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This article analyses seventeenth–century pornographic literature and popular ballads to explore alternative representations, and hence interpretations, of female same–sex desire than those presented by either early modern legal, medical and religious discourse in which the image of the tribade predominates, or the homoerotic prose and poetry of female writers. It argues that early modern culture was not limited to interpreting sexual acts between women as the result of either a physical abnormality (clitoral hypertrophy) or the desire to live as a man, and thence to take on his sexual as well as social role.  相似文献   

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Over the past twenty years, patriarchy has become a vitally important analytical concept for historians of women, gender and masculinity. By contrast, misogyny has been under‐explored, despite being an equally prevalent historical phenomenon. This article offers a cultural history of seventeenth‐century masculinity based on an analysis of the humorous jokes and stories found in jest‐books, a genre that appealed in particular to male adolescents and young men in their twenties. It argues that patriarchy and misogyny should be treated as separate analytical concepts and cultural phenomena that appealed to different sorts of men. While patriarchy offered a code of manly behaviour for middling‐sort married males to aspire to, misogynistic humour appealed predominantly to youthful single males, who were as antagonistic towards patriarchs as they were towards women. In articulating such an argument, this article engages with debates about manhood, misogyny and the reception and creation of everyday culture in early modern society.  相似文献   

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In early seventeenth‐century Lima, Peru, female visionaries composed texts of their bodies, and texts composed their bodies. This fact can be explained, in part, by the belief that an individual could gain access to and appropriate the language of God (His spiritus) in distinct ways. Mystical narratives, stigmata, as well as the spoken words of enraptured visionaries communicating with absent souls were considered readable texts because the object to be read could be a book, a painting, or the body itself. Thus the reading of, and listening to, texts was parallel to Lima's visionaries entering a state of spiritual ecstasy (arrobamiento), and “reading” their bodies as living books, which perforce became a readable space.  相似文献   

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This article traces the gender dimensions of Zionist nation building by examining literary texts written in the first three decades of the twentieth century. It offers a gender‐oriented analysis of a range of canonic and marginal literary texts and their historical contexts, and pays special attention to the ways in which literary production in general, and in Hebrew in particular, became an essential component in the effort to create an image of a ‘New Hebrew Man’. This highly gendered image was a central foundation of the Zionist project of nation building in Europe, and in the Jewish community in Palestine. Hebrew poems, stories and novels produced and sustained the symbolic economy of gender of the Zionist cultural project. At the same time, I argue that some Hebrew writers resisted the overt and implicit ideological demands of this project by calling attention to the internal contradictions inherent in the feminine figuration of the nation and the attempts to transform Jewish masculinity.  相似文献   

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This article presents one of the theological contexts for early feminist thought in England in the late seventeenth century. It argues that an emerging universalist soteriology in Platonist and radical thought had a positive impact on discourses about sexual equality, and shows how two female writers (the Quaker Elizabeth Bathurst and the visionary M. Marsin) combined their critique of the doctrine of limited atonement – in other words, the idea of an exclusive elect – with a confident assertion of women's calling to preach and teach in the Church.  相似文献   

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Western society appears inordinately keen on outdated and stereotypical tropes of Islamic architecture, talking of a ‘hidden world’ of Islam in which women are seen and not heard as they live their lives incarcerated in the harem. This trope of Western Orientalism has become entrenched in our culture through travel accounts, the writings of historical voyeurs such as Sir Richard Burton and the romantic/erotic imagery of nineteenth‐century Orientalist painters. This paper aims to dispel many of the preconceptions that are held regarding the Iranian harem and the role of women in Safavid society by addressing the status of elite Iranian women, but also placing them in the wider context and considering the evidence for lower‐class women who could simply not afford to live a cloistered life. There is also the case of non‐Muslim women whose religions forbade polygamy and who were therefore immediately placed outside the harem and, although Safavid Iran included significant numbers of Zoroastrians and Jews as well a handful of Hindus, this paper will concentrate on one particular religious minority; the Caucasian Christians who were such an integral part of Abbas’ great project that they were awarded a particular status in the city of Isfahan.  相似文献   

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