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一、丹阳裱画业历史沿革据史书记载,装裱技艺距今已有1700多年的历史,在魏晋时期已经萌芽。南北朝时,装裱技艺得到了进一步发展,逐渐形成了装裱的基本形制——卷轴;到了唐代,产生了挂轴和册页两种新的装裱形制,这标志着中国书画装裱技艺初级阶段的告终。北宋宣和年间,书画装裱工艺已趋于完善,进入成熟阶段,装裱技艺及款式有了新的发展, 相似文献
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一土族文化与青稞酒的价值历史价值:青海青稞酒的酿造技艺流程源于宋元时期的土族先民土法酿造"酩醯(liu)酒"的传统工艺,并在吸收中原文化的同时,与先进的酿造技艺相结合,传承研发,完善形成了青稞酒的酿造技艺。土族人民的生活史,就是青稞酒的发展史。青稞酒的酿造工艺是历史传统工艺不断发展的产物,是青海历史与青稞酒精髓的见证,也是中华民族酿酒史上的一个重要组成部分。 相似文献
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平遥推光漆器工艺起源于春秋,盛行于唐代,明清时期发展繁荣。推光漆器技艺以工序复杂、风格迥异著称,共36道工序,具有极高的艺术价值,与北京金漆、福州脱胎漆器、扬州点螺漆器并称中国四大漆器。2006年5月20日,该技艺经国务院批准列入第一批国家级非物质文化遗产名录,使中国漆器艺术得以更好地发扬光大,并获得了广泛的社会认同。文章通过对相关资料的统筹,进一步助推平遥推光漆器技艺的传承。 相似文献
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<正>民间艺术保护步入“后申遗”时期,“生产性保护”成为研究热点,目前已有成熟的理论探讨和逻辑构建,个案实证分析将更有利于市场接受和推广。佛山香云纱染整技艺抓住市场机遇形成转变的过程,传承主体在思考整体性的文化生态保护、创新产品、销售途径以及始终坚守传统香云纱技艺等调整下,走向非遗产业化发展的新路。剖析研究香云纱染整技艺的复兴经验,以求为衣食住行类非遗的现代转型提供经验借鉴,具有现实意义。 相似文献
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百戏源于夏商,始于春秋战国,形成于秦代,其后在表演形式、技艺等方面不断发展。本文结合有关文献记载和出土文物对百戏在各时期的发展特点及其在中西方文化交流中的作用进行了研究和论述。 相似文献
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Concerns about climate and energy security are leading to increased government intervention in the energy sector, in particular as they relate to the choice of energy supply options. While many of these options will improve both energy and climate security, many measures will benefit one while harming the other. This raises an important question for governments and energy planners: how can conflicts between climate and energy security be resolved? This article outlines some of the barriers and problems that may arise as governments and companies try to address climate and energy security concerns simultaneously in various energy supply areas. It concludes by arguing against choosing one objective over the other, and by outlining steps that can be taken to help resolve conflicts between the two agendas. 相似文献
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《Interdisciplinary science reviews : ISR》2013,38(3):241-246
AbstractIt is argued that Psychological research on 'race' and 'ethnicity' issues presents a number of ethical problems. These relate to the sociopolitical impact of such research, particularly when it purports to find differences of an 'innate' character; to the use of naive subjects, particularly children, in research which is aimed at demonstrating their 'inferiority'; and, within the academic community itself, to the working relationships between researchers who believe in 'innate' 'race' differences and colleagues belonging to allegedly 'inferior' groups – this being particularly significant within a teaching environment. Although the 'race differences' question has a long and controversial history, ethical issues relating to the research process itself have received less focused attention. Moreover, replacement of the genetically obsolete concept of 'race' with the idea of 'ethnicity' does not solve the problem entirely, and the term 'ethnicity' is itself unsatisfactory in several respects. 相似文献
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Patrick Geary 《History & Anthropology》2015,26(1):8-17
This essay reflects on the relationship between anthropological and historical scholarship of ethnicity, picking up on themes explored by Andre Gingrich, by considering the epistemological and evidentiary limitations of social scientific and historical analysis and reconstruction. Beginning with the consideration of the pioneering transdisciplinary efforts of Robert Darnton and Clifford Geertz, it argues that many of the weaknesses ascribed to such efforts are actually part of the nature of social scientific investigation which, in the terms of Peter Winch, must take into account two sets of relationships: that of the relationship between the scientist and the phenomena that he or she observes and the symbolic system that he or she shares with other scientists, which can only be understood from the social context of common activity. How these two relationships challenge social scientific analysis of ethnicity are examined through a consideration of the difficulties of applying Anthony Smith's definition of an ethnie to either Fredrik Barth's classic essay on “Pathan Identity and its Maintenance” or Helmut Reimitz's study of Frankish identity. It concludes that neither anthropologists nor historians are simply describing societies as they are or as they were but rather attempt to describe societies as witnesses within them thought they should be, and we do this for our own society, not for those of the participants, past or present. 相似文献
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Aniket Jaaware 《European Legacy》2002,7(6):735-745
In what follows, I attempt to show that a look at some curious examples of translations from European texts makes us think about issues in translation theory and post-colonial theory from a slightly different angle. The metaphor of translation can very well be employed for understanding the relation between European texts, and some texts and some social and political practices in India in the colonial period, and this in turn helps us look critically at what I shall call our fuzzy post-colonialism. I also argue that Walter Benjamin's metaphor of translation as the after-life of a work can be extended to posit two basic modes of after-life. 相似文献
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"9·11"事件后,冷战后的国际政治格局发生了重大变化.其最大特征可以概括为以下两点:第一,确立了以唯一超级大国--美国为核心的以反恐为普遍主义的全球性安全阵线;第二,美国的爱国主义、民族主义戏剧性地高涨起来.就像当时有人强调因为全世界有60多个国家的人在世界贸易中心工作,所以对世贸中心的攻击就是对全世界的攻击那样,在美国国民中普遍存在着这样的观点:因为美国社会自身就是世界的缩影,所以星条旗也可被看作是超越一国国界的全人类的普遍象征. 相似文献