Crafting masculinities: gender,culture and emotion at work in the surfboard industry

This article examines the masculinities of male workers in the context of an emotionally rich form of labour: surfboard-making. Contributing to emerging research around the emotional and embodied dimensions of men's working lives, the article maps the cultural, emotional and embodied dimensions of work onto masculine identity construction. Combining cultural economy theory, emotional geographies and in-depth ethnographic methods, I reveal how surfboard-making has become a gendered form of work; how jobs rely on (and impact) the body and what surfboard-making means to workers outside of financial returns. Following a manual labour process, and informed by Western surfing subculture, commercial surfboard-making has layered onto male bodies. Men perform ‘blokey’ masculinities in relation with one another. However, doing manual craftwork evokes close, personal interaction; among co-workers but also through engagements with place and local customers. Felt, embodied craft skills help workers personalise boards for individual customers and local breaks. Beneath masculine work cultures and pretensions, surfboard-making is a deeply emotional and embodied work. Labour is dependent on haptic knowledge: sense of touch, bodily movement and eye for detail. Contrasting their blokey masculinity, surfboard-makers rely on intimate links between their bodies, tools, materials, customers and surfing places. These ‘strong bodied’ men articulate a ‘passion’ and ‘love’ for ‘soulful’ jobs, demonstrating how waged work comprises alternative masculinities, shaped by working culture, relations and labour processes. A cultural economy framework and emotionally engaged research approach are valuable for challenging hegemonic masculinity, important for achieving more inclusive, tolerant and equitable workplaces.     

Complicating hetero-normative spaces at school formals in New Zealand

The school formal in New Zealand constitutes a rich site of analysis for researchers interested in gender and sexuality performances. As a social space, the formal both shapes bodies and is shaped by them. In this article, we explore the school formals of three different types of schools: a single sex girls’, a single sex boys’ and a co-ed. high school, all from an urban centre. Using the theoretical tools provided by poststructuralism and queer theory, we conducted a discourse analysis of observations conducted by the first author at two school formals, interviews with staff and students and interviews with peer researchers. We demonstrate how same-sex practices do not necessarily map onto queer bodies, masculinity onto ‘male’ bodies or femininity onto ‘female’ bodies. Such fluidity challenges the rigid heterosexual/homosexual and masculine/feminine binaries so that schools are more inclusive of gender and sexual diversity.     

Identity challenged: Taiwanese women migrating to Australia

This article investigates the experiences of Taiwanese women who migrated to Australia between 1980 and 2005. It is part of a larger project about the migration experiences of Taiwanese women who moved to Australia and to Canada with the aim of providing a direction for facilitating cultural transition for future female migrants. The article presents some of the findings from 21 semi-structured interviews which were conducted between July and October 2011, shedding light on the role that gender, age at the time of migration and family situation play in debates around cultural identity and the place of Taiwanese women in Australia. Relational-cultural theory serves as the theoretical framework for the central argument that – in spite of the differences between younger women and those in their 30s and 40s in relation to the motivation to migrate and ways to connect – the ability to build new relationships in Australia while maintaining existing ones in Taiwan is essential to establishing a positive view of self, and consequently to successful migration.     

‘Assisting you to become a local’: NGOs and constructed foreign spouses in Eastern Taiwan

As social and cultural contexts change and globalization spreads, the number of transnational-marriage migrants mainly from Southeast Asia has increased in Taiwan. Using institutional ethnography, this article investigates the roles of local non-governmental organizations (NGOs) and projects aimed at helping foreign spouses to adapt to their new life. I mainly elaborate that NGOs emerge as important actors in assisting and empowering transnational spouses to ‘become locals’. In empowerment projects, foreign spouses are given a voice to elaborate themselves. However, this article elaborates that these projects are a scheme of education to shape each such migrant into a proper ‘Taiwanese wife/mother/daughter-in-law’. Also, these projects particularly promote ‘exoticism’ of migrants and become key sources of how local people understand the images of ‘foreign spouses’. As a result, though NGOs play positive roles in empowering foreign spouses, we need to be aware that NGOs’ efforts may ironically become a mechanism to strengthen transnational spouses’ gender roles and cultural stereotypes.     

Twentysomethings and twentagers: subjectivities,spaces and young men at home

This article examines young men's (aged 18–25 years) meanings of home and practices of homemaking, comprising material and social relations. The discussion contributes to three areas of geographical interest: home, masculinities and youth. Both geographies of home and masculinities have begun to consider men's experiences and meanings of home, but young men's domestic practices remain largely unexamined. Geographical work on youth has examined housing transitions, but the gendered experiences of young men need further interrogation. To provide insight into young men's homemaking, this article presents qualitative case studies drawn from fieldwork that investigated relations between masculinities and domesticities in Sydney, Australia. Young men are arguably out-of-place at home in conventional discourses of gender and space, but homes are nevertheless crucial sites for shaping masculine subjectivities. Masculinities and homes are co-constituted through domestic practices, generating diverse intersectional subjectivities and spaces. In this article, three subjectivity-space, or masculine-domestic, relations are discussed, which also counter the centring of heterosexual couple family homes in domestic imaginaries: young men in parental homes, share-housing and ‘alternative’ family homes. I examine similarities and differences across and within these masculine domesticities. This multiplicity of ‘youthful masculine domesticities’ offers a set of qualitative examples for use in public rhetoric that seeks to redress uneven gender dynamics in contemporary domestic life.     

Spatialising performance: masculinities and femininities in a ‘fragmented’ field

While there are many self-reflexive accounts of ‘field’ experience, few researchers have explicitly examined how different places within the field shape gender performances and subsequently the research process. This paper spatialises the notion of ‘performance’ by examining how male and female bodies in particular places of the field are perceived both by researchers and participants as markers of gender identity. The analysis is based on fieldwork in Subhash Camp, a squatter settlement in New Delhi where the author and her research assistant conducted semi-structured interviews with the residents. The fieldwork highlighted how the embedded power structures in different places of the field created encounters between different gendered bodies and, in turn, how different relationships between researchers and participants shaped the field ‘experience’. I suggest that the ‘field’ should not be understood as a homogeneous terrain, but as a fragmented collection of places, each constructing multiple gender identities in research, and each telling its own research story.     

Masculine Old Women or Feminine Old Men? Rethinking Gender and the Ageing Body in Early Modern English Medicine

This article challenges the almost universal historiographical claim that women's bodies were thought to become increasingly masculine as they aged in early modern English medicine, especially after menopause. It is not surprising that this ‘masculinisation hypothesis’ has endured with very little critical appraisal, as there have been few in-depth studies into medical conceptions of ageing womanhood. Drawing on c.140 English vernacular medical and popular health texts published between 1570 and 1730, this article interrogates and refutes key claims for the corporeal ‘manliness’ of old women. Instead, it argues that while medicine undoubtedly depicted old women and men as growing closer in bodily constitution as they aged, this generic ageing constitution had more ‘feminine’ corporeal attributes than ‘masculine’. Exploring references to ‘effeminated’ old men within medical books, it then questions the impact of these medical gender associations within wider cultural contexts.     

The fallen hero: masculinity,shame and farmer suicide in Australia

The drought-stricken Australian rural landscape, cultures of farming masculinity and an economy of value, moral worth and pride form a complex matrix of discourses that shape subjective dynamics that render suicide a possibility for distressed farmers. However, the centrality of a ‘mental health’ perspective and reified notions of ‘stoicism’ within this discursive field operate to exclude consideration of the ways in which cultural identity is linked to emotions. To illuminate and explore complex connections between subjectivity, moral worth and affect in relation to understanding farmer suicide, this article draws on theory and literature on agrarian discourses of masculine subjectivity and shame to analyze empirical data from interviews with farmers during times of environmental, social and economic crisis. The idealized notion of the farming man as ‘Aussie battler’ emerges from romantic agrarian mythology in which pride and self-worth are vested in traditional values of hard work, struggle and self-sacrifice. However, the structural context of agriculture, as it is shaped by the political economy of neoliberalism, threatens farm economic viability and is eroding the pride, self-worth and masculine identity of farmers. The article suggests that the notion of the ‘fallen hero’ captures a discursive shift of a masculinity ‘undone’, a regress from the powerful position of masculine subjectivity imbued with pride to one of shame that is of central importance to understanding how suicide emerges as a possibility for farmers.     

‘If the Teacher were a Man’: Masculinity and Power in Stalinist Schools

This article explores questions about identity among Soviet men teachers, about the construction of masculinity in the Stalinist context and more broadly about the significance of power in structuring gender identities. By examining the personal experience, classroom practices and political perspectives of a man teacher in a ‘women's profession’, this article demonstrates how masculine identity involved the exercise of power even in the context of a repressive political system. Focusing on the multiple layers embedded in the identity of one teacher makes possible a gender analysis of the political processes, social relations, and educational practices characteristic of the Soviet Union in the 1930s. Using an interview to understand the formation of masculinity illustrates how individual agency and subjectivity shaped and were shaped by the broader patterns and processes characteristic of Stalinism.     

Tackling gender inequalities in music: a comparative study of policy responses in the UK and Sweden

Cross-disciplinary research has highlighted the persistence of gender inequalities across music scenes. However, the way in which cultural policy shapes responses to gender inequalities in music has been relatively underexplored. This article draws on research from Swedish and UK contexts, supporting analysis with reference to 9 key-stakeholder interviews from both. Comparing perspectives from ‘more’ and ‘less’ gender-equal contexts, with sufficiently different cultural policy traditions, the article explores how responses to gender inequalities in music are influenced by ‘cultural democratic’ and ‘arm’s length’ approaches. It demonstrates that, as a result of these traditions, there is a comparatively more interventionist approach in Sweden at a national level, whereas the lack of central government response in the UK has encouraged more market-oriented solutions. It suggests that this ‘arm’s length’ approach necessitates different grassroots organisational strategies in order to affect change but notes that these, alongside austerity agendas, are insufficient in the long term.     

Gender morality and emotion work in Taiwanese immigrant in-law relations

This study examines major social, economic, and cultural factors that sustain in-law inequality in Taiwanese transnational families. Data are based on life-history interviews with 16 Taiwanese immigrant women and ethnographic observations in a Midwest urban area. Findings suggest that middle-class immigrants’ abilities to host in-laws for lengthy periods and parents-in-law’s financial support for immigrant couples lead to the living arrangement of three-generation households in many immigrant families. Daughters-in-law in these households experience enormous stress because their mothers-in-law demand obedience. Traditional gender norms become moralized when the women’s husbands, mothers, and fellow immigrants reinforce Confucian cultural values of filial piety and respect for the elderly. Considering the importance of securing a stable family and children’s well-being, the women hesitate to challenge the power imbalance in their in-law relations. In a single ethnic household and a private domestic space, no competing gender ideology is available to contest Confucian culture. As a result, the women are compelled to fulfil their gender role expectations as submissive daughters-in-law. To cope with this home environment, they conduct varying degrees of emotion work and silence their voices, which results in the persistence of in-law patriarchy in these transnational households.     

‘The meat market’: production and regulation of masculinities on the Grindr grid in Newcastle-upon-Tyne,UK

This article explores the regulatory practices that shape the production of embodied masculinities in profile pictures in the online dating app, Grindr. Mobile dating applications are becoming increasingly enmeshed in everyday socio-sexual lives, providing ‘new’ spaces for construction, embodiment and performance of gender and sexuality. I draw on 31 semi-structured interviews and four participant research diaries with men who use Grindr in Newcastle-upon-Tyne, a post-industrial city in North East England. Exploring the ways men display, expose and place their bodies in online profile pictures, revealed the production of two forms of masculinity – hypersexualised masculinity and lifestyle masculinity. I argue that the regulatory practices that shape men’s bodies in everyday spaces work to produce these masculinities. I take a visual approach that pays attention to the spatial practices that produce pictures, but that also pays attention to other senses, particularly touch. Paying attention to the visuality of the Grindr grid enables an understanding of the instability of online/offline dichotomies, as it is the interactions of online and offline spaces that enable the production of digital masculinities.     

The New Militia: War,Politics and Gender in 1750s Britain

This article explores the role of gender in the debates around the creation of a ‘New Militia’ at the beginning of the Seven Years War. The humiliating military defeats of 1756 had precipitated a cultural crisis that focused upon gender distinctions, as the ‘effeminacy’ of men and the ‘boldness’ of women threatened to collapse the social order. In this context, militia service was presented as a cure for the nation's moral, social, political and sexual ills. This article therefore examines a range of textual and visual sources in order to suggest that certain mid‐Georgian political worldviews were fundamentally gendered, since they were predicated upon martial masculine virtues of the citizenry.     

Global Gay and Soviet Queen: Polish Transformation and Discourses of Homosexual Gender Variance

The paper discusses the ways in which gender variance of gay, male-bodied persons was positioned within the East/West divide after 1989. The critical media reading is based on gay press columns from the 1990s. While in Polish culture, as in the West, homosexuality was traditionally linked to gender variance, in the 1990s the new gay identity was established as gender-normative — a task much facilitated by the fact that in Poland the development of gay identity was preceded by a medicalized and heteronormative concept of transsexuality. The study shows that gay imagery was highly influenced by the ‘global gay’ capitalist ideal and the ‘chasing the West’ narrative of progress and liberation. After 1989, homosexual gender variance became a taboo that was only discussed in the gay erotic press in satirical columns in which the term ciota was used (queen, auntie). In the columns, cioty were ridiculed and degraded, but also positioned as more authentic and noble. Their femininity was framed in the misogynist discourse of flawed, uncontrollable physiology and emotional instability, which corresponds with the second meaning of the word ‘ciota’ in Polish — menstruation. Ultimately, the change from the Soviet queen to the respectable Western gay was legitimized by the use of nostalgic rhetoric and the fact that ciota was equated with the fallen communist regime and ‘gay’ with blooming capitalism.     

Erotic Attachment,Identity Formation and the Body Politic: The Woman‐as‐nation in Canadian Graphic Satire, 1867–1914

Using depictions of ‘Miss Canada’ in editorial cartoons and political campaign posters published in English Canada between 1867 and 1914 as a case study, this article argues that the repetitive deployment of feminised and eroticised images of the nation summoned particular gender, sexual and political identities into being and entangled viewers’ psychic investments in masculine, heterosexual and nationalist subjectivities. It also considers how Miss Canada's normative representation as white conflated racial whiteness and Canadian‐ness, and how images hailed viewers into racial subjectivities that were leashed to national identity. Rather than querying how or why the woman‐as‐nation trope elicited nationalist sentiment in an already‐constituted subject, this analysis examines how imagery provoked viewers’ identification with subject positions that were co‐constituted with nationalism. Impassioned and even violent nationalism becomes more comprehensible when we consider that the woman‐as‐nation was capable of producing attachments to national identity that, for some, were inseparable from and tantamount to psychic investments in gender, sexual and racial identities. While Canadian scholars have recognised that Miss Canada was a significant popular culture icon during the long nineteenth century and acknowledged this icon's embeddedness in gender, sexual and national discourses, studies have tended to describe Miss Canada's role in consolidating hegemonic ideologies and power relations and underestimate visual culture's constitutive capacities. The extent of Miss Canada's hetero‐erotic coding has also largely escaped historians’ notice. Although a few scholars have explored visual culture's role in Canadian national identity formation during this era, this study makes a unique contribution by foregrounding the productive work of popular imagery in co‐constituting and entwining national and sexual subjectivities.     

To sexually perform or protect: masculine identity construction and perceptions of women's sexuality on a university campus in the Midwestern USA

Modern universities in the USA are places of recreation and leisure in addition to institutional spaces of education. Often characterized by alcohol-fueled socializing and sexualized interaction, university social life rivals the formal curriculum, and hooking up – or recreational sexual interaction outside of committed relationships – has become a defining feature. This article examines the spatiality of sexual and gender identities among heterosexual men at a 4-year residential university located in the Midwestern USA. Drawing on in-depth and focus group data, the article examines how men from contrasting peer cultures construct masculine identities in relation to casual sex and perceptions of women's sexuality. Particular attention is paid to how men negotiate senses of self in relation to the sexual practices, processes, and identities played out in the dominant party scene on campus.     

Queerly situated? Exploring negotiations of trans queer subjectivities at work and within community spaces in the UK

While traditional perspectives on transgender from some strands of feminism and within medical/psychoanalytical discourse have argued that transgender people conform to and reproduce gender stereotypes, queer theory has celebrated transgender as a site that highlights the social and cultural construction of ‘sex’ and ‘gender’ and, moreover, as a symbol of transgressive gender possibility. Both of these readings ignore the complexities of lived trans experiences and identifications. By evaluating a queer reading of trans through recent empirical research into transgender identities, I suggest that while trans identifications certainly queer binary models of ‘sex’ and ‘gender’, such transgressions are materially, culturally, socially and spatially contingent. The article draws on empirical research to explore the ways in which access to queer subjectivities is constrained by, and negotiated alongside, the locales of the workplace and community spaces.     

Commemorating dead ‘men’: gendering the past and present in post-conflict Northern Ireland

War is instrumental in shaping and negotiating gender identities. But what role does peace play in dispelling or affirming the gender order in post-conflict contexts? Building on a burgeoning international literature on representative landscapes and based on ethnographic fieldwork conducted in Northern Ireland between 2003 and 2006, this article explores the peacetime commemoration of the Northern Ireland ‘Troubles’ in order to explore the nuances of gender. Tellingly, the memorial landscapes cultivated since the inception of the paramilitary ceasefires in 1994 privilege male interpretations of the past (and, therefore, present). Gender parity, despite being enshrined within the 1998 Belfast Agreement which sought to draw a line under almost three decades of ethno-nationalist violence, remains an elusive utopia, as memorials continue to propagate specific roles for men and women in the ‘national project’. As the masculine ideologies of Irish Nationalism/Republicanism and British Unionism/Loyalism inscribe their respective disputant pasts into the streetscape, the narratives of women have been blurred and disrupted, begging the question: what role can they play in the future?     

Is international affairs too ‘hard’ for women? Explaining the missing women in Australia's international affairs

Women are demonstrably under-represented at senior levels in Australia's international affairs. Empirical evidence shows a continuing gender imbalance in leadership positions, including in the Department of Foreign Affairs and Trade, the Department of Defence and academia. Two explanations commonly offered are that women are less motivated or lack interest in ‘hard’ international relations. These explanations are found to be unconvincing, given studies showing similar levels of ambition and interest at recruitment. Four alternative explanations are offered to account for the scarcity of female leaders in Australia's international affairs: the legacy of direct discrimination, continued indirect discrimination, inadequate support for women who balance work and family responsibilities, and socially constructed gender norms. Instead of the subject matter of international relations being too ‘hard’, or inherently masculine, it appears that it is the combined impact of these factors that has made it ‘hard’, or difficult, for women to progress to senior levels. In order to show how these barriers can be overcome, three case studies are presented of women who have achieved senior positions: Professor Emeritus Helen Hughes, Her Excellency Ms Penny Wensley and Professor Hilary Charlesworth. These examples suggest strategies that women can use to further their careers and measures that can be implemented in workplaces to improve the representation of senior women in Australia's international affairs.     

Performing post-migration cinema in Italy: Corazones de Mujer by K. Kosoof

Following consideration of the most common representations of migrants in Italian cinema, where they are often portrayed as victimised and minor subjects, this article analyses a film by Davide Sordella and Pablo Benedetti, Corazones de Mujer (2008) as a ‘post-migration alternative’. This film considers a different way of depicting ‘foreigners’, and addresses the complex issues of gender and sexuality as they emerge at the interface between Western and Arab cultures. Within the conceptual framework of Judith Butler's ‘gender performativity’ and Rosi Braidotti's ‘nomadic subject’, this article aims to suggest an alternative way of representing migrants in Italian cinema as agents of social and gender transgressions.