Rethinking the Historical Genealogy of Orientalism

The publication of Edward Said’s Orientalism (1978 Said, E. 1978. Orientalism, New York: Random House.  [Google Scholar]) marked a paradigm shift in thinking about the relationship between the West and the non‐West. Said coupled his critique of European discourse on the Middle East to issues of representation generally, demonstrating that Western discourse on the Middle East was linked to power, trafficked in racist stereotypes and continually reproduced itself. Despite important achievements, the critique of colonial representations often appeared abstract and disengaged from its own history as well as the specific colonial histories it sought to explain. We contend that while colonial representations have been theorized, they have yet to be adequately historicized. To this end, we trace the genealogy of the critique of colonial forms of knowledge in Britain, France and the US from the mid‐1940s to 1978. We argue for the historicization of the critique of orientalism, and for a more philosophically adequate theorization of modernity in world history.     

Military Orientalism: Eastern War through Western Eyes

In 2011, the Foreign and Commonwealth Office formally acknowledged that it held records of local colonial administration that had been removed from their repositories prior to independence and eventually transferred to the United Kingdom. These records are in the process of transfer to the National Archives. Using records released as part of the transfer so far, this article analyses the process of assessment, destruction and removal of local administrative records in Malaya prior to independence in 1957, and North Borneo and Sarawak prior to their incorporation into Malaysia in 1963. Due to the survival of unusually detailed lists of the records held in the North Borneo and Sarawak registries and their fates, a comparative analysis of two parallel processes can be undertaken that sheds light on the physical practicalities of the selection, removal and destruction process: in short what survived and why. This article also assesses the extent to which this process was managed from the metropole or locally, how the process changed over time and how the colonial officials who undertook this work understood, justified and rationalised what they were doing.     

Shades of Orientalism: Paradoxes and Problems in Indian Historiography

In Orientalism, Edward Said attempts to show that all European discourse about the Orient is the same, and all European scholars of the Orient complicit in the aims of European imperialism. There may be “manifest” differences in discourse, but the underlying “latent” orientalism is “more or less constant.” This does not do justice to the marked differences in approach, attitude, presentation, and conclusions found in the works of various orientalists. I distinguish six different styles of colonial and postcolonial discourse about India (heuristic categories, not essential types), and note the existence of numerous precolonial discourses. I then examine the multiple ways exponents of these styles interact with one another by focusing on the early‐twentieth‐century nationalist orientalist, Sri Aurobindo. Aurobindo's thought took form in a colonial framework and has been used in various ways by postcolonial writers. An anti‐British nationalist, he was by no means complicit in British imperialism. Neither can it be said, as some Saidians do, that the nationalist style of orientalism was just an imitative indigenous reversal of European discourse, using terms like “Hinduism” that had been invented by Europeans. Five problems that Aurobindo dealt with are still of interest to historians: the significance of the Vedas, the date of the vedic texts, the Aryan invasion theory, the Aryan‐Dravidian distinction, and the idea that spirituality is the essence of India. His views on these topics have been criticized by Leftist and Saidian orientalists, and appropriated by reactionary “Hindutva” writers. Such critics concentrate on that portion of Aurobindo's work which stands in opposition to or supports their own views. A more balanced approach to the nationalist orientalism of Aurobindo and others would take account of their religious and political assumptions, but view their project as an attempt to create an alternative language of discourse. Although in need of criticism in the light of modern scholarship, their work offers a way to recognize cultural particularity while keeping the channels of intercultural dialogue open.     

如何在历史研究中超越"东方主义"——从魏特夫的《东方专制主义》谈起

“东方主义“或“欧洲中心论“作为“西方“表述“东方“的理论和实践,在历史研究领域影响甚深。本文从探讨魏特夫《东方专制主义》一书着手,分析东方主义者的理论和方法困境。笔者认为,魏特夫的浓厚东方主义情结、“二元对立“的思维定势、宏大叙事的理论模式以及静止、片面的眼光使其研究结论难以成立。要克服“东方主义“,就应当在史学研究中坚持历史唯物主义历史观。只有这样,才能超越“东方主义“,推动历史学健康发展。     

Fast Activism: Resisting Mobile Policies

“Fast” urban policy is increasingly common as city leaders draw on globally mobile policy models to accelerate the policymaking process. Critics have responded with new types of “fast activism” strategies. Fast activists plan temporary and strategically timed campaigns, use relationally local messaging that jumps between global and local political critiques, and organise ideologically diverse coalitions to mobilise quickly against policy proposals. This was observed in protest campaigns against Olympic bids in Boston (USA) and Hamburg (Germany). Protesters successfully opposed mega‐event planning in both cities by combining all three tactics within a short period of time. The paper presents a comparative study of the Boston and Hamburg protests, drawing from qualitative fieldwork on the campaigns in both cities. The paper contributes by conceptualising an emerging mode of urban opposition, and by evaluating how this type of resistance changes local receptions of fast and mobile urban policy.     

Resisting Bodies: Narratives of Italian Partisan Women

The second part of 2015 Pulitzer Prize winning author David I. Kertzer's interview with the Italian political leader Romano Prodi covers the period from the fall of Prodi's first government in 1998. Starting with the causes of the 1998 crisis, the discussion follows Prodi's subsequent career as President of the European Commission (1999–2004), the introduction of the Euro, the expansion of the EU, and the attempts to introduce a new European constitution, before moving to the second Prodi government (2006–08). Describing his subsequent role as UN Special Envoy for the Sahel and his candidacy in the 2013 Italian presidential elections, Italy's former Prime Minister reflects more widely on the current state of European and Italian politics.     

Resisting popular feminisms: gender,sexuality and the lure of the modern

Abstract

This article tracks discursive and political use of gender and sexual equality in nationalist and popular accounts of feminism, focusing on the ways in which such discourses produce a particular linking of time and space in the articulation of ‘the Modern’ in both colonial and postcolonial contexts. It further explores the increasing popularity of feminism in some media and celebrity contexts that have historically been so hostile to it, asking for care in tracking how and under what conditions feminism is cited as ‘universally desirable’ in light of this history. I suggest that feminism is partly reframed in this way insofar as it is newly sutured to femininity rather than masculinity, but also to singular rather than multiple or intersectional understandings of women’s oppression. A related claim of this article is that this shift of affective association with feminism is only possible when that singular cause of gender oppression is firmly understood as sexual oppression. I will be suggesting that if feminism is understood primarily or even only a fight against sexual oppression by men then the oppositional gendered roles that allow for its tethering to nationalism remain intact yet simultaneously obscured. In conclusion the article calls for an appreciation of feminism as a minority pursuit attentive to multiple power relations and histories.     

Resisting the creation of forgotten places: artistic production in Toronto neighbourhoods

This article analyzes semi-structured interviews with contemporary visual artists from Toronto, Canada, to explore the relationship between artists, memory, and place. The focus of the article is on three neighbourhoods in downtown Toronto that have the potential to become forgotten places of artistic production: Yorkville, King Street West and The Junction. Through an analysis of artists' spatially grounded narratives about these three neighbourhoods, I reveal how the intense emotional and material connections that artists have to places have the potential to challenge the loss of collective urban memory. This article contributes to intersecting literatures on neighbourhood change, artistic production and the importance of vernacular memory in urban cultural geography.