Reimagining GIScience for relational spaces

A mismatch between largely absolute Newtonian models of space in GIScience and the relational spaces of critical human geography has contributed to mutual disinterest between the fields. Critical GIS has offered an intellectual critique of GIScience without substantially altering how particular key geographical concepts are expressed in data structures. Although keystone ideas in GIScience such as Tobler's “First Law” and the modifiable areal unit problem speak to enduring concerns of human geography, they have drawn little interest from that field. Here, we suggest one way to reformulate the computational approach to the region for relational space, so that regions emerge not through proximity in an absolute space or similarities in intensive properties, but according to their similarities in relations. We show how this might operate theoretically and empirically, working through three illustrative examples. Our approach gestures toward reformulating key terms in GIScience like distance, proximity, networks, and spatial building blocks such as the polygon. Re‐engaging the challenges of representing geographical concepts computationally can yield new kinds of GIS and GIScience resonant with theoretical ideas in human geography, and also lead to critical human geographic practices less antagonistic to computation.     

Reimagining sustainable cultures: constitutions, land and art

Globalisation is about the interconnection of peoples and places in accelerated ways, but it is also about resistance and adaptation in the face of change. Discussions of sustainability now incorporate both dynamic understandings of culture and the recognition that place matters because the practices that are in need of sustaining, as well as those that pose threats, happen in particular communities and in specific geographic contexts. Culture is codified not only in property rights and legislation, but also in the public artistic expressions of peoples and places. Case studies from Nunavut and Scotland show the interrelationships of sovereignty and claims to identity and community. Art, as a result of creative action in the case of Cape Dorset Inuit printmakers and carvers on Baffin Island, and a millennium tapestry telling the stories of the Isle of Harris, complement matters of property rights. Both discussions show that identity is about material culture and property relations in respect of land. Serious discussions of sustainability, in contrast to the technical practices frequently invoked using the term sustainable development, require considerations of the dynamics of complex cultural arrangements in particular places, rather than assumptions of stability of either peoples or their ecological contexts.     

Exhibiting Indigenous Australia at Home and Abroad

Over the past few years a remarkable research project has been undertaken by Australian and international curators and scholars which resulted in the staging of two highly successful exhibitions. While most audiences would only have seen one or the other, a small number of people have been privileged to see both. This review provides an analysis of the two exhibitions, a rare opportunity to consider how the same story has been told in different hemispheres.     

Reimagining nursing's place in the history of clinical practice

This work posits how medical history might be conceptualized if nurses and nursing history was used as the analytical lens. Nursing is seen not as a separate part or subsection of medical history, but rather one that is deeply embedded in the relationships and social order of clinical practice. Nursing is an analytical category in and of itself. By approaching nursing as such a category, we enlarge "new notions of historical significance" to encompass personal, political, public, and private activities that constitute medical experiences.     

真实与重构:博物馆展示本质的思考

博物馆一直以中立、客观来宣扬自身对真实情形的表达。作为连接博物馆与公众的桥梁,博物馆展示的本质及过程是探讨博物馆真实性的关键所在。在博物馆场域中,从真实而具体的物件到有意义而抽象的展示,此重构的过程主要受两方面因素的影响:意义的制造与政治的关切。博物馆展示过程中真实不可避免地被重构,同时博物馆又是权力—知识体系下的一个重要场域,但无论其如何重构,博物馆体现的仍是一种"真实",是一种可见的、相对的、被社会需要的"真实"。     

Vital Creativity: Exhibiting Beauty and Heritage in Material Culture

Museum exhibits are an important but often overlooked source of anthropological, folklore and decorative art analyses. Some exhibits are cross-cultural and focus on object types; others deal with the cultures of particular peoples. This review assesses two exhibit catalogues that deal with each of these two types: Gavin, Pierce, and Pleguezuelo's Cerámica y Cultura: The Story of Spanish and Mexican Mayólica deals with one art form and its development, and Griffith's Hecho a Mano: The Traditional Arts of Tucson's Mexican American Community documents the home arts of Mexican Americans in Tucson, Arizona during the 1990s.     

Exhibiting eugenics: response and resistance to a hidden history

Human Plants, Human Harvest: The Hidden History of California Eugenics is the first-ever exhibition on the history of eugenics in California. The disappearance of this history for half a century, and the consequent absence of a "collective menory", were the primary factors determining the exhibit's sttrcture and content. Responses to the exhibit confirmed that most visitors "never knew" about this history. The exhibit is described in some detail, with selected imagery from the exhibit reproduced. After the initial exhibition, responses of other museums and foundation officials revealed a continuing resistance to this history being publicly displayed, though the sources of resistance varied.     

From One City to Two: Christian Reimagining of Political Space

Abstract

The paper questions the basic assumption that the nation-state is one city, within which there is a division of goods and a division of labour, which follow certain well-worn binaries: civil society and state, sacred and secular, eternal and temporal, religion and politics, church and state. It explores some deficiencies of John Courtney Murray's conceptualization of the political space in this way, and turns to Augustine's tale of two cities for a more adequate conceptualization. The paper especially argues that the two cities are not two institutions but two performances, two practices of space and time.     

Captain Cook upon Changing Seas: Indigenous Voices and Reimagining at the British Museum

ABSTRACT

This article reviews the British Museum exhibition, Reimagining Captain Cook: Pacific Perspectives, 29 November 2018–4 August 2019. It situates the exhibition within a global context of exhibitions held around the 250th anniversary of Cook’s first voyage, and critically considers its attempt to reframe dominant narratives surrounding Cook, his voyages and more broadly the colonization of the Pacific through a focus on Pacific Islander perspectives within a changing museum sector.     

Reimagining Alterities: The Formation of Identities through Memory,History, and Place

Anthropologists have firmly established the need to attend to the paradoxes of mobile cultural and symbolic forms—these portable imaginaries of belonging or exclusion—during periods of transnational crisis and restructuring. In this article, I examine how formations of selfhood and otherness have come to public visibility in the context of globalization. My review of recent anthropological publications scrutinizes the range of possible methodological approaches to social identity practices, both in the past and present. Although contemporary scholars seek to refine anthropological insights on the plausible linkages between identity and alterity, the reliance on select methodological frames produces corresponding limitations in research focus and interpretative acuity.     

Exhibiting atomic culture: the view from Oak Ridge

In the aftermath of World War II, residents of “nuclear cities” like Oak Ridge, Tennessee, and Los Alamos, New Mexico, where America's atomic weapons were produced struggled to interpret the nation's atomic history as well as their own stories, for themselves, for tourists and for other visitors. Once literally hidden cities, they remain steeped in Cold War culture and ideology, yet they face uncertain futures as weapons production needs change, hazardous waste dangers become more apparent and homeland security is threatened. “Atomic museums” established at these and other sites have become focal points of such dilemmas. Their evolving interpretations of America's atomic heritage play a significant role in shaping public understanding of the Bomb.     

Exhibiting enterprise: how New Zealand museums generate revenue

Museums in New Zealand are not a homogeneous group in terms of their level of incomegenerating activity or the nature of those activities. The gap of knowledge consequent on this situation led to the National Services unit of the Museum of New Zealand Te Papa Tongarewa, commissioning primary research into the revenue‐generation activities of the sector. This paper presents the results of that research, specifically the data gathered through a questionnaire. The results provide a profile of respondents in relation to their operating contexts, the sources of financial and non‐financial support they received (from the local community, local authorities and central government), and the types of income‐generating activities they undertook. The results contribute to a better understanding of both how organisations within the sector generate income (from traditional sources and new, more innovative activities) and what factors influence their ability to do so.     

Exhibiting Canada: Empire,migration and the 1928 English schoolgirl tour

This article examines an event in 1928 where the interests of post-war British colonialism and those of a group of pro-British Anglo-Celtic Canadians came together in a tour of English schoolgirls through Canada. A focus on the schoolgirls themselves shows how the girls were positioned to transmit an image of Canada to Britain, while themselves being on display so as to set an example to which Canadians should aspire. The tour itinerary itself constructs a narrative of superior British-based culture, economy and politics within a resource-rich, technologically advanced, democratic Canadian nation. Itineraries and diary entries, as well as the memories of two tour members, are used to reconstruct and interpret the tour. In both its itinerary and subjects, the tour of English schoolgirls can be read as a vivid geographical enactment of colonial identity that reveals fresh insights about the workings of gender, migration and empire.     

Exhibiting the Native American Other: The Alaska-Yukon-Pacific Exposition and Commodified Racism

The Alaska-Yukon-Pacific Exposition (AYP) not only reflected the frontier culture of Seattle, Washington, in 1909, it also revealed a deeply ingrained set of values within American culture that deemed Native individuals (the Other) as inferior. This label of “inferior” is visible in the various exhibitions of Native American objects at the AYP, which also expose deliberate expressions of hierarchy and the association of culture with commodity. The visual record that remains from the AYP includes souvenir items, official photographs, and postcards, which, when viewed as a cross section of fair imagery, suggest a relationship between Georg Simmel’s theory of objective/subjective culture and commodified racism.