共查询到20条相似文献,搜索用时 0 毫秒
1.
In archaeology experiment can be used both as a topic and as a research tool. In the former case, through identification of past experimental activities, we can obtain one of the indices of the social and cultural level. In the latter, experiment may help us in verifications of our hypotheses or in searching for facts that are so far unknown. This may take place in all spheres of archaeological procedure, thus not only in physical modelling of ancient technologies of production and in simulation of various economic and social processes—i.e. in the sense in which the contemporary concept of ‘experimental archaeology’ is usually delimited. 相似文献
2.
3.
Belinda Tibbetts 《考古杂志》2013,170(2):415-416
4.
5.
6.
7.
9.
In March 1969, a group of geographers at the Geographical Society USSR in Leningrad convened a meeting to discuss the volume Priroda i obshchestvo (Moscow, 1968), a collection of articles concerned with the role of geography in investigating the man-nature relationship. Selected articles appeared in Soviet Geography, May 1969. Some of the discussants were critical of certain authors on the ground that they argued in favor of a unified geography to deal with the man-nature relationship as a whole and did not differentiate between socioeconomic systems (capitalism, socialism) in appraising society's attitude toward nature. The official report of the meeting, in which five principal discussants participated, follows. 相似文献
10.
11.
本就长江中下游孙吴东都南京周边的江苏、浙江、安徽和与孙吴西都武昌相邻的湖南、江西等地的东汉晚期至东晋这一历史时期的墓葬资料作些分析探讨,以期确认孙吴墓葬化,并对其进行分期讨论。在论述中注意了量化方法的运用。 相似文献
12.
本在对多年来搜集的26l例散见于荆州现存古城墙上的勒名砖整理、分类的基础上,对其中有代表性的勒名砖进行考证说明,并附有列表及典型砖例的实物拓片,还根据实物材料对荆州有砖城以来的筑城史及城砖的“物勒工名”制度的发展轨迹进行了初步探讨以期有助于加深对荆州古城的认识。 相似文献
13.
14.
15.
16.
17.
武汉博物馆藏有一方宋代陆游长方抄手澄泥砚。砚额及两侧分别镌有宋代陆游、清代高凤翰、黄易和金农等名家的款识。款识中有篆、楷、行、隶等书体,共计177字。砚铭提供了如下信息;该砚为陆游的第二方简书砚、砚的流传过程,收藏刻砚铭的确切纪年。从材质、形制及清代赏砚名家的鉴识等因素来分析,此砚当属宋砚。 相似文献
18.
本在皖西南地区新石器时代化分期基础上,系统地考察了玉器的种类、形制、纹饰、质地、组合、工艺、功能等内容,并指出皖西南地区玉器是江淮地区及长江下游地区用玉体系的有机组成部分。 相似文献
19.
笔者所承担的<隋代墓志铭汇考> (六册本)课题已于2007年10月由线装书局出版,而藉此为资料基础所作的隋代墓志铭刻饰图案的系列研究,也已相继完成了<隋墓志所见山水花草纹饰与古代早期绘画史论的印证>①和<隋代墓志石上的四神与十二辰纹饰>②两篇文字,前者特就隋代墓志石纹饰中所镌刻的山水、花卉、卷草图案,略作归类分析,并与中古绘画史论相印证,以期形象理解和把握中古绘画艺术发展的基本脉络,特别是山水花草画的发萌、发展及其艺术特征等,更藉以弥补早期绘画史论的阙佚和不足,进而真实表征隋代石刻绘画和试图探讨其中所蕴含的精神与文化理念诸问题. 相似文献