清季民族主义与黄帝崇拜之发明

历史是一个共同回忆 ,其组成有一个系谱学之线索可寻。有关现代国家起源的民族史系谱 ,往往是近代的发明。中国人好称“黄帝子孙” ,此种概念在中国自称“天下”的大一统时代是不可能形成的。明清之际的王夫之提倡严夷夏之防 ,曾奉黄帝为华夏域之奠立者 ,清季的汉民族主义分子遂将黄帝转化为民族始祖。黄帝崇拜的叙事 ,由古代、现代、本土、外来的因素编织而成 ,表面上首尾一贯 ,其实是一个混合语 ,而且一首一尾都是舶来品。     

Continuity and Discontinuity in the Historical Development of Modern Psychopharmacology

In the middle of the twentieth century psychiatry underwent a transition that is often referred to as the “psychopharmacology revolution.” Implicit in the term revolution is the idea that a paradigm shift occurred. Specifically, it has been argued that psychiatry abandoned the psychoanalytic paradigm in favor of a qualitatively distinct conceptual system based on brain chemistry. The validity of this view requires that psychoanalysis had the status of a paradigm. This paper presents evidence that psychoanalysis did not constitute a paradigm and that the advent of psychopharmacology was not, technically, a scientific revolution. Instead, the rise of modern psychopharmacology was the culmination of a linear growth of biological knowledge that began to develop in the nineteenth century.     

大陆学者《黄帝书》与《老子》思想渊源研究述评

帛书《黄帝书》出土以来,有关其与《老子》的思想渊源,尽管并不是大陆学界研究的重点,但学者依然从道、辩证法、虚静无为、法治、语言、论证方式等几方面陆续进行了探讨,并已取得了相当成就,整个研究也呈现出越来越客观、独立、完整的趋势。与此同时,有关《黄》、《老》思想渊源的研究,还存在着诸如概念混淆、不够重视相关出土文献、独立研究较少、条块分割等种种不足,从而给我们留下努力的空间。     

The Indian nation and selective amnesia: representing conflicts and violence in Indian history textbooks

‘Unity is always obtained by means of brutality’ wrote Ernest Renan. Following this idea, this article investigates how social conflicts and violence are included or muted in national history. This is done by comparing the successive series of history textbooks used in India in the postindependence period. The historical narratives contained in the textbooks were influenced by different conceptions of the Indian nation, and these variations allow us to observe and better understand what is remembered or forgotten in the national narrative. We will see that conflicts and violence are referred to when they involve the nation against its ‘other’ but depictions of conflicts within the nation as it is imagined are avoided. Thus, certain violent episodes of the past find a place in the national historical narrative, yet violence in itself is never described.     

Narratives of the nation in the Olympic opening ceremonies: comparative analysis of Beijing 2008 and London 2012

This paper examines the ways in which nationalism and the narratives of the nation were constructed in the Olympic opening ceremonies in Beijing 2008 and London 2012. The ritual of the opening ceremony represents a concentration of features, qualities and messages that combine the local and global, the culturally specific and universal, in a complex production. Using textual analysis of the telecast of the above two opening ceremonies, the study found that the Beijing 2008 opening ceremony used a grand narrative of progress, emphasising the unified identity of Chineseness, while privileging the official narrative of the nation and one collective identity. In contrast, the London 2012 opening ceremony highlighted the fragmented but diversified identity of Britishness, transpiring social inclusivity, cultural hybridity and multiculturalism. This may be related to the rise of different type of nationalism in the context of increasing globalisation. The Beijing opening ceremony represented the Sinocentric Chinese new nationalism, whereas the London 2012 counterpart, up to a point, highlighted civic‐based multicultural nationalism.     

Portrayals of Non-North Koreans in North Korean Textbooks and the Formation of National Identity

This article examines the portrayal of non-North Koreans in North Korean textbooks to assess the influences on the formation of North Korean identity, and how such identity formation is important in Kim Jeong-il's retention of power. This study not only looks closely at textual representations; it also examines how political and ideological changes in North Korea had a critical influence on these texts. The study encompasses both lexico-grammatical analysis and the analysis of textual and visual images, based on an examination of six North Korean language textbooks published from 1954 to 2000. It demonstrates that North Korean identity is defined through the portrayal of non-North Koreans, particularly enemy others. The portrayal of non-North Koreans facilitates the formation of a solid North Korean identity – an identity that entails serving their political leaders, remaining vigilant against threats to their country, and liberating South Koreans from poverty and oppression by America and its puppet states.     

Ruptures and continuities in nationhood narratives: reconstructing the nation through history textbooks in Serbia and Croatia

While the (mis) use of history to fuel particular constructions of the nation is well‐documented in the literature, the ways in which nationhood narratives and national ideologies evolve and transform over time are rarely explored. When ruptures – such as state failure or civil war – occur, interpretations of history and nationhood narratives cannot be completely rewritten. Rather, they need to follow up upon previous, established versions, relying on anchoring motives that offer a minimum level of continuity. Relying on a systematic analysis of over forty years of history revisionism in Serbia and Croatia (1974 to 2017), I demonstrate the discursive ways in which nationhood narratives evolved over time and space: from the dismantling of the former common Socialist narrative, replacement with new ethno‐national narratives, the bumpy transformations through the democratic transitions, to the gradual consolidation into the ‘new’ reconstructed nationhood narratives prevailing in the two countries today.     

高斌《南河图说》与乾隆首次南巡研究

雍正年间黄河河政管理制度的变化,推动了清代黄河图绘制内容和机制的变化;而康熙年间张鹏翮所绘河渠水利图集的内容和形式,也影响了乾隆年间江南黄运河图集的编绘。海内外分别收藏有以江南黄河、运河、洪泽湖、淮河工程为主题的河渠水利图集一"南河图说",经考证均为乾隆十五年(1750年)江南河臣高斌、张师载等人在乾隆帝首次南巡的背景下绘制呈送的定本、副本或后人摹绘本。《南河图说》既是河督高斌反映河情、陈述治河政见、彰显治河政绩的工具,也是乾隆帝确定南巡路线、了解河务、进行河政决策的重要依据。《南河图说》的绘制、呈奏和运用在很大程度上确定了乾隆首次南巡的模式,对研究乾隆南巡和乾隆朝河政运作具有重要价值。     

清季支那史、东洋史教科书介译初探

清季对日本之支那史、东洋史教科书的介译,是清末教育改革的产物,对清末早期新式学堂的历史教育,对国人自编本国史教科书的出现,都产生了深远影响;支那史、东洋史的介译亦是20世纪初年新史学思潮的重要组成部分,对新史学思潮的深入发展起到了推波助澜的作用;介译支那史、东洋史之主旨在于弘扬爱国主义精神,表现出较为浓厚的功利色彩。支那史、东洋史教科书在中国近代教育史、史学史上应有一定的地位。     

Shifting Narratives: Modern Chinese History since the Economic Reform and a Critique of Popular Opinion

When discussing the trans-formative shifts having occurred in the field of Chinese modern history following the economic reforms, one cannot avoid mention of the “revolutionary history paradigm,” the “paradigm of modernization” as well as the “postmodern paradigm.” According to popular belief, the course of development taken by the academic world during the past forty years was marked by a series of transformations: First was the progressive replacement of the “revolutionary history paradigm” by that of the “paradigm of modernization”; following that was the rise of the “postmodern paradigm” and the challenging of its predecessor. This set of divisions, though logically clear and succinct, cannot possibly conform to the realities of history in all of its complexness. While academic circles in the 1980’s were largely concerned with the issues of “what exactly is the historical driving force of Marxism” and “who are the revolutionary class,” the notion of the “paradigm of modernization” was rather a product of the conservative historical viewpoint and its rise during the late 1990’s. In this sense, then, the latter cannot possibly embody the former. On the surface of things, though the “postmodern paradigm” appears to refuse the narrative of revolutionary history, it in fact shares deeper connections with Chinese revolutionary thought at its roots. In short, then, these trans-formative shifts in modern Chinese history are not a simple “exchange” whereby one paradigm transfers into the next, but are rather a process of incessant and interconnected change.     

宋徽宗墨笔花鸟画初探

一个画家艺术风格的形成离不开他所处的时代环境及其本人的气质。作者认为,宋徽宗墨笔花鸟画的渊源,一为五代兴起的以徐熙为代表的江南花鸟画派,一为宋代中叶兴起的文人士大夫画风。因此,宋徽宗以特有的文人情怀致力于其他文人画家所追求的江湖之思、林泉之趣,但又因其特定的帝王身份,其墨笔花鸟作品仍带有雍容的气貌而缺少荒远之境。值得注意的是,徽宗将文人情趣引入宫廷绘画,改变了宫廷绘画历来的富丽倾向,其墨花开元代之先河。     

History and theory: the paradox in Francesco Patrizi

ABSTRACT

Patrizi's Ten Dialogues on History bring the Renaissance humanist discourse on the meaning of history to a new level. First, he emphasizes narrativity as the fundamental structure of history. Then he asks for the essence of history, which hinges on the creativity of the narrator, who organizes the facts to be told. With a focus on the Third Dialogue, we see that, for Patrizi, history is elapsing time preserved beyond time and human knowledge enacted in time or reenacted in events. A theory of history shows that history is the connection between contingency and truth.     

乾隆前期直隶留养局的空间分布特点及原因分析

文章以同治《畿辅通志》为主要资料,对初创时期直隶留养局的空间分布进行探讨,揭示了其既普遍又不均衡的分布特点,并对形成该特点的原因进行了分析。指出行政命令的统一性是这一慈善组织普遍设立的主要原因,区域自然环境、自然灾害频繁程度、经济状况、人口密度、与交通线的关系以及地方官员的积极性等是影响其分布不均衡的因素。     

《金史》“篡改开国史”辨北大核心CSSCI

《金史》记载的金朝开国史是信史。“都勃极烈”不是金建国后女真国主的称号,而是生女真进入高级酋邦阶段后大酋长的称号。阿骨打建国之初只求民族自立,并没有灭辽的宏图,宋人文献称阿骨打是接受了杨朴“图霸天下,谋为万乘之国”的建议,才称帝建国的说法,既不符合金建国前后女真人的政治生态,也不符合杨朴的身份,当是宋人的演绎。在金向辽请求册封过程中杨朴的事迹是真实的,《金史》对此并未隐匿。宋晁公迈《历代纪年》成书早于《太祖实录》,明确记载金初存在“收国”年号。《太祖实录》没有虚构和编造金朝建国时间、国号、年号,据此撰写的《金史》没有篡改开国史。     

Idealisations of self and nation in the thought of diaspora intellectuals

ABSTRACT. Diaspora intellectuals have often played prominent roles in the formation of national revival and independence movements. This article explores the factors that may help to explain this phenomenon through a survey of the literary responses of intellectuals from Eastern Europe, colonial Africa and Asia to their experiences in the capital cities of Western Europe over the early modern and modern era. These reactions, expressed through the writings of influential figures such as Adamantios Koraes and Leopold Senghor, reveal, in their thematic convergence, aspects of such encounters that have remained consistent over time. Portrayed throughout are the emotional hardships of talented individuals who found their status suddenly conditioned by the ideas associated with their places of origin in the host society's imagination. Unwilling, for reasons explored below, to submit passively to these affronts, the individuals studied here threw their energies instead into ambitious projects of national re‐imagination and rehabilitation. The article makes use, finally, of the rather visceral quality of the literature surrounding the experience of diaspora intellectuals to account for the complex weave of modern and traditional elements often exhibited in the new idealisations of self and nation that appear throughout their works.     

A New Woman and Her Warlord: Li Dequan,Feng Yuxiang,and the Politics of Intimacy in Twentieth-Century China

This article proposes a new way of viewing Republican-era warlords. Through an examination of the life of Li Dequan, the second wife of warlord Feng Yuxiang, it displaces Feng from his typical military and political context, scrutinizing instead the ways that Feng and Li interwove the private intimacies of love, marriage, and family life into their public and political lives. In the Republic, Feng and Li, like many prominent figures of the time, shared elements of their private lives with journalists and, through them, a broader reading public, posing for photographs with their children on their way to school and inviting reporters to family events. Feng and Li utilized this newfound intimacy between public and political leaders to cultivate public sympathy and support. By the early PRC, Li—following Feng’s sudden 1948 death—was named the first Minister of Health of the People’s Republic of China and her roles as wife and romantic object fell away. Instead, she focused on mothering the nation. By the late twentieth century, emphasis on the Li and Feng romance reappeared in writings about the couple, and while these narratives drew on the Republican-era stories, it was made to seem that Li’s feminism rather than Feng’s modernity had facilitated their true love. Though the warlords have often been seen as destructive, exploring Feng’s and Li’s lives demonstrates that factional militarists and their families contributed to a new political culture grounded in a gendered national narrative that intertwined family and nation.     

宋太宗与北宋初几部官修史书的形成

北宋初年,围绕宋太宗即位称帝,皇室内部发生了一系列事件,这些事件之所以成为历史上的千古之谜,与宋太祖初年修史制度不健全和宋太宗、宋真宗时期几次组织修纂《太祖实录》等官方史料书有直接关系。为了显示即位的合法性,掩盖杀兄篡位,逼死侄、弟的罪恶,宋太宗不止一次地下手篡改史实,而史官们为了迎合皇帝的需要主动要求在官修史料书的过程中建立“纪草”、“进御”制度,进一步为宋太宗篡改历史创造条件。经宋太宗修改过的实录又被后人修入《两朝国史》、《三朝国史》等官修史料书,这些相互矛盾的史料被其后修撰的官修史书和私家撰述大量引用,以讹传讹,终成历史谜案。     

清康熙朝大学士王掞奏请建储始末

清康熙朝的建储之议,一直以来备受清史研究者关注,惟康熙晚年大学士王掞密奏建储一事的始末,尚未尽白于世。弄清此事原委,对了解康熙册储思想的变化及王挾家族的际遇,不无裨益。本文通过文献及史事考证,以厘订《文献丛编·康熙建储案》所收王掞议储密折的奏上时间为主线,进而剖析王掞议储的心理及康熙处理此事的隐衷。     

美国早期史研究中的自我探索与历史叙事 --评《透过一块晦暗的玻璃》

《透过一块晦暗的玻璃》体现了美国早期史研究领域的较新的发展趋势。这本论文集从小历史的角度来论述了早期美国史研究中关于个人认同的自我探索与边缘化状态的问题,并较好地弥补了大历史的缺陷,使人们从历史叙述、文本细读和语言学转向这三个方面更新了对小历史长处的认识。     

The Negotiated Hibernian: Discourse on the Fenian in England and America

During the 1850s and 1860s, the British Empire faced a threat from nationalists advocating self‐rule for Ireland. Known as the Fenians, the English press quickly identified them as a monolithic terrorist organization and blamed them for all manner of threats against the Empire; furthermore, they argued that elements in the United States, for reasons of their own, supported the separatists. However, the image of the Fenian was far more complex than the simple rhetorical image constructed in the British press, especially when an alternate stream of pro‐Irish rhetoric is considered. Indeed, the Fenian was as much a rhetorical cultural construct as it was a transnational independence movement.