The making of classical Edinburgh: A review

The proposed Scottish Environmental Protection Agency is one mechanism by which Government is seeking to put into practice the principles of sustainable development. This is an acknowledgement in part that to effect sustainable development demands innovative policies and institutional arrangements. The paper sets out the nature of the existing and administrative and regulatory arrangements for environmental protection and pollution in Scotland. The established administrative hierarchy of individual bodies, responsibilities, functions and powers provides the context within which the proposed agency will operate. The article reviews the distinctive structure and remit of the Scottish Environmental Protection Agency and considers the advantages and disadvantages of creating a centralised, independent organisation.     

Multiple multiculturalisms: insights from the Edinburgh Mela

This paper contributes to debates about the future of multiculturalism in Britain by exploring how it is conceptualized, constructed and experienced in contemporary Scotland. The work is grounded in Hall's (2000) important but commonly overlooked distinction between a ‘multicultural society’, which designates a condition of cultural diversity, and ‘multiculturalism’, which refers to processes and policies that attempt to fix the meaning of such diversity. As these definitions suggest, the abandonment of multiculturalism as a ‘policy failure’ cannot be a solution to problems arising from the complex composition of contemporary societies. The fact that all societies must make decisions about the significance of cultural diversity and its management—they must all practise some form of multiculturalism—is established through a review of how multiculturalism has been conceptualized and pursued to date. The paper then draws on the example of Edinburgh's South Asian Festival—the Mela—to explore the empirical complexities of these different applications in a Scottish context. An analysis of the Mela's changing organization and artistic programme over time reveals the coexistence of multiple conceptions of multiculturalism—in time, space and experience. This progressive reinterpretation of multiculturalism—as multiple—advances the goals of both cultural diversity and societal cohesiveness.     

Threads: Collecting Cloth in the North American French Colonies

Trade of European-produced cloth and clothing enabled indigenous and non-indigenous inhabitants of colonial New France to rethink the “hand-woven”, impacting how self could be presented through dress. At the same time, objects were being collected in New France for cabinets of curiosities and museums. These different collections resonated in different ways through history, subsequently influencing modern understandings of colonial cloth and clothing. This paper examines colonial experiences of cloth by looking at archaeological remnants of cloth and cloth production as compared to how indigenous and non-indigenous colonial peoples were and are being represented by cloth and clothing in museum collections.     

Collecting Material Folklore: Motivations and Methods in the Owen and Hasluck Collections

As contributor to the mistakenly conceptualised concept of “belief legend,” I want to survey the historical antecedents and the circumstances that at a certain stage prompted researchers to identify this category, formerly classified as mythical or demonological legend. This was the time when legend scholars began field-collection, experiencing the profound attachment of narratives to living local folk religion. After decades of meticulous field observation, which has led to the accumulation of a more dependable stock of legendry from diverse national, subcultural, occupational groups, it becomes clear that folk belief is a part of any legend, therefore there is no need to maintain the term “belief legend.” Belief is the stimulator and the purpose of telling any narrative within the larger category of the legend genre; it is also the instigator of the legend dialectic. The current confusion caused by the whimsical application of terms such as “truth,” “rationality,” “belief,” and “believability” in scholarly legend interpretations, should caution us to avoid making biased, outsider's judgements instead of presenting the viewpoint of tellers and audiences.     

Introduction: Anthropology,Collecting and Colonial Governmentalities

This special issue contributes to an emerging literature on the materialities of colonial government by considering the changing relations between practices of data collecting, styles of anthropological knowing and modes of governing which target the conduct of colonial and metropolitan populations. Drawing on comparative studies from Australia; the Australian administered territory of Papua; France; French Indo-China; New Zealand; North America and the UK; the papers consider the implications of different forms of knowledge associated with practices of collecting—anthropology, archaeology, folklore studies, demography—in apparatuses of rule in various late nineteenth and early twentieth-century contexts. This introduction outlines the rationale for the volume and elaborates the concept of “anthropological assemblage” which helps focus the authors' explorations of the socio-technical agencements which connected museum, field, metropolis and colony during this period. In doing so, it points towards a series of broader themes—the relationship between pastoral power and ethnographic expertise; the Antipodean career of the Americanist culture concept; and the role of colonial centres of calculation in the circulation of knowledge, practices of collecting and regimes of governing—which suggest productive future lines of inquiry for “practical histories” of anthropology.     

Archaeology without gravity: Postmodernism and the past

Interdisciplinary approaches to the study of the past and the present have become commonplace: anthropologists now situate cultures in their historical contexts, while historians pursue particularistic ends within politicoeconomic or ideational structures. Archaeologists have cast their nets even more widely, not only toward anthropology and history, but to fields ranging from molecular biology to hermeneutics. Postmodernist approaches maintain that archaeologists should be looking at the past from multiple perspectives and listening to its multivocality. Archaeologists, in fact, not only develop different ways of understanding the past, but actually develop alternative pasts. This paper argues that multiple paths to alternative pasts enhance archaeological understanding and, at the same time, stimulate the development of archaeological theory.     

Framing the past: situating the archaeological in photographs

Archaeology continually reproduces its own images. Speaking archaeology’s visual language is one way we prove membership in the discipline. Many aspects of this visual language have become so naturalized within archaeological representation as to be almost unquestionable: the cleaning of the site, the use of scale, and particular framings and perspectives. How, then, is the production of particular photographic images of archaeology related to the practice of archaeology? Does archaeology look a certain way (in photographs) or are archaeologists reproducing an archaeology according to the way it is thought it should look? Using examples of early photographs from Latin American archaeological expeditions, this article investigates not only photography as an applied technology for scientific recording, but also its power to situate archaeological knowledge. Drawing on recent reflective and critical developments in both the history of archaeology and visual anthropology, it uses five focal points – trace, objectivity and authenticity, sight/site, still lifes, and still lives – to argue that early-twentieth-century archaeological photographs of Latin America participated in the generation of an ‘authentic’ past rather than simply paid testament to it.     

历史与实践:纽约大都会博物馆的中国艺术收藏

纽约大都会博物馆的中国艺术收藏已有130年的历程。其间收藏的器类始于制作精美、雅俗共赏的明清瓷器,继而扩展到玉器、金银器、珐琅器、牙雕等整个明清时代的装饰艺术,再进一步扩展到中国古代的青铜礼器、玉器、陶塑和佛教造像,并且随着西方对于中国艺术的研究的深入,观众和收藏家逐渐领略到中国书画艺术深邃的文化内涵,最终全面地了解绵延不断的中华五千年文明;其收藏历程则见证了美国,或是说西方对中国文化艺术的认知过程,收藏过程中所形成的收藏家、赞助人和博物馆业务主任成功的合作模式和经验或许可以给中国的博物馆提供有益的借鉴。     

To not reinstate the past:

Abstract

Most interpretations stress a qualitative shift in colonial policy at the end of World War II, reflecting a major reorientation of outlook towards development, welfare and ultimately independence. There are, however, continuities before and after the war that call for a shift of emphasis.

Because the British Solomon Islands Protectorate is conventionally represented as an extreme case of backwardness and severity before the war, it should present the putative contrast sharply. On the contrary, the pre-war administration field staff had aspirations for a more progressive regime, but these were thwarted by the protectorate's poverty and were shelved by the eruption of the war. The war-time destruction prompted administrators to consider afresh the problems of colonial development, coinciding with Colonial Office demands for post-war development submissions. Proposals proved too ambitious for the limited imperial purse, but even the attenuated plans proved unrealistic given the acute shortages of material and human resources.

Thus, while ‘post-war thinking’ began well before the war, the era of ‘post-war development’ could not properly begin until several years after the end of the war.