Stories of crossings and connections from Bawaka,North East Arnhem Land,Australia

This paper engages with Indigenous peoples' conceptualisations of borders, arguing that these unsettle dominant Eurocentric constructs of the border as terrestrial, linear, bound and defined through western legal frameworks. It does this by drawing on one aspect of the many storytelling experiences offered by members of the Indigenous-owned Yolngu tourism business Bawaka Cultural Experiences in northern Australia. We argue that stories told to visitors about multiple and diverse connections between Yolngu and Makassan people from Sulawesi, Indonesia, are intentional constructions which challenge dominant conceptions of Australia as an isolated island-nation. The stories redefine the border as a dynamic and active space and as a site of complex encounters. The border itself is continuously recreated through stories in ways that emphasise the continuity and richness of land and sea-scapes and are based on non-linear conceptions of time. The stories invite non-Indigenous people to engage with different kinds of realities that exist in the north and to re-imagine Australia's north as a place of crossings and connections.     

Stories of suburbia (Bournville,UK): from planning to people tales

In this paper we show that the avoidance or reduction of difference found in the popular history of Bournville was the result of storytellers situated in specific institutional contexts. During the initial development of Bournville a particular (sub)urban future was imagined and mediated by these storytellers, through processes of simplification and choice, which served to reduce the past to an imposed and arbitrary simplicity or organised saga. In this saga the voices of residents are silenced. Our approach is, first, to explore ways of conceptualising the construction of urban history and, second, to construct two different and deliberately conflicting representations of Bournville. The first account provides a critique of the common representation or town planning account of Bournville. In contrast, the second account works through the voices of residents providing an opportunity for them to construct a lived account of Bournville with specific reference to temperance and the consumption of alcohol. Our first story is about the construction of a particular urban space whilst the second is about the ways in which the space was partially ‘colonised’ by residents. By constructing conflicting accounts of the same place we aim to open the dominant discourses associated with Bournville to complexity and heterogeneity.     

Norman Duncan's First Short Story Cycle,The Soul of the Street: Correlated Stories of the New York Syrian Quarter

Norman Duncan (1871–1916) is best known as the Canadian expatriate author of adventure stories set in the fishing ports of Newfoundland at the turn of the last century. But Duncan, who was at the time a journalist in New York, began his career as a fiction writer in quite different territory. His first book was the mostly forgotten short story cycle The Soul of the Street: Correlated Stories of the New York Syrian Quarter (1900). In providing analysis of that book's cyclical structure and sociopolitical themes, the present essay shows that The Soul of the Street deserves to be better known for comprehensive literary-historical, political-cultural, and aesthetic reasons that should continue, some hundred years after its publication, to have an engaging, and indeed an increasing, relevance for our multicultural urban world.