The National Gallery of Victoria’s Colony and Difficult History

A recent exhibition staged by the National Gallery of Victoria Australia can be regarded as an expression of the international difficult histories boom. In large part, its representation in Colony of Australia’s black history is in keeping with the Manichean accounts that have come to dominate in the realm of popular culture and is a function of its decision to represent the past in forms that are primarily memorial and performative rather than historical and pedagogical. I argue that any serious attempt to come to grips with this nation’s difficult Aboriginal history requires its settler peoples to rethink rather than merely reject previous settler accounts of the past, and I contend that this task demands the practice of both scholarly history and local Aboriginal community history, which provide more complex accounts of the past.     

Wood and Fire: Scotland’s Timber Cursus Monuments

This paper offers the first comprehensive overview of Scotland’s early Neolithic timber cursus monuments. This small group of sites has, in recent years, been viewed as a significant element of the early Neolithic repertoire in northern Britain, and forerunner to the later earthwork cursus monuments found across the British Isles; but as yet their treatment has been at a largely superficial level. The article draws together the evidence from excavations, cropmarks and the authors’ own fieldwork. As well as describing the monuments, the study also offers a new interpretation of the construction, role and destruction of these monuments within the context of the woodland world of lowland Scotland in the first half of the fourth millennium BC.     

Lampon’s Episode in Xenophon’s Ephesiaca: The Reformulation of a Goatherd

The article examines the figure of Lampon, an uncharacteristic goatherd appearing in a folk-tale-like story in Xenophon’s Ephesiaca 2.9–12. It has long been recognized by critics that the circumstances of the Euripidean Electra are recalled in the episode under discussion. Comparisons are made with the Euripidean scene and the “reshuffling” of the main roles is expounded, including the novelist’s decision to make Anthia the partner of a goatherd and not the wife of a lowly farmer. On the basis of thematic and verbal similarities, it is argued that Xenophon appears to have a direct knowledge of Euripides’ Electra, which he imaginatively exploits. Subtle details of occupation and name are also discussed in relation to the stereotypical α?π?λο? and the ?γροικο?. A characteristic feature recalling the Aristotelian notion of ?γροικ?α is pointed, and it is concluded that Xenophon skilfully subverts the stereotypes, as he does not endow Lampon with the traditional negative marking of ?γροικοι and α?π?λοι, and indeed moulds an anti-aipolos.     

Islamism and Iran’s Islamic Period Museum

The Islamic Period Museum of Iran was established, almost 16 years after the Islamic Revolution, as an addition to the previous National Museum building – the Iran Bastan, or Ancient Iran Museum – in 1996. By examining the components of state Islamism, the space of the museum and key exhibits, this paper reveals the analogous relationship between the museum and state ideology. That relationship suggests that the museum embodies fundamental ambiguities and inconsistencies inherent in Iranian state Islamism. Those ambiguities and inconsistencies are only concealed, in the museum as in the ideology, by employing traditionalist rhetoric with regard to religion and identity.     

The Discourse of Fengsu in the Song Literati’s Writing: The Example of Boat Racing

The category of “customs,” or fengsu, was important for the literati of the Song dynasty in writing local histories. It covers local practices of festival rituals, weddings and funerals, rites for passage into adulthood, sacrificial rites, and the like. The main purpose behind the literati’s efforts to record fengsu was not to acknowledge local variations but to censor local customs and transform society. This paper looks at these type of texts as a discourse that is meant to promote the correct, standard performance of rites and suppress those deemed improper. It uses boat racing in Song records of fengsu as a case study to illustrate how the imperial spectacle of boat racing in spring was propagated and how the linkage between the death anniversary of Qu Yuan and Duanwu were reinforced. Meanwhile, the popular ritual of boat racing during the summer, which bore distinct violent and shamanic attributes, was strongly criticised. Through these efforts by the literati, a normative discourse of the boat-racing ritual was repeated and reinforced in the fengsu recording.     

An economic analysis of a National Theatre: The case of the ‘Abbey’

Abstract: This article asks how a regional community is culturally constructed as a policy subject in the centre/periphery relation of Finnish cultural policy. The focus is on the options the cultural recognitions analysed from the cultural policy documents of central government and the provincial administration of North Karelia provide for different political interests. It is stated here that the democratisation of cultural policy can be open for and a vehicle of the interests the prevailing spatial dominance attempts to get within the population of peripheries. North Karelia has for centuries been a geographic and economic periphery without inner cultural distinctions. Yet it is regarded as a culturally rich and specific area. The analysis shows that the regional community has continuously been used as a partisan identity for maintaining and reinforcing the spatial integration of national projects. Public cultural image would provide a symbolic compensation for the economically underprivileged. Furthermore, the strong cultural identity of North Karelia has constantly been taken by the regional establishment as an instrument to fight the “opponents of common regional interests” in political conflicts. Thus the principles of democracy have not always meant the capability or attitude to notice cultural polyphony within the region abreast of cultural political decision-making.     

Comparative Analysis of Civil Society and State Discourse on Disabled People’s Rights and Welfare in Southeast Asia 2010–16

Over the next quarter century it is likely that Southeast Asian countries will experience high levels of growth in the number of disabled people. It is therefore significant that, over the past decade, the region’s governments have at last ratified the United Nations Convention on the Rights of Persons with Disabilities (CRPD). At this critical juncture, and in the face of ongoing human rights issues in several territories, this study presents comparative analysis of state and civil society organisations’ (CSOs’) discourse on CRPD implementation. The findings show that while governments have espoused a participatory approach to fulfilling their CRPD obligations, contemporary practice falls short. Disabled people currently experience barriers to shaping policy and accessing social welfare. There is a “disconnect” between state and civil spheres that hampers effective implementation based on partnership working and knowledge exchange. In turn, this raises issues of legitimation, performativity and the endurance of the Medical Model of Disability across the region.     

The self under domination: a dialogue between Nandy’s The intimate enemy and Dangarembga’s Nervous conditions

This article analyses two different endeavours to understand the effects of domination on the self as well as the tortuous ways by which emancipation is sought. One example is taken from Ashis Nandy’s work The Intimate Enemy (1983), the other from Tsitsi Dangarembga’s novel Nervous Conditions (1988). It is argued that domination deeply scars the human psyche so that the successful pursuit of the political emancipation of oppressed individuals and collectives depends on how the abhorred reality of oppression is dealt with, not only externally but – mainly – internally. In this vein, political emancipation consists of a politics of identification in that it must address both collective action towards freedom and an inner reconstruction of a vilified and downgraded self.     

Samuel Clarke’s Lives and husbands’ remembrances of their wives

ABSTRACT

Among the narratives of eminent divines and Christian worthies that Samuel Clarke derived from published sources and included in his many publications are the lives of fifteen early modern women, three of them written by their husbands. Humphrey Gunter’s funeral memorial of his wife Mary, Samuel Clarke’s life of Katherine, and Richard Baxter’s of Margaret have a personal immediacy and an affectionate detail often absent from the other biographies. In the contexts of both the original publications and Clarke’s texts, their depictions of spousal relationships reflect the tension between traditional commemoration and individual expression apparent in seventeenth-century narratives of women’s lives. The bonds each husband recalls celebrate the virtuous wife, though none of the recollections is as forthright as Baxter’s insightful recognition of Margaret’s complex character and her significant role in their marriage.     

The Changing Face of Heritage at Canada’s National Historic Sites

In order for all citizens to fully belong to a nation or a community, they must have membership in that society’s institutions, systems and social relations on both the formal and everyday levels. Heritage sites are public institutions of formal cultural presentation and informal social encounters where society demonstrates community membership. But in a country such as Canada where global economics and popular culture combine with an unprecedented influx of immigrants, how a community imagines itself and articulates its heritage is changing radically. Canada’s National Historic Sites (NHS) is among the important public institutions devoted to both the presentation of heritage and demonstration of citizen membership. This paper describes how this institution is adapting to changes in imaginings about citizenship, on both the formal and informal level. It looks at how NHS is expanding the involvement of all citizens in the why, what, how and to whom of heritage presentation, evolving its practices to include ethic minorities in its imaginings of Canadianness. Using as an example a new NHS exhibit and designations related to the Underground Railroad and African‐Canadians, the paper considers how historic sites, as formal instruments of the state, can be re‐tuned as informal sites of discourse and negotiation about identity, citizenship and belonging.