Teresa de Ávila: Portrait of the saint as a young woman

ABSTRACT

Teresa de Jesús (known as Teresa de Ávila in the English-speaking world) began life in a comfortable, merchant-class family. The daughter and granddaughter of conversos, she was one of twelve children (two from the first marriage of Don Alonso de Cepeda, Teresa's father, and ten from the second). She received a good education for a girl of her period and class, probably learning to read and write from parents and tutors, and then studying at a convent boarding school. She undoubtedly learned the importance of letter writing from her father, as business in early modern Europe was conducted largely through correspondence. Although traditional biographers paint a romanticized view of Teresa's girlhood, a careful reading of her Vida, letters, and other documents reveals that there were many strains on the Cedepa-Ahumada household. Among the causes were the Cepedas' deteriorating financial situation, societal pressures on conversos, the death of Teresa's mother, tensions among the siblings, the departure of Teresa's brothers for the New World, and Teresa's illness.     

Fabricating the Thanatopolitical Body in Rodrigo Rey Rosa’s Cárcel de Árboles

Guatemalan author Rodrigo Rey Rosa’s first novella, Cárcel de árboles (1991), tells the story of a secret politico-medical experiment conducted on prisoners who have been condemned to death by the State. The experiment takes place in a prison camp located in the tropical forest. In this article, I examine the portrayal of power and embodiment in Rey Rosa’s novella, placing the text in dialogue with thanatopolitical theory and outlining the ways it evokes the historical context of violence and economic transition in Guatemala. I commence by discussing the forms of power at work in the novella’s prison camp, before examining the significance of medical science to Rey Rosa’s depiction of embodiment. I then explore the complex aesthetic and ethical questions embedded in the relationship between language, textuality and the body in the novella. Finally, I discuss the post-human dimensions of the text that emerge in the relationship between the human bodies of the prisoners and the non-human terrain. Over the course of this analysis, I contend that Rey Rosa marshals the body to invoke the ways in which the category of the ‘human’ is formed, deconstructed and reconfigured in the face of the destructive power that operates in the modern techno-scientific epoch.     

THE ACEHÚCHE GOLD TORC: GOLD AND SACRED LAND ON THE SHORES OF THE TAGUS RIVER (CÁCERES,WESTERN SPAIN)

This article describes the important discovery of a Late Bronze Age gold torc that was unearthed in a field of Acehúche (Cáceres, Spain). It was buried underneath some rocks at a site near a river crossing over the Tagus river. In its immediate vicinity, archaeological remains dating from the Copper Age to the Late Bronze Age have been found, which indicates the long use of this crossing. Until recently here, there existed a ferry and a chapel; and the place went by the toponym of the Dehesa de San Cristóbal. Legend too has it that the water from the river had curative properties. All of these components have maintained the sacred nature of the spot, otherwise transformed over the course of time, and reflect an earlier sacred landscape with quite ancient roots.     

Vox populi,vox Dei: Catalina de San Juan, ‘la Niña Santa’ de la Angelópolis (India, 1605? – Puebla de los Ángeles,México, 1688)

Este artículo contribuye a destacar el capital simbólico que encarnó en la Colonia la vida de Catalina de San Juan, natural del reino del Gran Mogol e hija espiritual de la Compañía de Jesús. Si bien la autora profundiza en la figura hagiográfica de la beata y aclara algunos errores esbozados por la crítica, su aporte principal radica en las Actas de Cabildo de Puebla del siglo XVII. Estos documentos son prueba fehaciente de la concertada participación de las autoridades civiles en lo que se esperaba fuera el proceso testimonial para una pronta causa de beatificación. Aunque la Santa Sede no la canonizara, Catalina de San Juan fue proclamada santa por un pueblo que vio en ella los Prodigios de la Omnipotencia, glosados teatralmente por la pluma de sus confesores. La luz que muchos atestiguaron ver al final de sus días ilumina por siempre la historia novohispana con el misterio de su leyenda.