Disorienting Rhythms: Gypsyness, “Authenticity” and Place on the Greek–Albanian Border

Against a located background—a focus that highlights the significance of place in the constitution of Gypsy identifications and runs counter to most of the assumptions shared by recent studies on Gypsies—the article tries to explore the tensions, ambiguities and contradictions generated by the involvement of the Gypsy musicians of Parakalamos, a village on the Greek–Albanian border, in issues concerning “tradition” and “authenticity”. More specifically, the article considers how Gypsy music playing practices initially allowed Gypsy practitioners to be included in the nation‐state project in a somewhat “dishevelled” form as local musicians; however, in the face of recent shifts in politics, culture and representation in Greece concerning multiculturalism and “cultural heritage”, Gypsy musicians find themselves in the position of being recognised as “musical outsiders” that should by implication adhere to their distinct musical tradition. In this respect, although it has hardly been admitted, such a move runs counter to what constitutes the core of Gypsy musicianship: their locatedness. The article argues that within such “identitying” practices lurks an occlusion of the ways Parakalamos Gypsyness has been, and continues to be, dependent on place and music, and not on a separate, distinct and self contained Gypsy identity, thereby casting doubts on assumptions about what constitutes identity as such.     

Performing Guangzhou and Guangzhou Ren: analysing popular music in Guangzhou

The main purpose of this article is to examine the ways in which popular music in Guangzhou is implicated in the performance of places and identities, and how it is located in Guangzhou. Drawing on the qualitative methods of participant observation and interviews, this research analyses the popular music and musical performances in Guangzhou through three spatial dimensions: the place of Guangzhou, the performance venues and the human bodies. The findings of this research suggest that popular music in Guangzhou sets up the emotional communications and engenders different spaces for the participants to negotiate their embodied identities; popular music and musical performances make the connections between three spatial scales—the place of Guangzhou, the performance venues, and the human body—through its capacity of social mediation and the musical performances articulate the power relations between local residents, the local and national authorities, and the global. This research can be read as a contribution towards the wider literatures on musical performance and the exploration of doing/making place and place-based identity through popular music.     

Japanese Saris: Dress,Globalisation and Multiple Migrants

In this article, which is based on research in Leicester and Nairobi undertaken for the Cultural Olympiad exhibition Suits and Saris (New Walk Museum and Art Gallery, Leicester, 2012), we examine the phenomenon of Japanese saris — fashion-forward synthetic saris manufactured in Japan — and Leicester sari shop owners’ role in their design and popularity in the 1970s and early 1980s. We use this previously untold story to explore transnational identities as manifested through cultures of dress. We investigate the transnational space in which these saris were produced and used, and we focus in particular on the multiple migrant experiences of East African Asians, many of whom emigrated to Britain during the late 1960s and 1970s. We argue that the truly global phenomenon of Japanese saris would not have been possible without the transnational and multiple migrant nature of the South Asian diaspora.     

Family stories,public silence: Irish identity construction amongst the second‐generation Irish in England

Formal narratives of history, especially that of colonial oppression, have been central to the construction of national identities in Ireland. But the Irish diasporic community in Britain has been cut off from the reproduction of these narratives, most notably by their absence from the curriculum of Catholic schools, as result of the unofficial ‘denationalisation’ pact agreed by the Church in the 19th century (Hickman, 1995). The reproduction of Irish identities is largely a private matter, carried out within the home through family accounts of local connections, often reinforced by extended visits to parent/s ‘home’ areas. Recapturing a public dimension has often become a personal quest in adulthood, ‘filling in the gaps’. This paper explores constructions of narratives of nation by a key diasporic population, those with one or two Irish‐born parents. It places particular emphasis on varying regional/national contexts within which such constructions take place, drawing on focus group discussions and interviews for the ESRC‐funded Irish 2 Project in five locations — London, Glasgow, Manchester, Coventry and Banbury.     

Public space and memories of migration: erasing diversity through urban redevelopment in France

This article examines the meaning of public space and impact of heritage-led urban redevelopment in a diverse neighbourhood in Montpellier, France. It traces the relocation of a North African market from a central city plaza in favour of French antiques, and the resulting contestation over what constitutes local heritage, who has the capacity to determine how public space is used, and the seeming erasure of migrant identities and memories from an important community site. The paper considers how urban areas are re-imagined through a change in the materiality of public space, and outlines the role of outdoor markets in defining the social function of such spaces. The paper examines the intertwining of physical erasure (urban redevelopment and the removal of a diverse food market) and cultural erasure (the loss of certain community memories), and how these processes speak to broader debates about French national identity, cultural heritage, and the meanings attached to public spaces.     

Bodies,Shrines, and Roads: violence, (im)mobility and displacement in Sri Lanka

In Sri Lanka, gender and national identities intersect to shape people's mobility and security in the context of conflict. This article aims to illustrate the gendered processes of identity construction in the context of competing militarised nationalisms. We contend that a feminist approach is crucial, and that gender analysis alone is insufficient. Gender cannot be considered analytically independent from nationalism or ethno‐national identities because competing Tamil and Sinhala nationalist discourses produce particular gender identities and relations. Fraught and cross‐cutting relations of gender, nation, class and location shape people's movement, safety and potential for displacement. In the conflict‐ridden areas of Sri Lanka's North and East during 1999–2000, we set out to examine relations of gender and nation within the context of conflict. Our specific aim in this article is to analyse the ways in which certain identities are performed, on one hand, and subverted through premeditated performances of national identity on the other hand. We examine these processes at three sites—shrines, roads and people's bodies. Each is a strategic site of security/insecurity, depending on one's gender and ethno‐national identity, as well as geographical location.     

Reflections of a London-Irish musician: an interview with Cáit O'Riordan

The second-generation Irish have played a major role in the history of popular music in Britain. The significance of Irish ethnicity in the lives and work of these musicians has recently been addressed. However, scant attention has been paid to issues of gender amongst this generation of musicians, and the role of female musicians has been largely overlooked. This essay seeks to address this issue, via an interview with Cáit O'Riordan, the former bass guitarist (and occasional vocalist) in The Pogues. The article suggests that the voice of O'Riordan might serve as a useful starting point in addressing the role of female musicians amongst the Irish diaspora in Britain.     

The nation in the region: flamenco and canzone napoletana as national icons in modern Spain and Italy (1880–1922)

Although the relationship between music and nationalism has been at the centre of recent cross‐disciplinary research, many areas remain unexplored. Among them are forms of ‘national music’ that nest overlapping identities, functioning simultaneously as vehicles of regional, ethnic, urban, global and diasporic belongings. This article focuses on the national dimension of these multilevel identities, concentrating on the swings and transmigrations between the national and the regional. It compares two Mediterranean traditions which, particularly between the late nineteenth and early twentieth centuries, have served as multilevel identifiers of national and regional belongings: flamenco and canzone napoletana (Neapolitan song). I argue that, besides geographically bounded identities, both genres were constructed as ‘national’ primarily abroad, rather than in their home countries, thus contributing to a theory of the ‘international’ dimension of ‘national’ music. In the case of flamenco, I focus on the irradiation centre of the time, Paris, although the modern notion of musical Spanishness was first associated with national identity in Russia. The canzone consolidated its international position mostly through the Italian diaspora, achieving a much wider reach than is ordinarily thought, both nationally and globally.     

Gandhi and le gandhisme: Writing Indian Decolonisation and the Appropriation of Gandhi 1919–48

This article considers developments in French sport in the period 1998-2002, with particular emphasis on the social representation of performances by the nation's elite athletes in international competitions. It opens with the victory of the home side in the France 98 football World Cup and closes with the defeat of the national team in the 2002 edition of that same competition. The various attempts made both before and after France 98 to use sport as a means of promoting social inclusion and national solidarity, particularly as regards hitherto alienated young males from ethnic minorities (especially those of North African origin), are considered against this background. In order to place such developments in context, attention is also given to changes in patterns of sports participation and spending among the general French population. The article concludes with a brief survey of some recent intellectual critiques of this newfound national enthusiasm for sports.     

Ideological content and institutional frameworks: Unionist identities in Northern Ireland and Scotland

This article examines the complex interactions between British national identity and the territorial identities of Northern Ireland and Scotland. We argue that the current literature on national identities in Britain misunderstands the nature of British identities in Northern Ireland and Scotland. Indeed, much of this literature wrongly defines Unionists in both of these areas. By examining the content of British national identity, a comparison of Scotland and Northern Ireland reveals that Unionism finds political significance through an ideological project committed to the Union. However, we also have to account for the differences in the Unionist ideology of Scotland and Northern Ireland. We argue that the institutional framework in which these identities and ideologies are exercised explains this variation. Overall, we argue that the debate on nationalism in the United Kingdom has not adequately shown how the integrative functions of British national identity can co-exist with the separatist nature of territorial national identity.     

Sectarian identity and national identity in the Middle East

This article looks at modern sectarian (here referring to Sunni/Shi'a) identities and their interaction with nationalism in the Middle East. In doing so I make three interrelated claims: 1) the term ‘sectarianism’ is distortive and analytically counterproductive. A better understanding of modern sectarian identity requires us to jettison the term. 2) Once discarded, our focus can then shift to sectarian identity: how it is constructed, perceived, utilized and so forth. A holistic understanding of sectarian identity must recognize the multiple fields upon which it is constructed and contested. The model adopted here frames sectarian identity as simultaneously operating on four fields: doctrinal, subnational, transnational and, crucially for our purposes, the national dimension. 3) Thirdly, this article challenges the assumptions regarding national and sectarian identities in the modern Middle East. Contrary to conventional wisdom, modern sectarian identities are deeply embedded in the prism of the nation‐state and are inextricably linked to nationalism and national identity. The article will rely primarily on the example of modern Iraq but, as will be seen, the Iraqi example is significantly echoed in the cases of Bahrain, Syria and Lebanon.     

Introduction: North Africa and Britain

This special issue of International Affairs seeks to stimulate more debate and interest in Britain on North Africa. This relatively neglected area of British foreign policy has largely been funneled through the European Union (EU), where the focus of policy has been on preventive security, above all policing against illegal migration and the spread of radicalism and terrorism. The main driver for regional change and potential insecurity is now demographic, evident in the high levels of youth unemployment across North Africa. In facing the challenge of leadership successions over the next decade, it is in the interest of the EU, and in turn, Britain, to engage more closely with North Africa's younger generations to ensure the region's longer term security and stability. Britain has few strong bilateral links with North African societies, however, with the exception of private sector investments in the energy sector and security cooperation. New investment opportunities and a demand for English language and other forms of training for employment could put Britain at an advantage in responding to North African demands for diversified international relationships. A greater focus is also needed on local development opportunities to assist new actors to assume their own economic and political roles, as a better means of delivering security and jobs than relying on central states to deliver both. The articles in this special issue offer new insights into developments in the region, as well as analyses of European and American policy responses to the challenges identified. A common theme is that the region has been held back by a combined lack of institutional safeguards and political participation, with negative impacts on the spread of the economic benefits of higher growth rates and investment. Authoritarian leaderships have proved reliable partners for the EU and Britain in the past, but will they continue to do so in future?     

Tourism and nationalism in the production of regional culture: the shaping of Majorca's popular songbook between 1837 and 1936

This article offers a microhistorical approach to the shaping of regional cultures during the nineteenth and twentieth centuries to show that this process was not only imposed from centres of nationalisation as a complement of national identity, but that it also had to be negotiated with elites in provinces at the periphery. Specifically, the article looks at how the regional songbook of Majorca took shape between 1837 and 1936. In this process of musical regionalisation, the cultural authority of the tourism and colonial discourse about the island was strategically exploited by local musicians to gain some share of power from below in negotiating their own regional identity with nationalising institutions. In this way, the Spanish and Catalan national identities being projected over the island were ultimately decentred and transformed.     

Framing social rebalancing,national identity,and victimhood in Kanaky/New Caledonia

New Caledonia is an island territory located in the French South Pacific. In 2018, the first of three referenda on the island’s sovereignty will occur. Over the next decade, inhabitants of this territory will decide whether to become fully sovereign, maintain their dependence on France, or enter into an independent-association relationship with another state. Through a series of interviews with prominent New Caledonian politicians and secondary sources, this article explores how definitions of victimhood and national identity construction shape the notion of rebalancing. Both loyalist and nationalist politicians argue that the current social inequalities between New Caledonian communities require targeted policies intended to re-balance the populations. Politicians use these victim narratives and national identities to construct imagined communities that advocate for the inclusive or exclusive application of the right to self-determination.     

Remembering the 1960s: popular music and memory in Europe

Following the increasing attention paid to popular music in heritage discourses, this article explores how the popular music culture from the 1960s is remembered in Europe. I discuss the role of heritage organizations, media and the cultural policy of the EU in the construction of a popular music heritage of this period. Furthermore, I examine the ways in which attachments to local, national and European identities are negotiated. To this end, I draw upon interviews with representatives of museums, websites and archives. The article reveals a recurring tension between transnational and local experiences of the 1960s. It is found that media and heritage institutions like museums and archives predominantly have a national and local orientation, although narratives with a European vantage point are now emerging on the internet.     

Cultural policies for national music in South and North Korea (1960s–70s): a comparative study

ABSTRACT

This article is a comparative study of the cultural policies of North Korea (DPRK) and South Korea (ROK) in the 1960s and 1970s, specifically concerning the disciple of music. In this period, both South and North Korean regimes demonstrated similar conceptualisations of ‘national music’, harmonising Korean traditional music with western musical styles, but the end result differed in the two regimes. The DPRK developed national music through a homogenised musical style by assimilating Korean folk music with a western musical style while excluding traditional court music, with drastic modifications to traditional instruments and musical forms. In contrast, the ROK’s policy on establishing national music resulted in a combination of traditional court music for the ruling class and western classical music, indicating elitism. Particularly, this article argues that these distinct features of their national music were the result of differences in the strength and interest of government officials between the regimes.     

‘[A] Mere Cloak for their Proud Contempt and Antipathy towards the African Race’: Imagining Britain’s West India Regiments in the Caribbean, 1795–1838

This article examines opposition to the creation and presence of the West India Regiments in Britain’s Caribbean colonies from the establishment of these military units in the mid-to-late 1790s to the formal ending of slavery in the region. Twelve regiments were originally created amid the twin crises associated with Britain’s struggle with Revolutionary France and the horrendous losses to disease suffered by British forces in the Caribbean. Their rank-and-file were comprised mainly of men of African descent, most of whom had been bought by the British Army from slave traders or, after the abolition of the British slave trade in 1807, recruited from among people ‘liberated’ by the Royal Navy. While there was nothing new in using men of African descent, free and enslaved, in the service of the European empires in the Americas, such enrolments had tended to be for fixed or limited periods. Thus, the establishment of the West India Regiments as permanent military units, whose soldiers were uniformed, armed and trained along European lines, was unprecedented—and bitterly opposed by West Indian colonists. Indeed, although white West Indians were concerned about the protection of the colonies from both external and internal foes, they were highly sceptical about whether arming (formerly) enslaved people of African descent would serve to promote their security or might, in fact, imperil the system of racial slavery on which they relied.

The tensions arising from the establishment of the West India Regiments have been examined by other historians. However, much of the previous focus has been on the political conflict between the British authorities and local colonial legislatures, and on legal challenges to the regiments, especially during the early years of their existence. In contrast, this article takes a wider view of opposition to the regiments over a longer period up to the formal ending of slavery. In so doing, it examines how the regiments’ rank and file were viewed by white West Indians and the deep anxieties this reveals among colonists. The article also considers the efforts made by the regiments’ proponents and commanders to promulgate more favourable images of black soldiers, images that became more prominent by the 1830s. The more general argument is that this struggle around how the West India Regiments’ rank and file should be viewed was part of a broader ‘war of representation’ over the image of ‘the African’ during the age of abolition.     

Pots,pens and ‘eating out the body’: cuisine and the gendering of African nations*

Whether cooking in a pot in the back yard, or in a modern kitchen, African women have generally prepared food for their men. More recently, they have collated and written cookery books both in the West and in Africa so that the ruling elites, mostly all men, have been able to display their new ‘national cuisines’ on their states’ official websites. This article reviews how ‘national cuisines’ have emerged recently in parts of Africa and then examines how these emerging cuisines might contribute to the gendering of African nations. It will also contrast Western notions of ‘the slender body’ with some African notions, of ‘eating out the body’, building a respectable but large body to construct an ‘authentic physical masculinity’ on the one hand, and a healthy and fertile wife and mother on the other. The article investigates how this might be reflected in African national cuisines.     

The Courtesan Tale: Female Musicians and Dancers in Mughal Historical Chronicles,c.1556–1748

There are many problems in trying to construct a history of female musicians and dancers in Mughal North India. Such women appear frequently in Mughal writings and apparently played an important role in elite society; there is clearly much we can learn from such sources about gender and class in the empire generally, as well as female performers more specifically. However, what evidence we have is written from the perspective of their male patrons and cast according to long‐standing rhetorical and cultural conventions concerning the fateful roles of music and love in historical events. In this article I examine how Mughal historical chronicles transform named female performers into stereotyped agents of the downfall of noblemen. Using the stories of several historical courtesans, I demonstrate how stock topoi of desire, enslavement, longing, rebellion, danger, fate and above all musical and erotic power, were used to shape all stories of courtesans into tragic cautionary tales. I aim to show that the ‘fictive’ elements of Mughal courtesan tales furthermore reveal important cultural truths about the role and meanings of music in Mughal male society.