TO CATCH THE ECHO: RETHINKING ACTS OF WITNESSING TO THE SHOAH

In light of recent revelations about global ignorance and disbelief regarding the Holocaust, first‐hand testimonies acquire fresh significance. Two disparate books frame this discussion of how writings by survivors serve to deepen our understanding of the Shoah. Otto Dov Kulka's memoir, Landscapes of the Metropolis of Death, is a carefully crafted account by a professional historian who survived as a child in Auschwitz. Thomas Trezise's work, Witnessing Witnessing, is an analytical inquiry into the literary and epistemic issues that frame different genres of testimony ranging from video to poetry. Kulka's slender account is situated in the context of other works by survivors, including Saul Friedländer's When Memory Comes, Charlotte Delbo's Auschwitz and After, and a more recent work by Joseph Polak, After the Holocaust the Bells Still Ring. The emphasis in this discussion is upon the challenges that survivors face in articulating horror, especially to readers in the twenty‐first century. Trezise's more voluminous work is based upon the literary and philosophical theories of Adorno, Levinas, and Freud, among others. The question raised in this essay focuses upon which of these narrative strategies might work better to convey the complex meanings of the Shoah after the generation of survivors has departed from the historical scene. In the end, the halting words of those who went through the death camps is all we have to counter the ignorance and disbelief spreading around the world. Kulka's book, combining memories, dreams, and art works, fosters an imaginative encounter with inconceivable historical realities. Trezise's theoretical engagement with indexicality and with the phatic function of language helps us to understand the impact of testimonies within the scholarly literature. It does not, however, point a clear path toward conveying the importance of the Holocaust to the public at large. For this purpose, we need books such as Kulka's that enable the generation after the Holocaust to listen to silences embedded in survivor narratives. These silences must be carried forward in time, along with the ethical mandate not to forget the atrocities of the Shoah. If we can embrace this mission, we may be able to diminish the reign of hate running amuck today.     

THE POETICS OF ANCIENT GREEK MEMORY AND THE HISTORICAL IMPERATIVE

This book examines Greek engagements with the past as articulations of memory formulated against the contingency of chance associated with temporality. Based on a phenomenological understanding of temporality, it identifies four memorializing strategies: continuity (tradition), regularity (exemplarity), development, and acceptance of chance. This framework serves in pursuing a twofold aim: to reconstruct the literary field of memory in fifth‐century bce Greece; and to interpret Greek historiography as a memorializing mode. The key contention advanced by this approach is that acts of memory entailed an “idea of history” that was articulated not only in historiography, but also in epinician poetry, elegy, tragedy, and oratory. The book offers a rich account of poetic conventions and contexts through which each of these genres counterbalanced contingency through the use of exemplary and traditional modes of memory. This fine analysis highlights the grip of the present on the past as a significant feature of both historiographical and nonhistoriographical genres. The essay argues that this work fills a disciplinary gap by extending the reflection on memory to a new period, Greek antiquity. The retrospective positioning of this period at the outset of Western historical thought brings Grethlein's investigation to the center of debates about memory, temporality, and the meaning history. In engaging with the book's argument, the essay suggests that historiographical memory emerged in Greece not as a first‐order encounter with time, but as a second‐order encounter with forgetting. This confrontation marked a certain separation of historiography from other memorializing genres. Whereas poetic and rhetorical memories were posited against contingency, historiography sought to retrieve those aspects of the past that may otherwise have been irretrievably lost and forgotten. In doing so, it formulated the historiographical imperative as a negation of forgetting that problematized the truth‐value of memory and the very act of remembering the past.     

ON THE MANY WAYS OF SAYING MEMORY

This essay examines the concept and the discourse of collective memory in view of interpreting the novel function with which it has been endowed in recent decades and the problematic character of its interpretation. To this end, it focuses on the recent book by Manuel Cruz, On the Difficulty of Living Together: Memory, Politics, and History, which examines the contemporary functions that collective memory has assumed in recent decades and takes into account interpretations of it elaborated in a number of seminal works that have set the framework for contemporary ways of understanding it. My investigation engages critical analysis of the psychological approach to collective memory that Cruz adopts, which, in interpreting recent public preoccupation with collective memory as an expression of trauma occasioned by the Holocaust and other horrific twentieth‐century events, assumes that analogous psychic mechanisms govern forms of remembrance in the public sphere and memory in personal and small‐group interaction. By taking into account alternate possibilities of interpretation, suggested above all by the public function of the mass media, I seek to widen the scope of enquiry to scrutinize in a broader perspective the contemporary role of collective memory and its political significance in the public realm.     

Commemoration in Australia: A memory orgy?

Australia's commemorations of the First World War have thus far been massive at both the government and local levels, reflecting and affirming the dominance of the memory of war and the ANZAC ‘legend’ in the national political culture. The commemorations in 2014–15 triggered some debate about the commodification of the memory of war and the possibility of commemoration fatigue, but the centenary of the key commemorative event, the landing at Gallipoli on 25 April, attracted large crowds and blanket media attention. Whether Australians of culturally diverse backgrounds engaged with these centenary commemorations, and how strongly they identify with the ANZAC legend as the dominant narrative of Australian nationalism, however, remains unclear.

澳大利亚对一战的纪念迄今在政府和地方层面都大张旗鼓,反映并肯定了在国家政治文化中战争记忆以及澳洲军团传说的岿然不移。2014-15年的纪念活动引发了关于战争记忆被商品化以及纪念疲劳症的辩论,虽然一些关键事件如4-25的加里波利登陆的百年纪念日吸引了大众以及媒体的关注。不过文化背景各色各样的澳大利亚人士是否都参与了这些百年庆典,他们在多大程度上将澳洲军团的传说当做澳大利亚民族主义的主流叙事,这些都不清楚。     

HOW THE OLD LEFT HAS FOUND A NEW PLACE IN THE MEMORY GAME

In his new book, How Modernity Forgets, Paul Connerton seeks to show a relationship between the workings of late capitalism and the institutionalization of forgetfulness in ever more abstract conceptions of space and time. He uses this argument to explain why the topic of collective memory has waxed so large in contemporary historical scholarship. I interpret his argument in light of his earlier work on habit memory and his still earlier critique of Frankfurt School social theory. I close with some comments on his study in the context of recent work on mnemonic practices in modern culture.     

The political ecology of water memory: Contending narratives of past hydraulic infrastructures in Barcelona (2015–2021)

In the context of ecological emergency and crisis of representation of the capitalist democracy, the battles over water management have become ever more politicised: who is to administer water resources, how, and with what legitimacy? This article examines a disregarded dimension of the recent water conflict in Barcelona by looking into the politics of memory as part of a struggle for legitimacy between the private water company Agbar, and Barcelona en Comú (BeC), the political platform governing the city since 2015, and defending the ‘remunicipalisation’ of water. By combining memory studies and critical discourse analysis we pay attention to the dynamic resignification of the hydraulic infrastructure as spaces or “sites of memory” (lieux de mémoire; Nora, 1998). Barcelona en Comú narrative retrieves a forgotten past of local sites and experiences in public management of water. In contrast, Agbar defends its legitimacy by advancing a narrative of linear progress and social inclusion that re-signifies its 150-year long history and co-opts key “empty signifiers” (Laclau, 2005) from the discourse of the Indignados and BeC. Theoretically, we advance that a temporal turn in political ecology and geography, complementing the concern with spatiality, could usefully draw on memory studies to analyse the growing memorialization of water discourses and sites, as well as their political significance. The article thus investigates a question that has not been systematically explored by political ecologists: how the entanglement of space and historical memory is mobilized in the conflict over the use and management of the environment.     

PHILOSOPHICAL REFLECTIONS ON THE WAYS OF MEMORY AND HISTORY

Philosopher Jeffrey Barash seeks to clarify the concept of collective memory, which has taken on wide‐ranging meanings in contemporary scholarship. Returning to the original insight of sociologist Maurice Halbwachs during the 1920s, he grounds the concept in the living social memory of the present, whose sphere is widened by its capacity to draw upon a past beyond its ken through the symbolization of its remembrance. He offers two preliminary propositions: first, there is a history to the way philosophers have contextualized collective memory through the ages; second, there is a politics in the transmission of collective memory, highly visible in the uses of memory by mass media in the contemporary age. He builds his argument around four interrelated interpretations concerning: the ever more circumscribed role attributed to collective memory in the passage from antiquity into modernity; the dependence of collective memory upon living memory; the rising power of media to mold collective memory to present purposes; and historical understanding vis‐à‐vis evocation of collective memory as oppositional ways of accessing the past. I close with commentary that places Barash's philosophical interpretation within the context of contemporary historiographical practice, with particular attention to the scholarship of French historian Pierre Nora on the French national memory, and that of German scholars Jan and Aleida Assmann on the preservation and transmission of memorable cultural legacies.     

THE ENDURING PUBLIC STRUGGLE TO CONSTRUCT,CONTROL, AND CHALLENGE HISTORICAL MEMORIES

Sumit Guha's History and Collective Memory in South Asia, 1200–2000 develops important arguments about the public significance of historical knowledge and the essential role of historians in public life. All societies need collective memories to sustain their cultural identities, as Guha shows in this wide‐ranging account of how such memories have been constructed in South Asian societies since the thirteenth century. The knowledge of historical experts is increasingly challenged or derided by contemporary social groups and political activists, who circulate their own historical narratives via new networks of communication. Political uses of historical knowledge are not new, however, as Guha shows in detailed accounts of how Hindu, Muslim, and British imperial regimes all used historical narratives to justify their own power. He also explains how other social groups challenged official historical narratives with their own popular stories about the past. This book contributes to recent work in global intellectual history by comparing similarities in the historical practices of premodern Europe and South Asia, discussing the cross‐cultural exchanges in colonial‐era institutions, and describing postcolonial challenges to European ideas. Guha thus offers an insightful analysis of how social and political forces influence and respond to the cloistered institutions that produce historical knowledge and construct collective memories. He concludes that evidence‐based historical narratives must be continually defended amid current public assaults on historical knowledge in both South Asia and the United States. More generally, Guha's book suggests the need for ongoing analysis of how public events, social conflicts, and new communication systems can reshape or discredit the work of historical experts.     

The politics of memory: Commemorating the centenary of the First World War

This symposium examines how the centenary of the First World War has been marked in five countries: Australia, France, Germany, the United Kingdom and the United States. Given their distinctive national historical experiences and political cultures, the metanarratives of the war in these countries differ; as does the relationship between the state and sub-state actors in memory making. However, in each case the commemorations of the war have been shaped by a negotiation between the state and other agents of memory at the sub-state level. National memory has also been consciously projected into international relations, through carefully orchestrated anniversary ceremonies and performative memorial diplomacy. But, despite these transnational commemorative practices, the centenary of the war remains predominantly framed within local and national imaginings.

这次研讨会议论了一战百年在奥地利、法国、德国、英国、美国这五个国家是如何庆祝的。考虑到各国不同的历史经验以及政治文化,这些国家关于一战的元叙事各不相同,国家与次国家主体关系的记忆也是如此。不过,每个国家的战争纪念,都是国家与其他次国家层面主体协商的结果。通过精心策划的纪念仪式日以及表演性纪念外交,国家记忆被有意识地投射到了国际关系之中。除了这些跨国纪念活动,一战的记忆主要是在地方以及国家的想象框架内形成的。     

ENTANGLED MEMORY: TOWARD A THIRD WAVE IN MEMORY STUDIES

This essay takes up the call for a “third phase” in memory studies and makes theoretical and methodological suggestions for its further development. Starting from an understanding of memory that centers on memory's temporality, its relation to language, and its quality as a social action, the essay puts forward the concept of “entangled memory.” On a theoretical level, it brings to the fore the entangledness of acts of remembering. In a synchronic perspective, memory's entangledness is presented as twofold. Every act of remembering inscribes an individual in multiple social frames. This polyphony entails the simultaneous existence of concurrent interpretations of the past. In a diachronic perspective, memory is entangled in the dynamic relation between single acts of remembering and changing mnemonic patterns. Memory scholars therefore uncover boundless cross‐referential configurations. Wishing to enhance the dialogue between the theoretical and the empirical parts of memory studies, we propose four devices that serve as a heuristic in the study of memory's entanglement: chronology against time, conflict, generations, and self‐reflexivity. Current debates on European memory permit us to explore the possible benefits that the concept of entangled memory carries for memory studies.     

HISTORY TO THE MAX

Steven G. Smith advocates a maximal approach to history by both historians and theorists of history, maintaining that a commitment to fullness or totality should always serve as an ideal. In my review, I try to explain what the author means by this ideal, and consider how practical such an ideal can be. He further maintains that history is mostly about shared action, and is itself an instance of shared action. I have certain reservations about this notion, though I think Smith's book deserves credit for calling attention to it.     

French commemoration: The centenary effect and the (re)discovery of 14–18

A centenary effect is bringing the First World War back into the public sphere in France, even though state authorities have struggled to generate momentum around its national commemorations. First, this article synthesises France's memory of the First World War, comparing it with Australian commemoration, arguing that it is generally consensual and that, to date, there has been an absence of debate over its commemoration. Second, it examines the Mission du Centenaire, France's official board for the commemoration of the centenary of the Great War, the key commemorations announced and the articulations between local, national and international commemorative events. Finally, the article analyses the economic rationale behind the French authorities’ desire for an internationalised centenary, the political messages articulated through the memory of the conflict and the level of popular interest in the centenary commemorations since 2013.

在法国,一战的百年效应就是让一战回到公共领域,政府当局大力营造国家纪念的声势。本文首先对法国的一战记忆做了综述,并同澳大利亚的纪念活动进行比较,指出法国的特点是普遍共识,至今关于一战的纪念并无辩论。本文还研究了法国官方的大战百年纪念委员会即“百年使命”,宣布的主要纪念活动以及地方、国家、国际层面的纪念活动的结合。本文最后分析了法国当局希望百年纪念国际化背后的经济理性、通过战争的记忆所传达的信息、以及2013年以来公众对于百年纪念活动热情的程度。     

RECONCEIVING THE PRACTICE OF HISTORY: FROM REPRESENTATION TO TRANSLATION

Arguing that history is not the application of a rigorous method to sources bequeathed to us from the past but rather a practice of coding that constructs “the past” in particular ways, this article seeks to delineate the key elements of this coding. Modern history treats past objects and texts as the objectified remains of humans who endowed their world with meaning and purpose while constrained by the social circumstances characterizing their times. This time of theirs is dead, and it can only be represented, not resurrected; the past is only ever the human past, and it does not include ghosts, gods, spirits, or nature. If, as argued here, “the past” does not exist independently of the means by which it is known and represented, then the many different modes of historicity that human beings developed and deployed before the modern form of history became dominant cannot be measured against “the” past in an effort to compare their accuracy or adequacy in representing it. The concluding section of this article asks what we are doing when we write the history of those who did not share the presumptions of the modern discipline but who had their own mode(s) of historicity. What, it asks, is the character and status of the knowledge produced when we write histories of premodern and non-Western pasts?     

THE WORDS OF HISTORY

In From History to Theory, Kerwin Lee Klein writes a history of the central terms of the discipline of theory of history, such as “historiography,” “philosophy of history,” “theory of history,” and “memory.” Klein tells us when and how these terms were used, how the usage of some (“historiography” and “philosophy of history”) declined during the twentieth century, and how other terms (“theory” and “memory”) became increasingly popular. More important, Klein also shows that the use of these words is not innocent. Using words such as “theory” or “historiography” implies certain specific ideas about what the writing of history should be like, and how theoretical reflection on the nature of history and its writing relates to the practical issues of the discipline. In the second half of his book, Klein focuses more on the concept of memory and the memory boom since the later part of the 1980s. He observes that “memory” came to be seen as a kind of “counterhistory,” a postcolonial, fragmented, and personal alternative to the traditional mainstream discourse of history. Klein does not necessarily disagree with this view, but he does warn us about unwanted side effects. More specifically, he argues that the discourse of memory is surprisingly compatible with that of extremist right‐wing groups, and should be treated with suspicion. Although Klein certainly has a point, he presents it in a rather dogmatic fashion. However, a more nuanced version of Klein's criticism of memory can be developed by building on Klein's suggestion that there is an intimate connection between memory and identity.     

Recent developments in social and cultural geography in Spain

Controversy has erupted in Selma, Alabama, over recent efforts to commemorate the career of Nathan Bedford Forrest, a Confederate cavalry officer and founding member of the original Ku Klux Klan. More generally, the controversy in Selma is emblematic of an enduring regional pattern in which contests over the future are couched in terms of the past. Relative to other media, monuments appear to be trustworthy and lasting. Despite this appearance of historical consensus and stability, the city's public spaces are the product of and conduit for ongoing politics. The current conflict pits memorial activists associated with the Civil Rights Movement against neo‐Confederates. Interpreted in the context of Selma's increasing promotion of Civil Rights heritage and the recent election of the city's first African American mayor, the Forrest affair highlights the utility of the concept of symbolic accretion for understanding the complexities of commemorating antagonistic histories in the same place. Symbolic accretion describes the appending of commemorative elements onto already existing memorials. The situation in Selma suggests two different types of symbolic accretion, allied and antithetical. More generally, the act of commemoration itself may be understood as a process of accretion in that heretofore anonymous spaces are formally recognized via the grafting of memorial elements.     

Commemoration in the United Kingdom: A multitude of memories

In the United Kingdom (UK) the centenary commemoration of the First World War has been driven by a combination of central government direction (and funding) with a multitude of local and community initiatives, with a particular focus on 4 August 2014; 1 July 2016 (the beginning of the Battle of the Somme) and 11 November 2018. ‘National’ ceremonies on these dates have been and will be supplemented with projects commemorating micro-stories and government-funded opportunities for schoolchildren to visit Great War battlefields, the latter clearly aimed to reinforce a contemporary sense of civic and national obligation and service. This article explores the problematic nature of this approach, together with the issues raised by the multi-national nature of the UK state itself.

英国的一战百年纪念是由中央政府指导（并出资）,地方及社区发动,焦点是2014年8月4日、2016年7月1日（索姆河战役）、2018年11月1日。这些纪念日的国家仪式之外还有微观事迹的纪念项目,以及政府资助在校儿童参观一战战场之类,后者的目的显然在于加强当代公民与国家的责任及服务意识。本文讨论了这种做法的问题所在,以及英国政府本身的多民族性所带来的问题。     

BALANCED TRUTH: STEVEN SPIELBERG'S SCHINDLER'S LIST AMONG HISTORY,MEMORY, AND POPULAR CULTURE1

Looking at the public reaction to it, one might say that Steven Spielberg's Schindler's List is undoubtedly the most successful film about the Holocaust. The film's success in the U.S. and other Western countries can be traced back mainly to the fact that it creates the impression of telling a true, apparently authentic, story. This essay investigates how this impression of historical truth and authenticity emerges in a fiction film. For this purpose the essay reverts to a concept developed by Jörn Rüsen, which distinguishes among three dimensions of historical culture, namely political, aesthetic, and cognitive. In addition to the historical context that serves as a specific precondition for the film's success, the essay primarily investigates the strategies of authentication Spielberg applied at both the visual and narrative levels. The investigation concludes that the impression of evidence produced by the movie is significantly a result of the sophisticated balancing of the three dimensions mentioned above. The film utilizes artifacts of an existing and increasingly transnational (visual) memory for the benefit of a closed, archetypical narrative. It follows the aesthetic and artistic rules of popular narrative cinema, and largely recurs to conventions of representation that were common in film and television programs of the 1990s. Although these forms condense the historical course of events, the film manages to stay close to insights gained by historiography. The hybrid amalgamation of history and memory, and of the imaginary and the real, as well as the combination of dramaturgies of popular culture with an instinct for what can (not) be shown—all of these factors have helped Schindler's List to render a representation of the founding Holocaust myth in Western societies that can be sensually experienced while being emotionally impressive at the same time.