenge to modernization theory’: ‘Iran has been a major test case for modernization theory throughout the 1960s and 1970s. It was the case where the constraint of capital was theoretically removed, and therefore the case where transformation from the third world into the first world was expected to be most feasible.’²     

The evolution of rice: molecular vignettes on its origins and spread

The domesticated species Oryza sativa or Asian rice evolved starting approximately 9,000 years ago and from its centers of origin in China and India has subsequently spread throughout the Old World (and in historical times in the New World as well). This species is one of the key domesticated crop plants in the world and has emerged as a model for studying the origins and spread of domesticated taxa as well as in investigating the genetic basis for plant variation under domestication. Archaeological data has been critical in dissecting the origins and spread of rice throughout Asia, but molecular information has also provided a complementary approach to examining the evolutionary dynamics of this species. The evolutionary history of a species can leave its footprints within its genome. Moreover, genetic studies allow us to study the history of traits that do not leave an archaeological record—for example, grain stickiness or flowering time—which can provide insights into how crop species are adopted by different cultures. In this review, several molecular studies into the origin and spread of Asian rice are discussed and we explore the advances these genetic studies offer in our understanding of the evolution of domesticated species. We also explore how archaeological data can provide critical insights that can help refine genetic models of the origin and spread of domesticated species.     

Environmental Relations and Biophysical Transition: The Case of Trinket Island

ABSTRACT To what extent is an island economy cut off from the rest of the world? Defined as a mass of land bounded by water, island societies connect and exchange with their surroundings rather intensely. Based on empirical research, this paper explores the role of a ‘remote’ island society on Trinket in generating or sheltering itself from the process of globalisation in which con‐textually given borders are transgressed and displaced. To this end, we apply the concepts of societal metabolism and colonising natural processes operationalised by Material and Energy Flow Analysis (MEFA), and Human Appropriation of Net Primary Production (HANPP) respectively. Using these biophysical indicators, we describe the transition from a metabolism based upon the natural environment to metabolism based on exchange with other societies. Data presented in this paper further reveal a process of industrialisation and integration into the global market of a so‐called ‘closed’ and ‘inaccessible’ island society.     

The World Map as an Emblem: Abraham Ortelius and the Stoic Contemplation

Although the close association of word and image in medieval cartography is widely acknowledged, the significance of the relationship after the rediscovery of Ptolemy's Geography and throughout the Renaissance has been overlooked, despite Abraham Ortelius's choice of the term ‘Reader’ for users of the Theatrum orbis terrarum (1570). In this paper, the map of the world, which (as in Ptolemy's Geography) opens Ortelius's Theatrum, is analysed to show how Ortelius's concept of space was very different from Ptolemy's. Attention is drawn to the content of the texts on the map, to Ortelius's notion of geography as the eye of history, and to the importance in the Renaissance of the emblem as a conceit, or device, in the system of acquisition and transmission of knowledge. As in emblems, the words on Ortelius's map are not there to explain or to comment on what is seen but to give the image meaning; the purpose of the map is to invite contemplation of God's world. The map is contradictory, however; for Ortelius's accurate and up‐to‐date presentation of the physical world is qualified by a verbal statement that the world is ‘nothing’, a mere pinpoint in the immensity of the universe. It is concluded that Ortelius was not a geographer in the same way Ptolemy was, and that Ortelius was using geography as a philosopher and his world map as an illustration of his moral and religious thinking.     

The Limits of Geopolitical Remote Sensing

Two Finnish scholars provide critical commentary on a paper on Finland's identity politics and national identity, published in a 2005 issue of Eurasian Geography and Economics (Antonsich, 2005). In the process, they criticize the practice of "geopolitical remote sensing" more generally, arguing that it is symptomatic of a broader methodological problem in human geography. Journal of Economic Literature, Classification Numbers: O52, Z13. 17 references.     

The Tenco effect. Suicide,San Remo,and the social construction of the canzone d'autore

Abstract

Canzone d'autore is an indigenous expression that has no precise equivalent in other languages. Its social use identifies a genre of popular song that presuppose the existence of an ‘autore’ taken in its most vigorous sense, meaning a ‘creator’, an ‘artist’– but how did this claim to artistry originate? How did it insinuate itself into the world of song, a genre that by definition belongs to the realm of what is traditionally called in Italian ‘musica leggera,’ with unmistakably pejorative connotations? In this essay, I will put forward a sociological interpretation of the genesis of the canzone d'autore, using as a strategic conceptual device the idea of cultural trauma. The traumatic event that I propose to explore, making use of this concept and its analytical machinery, is the suicide of the singer-songwriter Luigi Tenco during the seventeenth San Remo ‘Festival della Canzone’ (‘song festival’) – that is the best-known, most controversial, and most influential single event in the field of Italian ‘musica leggera’, an annual event regularly attended every year – via radio, television, or audience participation – by millions of Italians. Through a reconstruction of that suicide and above all of the public and dramatic events that followed in response to it, the paper examines the social process that transformed an individual tragedy into a collective, social drama, a process that not only produced a new musical classification, but also a new cultural and aesthetic category.     

Redescribing the Enlightenment: The German-Jewish adoption of Bildung as a counter-normative ideal

This essay offers a reconsideration of the ethical vocabulary, social possibilities and religious worldview enabled by the German concept of Bildung, or human self-cultivation, a concept which was enthusiastically adopted by German Jews in the late eighteenth century. By examining the creative use of the concept by German Jewish philosophers such as Moses Mendelssohn (1729–1786) and, later, in a very different political context, Ernst Cassirer (1874–1945), the article challenges a body of scholarship that interprets the German Jewish enthusiasm for Bildung as an assimilationist capitulation by post-emancipation German Jews to the individualism and rationalism of the German Enlightenment. In contrast, I suggest that both Mendelssohn and Cassirer saw Bildung's emphasis on the vita activa as offering a vehicle for multifarious human engagement with the world that inspired not only a movement beyond reified conceptions of tradition, whether religious or secular, but forms of activism that could combine cosmopolitan sympathies with communal affiliation.     

The Natsyas of the Grodno region of Belarus: A Field Study

Abstract. This research was conducted in 1993–4 in several peripheral kolkhoz villages in the north-west Belarus Grodno province, a religious (Catholic/Orthodox) and linguistic (Belarussian/RussiadPolish/Lithuanian)borderland. The members of the folk communities of this region conceive and categorise social reality differently than it is done by the members of a nationalised and urbanised society, according to religious, and not nation-state, criteria. People are divided by these criteria into natsyas, i.e. religious groups. There are two main natsyas: the Catholics (also called Poles) and the Orthodox (called Rus' or Belarussians). The distinctive criterion for several natsyus is the language of a prayer: the Catholics pray in Polish and/or Lithuanian, the Orthodox in Old Church Slavonic and Russian. The terms Catholic natsya and Polish natsya (and similarly Orthodox natsya or Rus' natsya) are synonymous. The language of everyday speech does not differentiate the natsyas; all the villagers speak Belarussian dialect or so called ‘plain language’. The natsya, a concept specific of traditional folk societies, should not be confused with a ‘nation’, a political term of the modem world. None the less, the kolkhoz peasants of the region under study are confronted with a concept of ‘nation’. It results in a turmoil in their worldview and in confusion about their identity; what we see in the Belarussian villages is a process of change. The borderland where the material was collected seems an excellent field for the study of the process of the emergence of nations.     

Feminist geographies and participatory action research: co-producing narratives with people and place

Abstract

This review offers thoughts, queries and hesitations regarding articles drawing on participatory action research (PAR) published over 25?years of Gender, Place and Culture. It foregrounds the interconnections and overlaps between PAR and feminist geographies, and considers a continuum of participations-collaborations-actions-knowledges co-produced across a range of interrelated feminist methodologies. I emphasise epistemological commitment as central to PAR, pointing to work in GPC that evidences critical approaches to research process, embedded in feminist perspectives regarding how scholars re-produce the world and/as act/ing in the world, particularly in attending to shifting, situated and complex subjectivities and power inequalities. Working together with participants is vital, through an ethic that centres participants’ voices, as actors in their own lives. Highlighting the emotional and embodied geographies that weave through such research and writing, this review suggests deepening and strengthening interdependences and a feminist ethos of care as researchers, to further foreground diverse stories and voices, work towards social and spatial justice, and co-produce progressive changes with people and place.     

The lit world: living with everyday urban automation

In this article, we develop and advance the concept of the lit world by bringing together literatures about everyday lighting, automation in everyday life and human perception, along with our ethnographic research into people’s experience of automated lighting in Melbourne, Australia. In doing so we formulate and argue for an approach to automation that situates it as part of everyday mundane worlds and acknowledges its entanglement with the emergent and experiential qualities of everyday environments as they unfold. We demonstrate this through the example of automated lighting, understood as a situated technology that has contingent effects and participates in the making of particular ways of seeing and feeling the world. We thereby argue for an account of automation that reaches beyond its potential for the management of human (and other) behaviour, to ask how the qualities and affordances of automated technologies might seep out of their intended domains, and create new perceptual and experiential opportunities. In a context where automation is increasingly prevalent in everyday life, such attention to the experience and use of automated technologies which already exist on a large scale is needed. Urban lighting is an example par excellence of automation in the world because it has a long history beyond the recent association of automated technologies with code and digital infrastructures. As scholars debate how automated technologies will become part of our future digital lives, understanding how people live in a lit world offers a starting point for considering how we might live with other anticipated algorithmic forms of automation.     

An Economic Ethics for the Anthropocene

Abstract: Over Antipode's 40 years our role as academics has dramatically changed. We have been pushed to adopt the stance of experimental researchers open to what can be learned from current events and to recognize our role in bringing new realities into being. Faced with the daunting prospect of global warming and the apparent stalemate in the formal political sphere, this essay explores how human beings are transformed by, and transformative of, the world in which we find ourselves. We place the hybrid research collective at the center of transformative change. Drawing on the sociology of science we frame research as a process of learning involving a collective of human and more‐than‐human actants—a process of co‐transformation that re/constitutes the world. From this vision of how things change, the essay begins to develop an “economic ethics for the Anthropocene”, documenting ethical practices of economy that involve the being‐in‐common of humans and the more‐than‐human world. We hope to stimulate academic interest in expanding and multiplying hybrid research collectives that participate in changing worlds.     

METHODOLOGY FOR THE PROBABILISTIC ASSESSMENT OF q FACTORS. A DAMAGE INDEX APPROACH

The objective of the present work is to present a methodology for the identification of relevant limit states, namely ultimate limit states leading to structural collapse, and for the assessment of design q factors (or force reduction factors) for reinforced concrete structures under seismic loading. It follows a probabilistic approach based on damage indices. The utilised nonlinear models, as well as the damage indices, which are those proposed by Miner and by Park and Ang, are.described. The methodology of analysis is presented emphasising its probabilistic characteristics. Some parametric studies are carried out, including the analysis of one regular plane frame reinforced concrete structure, designed for three different ductility classes (those proposed by Eurocode 8) and assuming different q factors in design. Results show how the chosen damage indices can be used as parameters to characterise the structural response and how the proposed methodology can be used to assess the design q factors. It is also shown that, for moderate seismic input, the three ductility classes are essentially equivalent in terms of maximum damage indices, but that for higher seismic levels the differences are evident, justifying the use of different q factors.     

From Oblivion to Post-History: Sublime Othering in Rider Haggard and W. E. B. Du Bois

This article addresses the ways in which art and philosophy have been discursively used to conceptualize critical political changes and frame narratives of liberation by including and excluding primitive consciousness simultaneously. More concretely, it analyzes the contribution of art and philosophy to the understanding of history and post-history through different representations of black bodies, black desires, and black agencies in the novels She (1886) by Rider Haggard and The Quest of the Silver Fleece (1911) by W. E. B. Du Bois. At stake is the question of the archeology of the past as a living memory in the post-historical time. This past is politically relevant especially if its cognitive fossils negate the idea of exhausted primitive consciousness in the modern world and give meanings to incongruous bedfellows such as civilization and slavery, neoliberalism and poverty, democracy and Nazism, globalization, terrorism and racism, liberalism and homophobia. Arguably, the triumph of scientific ideas has left us with a perpetual quest for liberation rather than the actualization of liberation as a world phenomenon. I hypothesize the relation between exhaustible elements of technical consciousness simulating progress and their inexhaustible materiality at critical historical junctures as a struggle for taste and self-determination. Critical in this relation is the sense that not only primitive stages of consciousness are never fully exhausted at historical junctures, but that one never comes close to thinking about genuine liberation without engaging with real world matters both domestic/intimate and foreign.     

The Efficacies of Heritage: Syndromes,Magics, and Possessional Acts

In this paper I present critical insights into the efficacies of heritage. I take the phenomenon of the Jerusalem Syndrome (JS) as my point of departure and recast it as Heritage Syndrome (HS). I do this to better understand how such efficacies are experienced and materialized in ritual possessional acts. As a framework, the JS reveals the power and potency that reside in experiences of collapse. Such disembedding events activate subsequent ritual dramas (whether malign/benign or successful/failed) of world-making, redemption, repair, and renewal. Heritage quests as ritual ‘sacred dramas’ and ‘practical magics’ are I argue, similarly experienced in the collapse of known categories: imagined/real, extraordinary/mundane, possessing/being possessed, and crucially what heritage is versus what heritage does. Writ large, heritage efficacies are bound-up in the breakdown and blurring of boundaries — and thus the non-distinction — between heritage in the conventional sense and other dynamics such as magic, prophecy, and well-being/ill-being. These reveal alternative pathways, potentialities, and patterns of behaviour that demonstrate that dominant, elite, rationalized approaches to heritage banalize heritage efficacies and can thus be termed a failed project. I argue that conceiving of heritage as a syndrome — and critically as a movement away from medical pathologization and towards a recasting of heritages as diverse constellations of cultural-spiritual-magical-emotional experiences and engagements — better reflects the deeply felt complex and transformative practices at play. These heritage rites distinguished at points by those who wish their lives were more dramatic and those who wish their lives were less traumatic better describe how the vast majority of global actors engage with heritage, notably at popular, grass-roots level and in contexts of extremis, yet its significance goes largely unrecognized and unvalued.     

From crisis to creative critique: the early twenty-first century Mediterranean crossing on stage and screen in works by Teatro delle Albe and Andrea Segre

The article analyses the 2010 play Rumore di Acque [Noise in the Waters] by the Teatro delle Albe and Andrea Segre’s 2014 docufilm Come il peso dell’acqua [Like the Weight of Water] as creative responses to the Mediterranean migrant crisis. In challenging the frozen representation and rhetoric of public reporting and discourse, characterized by recurring images of boats accompanied by the number of arriving or dead migrants, both works propose a critical reading of the migration phenomenon through a focus on individual stories. As the play and the docufilm themselves cross a sea of genres and expressive tools, they also place the migrant at the centre of an interrogation of national paradigms and Western societies. They ultimately call into question the exclusionary politics and policies of the contemporary world and identify in the empathy towards the human quest for freedom and recognition a lively engine of the early twenty-first-century global community, so profoundly marked by movement and displacement.     

The Dialectic of the Individual and the Paradox of French Absolutism

In her seminal book, Philosophy and the State in France, Nannerl O. Keohane uncovered something close to a paradox: French absolutism bred a peculiar form of individualism that manifested disregard for civic involvement, yet by the eighteenth century the passive member of the ancient corporations moved without hesitation into participatory politics. The aim of this article is to clarify this apparent paradox. In order to do so, I revive the medieval dialectic between forum internum and forum externum that for more than a thousand years provided the foundation for individualism all across the Western world. One cannot understand the paradoxes that later will mark the French Revolution if one fails to take into consideration the almost obsessive focus on the forum internum and on the authenticity of the self coupled with a drive toward conformism and unity in the forum externum, which was already in place for more than a century before. Furthermore, one cannot understand why political representation as representation of individual wills was not at all appealing to the early modern Frenchmen. Given today's worrisome disaffection of the typical individual with the formalized political sphere, the dialectic of the two fora is worth reconsidering.