鳥之灵连载八春江水暖鸭先知憨态善泳的鸭类

"竹外桃花三两枝,春江水暖鸭先知.蒌蒿满地芦芽短,正是河豚欲上时."这是宋代著名文学家苏东坡,在惠崇和尚的一幅《春江晚景》画作上所写的一首题画诗.虽说原画作早巳失传,然而,这首题画诗却以其强烈的艺术感染力而留传至今.特别是那"竹外桃花三两枝,春江水暖鸭先知"的佳句,更广为人们千古传颂.     

拥抱春天

春天充满了生机与活力,随处可见花的海洋,以及遍野的植物和新生的蔬菜。乡间的咖啡馆纷纷把桌椅摆到人行道上来招徕生意,小花圃里又开始见到忙碌的身影．勤劳些的衣夫修整土地,而散漫懒惰的农夫这时候也不得不慌慌张张地开始修剪苹果枝。换上亮丽帆布鞋,将爱车的后备箱全部塞满,开始一段享受春色的旅程。     

旅行中找回童心

<正>我喜欢鸟,喜欢拍摄。有一天,当这两个爱好契合在了一起,我便乐此不疲地在湿地、树林、小溪边寻找鸟儿的身影,像孩童一样融入鸟儿的生活。这时,我常常觉得自己像鸟儿一样自由快乐。     

HOW WE LIVE WITH THE PAST NOW

Michael Roth's new collection of essays, written over the last two decades, is held together by its author's pervasive concern with human temporality: our individual and collective passages through time, recorded by the faculty of memory, which pose some of our most intractable problems. The essays treat, and indeed provide a map to, several adjacent areas of inquiry: the history of the psychopathology of memory in the long nineteenth century; the vicissitudes of the trauma‐concept from its relatively modest medical origins to its postmodern apotheosis; and photography as a medium and art form embroiled in our relationship with the past. Roth's major interventions are threefold. First, while persuaded of the value of the psychoanalytic version of the trauma‐concept, he critiques the so‐called traumatophilia of postmodern theorists who, usually with reference to the Holocaust, seek to invest trauma with ethical valences and powers of legitimation or even, as in the case of Agamben, raise it to ontological status. Second, through his fine‐grained account of Freud's convergence with and divergence from his French colleagues, especially Charcot and Janet, Roth argues that the stunning breakthrough of psychoanalysis was to take the past seriously, to recognize the inevitable penetration of the past into the present in the human psyche as well our affective investment in and need to narrativize the past. For Roth, Freud's continued relevance today resides in what he has taught us about living with the past. Finally, Roth begins to develop the concept of “piety” as an attitude toward the past that fuels the writing of history. He leaves the concept in rudimentary form, but his evocative remarks suggest the fruitfulness of developing it further.     

新知

四十年前,美国政府对癌症宣战,大张旗鼓地提高联邦投资。通过国家癌症研究所（NCI）来协调各机构的抗癌科研工作。头二十年里进展甚缓,但自1990年代初以来,结肠癌、前列腺癌、乳腺癌的检测手段都大为改进,患者可以获得及早诊断,生存率因而提高。NCI最新的统计数据显示,从2003年至2007年。     

春节的另类礼物:过年在别处

<正>中国人的春节,有着丰富、多样的传统与风俗,吃饺子、穿新衣、放鞭炮、逛庙会……"一方水土养一方人",各地的百姓总能把"过年"这件最喜庆的事儿,涂抹上最浓郁的地方色彩。虽说回家是春节不变的主题,但随着人们的观念和家庭结构的改变,许多家庭很想在一年难得的假日里搞搞新意思,或自驾或自由     

地球上最美的春天在荷兰

<正>4月的欧洲繁花似锦。在这春意盎然的美好季节,我有幸来到了"郁金香王国"荷兰。早就听说荷兰盛产郁金香,但不身临其境,你绝对想象不出郁金香花田有多么的壮美!从飞机降落在阿姆斯特丹国际机场,然后换乘旅行社的大巴前往入住的宾馆开始,途中就经过阿姆斯特丹市郊的郁金香生产基地。在落日的余辉里大巴几经转     

镜头里的春田花花

<正>风动泥土的气息,带着花香,在微润湿的空气里酝酿。正当芳菲郁郁的时节,去乡野里,去大自然中,拍摄一番有关春田花花的美丽景致,享受这个季节里老天赐予的美好,从来就是很多摄影人乐此不疲的事情。置身一望无尽的花花世界,空气中荡漾着春情的气息,一个个踏春赏花的游人,早已醉倒在这浓浓的诗情画意中,时不时举起相机,想要留住这一个春天的美好画面。"面朝大海,春暖花开",在这样一个充满诗意的季节里,行摄花花世界,留住镜头里的诗意春天。     

纽约老时光

一起成长,一起慢慢老去,一所老房子在著名布艺设计师金帕克那里得到了最高礼遇。金的魔术师之手赋予了自己周边的所有物品以新的生命和呼吸。与此同时,能够被自己所热爱的东西环绕,无忧创作和生活,慢慢老去,这对金来说,更是无上的幸福。     

年年过年 年年乐 一路欢腾,乐看东西南北别样年俗

<正>告别虎年,迎来免年!这个年,你要怎么过?穿新衣、收红包、放鞭炮……这些仿佛是过年亘古不变的记忆,但在中国这片广袤的土地上,各地仍有各地特别的过年方式。