CALLING FOR A PRACTICE TURN IN GLOBAL HISTORY: PRACTICES AS DRIVERS OF GLOBALIZATION/S

Ever since the spatial turn, historians have faced major challenges regarding how to write and research global history in general and the history of globalization in particular. The four major challenges analyzed in this article are (1) the challenge of polyphony, (2) how to determine the subject of global history beyond geographical definitions, (3) the dynamic of homo‐ and heterogenization accompanying the term “globalization/s,” and (4) how to grasp the relation between the micro level of individual actions and the macro level of global structures. The challenge of polyphony stems from the growing awareness of how Eurocentric perspectives have far too long obscured academic history‐writing with inappropriate presuppositions. The same goes for other (unreflected) area‐centrisms. A biased narrative for only one voice has to make way for a polyphonic narrative that meets the requirements of an up‐to‐date global history. Accordingly, this article suggests that neither geographically defined units nor the relation between given entities should be at the center of global history. Indeed, global history should deal with the “relationing” and the “making of” entities—one of which turns out to be “the global.” This article then proposes using the term “globalization” in the plural, but also reflects on its dependence on the singular. Closely connected to the pluralization of globalizing processes is the challenge of bridging convincingly between the micro level of individual actions and the macro level of global structures without disavowing the contingency and the heterogeneity of the individual. Several theories, such as practice theory and actor–network theory, can be used and modified to address these challenges, especially in determining the relation between macro‐ and microdynamics. I argue that practice theory offers one possible solution to these four challenges by combining both the heterogeneity of the micro level and the comprehensive narrative of global changes.     

Muhammad Abd al‐Rahman (Phillip) Barker: Bridging Cultural Divides through Fantasy/Science‐Fiction Role‐Playing Games and Fictional Religion

“Muslims” and “Dungeons & Dragons” are rarely discussed in the same sentence. However, one of the earliest fantasy role‐playing games, which left a lasting impact on the industry, was the brainchild of Muhammad Abd al‐Rahman (Phillip) Barker (1929‐2012), a professor of South Asian Studies, an expert in Native American languages, and an American convert to Islam. Like Tolkien, Barker created an enormous fantasy world; however, unlike Tolkien, his world was redolent with Native American and South Asian cultural and religious influences. Through this world, he shared with his fans a nuanced understanding of non‐Western societies, cultures, and beliefs – the facets of the human experience that truly constitute multiculturalism. While fictional religion in role‐playing games has been feared and condemned, fictional religion (and occultism) plays a pivotal role in Barker's work; an exploration of his approach towards fictional religion also sheds more light on the question of why fantasy role‐playing games came across as competitors towards religion. Barker's fantasy world brought people of diverse backgrounds together in a beautiful demonstration of how fantasy and science fiction can bring about intercultural and interreligious tolerance in an otherwise intolerant world. Given the centrality of games such as Dungeons & Dragons to American popular culture, an exploration of Barker's legacy can also be seen in the light of the study of the history and contributions of Muslims in America.     

Feminism and the Spaces of Transformation

Feminist political theory draws on particular spatial imaginations in elaborating a politics of transformation. This paper establishes this in relation to two familiar accounts of feminist transformation – those of Judith Butler and Luce Irigaray. Respectively I read their work as suggesting that transformation of gender relations takes the form of ubiquitous revolution, taking place everywhere, or a distant dream of an (im)possible future – elsewhere. The paper then turns to discuss the work of Julia Kristeva, often dismissed as not feminist and conservative. I read her work politically, within the frame of feminist theory. She offers a different, heterogeneous account of transformation, as both possible in the present and also limited by the existence and need for social and symbolic orders. In exploring the heterogeneous spatial imagination of her work, the paper suggests that the spatialities of abjection are diverse and productive. Abjection is not simply about devising territories and borders. Moreover, dominant spatialities cannot be described as simply masculine. Finally, drawing links with Lefebvre's account of representational spaces, I argue that Kristeva's work can be extended to inform our understanding of how spaces themselves can be transformed.     

Geschlecht und Gesellschaft: Die ersten Ärztinnen und sozialpolitische Vorurteile

The objective mode of scientific inquiry has increasingly been called into question especially within feminist theory. I have tried to introduce two methodological approaches in examing a small area of medical opinion-making in the medical press at a period in which the question of women doctors was being discussed, but very few women doctors were actually practicing in Germany. Methodologically feminist history sees gender as a structural component used to ascribe sexual division of labour and to form concepts of “masculinity” and “femininity” in a society. It does not define “women's history” as a separate sphere additive to other traditional areas of historical writing including history of science. The second methodological approach is that of deconstruction: “objective” statements in medicine and the biological sciences are part of social and cultural preconceptions. I have examined the pattern of unreflected scientific statements about women's claims to want to become doctors. The pattern is one of preventive prejudice: representative doctors wrote about women in physiological and biological terms of being “weak” and “unfit”. This was an effective strategy for maintaining a status quo of dequalification. The historical examination of women entering the professions has not so much to do with their own capacities, but rather with socially conceived forms of argumentation indirectly applied: preventive statements in medicine about biological function, the “weaker” sex, intellectual denigration, physiological determinism. Some of the statements I found are amusing, but the humour becomes bitter when the consequences enter our social consciousness.     

Avoiding the “F” word: feminist geography in Iran

Abstract

Little attention has been given to how feminist geography is defined, applied, and taught in non-Anglophone countries, especially in Muslim majority societies where Women’s Rights are quite different from the western world. The case of Iran among other Middle Eastern countries becomes even more isolated due to the several political, linguistic, and cultural limitations opposed on Iranian academics and international collaborations after the 1979 Islamic Revolution. Women make half of Iran’s 80 million population, 63% of university graduates, almost half of informal workers, 30% of Iranian professors, 13% of high level management position holders, and under 5% of the Islamic Majlis (Iran’s Parliament). However, feminist geography, the sub-discipline that has been traditionally dedicated to the inclusion of gender as an analytical lens within Geography, is not a recognized field at any departments in Iran. This essay aims to present the current status of feminist geographic research and teaching at selected Iranian Universities. My goal is to offer a better understanding of how the local social and political context affect what constitute feminist geographic work and how geographers navigate the political and hierarchal university systems to engage in gender studies. Through informal interviews via emails and Skype with several Iranian geographers, I illustrate why Iranian geographers often avoid using “feminist” terminology in recognizing their work, even though their work is feminist.     

Ideological others and national identifications in contemporary Poland

Sexual minorities in Poland are excluded from the traditional understanding of “Polishness” premised on conservative, Catholic values. This article examines how ethnic Polish citizens who identify as non‐heteronormative navigate their relationship to “Polishness” at a moment of heightened nationalism. Through 31 interviews with Polish sexual minorities, I show that while national identification is a struggle for some sexual minorities, others work to reframe what “Polishness” means to them. I argue for further research examining the ways that stigmatised members of the ethnic majority—what I term ideological others—understand and navigate their relationship to national identity. The study contributes to the literature on everyday nationhood and national identity by attending to national identification among stigmatised members of the ethnic majority.     

Some reflections on religion and nationalism

The metamorphosis undergone by Jewish women in the nineteenth and twentieth centuries was the result of modernization, secularization, and education. Similarly, the offspring of the new Jewish woman, the “new Hebrew woman” was the embodiment of various schools of thought, in particular the liberal and the socialist, which were prevalent at that time. The new Hebrew woman offered a feminist interpretation of the malaise of the Jewish people in general, and of Jewish women in particular, challenging the roles designated to her by her male peers and offering her own alternative interpretation. She chose Eretz Yisrael and Zionism, to “auto-emancipate” herself rather than waiting passively for her emancipation by others. In this sense, the new Hebrew woman collaborated with and reflected the hegemonic Zionist ideals and priorities. This article aims to analyze the discourse of the new Hebrew woman, as manifested in Palestine-Eretz Yisrael in the first half of the twentieth century in order to shed light on the link between gender and nationalism in the Zionist context. In particular, it considers how men and women envisioned the new Hebrew woman; how class, political affiliation, and gender shaped their interpretation; and how the new Hebrew woman differed from her counterpart, the new Jewish woman.     

Undoing Nature: The John Muir Trust's “Journey for the Wild”, the UK,Summer 2006

Abstract: I take as a point of departure for a discussion of the idea of nature the John Muir Trust's much publicised Journey for the Wild which took place in the UK during the summer of 2006. My objective is to explore how, at the same time that the “wild” was performed as a political category through the Journey, replicating the binary nature/society, prevalent norms of nature that depend on that binary, including, ironically, those of John Muir himself, were “undone”. I work with Judith Butler's (2004, Undoing Gender) ideas of “doing” and “undoing” gender and what counts as human, and her link between the articulation of gender and the human on the one hand and, on the other, a politics of new possibilities. Taking her argument “elsewhere”—unravelling what is performed as “wild” and what counts as “nature”—and using as evidence the art of Eoin Cox, the actions of journeyers, extracts from their diaries and from Messages for the Wild delivered to the Scottish Parliament, I suggest that the idea of a working wild points towards more socially just political possibilities than a politics of nature defined through a binary.     

“Let Me Come to Tell You”: Loide Shikongo,the King,and Poetic License in Colonial Ovamboland

In this paper, I explore cultural discourse, gender and the subjectivities of local people on the frontier of empire in mid‐20th century southern Africa. Using the example of Nekwaya Loide Shikongo, a prominent woman from Ondonga in northern Namibia (the colonial “Ovamboland”), and an epic poem on the deposed King Iipumbu yaShilongo that she performed in 1953, I discuss how gender was constituted and mediated. The narrative of a remarkable woman’s life and her poetry is told to understand how gender in relation to other forms of identity was constructed in different cultural discourses. I argue that both the Christian mission’s cultural discourse and the South African colonial administration’s efforts to masculinise the “native” political authority gendered Owambo elite women whose identities had previously included “gender” only as a rather contingent component. The example of Loide Shikongo, however, also shows that many Owambo continued to pursue heterogeneous, and sometimes ambiguous, strategies in their claims to Christian models of modernity.     

The domestic residue: feminist mobility and space in Simryn Gill's art

Feminism, now nearly half a century old, is still fractured by two divisive forms – the desire to emancipate women from masculinist power structures, and the affirmation of woman's sexual difference. However, as Teresa de Lauretis and Gillian Rose argue, for feminism to remain relevant, it must also be attentive to the fluid hegemonic conditions of power, and thus, strive to evolve new ‘forms’, which emphasize feminism's political mobility. Developing this proposition, this article discusses how a new critical feminist mobility may be detected in the work of Sydney-based Malaysian artist Simryn Gill. Born in Singapore in 1959, and hailing from a migrant Punjabi family who first settled in Malaya in the 1920s, Gill constantly travels between her home in Sydney and her family bungalow in Port Dickson, a small coastal town in Malaysia. I will discuss how Gill's feminist perspective may be mapped through the artist's shifting spatial contexts by looking at three spaces – the gallery, the domestic interior and the tropics. Through these spaces, I will explore how the artist occupies the dual roles of ‘woman’ and ‘women’, thus demonstrating the changing and fluid energy of a mobile feminist stance. Gill's art valorizes the domestic sphere as a recurring theme with this subject being central to her self-definition in the public sphere. Yet, her treatment of domesticity is distinct in its furtiveness, a tactic, which I argue, enables a feminist agency that is politically mobile, and capable of engaging issues of gender, sexuality, race, class and citizenship.     

Exportando “marginalidad”: Consuelo Tamayo Hernández, “la Tortajada” (1867–1957)

Abstract

Although nowadays barely remembered, the dancer and singer Consuelo Tamayo Hernández, “la Tortajada” (1867–1957), once was a Spanish performer of considerable talent. She was a diva skilled at self-fashioning who knew how to exploit her public image both on and off stage. Born in Santa Fe (Granada, Spain), Tortajada hardly ever performed in her country of birth. But although her presence on the Spanish stage was merely marginal, as a “Spanish dancer” she achieved celebrity status in the music halls of Europe and the United States. Tortajada perfectly exemplifies the mobility and cultural transfer that took place between the cosmopolitan stages at the end of the nineteenth and the beginning of the twentieth century. This article explores how Tortajada obtained international fame and success, not so much because of the authenticity of her performances—which were often contaminated by the music halls where she performed—but because of her ability to export a certain idea of Spanish “otherness” and “marginality” by staging a series of traditional movements and dances. It is by skillfully embodying a stereotype construction of “Spanishness” (elapsing it into an Oriental fantasy) and a certain type of femininity that the artist achieved international celebrity.     

Gender and feminist studies in Albania – a brief state of the art

Abstract

The aim of this contribution is to identify how gender and feminist studies have positioned themselves within the higher education system in post-socialist Albania. In Albania, the post-socialist context was featured by a negative connotation of the left-wing perspective hindering the development of critical and feminist thinking in academia. There is a lack of feminist debate, and hostile prejudices against feminists stick well, particularly in the absence of a thorough debate about feminism. Gender and women’s studies are present mainly in the public university system in association with the Social Sciences Faculty. The only complete program on gender studies is situated within the Department of Social Work and Social Policy, as a Master program in Gender and Development. Gender or feminist studies are mostly taught as “optional” courses often just for the sake of having them present in the program. In this contribution, we aim at briefly presenting some of the main developments, gaps and challenges regarding gender and feminist studies in the Albanian higher education.     

At Once the Saviours and the Saved: “Diaspora Girls”, Dangerous Places,and Smart Power

This article explores how racially marked young women and girls are sought to be discursively and materially incorporated into markets and imperial economic and geopolitical strategies in spatially differentiated ways, through an examination of a series of media productions which portray the engagement of young racialised British citizens with their countries of heritage. I propose the term “diaspora girls” to refer to the protagonists of these media productions, who are understood as embodying “British” post‐feminist gender values and heroically carrying them to “dangerous” spaces of gender oppression and violence. In the context of current constructions of diasporas as agents of development, alongside the framing of migration as a “security threat” to the global North, these British citizens are viewed as ideally positioned to further the contemporary imperialist project. Their perceived empowerment is understood to be fragile and contingent, however, because of their affective connection with these spaces. Further, for those who are Muslim in particular, their perceived Britishness is understood as requiring continual reaffirmation and proof, thus reinforcing racialised structures of citizenship, and legitimising a border regime which reinscribes permanent North–South inequality.     

The New Maternal State: The Gendered Politics of Governing through Behaviour Change

Abstract: Policies explicitly aimed at changing people's behaviour and recasting state–citizen relations are becoming prevalent in the UK. New political rationalities of “co‐production”, “personalisation” and ‘soft” or “libertarian paternalism” seek to cultivate a relationship between the adaptive state and the active citizen which is increasingly pedagogical. Informing these new pedagogies of governing is research from behavioural economics, psychology and the neurosciences, from which policy strategists draw insights aimed at improving the effectiveness of behaviour‐changing interventions across a range of policy spheres. This paper develops perspectives from feminist economics, critical psychology and feminist political theory in order to demonstrate how such research offers a gendered account of human behaviour and thus is used to assert a conversely gender‐blind explanation of the legitimate role of the state in governing through behaviour change.     

Playing with Infrastructure like a Carishina: Feminist Cycling in an Era of Democratic Politics

This article discusses transit infrastructure as a site of radical possibility and limitation in an age of participatory democracy across Latin America. I focus on multiple spaces of participation in Quito, Ecuador to elucidate how citizenship and infrastructure are co‐produced through gendered processes. I first analyse city space of Quito from a gendered and infrastructural lens to consider how urban environments are dictated by violence and insecurity. Then, against this backdrop, I explore the spatial strategies of the feminist bicycle collective, Carishina en Bici, which translates from Quechua to “bad housewives that cycle”. Here, I draw on the concept of “deep play” to reveal how public practices in Quito question the equitable impacts of local democratic experimentation. To examine Carishinas’ spatial practices, I focus on an urban alleycat race, the Carishina Race, to show how strategic practices of solidarity reinsert feminist possibilities in urban space.     

Hayden White: Beyond Irony

A crisis of our age that is usually identified with the loss of the sacred was one of the causes of the fall into irony in the nineteenth century. In the case of historians, asHayden White has shown in Metahistory, this irony was caused by a“bitterness” stemming from the failure of reality to fulfill their expectations. Anironic apprehension of the world arose in an atmosphere of social breakdown or cultural decline.A current stage of irony manifests itself in a doubt as to the capacity of language to grasp reality. Thus we live in a “prison house of language.” An intellectual parlor-gameproduces “second-hand knowledge” that cannot satisfy the needs of post-postmodern men and women still looking for another metanarrative. Therefore, the main purpose of this essay is to answer the question: how can we go beyond irony? This text is a “post-postmodern post mortem topostmodernism.” I am grateful to postmodernism for many things, especially for giving me an alternative apprehension of the world in terms of difference and continuity rather than binary oppositions, but I am tired of ontological insecurity and epistemological chaos. I need order. I miss metanarrative. In trying to break with some modern/postmodern “principles” andretain within my discourse the premodernist perspective, I follow the current trend in thehumanities. We observe at present the breakdown of methodology and the rise of a more poeticapproach in the human sciences. Evidence of this phenomenon is the more autobiographical formof writing in anthropology (James Clifford, Clifford Geertz) and a more literary style inhistorical writing (Natalie Zemon Davis, Emmanuel Le Roy Ladurie, Simon Schama). This trendis associated with a revaluation of the subjective aspects of research. Perhaps, and I wouldwelcome it, it also could be identified with a reappearance of a Collingwoodian idea of history ashuman self-knowledge, knowledge about human nature, knowledge about “what it is to be a man . . . what it is to be the kind of man you are . . . and what it is to be the man you are and nobody else is.”     

1. DECENTERING HISTORY: LOCAL STORIES AND CULTURAL CROSSINGS IN A GLOBAL WORLD

This essay was first presented at the 2010 Ludwig Holberg Prize Symposium in Bergen, Norway, where I, as the prize recipient, was asked to describe my work and its import for our period of globalization. The essay first traces the interconnected processes of “decentering” history in Western historiography in the half century after World War II: the move to working people and “subaltern classes”; to women and gender; to communities defined by ethnicity and race; to the study of non‐Western histories and world or global history, in which the European trajectory is only one of several models. Can the historian hold onto the subjects of “decentered” social and cultural history, often local and full of concrete detail, and still address the perspectives of global history? To suggest an answer to this question, I describe my own decentering path from work on sixteenth‐century artisans in the 1950s to recent research on non‐European figures such as the Muslim “Leo Africanus” (Hasan al‐Wazzan). I then offer two examples in which concrete cases can serve a global perspective. One is a comparison of the literary careers of Ibn Khaldun and Christine de Pizan in the scribal cultures on either side of the Mediterranean in the late fourteenth and early fifteenth centuries. The other is the transmission and transformation of practices of divination, healing, and detection from Africa to the slave communities of Suriname in the seventeenth and eighteenth centuries.     

A WORLD CONNECTING? FROM THE UNITY OF HISTORY TO GLOBAL HISTORY

Global history looms large in current historiography, yet its heuristic design and political functions remain ill‐reflected. My article seeks to uncover the historical origins of the assumption that the “world” has one common history and that it is feasible and desirable to write it. I analyze the epistemic infrastructure underlying this assumption and argue that global history as practiced today is predicated on a specific mode of world‐making that provides its basic template: Global history both grew out of and intellectually sustains the conception of an increasingly connected world. The type of connectedness thereby implied and reinscribed was established by what I call the “world‐historical process,” a cognitive framework that co‐emerged with the early modern and modern European conquest of the world through expansion, discovery, commerce, and culture. The article investigates how this process‐template emerged out of the crisis of universal history that could no longer integrate and reconcile the multiple pasts of the world. The format of the world‐historical process was central to Enlightenment historians' assertion of the secular and scientific prestige of their craft, as much as to its ability to discern global epochs, in particular the modern and the premodern. My article traces the fortunes of this template through historicism up to present‐day global history. Current global history remains structured around the growing connectedness of previously distinct parts of the planet whose pasts are transformed into relevant world history by the very process that makes them increasingly interrelated. Global history may be too much a product of the process of globalization it studies to develop epistemologically and politically tenable alternatives to “connectivity.”     

THE WORDS OF HISTORY

In From History to Theory, Kerwin Lee Klein writes a history of the central terms of the discipline of theory of history, such as “historiography,” “philosophy of history,” “theory of history,” and “memory.” Klein tells us when and how these terms were used, how the usage of some (“historiography” and “philosophy of history”) declined during the twentieth century, and how other terms (“theory” and “memory”) became increasingly popular. More important, Klein also shows that the use of these words is not innocent. Using words such as “theory” or “historiography” implies certain specific ideas about what the writing of history should be like, and how theoretical reflection on the nature of history and its writing relates to the practical issues of the discipline. In the second half of his book, Klein focuses more on the concept of memory and the memory boom since the later part of the 1980s. He observes that “memory” came to be seen as a kind of “counterhistory,” a postcolonial, fragmented, and personal alternative to the traditional mainstream discourse of history. Klein does not necessarily disagree with this view, but he does warn us about unwanted side effects. More specifically, he argues that the discourse of memory is surprisingly compatible with that of extremist right‐wing groups, and should be treated with suspicion. Although Klein certainly has a point, he presents it in a rather dogmatic fashion. However, a more nuanced version of Klein's criticism of memory can be developed by building on Klein's suggestion that there is an intimate connection between memory and identity.     

A Feminist Literary Cartography of the Canadian North: Women,writing and place in Aritha van Herk's Places Far From Ellesmere

This article examines the idea of North in Aritha van Herk's (1990) Places Far From Ellesmere, a feminist rereading of Anna Karenin that is also an exploration of place—Ellesmere Island—and of gender, identity and belonging. I situate my reading of Ellesmere firstly within feminist literary theory, focusing on the concept of intertextuality and on the implications of the concept, from the perspective of feminist theorists, for the acts of writing and reading. I further contextualise van Herk's work by outlining the growing sensitivity to the complexities of writing Canadian space in Canadian literary criticism. The focus then shifts to Ellesmere, beginning with an investigation of van Herk's representational practices and philosophies, which are organised around a critique of the relationship between writing, gender and power. I argue that van Herk's insistence upon the power of feminist textual rereadings, an insistence that results from her aversion to authority, critically shapes her geographical imaginary, and her understanding of North. By extending the text and thereby the practice of reading to geography, van Herk makes possible a feminist representation or rereading of the North that simultaneously contests the conventions of literature, of place and of gender. Ultimately, I argue that it is van Herk's commitment to investigate the processes of representation in which she is engaged that makes her representation of the North such a valuable text for feminist and literary geographers.