Cultural Transmission Theory and the Archaeological Record: Providing Context to Understanding Variation and Temporal Changes in Material Culture

Cultural transmission (CT) is implicit in many explanations of culture change. Formal CT models were defined by anthropologists 30 years ago and have been a subject of active research in the social sciences in the ensuing years. Although increasing in popularity in recent years, CT has not seen extensive use in archaeological research, despite the quantitative rigor of many CT models and the ability to create testable hypotheses. Part of the reason for the slow adoption, we argue, has been the continuing focus on change in central tendency and mode in archaeology, instead of change in dispersion or variance. Yet archaeological research provides an excellent data source for exploring processes of CT. We review CT research in the anthropological sciences and outline the benefits and drawbacks of this theoretical framework for the study of material culture. We argue that CT can shed much light on our understandings of why material technology changes over time, including explanations of differential rates of change among different technologies. We further argue that transmission processes are greatly affected by the content, context, and mode of transmission and fundamentally structure variation in material culture. Including ideas from CT can provide greater context for explaining and understanding changes in the variation of artifacts over time. Finally, we outline what we feel should be the goals of CT research in archaeology in the coming years.     

Beyond Boundaries: Nature,Culture and a Holistic Approach to Domestication in the Levant

The main objective of this paper is to suggest an alternative approach for the investigation of domestication in the Levant. First, basic data regarding domestication in the Levant are presented. Then the various traditional approaches towards domestication in the prehistoric Levant, labeled (1) environmental, (2) social and anthropological, and (3) cognitive, are briefly reviewed. This discussion forms the basis for a proposal of a “holistic approach,” in which domestication is regarded as a long-term, multidimensional and multirelational phenomenon, including many elements—such as plants, animals, humans, material culture and ancestors—with increasing human manipulation of these various constituents. After a presentation of the theoretical framework, a growth metaphor is used to reconstruct the process of domestication (ca. 20,000–6500 B.P.) as a number of phases: (1) germination in the Kebaran; (2) development in the Early Natufian; (3) retreat/dormancy in the Late/Final Natufian; (4) growth in the Pre-Pottery Neolithic A; (5) florescence in the Early- and Middle Pre-Pottery Neolithic B: (6) further development in the Late Pre-Pottery Neolithic B; (7) dispersal in the Final Pre-Pottery Neolithic B and the Pottery Neolithic. In each of these phases, relations between the various elements are dealt with, special attention being paid to symbolical relations, as evidenced by “art” and ritual.     

Archaeology, History, and Material Culture: Grounding Abstractions and Other Imponderables

United States national programs for historic preservation have a great influence on public memory and commemoration. Decisions about what may be listed in the National Register of Historic Places or designated a National Historic Landmark may commemorate or silence parts of the past. Historians invoke the concept of integrity as a gatekeeper to control access to these lists. Archaeologists have the opportunity to contest some of the imposed silences and make these lists more inclusive of underrepresented groups.     

Living Mesolithic Time: Narratives,Chronologies and Organic Material Culture

British and Irish Mesolithic studies have long been characterized by a reliance on broad-scale lithic typologies, both to provide chronologies, and in discussion of ‘cultural’ groups. More recently, traditional narrative structures—period definitions of ‘Early’ and ‘Late’, or culture typologies—have been complemented by a host of other evidence. This has included new studies of site stratigraphy, evidence for seasonality, and material culture chaîne opératoire chronologies, which place a greater emphasis on both temporal precision and the lived experiences of Mesolithic peoples. This paper will consider how the study of organic artefacts forces these narrative scales into acute focus, and presents an opportunity to explore the challenges in synthesizing different forms of data. We discuss how the evidence from sites in Ireland and Britain allows for new approaches, and highlight some of the challenges that this evidence presents, not least the perennial issue of moving from site-specific data to broader narratives. While the nature of earlier prehistoric evidence makes this an especially obvious issue for Mesolithic studies, it is one which generally besets archaeology. We suggest that in order to move beyond this in earlier prehistoric studies specifically, we need to make better use of all evidence sources, however seemingly prosaic, including antiquarian collections in museums, and chance and casual finds. Only by including the raft of available data, and recognizing its utility beyond the sum of individual apparently uninspiring parts, can we begin to move from generalizing narratives to more nuanced archaeological understandings of past material worlds.     

Smith,Richard J.The Qing Dynasty and Traditional Chinese Culture

This book is the third enlarged and revised edition of China "s Cultural Heritage:The Qing Dynasty,1644-1912,published in 1983 and in 1994 (both with Westview Press).     

One Hundred Percent Americanism: Material Culture and Nationalism,Then and Now

This article examines the ways that specific interest groups within the American nation use material culture to attempt to define the parameters of a shared national identity. Case studies are drawn from the first decades of the twentieth century (1900–30) and the early years of the 21st century (2000–12). Analysis of landscapes and artifacts excavated from the working-class industrial town of Berwind in southern Colorado show how an early twentieth-century corporation and its immigrant workers used mundane objects to debate, through symbols, the meanings of citizenship and the nation. An analysis of yellow ribbon magnets used and created by supporters of the Iraq War (2003+) in the 21st century will show how material symbols are deployed in an attempt to reinforce a specific, but contested vision of the nation and the nature of her citizenry.     

Creativity,Culture and Urban Strategies: A Fallacy in Cultural Urban Strategies

Two fields of knowledge have been of special importance for the emergence of culture-led urban planning in Norwegian cities: one concerns the understanding of the potential of culture as an economic driving force in urban regeneration, while the other focuses on the emergence of the concept of the “creative class” and has drawn attention to the importance of competence and creativity in urban development. Despite clear connections between the two fields, it may appear that false connections have been made in regeneration strategies in a number of cities. Based on analyses of the culture-led urban strategy of Kristiansand, a small Norwegian city, these knowledge fields are discussed and it is claimed that there seems to be a fallacy in how they are treated in the culture-led urban strategy. The fallacy concerns the way that creativity is equated with culture and further how theories about the emergence of the creative class are equated with a culture industry approach to urban planning. Questions are raised about the potential of culture industry strategies and it is argued that the potential for growth in small cities may not be as great as the public debate and research conducted in large metropolises might suggest.     

Patron and Patriot: Dinshah J. Irani and the Revival of Indo-Iranian Culture

This article examines the life and work of Dinshah Irani, a prominent Parsi scholar, lawyer and philanthropist who was a key intellectual intermediary between the Parsi community of Bombay and the intellectual community of Iranian nationalists during the 1920s and 1930s. The article details the role played by Irani in patronizing the publication of Zoroastrian-themed printed works in Bombay that were intended for export to the reading market in Iran. By focusing on the life and work of Dinshah Irani, the article details the important role the Parsi community of Bombay played in the revival of Iranian antiquity during the early twentieth century. The article also highlights the transnational cultural and intellectual history of Iranian nationalism during the Reza Shah period.