Medieval Maps at Merton College,Oxford

Abstract

À la fin du XVIIIe siècle, dans le processus de fixation de la frontière linéaire entre le Royaume de France et les Pays‐Bas autrichiens, les cartes manuscrites thématiques des traités des limites jouent un rôle fondamental en tant qu'instruments de négociation. Ces cartes permettent de saisir visuellement la complexité des possessions territoriales et de comprendre les enjeux économiques et politiques des transactions pacifiques. Les cartes analysées, de concert avec les actes des traités, mettent clairement en évidence un aspect moins connu, mais fondamental des cartes des limites, à savoir leur rôle en tant qu'indicateurs des enjeux économiques, en présentant avec beaucoup de soin les grands axes de communication par route.     

On Roman Remains Recently Discovered at Headington near Oxford

Plans to redisplay the Bayeux Tapestry raise anew the questions as to where and how it was originally intended to be displayed. Analysis of the linen fabric provides new insights into the tapestry’s design and manufacture, and enables its original length to be calculated. Re-examination of the (largely destroyed) 11th-century cathedral at Bayeux and of its liturgical layout demonstrates that the tapestry would have fitted neatly into the nave west of the choir screen. Its narrative falls into three discrete sections that reflect the way in which it would have been hung within the building, and the arrangement of the scenes takes account of the uneven bay-spacings of the nave arcades and the positions of the doorways. It can therefore be concluded that the tapestry was designed for a particular location within the nave of Bayeux cathedral. The cathedral’s liturgical traditions shed light on the way in which the tapestry would have been viewed in the Middle Ages, and the wider implications for the way in which it could and should be viewed today are briefly considered.     

Affective politics and colonial heritage,Rhodes Must Fall at UCT and Oxford

ABSTRACT

The article analyses the spatial entanglement of colonial heritage struggles through a study of the Rhodes Must Fall student movement at the University of Cape Town and the University of Oxford. We aim to shed light over why statues still matter in analyzing colonial traces and legacies in urban spaces and how the decolonizing activism of the RMF movement mobilizes around the controversial heritage associated with Cecil Rhodes at both places – a heritage that encompasses statues, buildings, Rhodes scholarship and the Rhodes Trust funds. We include a comparative study of the Facebook use of RMF as it demonstrates significant differences between the two places in the development of the student movements as political activism. Investigating in more detail the heritage politics of RMF at UCT we fledge out what we call an affective politics using non-representational bodily strategies. We argue that in order for actual social movements to mobilize in current political controversies, they need to put affective tactics to use.     

陈寅恪与牛津大学

陈寅恪曾被牛津大学聘为汉学教授 ,却终未到任。中国中英文化协会和英国利用庚子赔款建立的大学中国委员会在聘任过程中扮演了重要的角色。陈寅恪赴英受阻是由于战争令交通中断的说法并不准确 ;令陈滞留香港的很可能是当时一些中国外交官掺杂了政治和外交因素的做法。英国汉学家修中诚与陈寅恪商定在牛津大学开展中国历史研究的计划和有关信件 ,展示了陈寅恪的学术抱负。