Europe’s First Settler Colonial Incursion into Africa: The Genocide of Aboriginal Canary Islanders

The annihilation of the aboriginal societies of the Canary archipelago, which consists of seven islands off the coast of southern Morocco and was populated by indigenes derived from Berber-speaking communities of north-west Africa, represents modern Europe’s first overseas settler colonial genocide. The process of social destruction, initiated by European slave raiders in the first half of the fourteenth century, was propelled to completion by mainly Iberian conquistadors and settlers towards the end of the fifteenth century. In addition to unrestrained mass violence against Canarians, European conquerors practised near-total confiscation of land and near-total enslavement and deportation of island populations. Enslavement and deportation, which went hand in hand, accounted for the largest number of victims and were central to the genocidal process. They were in effect as destructive as killing because the victims, generally the most productive members of their communities, were permanently lost to their societies. Child confiscation, sexual violence and the use of scorched earth tactics also contributed to the devastation suffered by Canarian peoples. After conquest, the remnants of indigenous Canarian societies were subjected to ongoing violence and cultural suppression, which ensured the extinction of their way of life. That the enslavement and deportation of entire island communities was the consciously articulated aim of conquerors establishes their “intent to destroy in whole,” which is the central criterion for meeting the United Nations Convention on Genocide’s definition of genocide. This article argues that individually and collectively all seven cases of social obliteration in the Canaries represent clear examples of genocide, and it is the first article to contend that the destruction of aboriginal Canarian societies constitutes genocide.     

“To see things in an objective light”: the Dakota Access Pipeline and the ongoing construction of settler colonial landscapes

ABSTRACT

This paper examines the discourses used by proponents of the Dakota Access Pipeline (DAPL) as claims of universality to which the Standing Rock Sioux tribe and allied activists mounted a movement of opposition in 2014–2017. We position our analysis within the historical context of Lakota and Dakota resistance to settler colonialism, which has endured since the nineteenth century. From publicly available texts circulated by key actors in the conflict over the construction of this pipeline project, we identify themes that proponents of this project drew upon to articulate their representations of the land as universal. We suggest that claims like these, when naturalized in practice, have historically materialized in settler colonial landscapes. With the concept of settler colonial landscapes, we focus on ways of seeing and representing places that have facilitated the dispossession of Indigenous people from their territory as well as the construction of a settler-dominated community. In this way, we develop a cultural geographical understanding of the ongoing construction of settler colonial landscapes as a process dependent on claims to neutrality and objectivity.     

Reproducing the indigenous: John Møller’s studio portraits of Greenlanders in context

Between 1889 and 1922, John Møller (1867–1935), the first professional Greenlandic photographer, produced more than 3000 glass plate negatives documenting life in Western Greenland around the turn of the twentieth century. Rooted in an internal understanding of self, Møller’s photographs played an important part in the formation of a contemporary image of Greenlandic indigenous identity. At the same time, Møller’s photographic practice was arguably entangled in and delimited by a historical reality that was structured by colonial relations of power. This paper examines the social and art-historical contexts of Møller’s work, focusing in particular on a selection of his formal studio portraits. My reading of these portraits suggests a case in which conflicting impulses coincide. On the one hand, Møller produced images that played out the “ethnographic convention”, a European form of representation dating back to the sixteenth century used for the documentation of non-Western indigenous peoples as specimens. However, in acting out that convention, Møller’s photographs hint at a subtle, progressive building-up of identity that reclaimed images of Greenlanders for themselves, and turned an originally negative, external image of indigeneity into a positive sense of self.     

Geotheorizing mountain–child relations within anthropogenic inheritances*

This paper focuses on children’s relations with what is now known as Burnaby Mountain in British Columbia, Canada. In particular, it grapples with encounters with the mountain, atop which several childcare centres are located. The mountain, on unceded Indigenous Coast Salish territories, has become a contested site of colonial capitalist extraction due to a proposal to build a tar sands oil pipeline that would tunnel through the mountain. Sustained protest action emerged at the site amidst initiation of test borehole drilling activity by the pipeline company. In this paper, I engage with the potential of geotheorizing children’s relations as a critical response that interrupts dominant understandings of what is seen as appropriate for young children’s curriculum. I consider the effects of refiguring children’s subjectivities through geologic and geontological relations for the normalization and resistance of settler colonialism’s human-centric and extractive structurings.