The Origins and Ethics of Maritime Archaeology – Part II

Abstract

The institution of maritime archaeology in 2007 stands in a privileged position, uniquely placed to comment upon and engage in 'live' contemporary debates such as the bicentenary of the abolition of slavery, and particularly responsible for comment upon the broader cultural impact of pending global risks such as climate change. With reference to such debates, this paper considers some possible short- and medium-term priorities for maritime archaeology.     

The Origins and Ethics of Maritime Archaeology – Part I

Abstract

For archaeologists, the principal value of prehistoric figurines is that they offer a means – however limited – into the cultures and lives of prehistoric peoples. There is a long tradition of archaeologists assuming that the figurines they unearth had a religious significance for the people who created them (since anthropomorphic figurines have a religious use in many cultures with which we are familiar). However, just as archaeologists began questioning their attribution of divine status to prehistoric figurines in the 1960s, practitioners of neopagan and goddess spiritualities – particularly those in the feminist spirituality movement – were adopting it. Moreover, in addition to describing prehistoric figurines as images of a Great Goddess who dominated prehistoric religious life, these contemporary feminist neopagans use reproductions of prehistoric figurines to inspire and enact their own spirituality. Feminist neopagan appropriation of prehistoric figurines has been problematic for many archaeologists, who quarrel – legitimately – with the conclusions feminist neopagans make about prehistory based on these artefacts. Yet, as this article argues, the contemporary religious use of prehistoric figurines should not be a matter for archaeologists to decide.     

Visible Charity: The Archaeology, Material Culture, and Landscape Design of New York City's Municipal Almshouse Complex, 1736–1797

How did New York City's eighteenth century almshouse (1736–1797) handle homelessness and poverty? Historians have been debating whether the conditions were familial and supportive, or mean-spirited and intolerable. An analysis of the archaeology, artifacts, architecture, landscape design, primary sources, and secondary sources associated with the New York City almshouse complex suggest some answers.     

The Archaeology of Jerusalem — Between Post-Modernism and Delegitimization

Abstract

The study of the motivations, influences, and agendas of Israeli archaeology has always been the centre of heated debate, the profession today finding itself under the full, and usually highly critical, glare of modern archaeological theory and/or political polemics. This paper addresses the motivations of some these critics and from under the mesh of often over-stated argumentation, tries to provide a more level appreciation of current archaeological work in Jerusalem. Quite contrary to the impression given by some of the recent scholarship, it is argued that the great majority of the published and excavated archaeology of Jerusalem of the past decades presents the finds of the multiplicity of periods of the city’s history, quite divorced from overt and even covert influence of the surrounding volatile political situation.     

The Tip of the Iceberg: The Material of Skriðuklaustur Monastery and Hospital

Material objects from distant societies and cultures have long been an axis for archaeological research. In recent research, however, growing attention has been drawn to exploring simultaneously the conceptual meaning of material substances as the products of humans. The visual appearance of material is in this respect no more than the tip of an iceberg, where only a small part of something largely hidden is evident. In this article, Skriðuklaustur, an Augustinian monastery which operated in Eastern Iceland from ad 1493 to 1554 will thus be approached as embracing the remains of an internationally based society that flourished on the outskirts of the medieval monastic world. An excavation of its ruins has revealed residues of a society whose material is both domestic and international but still reflects the universally based meaning of monasticism. The Catholic Church is in this manner regarded as having fabricated phenomena through its pervasive institutions, upholding a distinct monastic identity. This view does not though involve a general denial of cultural or social changes as it rather underlines the hybrid character of everything that is and, at the same time, the significance of examining the materiality of past cultures as the creation of humans in their relational context.     

‘Rock-art’, ‘Animism’ and Two-way Thinking: Towards a Complementary Epistemology in the Understanding of Material Culture and ‘Rock-art’ of Hunting and Gathering People

In recent years, the concept of ‘animism’ has gained considerable popularity among archaeologists in exploring non-Western expressions of material culture. This development has also influenced recent academic approaches towards the study of ‘rock-art’ of people living as hunter and gatherers or in a hunting and gathering tradition. We argue here that attempts in this direction so far are generally compromised, because they fail to take Indigenous philosophies and intellectual contributions seriously. Any concern with Indigenous material expressions, including so-called rock-art, has to involve a critical re-assessment of academic discourse itself and a challenge to the primacy of Western scientific and literary, academic methodologies. With reference to the ‘rock-art’ and the world-view of the Ngarinyin (Kimberley, Northwest Australia), we present some preliminary thoughts for the development of an alternative interpretative framework, while offering a (much needed) legitimacy to another more balanced epistemology.     

Dream City, Plaster City: Worlds’ Fairs and the Gilding of American Material Culture

This article focuses on the “gilding” in the Gilded Age: the imitative finishes and faux fa?ades that made the artifice of the Gilded Age possible. By drawing from the history of international world’s fairs and results from the 2008 archaeological excavation of Chicago’s 1893 World’s Columbian Exposition, these imitative forms can be seen to have provided an authentically transformative experience to those who consumed them by virtue of their cheap and temporary materials. Finally, looking at the twenty-first-century “McMansions” of the Second Gilded Age shows a similar drive to sustain illusions of affluence and status through imitative material forms.     

The Politics of Archaeology in North Korea: Construction and Deterioration of Toh’s Knowledge

This paper considers how North Korean archaeology developed during the 1950-60s. Archaeological implementation, under the law of historical process in North Korea, was not perfectly compatible with true Marxist ideology; the actual archaeological movement went in a different direction. Archaeological activity in the North was not free from political constraints. Thus, it is more appropriate to say that the regime and archaeologists shared the same goal: to build a national identity. Emulating Marxist archaeology was the ostensible goal, whereas adopting the culture-historical approach was the more practical goal.     

Working Borders: The Contexts of Copán Archaeology

The work of archaeologists and the knowledge they produce both help create, and are conditioned by, a variety of kinds of borders, including political, academic, and cultural. In this article I review a series of borders that shape and determine the social conditions in which archaeology at the well-known site of Copán in western Honduras takes place and takes on meaning. I argue that the histories of these borders, their construction, and their crossings reveal structural tensions in the overlapping registers of academia, public history and popular discourse, in which archaeological knowledge circulates. These histories must be consciously interrogated in order to be negotiated. I suggest that by becoming fluent in the cultural conversations ongoing in a place, archaeologists are best able to begin productive collaborations and make informed choices about how they participate in the border-making processes of their work.     

The Archaeology of Smuggling and the Falmouth King’s Pipe

This article demonstrates the potential of an historical archaeology of smuggling and the value of an interdisciplinary approach to the study of smuggling and its prevention. By exploring the previously unstudied history of the King’s Pipe in Falmouth, a large chimney used for the destruction of tobacco, a rare survivor of many that once existed in England’s port cities, it demonstrates that archaeology could transform our understanding of smuggling and its prevention, and more broadly the history of crime and punishment in eighteenth century England.