The MuseumsQuartier,Vienna: An Austrian Cultural Experiment

This paper focuses on an important Austrian development, which on closer examination enables consideration to be given to: (1) Austrian government cultural‐sector policy, ­practice and funding attitudes; (2) the nature of the structures, organisation, stakeholders, and legal relationships chosen to manage and market the MuseumsQuartier; (3) the tension between the individual autonomy of institutions and a state‐imposed umbrella organisation; (4) the characteristics of creativity in comparison with the requirements for conformity; and (5) the compatibility of facility and programming management. There is no pretence in providing a survey of museum cultural or creative quarters throughout the world or analysis of the theoretical and conceptual frameworks that may be associated with this approach to urban regeneration. It is unashamedly a detailed analysis of a major cultural development, which may have value for the future management of similar projects. Perhaps more significantly it provides a useful insight into the Austrian approach to arts policy and management.     

The importance of the emperor: Lothar I and the Frankish civil war, 840–843

Lothar I's perspective on the Frankish civil war has not previously been explored. Close analysis of the distribution and wording of the most significant body of evidence produced by Lothar's circle, his charters, casts new light on the politics of the civil war. The imperial title and questions of legitimate inheritance emerge as factors of crucial importance, which shape not only Lothar's self-presentation in the charters, but also Nithard's influential account of the war, and negative portrayal of Lothar.     

The lenses of nationhood: an optical model of identity

ABSTRACT. This paper tries to make the case for a model of political identity based on an optical metaphor, which is especially applicable to nations. Human vision can be separated into sentient object, lenses and inbuilt mental ideas. This corresponds well to identity processes in which ‘light’ from a bounded territorial referent is refracted through various lenses (ideological, material, psychological) to focus in certain ways on particular symbolic resources like genealogy, history, culture or political institutions. Distinguishing between referent, lenses and resources helps us more precisely situate many hitherto disparate problems of national identity. These include the ‘ethnic‐civic’ dilemma, the mystery of national identity before nationalism, and the relationship between local and national, and individual and collective, identities. The model also clarifies the place of universalist ideology, which currently fits poorly within the leading culturalist and materialist theories of nationalism.     

The expansion of the kingdom of Strathclyde

The kingdom of Strathclyde was focused on the Clyde valley and ruled by a Brittonic‐speaking dynasty. Historians have traditionally argued that the kingdom expanded southwards in the early tenth century, with the result that there was a revival of Brittonic language. Several scholars have recently challenged this interpretation, but in this article I defend the view that Strathclyde expanded southwards, and I propose a new model for the process. I argue that the kings of Strathclyde took submissions from the local nobility, who included Northumbrian and Gaelic‐Scandinavian magnates. This accounts for the multicultural nature of the kingdom in its heyday.     

Locating strangers: multiculturalism, citizenship and nationhood in Australia

Questions over identity politics, difference, and associated claims of authenticity, now occupy centre-stage in many countries. In this paper we focus on the nature of multiculturalism, citizenship and identity politics as they are emerging in Australian society. Essentially, we argue that the demands of political recognition of cultural particularity by specific groups are presenting complex challenges to the public institutions of contemporary liberalism that rest on the neutrality of the public sphere in its treatment of free and equal citizens regardless of race, gender or ethnicity. The ideas of nationhood and national consciousness still present themselves as essential aspects of contemporary political life, even though many questions concerning a re-conceptualization of nation and citizenship abound. This is the context through which the paper examines nationhood in Australia, particularly the points of tension arising from contrasting notions of citizenship and national culture. Our intention is to provide a glimpse of Australian society in the face of these changes and to draw some theoretical and analytical conclusions concerning the challenges to state and civil society.     

Coping with deviance: Swiss nationhood in the long nineteenth century

ABSTRACT. This article highlights two processes that shaped Swiss nationhood in the long nineteenth century. The first concerns the competition between different nation‐states and the nationalist visions these contests engendered. In a Europe dominated by the norm of the culturally and ethnically homogenous nation, the Swiss authorities, public intellectuals and various political representatives were desperate to display an image of national authenticity to the outside world. The result was a nationalism that combined voluntaristic and organic elements. In the second and main part of this article, the focus turns on citizenship; it is conceived not only as a social and legal institution, but also as a cognitive prism through which people defined their membership in the national community. Remarkably, the authority in granting national citizenship to foreign nationals remained firmly in the hands of the cantons and, above all, the Swiss municipalities. In practical terms, this meant that the Gemeinde provided the institutional and cognitive frame through which nationhood was primarily experienced, imagined and defined. While Switzerland represents a particularly strong case of a communalist polity, it should not be treated as unique. Instead, it should alert us to a potentially fertile yet little‐explored area of research: what might be called the communal embededdness of the national(ist) imagination.     

Ambivalence,pride and shame: conceptualisations of German nationhood

ABSTRACT. This article examines complex everyday expressions and understandings of nationhood in Germany, focusing on citizens' articulations of national pride and their relationship with the nation. Through an analysis of ninety semi‐structured interviews with ‘ordinary’ Germans conducted between 2000 and 2002, we argue that the prevailing, elite‐centred approach to studying nationhood has not adequately captured the complex relationships that individuals have to the nation. We examine how individuals actively process and interpret nationhood in ways that reveal ambivalence, confusion and contradictory emotions towards the nation. Such individual variation is not neatly captured by official, elite, public or institutional presentations of the nation. We argue for further research on everyday understandings of nationhood and on ordinary people's views on national pride and national identity.     

The Capetian apanages and the nature of the French kingdom

The Capetian apanages have traditionally been studied from the perspective of the developing national monarchy. This approach is anachronistic; its premises are drawn from a later century, and even within the Capetian period it groups together with little differentiation the attitudes and intentions of five generations of kings.The context for the early Capetian apanages is the successional customs of the nobility, which the kings knew well from having seen them practised by their baronial neighbors. The determining concepts behind these measures were not those of the crown and the royal domain, but rather the societal ones by which, through the succession, the individual members of the family were ordered in relation to the family's lands.Only in the last quarter of the thirteenth and the first quarter of the fourteenth centuries did the kings and the Parlement impose the series of rulings which molded Capetian practice into a distinctively royal pattern. For most of the period under consideration, the territorial kingdom was treated as an aggregate of separable holdings, most of which were the private inheritance of the ruling family.     

The Capetian apanages and the nature of the French kingdom

The Capetian apanages have traditionally been studied from the perspective of the developing national monarchy. This approach is anachronistic; its premises are drawn from a later century, and even within the Capetian period it groups together with little differentiation the attitudes and intentions of five generations of kings.The context for the early Capetian apanages is the successional customs of the nobility, which the kings knew well from having seen them practised by their baronial neighbors. The determining concepts behind these measures were not those of the crown and the royal domain, but rather the societal ones by which, through the succession, the individual members of the family were ordered in relation to the family's lands.Only in the last quarter of the thirteenth and the first quarter of the fourteenth centuries did the kings and the Parlement impose the series of rulings which molded Capetian practice into a distinctively royal pattern. For most of the period under consideration, the territorial kingdom was treated as an aggregate of separable holdings, most of which were the private inheritance of the ruling family.     

Interactive nationhood: the relation between Croatian and Yugoslav national identity in the interwar period

Croatian and Yugoslav national identity have been closely connected throughout the nineteenth and twentieth century. This article questions the assumption that Croatian national identification inherently opposed the Yugoslav nationalising efforts of the interwar Yugoslav state by means of a study of commemorative activities. In the commemoration of the millennial anniversary of the Croatian Kingdom in 1925, the Yugoslav level of national identity was activated as a complement to Croatian national identity. During the 1930s, commemorations of Matija Gubec and the Illyrian movement conveyed a mutually exclusive relation between Croatian and Yugoslav national identity. I argue that the dismissal of grassroots Croatian historical commemorations that were indifferent but not averse to Yugoslav nationhood in the integral Yugoslav policy of the authoritarian state during the 1930s curtailed the potential of these commemorations as vehicles for Yugoslav national identification and complicated the concurrence of Croatian and Yugoslav nationhood.     

乾隆帝工艺品文玩的收藏

乾隆帝弘历是清朝入关后第四代皇帝,在位60年(1736～1795),是清朝在位时间最长的皇帝之一。乾隆帝兴趣广泛,喜爱收藏古玩,故宫博物院收藏的物,有相当一部分是乾隆时期的。     

Maritime territorialisation as performance of sovereignty and nationhood in the South China Sea

The South China Sea (SCS) is a conflict‐ridden international arena of rivalry between China, the USA, India, and the other ASEAN countries over sovereignty, resources and security. In this geopolitical clash China is the dominant force and Vietnam its main challenger. While most analysts assume that the various claims to the mostly uninhabited islands are motivated by the presence of submarine mineral resources, the conflicts evoke strong nationalist feelings in Vietnam and China, fuelled by narratives of the historical presence of fisheries and navies. By analysing the tension between complex territorial claims, new technologies and forms of knowledge applied by these states to delineate their material borders on the sea and vernacular notions of social space, this paper explores how sovereignty and nationality is enacted on a day‐to‐day basis. Thus, I argue that maritime territorialisation is a paradox of treating the sea as ‘land’ produced by the performance of a socially constructed image of the state geo‐body capitalising on strong nationalistic sentiments in China and Vietnam.     

The Story of Koula: music and nationhood in Greece

The Story of Koula, one of the Marshall Plan films, was made in Greece in 1951. It neatly exemplifies the capacity of Europe to ‘talk back’ to the USA within the framework of cultural aid programmes. And as such it can introduce a little‐explored topic: the politics of the avant‐garde in Greece in the post‐Civil War years and in particular the role of US cultural aid. This post‐war perspective throws light on the better‐known National School associated above all with Manolis Kalomiris, who dominated Greek music and musical life in the interwar period. The second part of this paper scrutinises the agenda and achievements of the Kalomiris circle, and that in turn enables useful generalisations about romantic nationalism in music. The third part of the paper reflects on the pre‐World War I achievements of Heptanesian traditions, again caught between singularities and dependencies.