‘Sensing with’ photography and ‘thinking with’ photographs in research into teenage girls' hanging out

In this paper, I approach photography as a multisensory practice that can deepen participant engagement in youth research. I argue that this engagement opens up possibilities for embodied reflection. I focus on the creative potential of both ‘sensing with’ photography and the event of ‘thinking with’ photographs by discussing two inter-connected methods: photo-walks and photo-talks. The insights are based on my research into the ways in which teenage girls live and hang out with their urban environments. My thinking draws on writings within material or ‘post-human’ geographies, non-representational theory and participatory research.     

Style and self‐making: String bag production in the Papua New Guinea Highlands

The looped netbag or bilum is one the most culturally significant of everyday objects in Papua New Guinea (PNG). Made exclusively by women, bilum are also iconic of female productive and reproductive labour. In this article, I analyze how growing social stratification is expressed through the types of bilums young women produce and wear. I argue that the choices that young women make about what kinds of designs, shapes, colours, and fashions to incorporate into their bilums can tell us a great deal about their desires, experiences, and imaginings. While previous analyses have focused on the bilum as an ambiguously gendered object expressing complex ideas about sexual difference, I argue that bilum style increasingly indexes complex ideas about geography and social location, materializing contemporary Papua New Guinean ‘imaginaries’ of space.     

Moving pictures: Memory and photography among the Arhuaco of the Sierra Nevada de Santa Marta,Colombia

This article traces the changing uses and meanings of a set of ethnographic photographs that represent a contentious period in the history of the Arhuaco, an indigenous group that inhabits the Sierra Nevada de Santa Marta, in Northern Colombia. Based on archival sources and fieldwork, I explore their role in the 1910s when they were created by Swedish anthropologist Gustaf Bolinder, and also analyse indigenous re-significations and contests over the meaning of the photographs in 2010s as a process that is intertwined with their present struggles. I study their use by an Arhuaco media-maker who incorporated them into a historical documentary film and debates among community members around possible interpretations of the pictures. Through this case study I seek to contribute to the expanding scholarship on the history of anthropological photography, and in particular to recent efforts to move beyond vertical colonial readings and emphasize indigenous agency. I argue for the need of a more nuanced understanding of indigenous and non-indigenous uses of photography that takes into account a shared history and does not naturalize differences. Furthermore, I trace the changing meanings of photographs in order to illuminate the historicity implied in the process of attributing meaning to the past.     

Using photography in research with young migrants: addressing questions of visibility,movement and personal spaces

This article discusses the experience of using photography in a research project with young (prospective) migrants in Ghana and Italy. Photography can be an empowering research tool, one that offers young participants a degree of control over the research process and thus allows their points of view to emerge. However, researchers need to consider that the choice of subjects may be influenced by the children’s desire to avoid taking photographs in public, as they may attract attention and the act of pointing a camera may provoke unwanted questions and comments. Moreover, young people often lack the means to move independently, and this may further restrict the subjects they are able to photograph. Finally, they may resent adults’ intrusion into their free time and therefore see taking photographs as a chore. I argue that all these factors need to receive greater attention when choosing photography in research with young participants.     

Framing the past: situating the archaeological in photographs

Archaeology continually reproduces its own images. Speaking archaeology’s visual language is one way we prove membership in the discipline. Many aspects of this visual language have become so naturalized within archaeological representation as to be almost unquestionable: the cleaning of the site, the use of scale, and particular framings and perspectives. How, then, is the production of particular photographic images of archaeology related to the practice of archaeology? Does archaeology look a certain way (in photographs) or are archaeologists reproducing an archaeology according to the way it is thought it should look? Using examples of early photographs from Latin American archaeological expeditions, this article investigates not only photography as an applied technology for scientific recording, but also its power to situate archaeological knowledge. Drawing on recent reflective and critical developments in both the history of archaeology and visual anthropology, it uses five focal points – trace, objectivity and authenticity, sight/site, still lifes, and still lives – to argue that early-twentieth-century archaeological photographs of Latin America participated in the generation of an ‘authentic’ past rather than simply paid testament to it.     

Wilhelm Reich and Sexology from Below

One of sexologist Wilhelm Reich's most ambitious and enduring theories claims that sexuality and sexual repression play a central role in the production and reproduction of class structures and hierarchies. From 1927–1933, Reich combined his sexological work with his communist political convictions in a movement that became known as sex-pol. Reich developed some of his most provocative and potentially emancipatory theories through this empirical work with members of working-class communities. Though they often remain anonymous in his writings, the traces of their voices remain audible throughout. In this paper, I employ a Gramscian method, developed by post-colonial scholars, to read for the trace of proletarian voices in Reich's archive. I argue that these subjects helped to theorize the role of sex in producing and reproducing class oppression. Reading for the trace of proletarian voices in the archive expands our understanding of how working-class subjects in early twentieth-century Germany and Austria helped to produce concrete sexological knowledge from below.     

Snapshots of History and the Nature of the Archaeological Image

By its very definition, archaeology is situated at the intersection of the material and the temporal worlds. Photography is similarly positioned, and yet it can be manipulated to produce constructed contexts according a photographer’s agenda. In order to explore how the abilities and limitations of archaeology and photography are entwined I examine the representational power of the photograph and the phenomenon of Japanese tourist photography. I then discuss the construction of archaeological photographs, both in practice and in the prescribed theory contained archaeological methods textbooks, as well as how photographs are used to represent the embodied, physical performance of archaeology.     

Liberating sex, knowing desire: "scientia sexualis" and epistemic turning points in the history of sexuality

This study considers the role of epistemic turning points in the historiography of sexuality. Disentangling the historical complexity of "scientia sexualis," I argue that the late 19th century and the mid-20th century constitute two critical epistemic junctures in the genealogy of sexual liberation, as the notion of free love slowly gave way to the idea of sexual freedom in modern western society. I also explore the value of the Foucauldian approach for the study of the history of sexuality in non-western contexts. Drawing on examples from Republican China (1912-49), I propose that the Foucauldian insight concerning the emergence of a "homosexual identity" in the West can serve as a useful guide for thinking about similar issues in the history of sexuality and the historical epistemology of sexology in modern East Asia.     

Photographic Uncertainties: Between Evidence and Reassurance

This paper examines the mid-nineteenth century photographic collecting practices in the Colonial Office (CO) in London. Following methodologies laid down by Stoler and Joyce, the paper excavates the epistemic procedures through which photography and its role in colonial governance operated between the late 1860s and 1875. I focus my analysis on the production of, and response to, two CO despatches, which were circulated in November 1869 requesting photographs. But what was the work expected of these photographs, what were they meant “to do”? What was their relationship with anthropology and geography? The paper argues that in the praxis of central government, the role of photographic evidence was more uncertain and confused than instrumental interpretative models have assumed. I shall argue that in many cases photographs were not “evidence” in any dynamic sense in information provision, but rather functioned as tools of reassurance.     

Working-Class Women and Republicanism in the French Revolution of 1848

Abstract

Following the February Revolution in 1848, working-class women as well as men attempted to hold the government to its promise of the right to work, through street demonstrations, individual and collective demands for work, and participation in the national workshops that had been established in an attempt to address the problem of unemployment in the capital. In the process, these activists articulated what scholars have labelled as a democratic socialist vision of republicanism. In June of 1848, women participated in the insurrection that sought to defend the vision of a social republic. While the republicanism of working-class men and bourgeois women such as George Sand has been examined, studies of working-class women in the first half of the nineteenth century have to this point focused on the romantic socialist influences that shaped their activities, in particular the Saint-Simonian movement. Drawing primarily on individual letters, police interrogations and newspaper reports, a vision of republicanism emerges that includes the ability for women to sustain their families through waged as well as household labour. This concept of republican virtue based itself not in suffrage but in women's capacity to act as both producers and consumers under just and equitable conditions.     

Stalinist Identity from the Viewpoint of Gender: Rearing a Generation of Professionally Violent Women‐Fighters in 1930s Stalinist Russia

Over the course of the Great Patriotic War, 1941–1945, over 800,000 Soviet women volunteered to the front and served in the field army. Among them were thousands of snipers, riflewomen, machine‐gunners and mortar women. Thousands of women were trained to serve as commanders and commissars of rifle, machine‐gun and mortar subdivisions. Women also mastered fighter planes, dive bombers and night bombers as well as light and heavy tanks. I pursue three questions in the article: how did this women's entitlement to fighting become thinkable in the first place, acceptable in the second, and thirdly, realisable in Soviet society? I argue that the conceivability of women's compatibility with combat, war and violence was a product of the radical undoing of traditional gender differences that Stalinist society underwent in the 1930s. By the late 1930s, combat duty in wartime became an acknowledged option for women in Stalinist political culture. The construction of alternative gender personalities enjoyed both public articulation in press and military expert approval. The alternative femininity encompassed and redefined the traditionally incompatible qualities: maternal love and military violence, feminine charm.     

American Girls and French Jeunes Filles: Negotiating National Identities in Interwar France

This essay is a transnational and comparative study of how gendered national stereotypes structured the experience of American women who studied in France in the 1920s and 1930s and how this cross‐cultural exchange contributed to cultural internationalism. In both the French and American popular imaginations, American girls and French jeunes filles connoted opposite modern and traditional notions of femininity. In the process of negotiating these two competing identities in popular consciousness and in daily life, some American women students came to appreciate the limitations of the stereotypes, as well as more complex underlying cultural differences, notably in their encounters with French youth's heterosocial practices and with French women students. I argue that the outcome of this process included women's construction of alternative identities for themselves and a new tolerance and appreciation for cultural difference that represents a distinctive development toward cultural internationalism. This study challenges the cultural asymmetry of United States and European relations between the wars and locates gender and women at their centre.     

The domestic residue: feminist mobility and space in Simryn Gill's art

Feminism, now nearly half a century old, is still fractured by two divisive forms – the desire to emancipate women from masculinist power structures, and the affirmation of woman's sexual difference. However, as Teresa de Lauretis and Gillian Rose argue, for feminism to remain relevant, it must also be attentive to the fluid hegemonic conditions of power, and thus, strive to evolve new ‘forms’, which emphasize feminism's political mobility. Developing this proposition, this article discusses how a new critical feminist mobility may be detected in the work of Sydney-based Malaysian artist Simryn Gill. Born in Singapore in 1959, and hailing from a migrant Punjabi family who first settled in Malaya in the 1920s, Gill constantly travels between her home in Sydney and her family bungalow in Port Dickson, a small coastal town in Malaysia. I will discuss how Gill's feminist perspective may be mapped through the artist's shifting spatial contexts by looking at three spaces – the gallery, the domestic interior and the tropics. Through these spaces, I will explore how the artist occupies the dual roles of ‘woman’ and ‘women’, thus demonstrating the changing and fluid energy of a mobile feminist stance. Gill's art valorizes the domestic sphere as a recurring theme with this subject being central to her self-definition in the public sphere. Yet, her treatment of domesticity is distinct in its furtiveness, a tactic, which I argue, enables a feminist agency that is politically mobile, and capable of engaging issues of gender, sexuality, race, class and citizenship.     

Fear,feminist geopolitics and the hot and banal

In this paper we bring together Billig’s notion of banal nationalism and recent feminist geopolitical examinations of fear in order to analyze two cases studies of fear among U.S. college students and U.S. soldiers experiencing sexual violence. Putting banal nationalism and feminist geopolitics into conversation, we argue, reveals both their compatibilities and important pathways for political geography and critical geopolitics to build on Billig’s work. In this regard, the paper makes three key contributions. First, we demonstrate how the insights and imperatives of banal nationalism intertwine in critical ways with the work of feminist geographers, as the banal is often rendered feminine and apolitical and as gender itself is often treated as banal despite its role in the reproduction of the nation. Second, we argue that the multi-scalar analytic of feminist geopolitics offers a valuable intervention into banal nationalism, as relational feminist approaches to binaries like intimate/global provide a useful model to account for hot and banal nationalism as a single, intertwining complex. Finally, through an analysis of fear in relation to sexual violence, the paper illustrates both the inseparability of banal and hot nationalism and how they are deeply gendered, as certain forms of deeply hot violence and fear are depoliticized through their banalization (e.g. sexual assault on college campuses), and as violence that is recognized as hot (e.g. war) is maintained through processes that are deemed banal (e.g. gender).     

‘You’re not big,you’re just in Asia’: Expatriate embodiment and emotional experiences of size in Singapore§

This article brings together work on privileged migration with critical geographical work on body size. In uniting these areas together I focus on the role of embodiment within expatriate experiences of migration to Singapore. I argue that despite a developing body of critical work on migration, this work has failed to explore embodied experiences of size. To counter this gap, this research demonstrates the importance of recognising how sized narratives and experiences are shaped through gendered migration and the need to explore the multiplicity of experiences of women in different places of the city. Drawing upon empirical research with expatriate women in Singapore I advance work within critical geographies of body size by presenting original work that challenges dominant and medicalised understandings of fatness as inherently bad. Furthermore, I contribute to the growing area of work that places emphasis on the subjective nature of size through recognition of work on migration. In this article, I explore how migration was embodied and discussed through size, firstly by looking at how women discussed losing their sense of identity. Secondly, the temporal and spatial embeddedness of size. Finally, how women rejected and resisted dominant discourses through humour and indifference.     

Post-communist ironies in an East German hotel

On 1 May 2007, a new hotel opened in Berlin: Ostel. As its name implies, it is located in the former East of the city, now 'Berlin Mitte'. The Ostel joined Berlin's burgeoning hotel scene at a time when Ostalgie - the supposed longing East Germans feel for the past - marked no longer a condition of mourning and loss but had become 'hip'. In this article to carry the analysis of Ostalgie beyond the themes of trauma or resistance into the more playful dimensions of what Czech-French writer Milan Kundera (1992) has called 'the joke,' that is, an ironic form of humor ubiquitous in former Soviet and East European contexts. I engage irony as a situated experience and practice chiefly through the 'artful lens' of material culture. In focusing on the Ostel's interior, I am especially interested in irony's 'critical edge'. I argue that it is this edge that makes it possible to open up critical interpretations of German post-unification history.     

Bad blood: poverty, psychopathy and the politics of transgression in Kenya Colony, 1939-59

This article examines the inter-relationship between psychiatry and sex, both fertile fields within the recent historiography of colonialism and empire. Using a series of case files pertaining to European patients admitted to the Mathari Mental Hospital in Nairobi during the 1940s and 1950s, this article shows how sexual transgression among colonial Europeans precipitated, and was combined with, mental distress. Considering psychiatric treatment as a form of social control, the article investigates a number of cases in which a European patient had been perceived to have transgressed the normative sexual behaviour codes of settler society in Kenya. What these files suggest is that transgressive sexuality in Kenya was itself framed by indices, as insistent as they were uncertain, of gender, race and class. While psychiatry as social control has some degree of purchase here, more valuable is an attempt to discern the particular ways in which certain forms of sexual behaviour were understood in diagnostic terms. Men who had sex with Africans, we see, tended to be diagnosed as 'depressed' on arrival at the hospital but were judged to be mentally normal consequently. Women, by contrast, were liable to be diagnosed as psychopathic, a diagnosis, I argue, that helped to explain the uniquely transgressive status of impoverished European women living alone in the margins of white society. Unlike white men, moreover, women did not have to have sex with non-Europeans to transgress sexual codes: this is because female poverty was a sexual problem in a way that male poverty decidedly was not. Poor white women were marked by uncertainty over their sexual behaviour—and dubious racial identity in its turn—and the problem of social contamination was described by reference both to the polluted racial ancestry of an individual and to the prospective contamination of healthy racial stocks. This article aims to address current historical debates around sex and empire, 'white subalternity' and the social history of psychiatry and mental health. All names have been changed to protect patient anonymity.     

Rethinking Assemblage Analysis: New Approaches to the Archaeology of Working-Class Neighborhoods

In this paper I argue for an expansion of the role of assemblage analysis in understanding daily life in nineteenth-century working-class neighborhoods. The close and systematic examination of quality manufacture of nineteenth-century domestic goods offers a material link to consumer decision-making. This is demonstrated in a study of material culture from working-class sites in Sydney and London.     

Disciplining Subjectivity and Space: Representation, Film and its Material Effects

Although the distinction between representation and reality is increasingly blurred, I argue that representational discourses have material effects in everyday life. By moving “outside the text” I trace the messy terrain between visual discourse and everyday life in Downtown Eastside, Vancouver by examining two questions: (1) how do discursive productions of visual culture articulate, inscribe, and discipline space and subjectivity and (2) how do aboriginal women negotiate the material consequences of those representations? Using discourse and feminist analysis, I analyse how a documentary film, produced by the Vancouver Police Department, constructs spaces and subjectivities of deviance through techniques of realism and the moral gaze of the police officers. I argue that aboriginal women negotiate these deviant representations through their experiences of racism and sexism by police officers. Consequently, aboriginal women are rendered either hyper‐visible or invisible by police officers, marked by their gender, race, and class. Combining an analysis of the documentary film and in‐depth interviews with aboriginal women, I argue that critical geographers must consider the analytical spaces “outside of the text” to explore the material effects of visual representations.