Albert Einsteln as Seen by Artists

Abstract

To commemorate the 80th birthday on 9 December 1980 of Dr Joseph Needham – a Member of our Editorial Board – we are here publishing a somewhat condensed progress report of what has been rightly called ‘the greatest single act of historical synthesis and intercultural communication ever attempted by one man’. After describing its contents, Dr Needham gives a preliminary outline of his methodology, how he has quarried Chinese literature and iconography, how he has immersed himself in China's living tradition to interpret correctly her past and how he has mastered the often century-old technical terminology of Chinese science – only thus could he build his oecumenical university. He concludes here with the hope that this vast study, so felicitously begun, will continue ‘as limitless as is all history’.     

Wheeler dealers: Silvio Berlusconi in comparative perspective

Abstract

Silvio Berlusconi is uniquely successful as a political entrepreneur, but that does not mean he is unique. Others have trod that path as well, albeit with lesser success. This paper looks at why others have failed where Berlusconi succeeded in order better to understand the secrets of that success. The conclusion is that Berlusconi needed to progress on many fronts at the same time – opportunistic, financial, institutional, ideological and personal. Hence even if Berlusconi has not made the most of his opportunities, what is remarkable is that he illustrates the possibility of bringing the whole constellation of factors together. Others may not have followed in his footsteps yet, but that does not mean they will not be able to do so in the future.     

Religion and revolution in seventeenth-century England

Religion’s centrality to the story of the political turmoils of seventeenth-century England has never been in doubt. This article reviews recent books in the field which offer a series of reflections on the mutual effects of religion and revolution on each other in the Wars of the Three Kingdoms and overthrow of James II and VII.     

Popular culture in seventeenth-century England

Carl Schmitt emphatically rejected intermediate formations between peace and war. Analysing Schmitt's oscillation between the domestic and the international, the article suggests that the notion of ‘intermediate state’ provides a vital route to the core of Schmitt's political theory. The concept emerges in Schmitt's analysis of the Rhineland crisis, recurs in his vehement critique of Weimar pluralism, and, finally, reappears in his theory of modern war from the Third Reich to the Cold War. ‘Intermediate state’ has both qualitative and temporal aspects; it connotes not only categorical confusion and impurity but also instability and limited duration. Despite his criticism, Schmitt himself utilised the ambiguity, polysemy, and normative ambivalence of the intermediate state in his argumentation, finally giving it an open theological reinterpretation in his later work. Schmitt's theory of political conflict, consequently, is problematically bound to the vague intermediate state of perpetual conflict that he sought to avoid, and to the metaphorical aspects of the notion of battle that he explicitly rejected.     

Town founding in seventeenth-century North America: Jamestown in Virginia

Jamestown in Virginia provides a case study of one facet of the geography of England's overseas expansion in the seventeenth century. Recent discussions of not only Jamestown but all early North American settlements have laid stress on two points. The first towns were founded as entrepôts for international trade in raw materials and were located at central points on colonial coastlines to exert monopoly control over trade. But Jamestown fulfilled neither of these objectives. It was conceived by its promoters, at least initially, as a trading station similar, in many ways, to the Kontors of the Hansa towns and the fondachi of Italian city states. In English institutional terms Jamestown was to be a staple. Its location was off-centre with respect to pre-settlement boundary lines. Its founding was influenced partly by perceptions of the Chesapeake and partly by rivalries in the imperial contest for North America. Jamestown's settlers also had a comprehensive list of town site criteria that included references to trade routes, to site defensibility, and to the physical environment. Although not a prototype for later colonization of the Atlantic Seaboard, Jamestown represented the first settlement form.     

Liberation and literature: Naples 1944

The arrival of Anglo‐American forces in Naples on 1 October 1943 precipitated the structural crisis which had beset the capital of the south since its integration into the Italian nation‐state in 1860. This crisis had been masked by the reassuringly engaging ethos of napoletanità, encoded in the urban dialect and crystallized in its literary culture from Matilde Serao and Salvatore Di Giacomo onwards. The myth of napoletanità had been frozen under Fascism, but was shattered by the experience of the war years and after, and only factitiously restored under the political hegemony of the monarchist ship owner Achille Lauro during the 1950s. Young literary Americans such as John Home Burns and William Weaver, who found themselves in Naples with the occupying Allied forces, fell under its spell, while the equally young British military intelligence officer Norman Lewis maintained a detached, but sympathetic, objectivity. The older Tuscan writer, Curzio Malaparte, so provocatively transformed the image of Naples as to earn furious rejection by the city's dominant postwar political circles and by Italy's literary circles. Yet, despite brilliant attempts at restoration by the departed Neapolitan, Giuseppe Marotta, and the much‐loved actor‐playwright Eduardo De Filippo, napoletanità was systematically undermined and demolished by younger Neapolitan writers from Domenico Rea and Anna Maria Ortese to Raffaele La Capria as the city's urban fabric was transformed by appallingly irresponsible property speculators. This article focuses on the literary anthropology of Naples in the 1940s. It explores literary texts and contexts, and the way they problematize Naples as a unified subject or object. It addresses the paradoxical issue of the city's need for liberation from itself, and the time scale of a liberation that perhaps has always been and always will be in fieri.     

The Rothschilds in Naples

Abstract

The Rothschild bank in Naples was founded following the Restoration of 1815, and thereafter played a major role in the financial affairs of the Kingdom of the Two Sicilies and other Italian states until Italy’s Unification after which its operations were transferred to Turin and Rome in 1863. This article examines the career of Karl Rothschild and his son Adolphe in Naples, and describes their close contacts with the Neapolitan government, their intervention to finance the return of Pope Plus IX to Rome following the revolution of 1848–9, and their financial dealings with Cavour and the Kingdom of Piedmont-Savoy in the early 1850s. As well as contacts with the parent Rothschild banking operations in Frankfurt and London, the article examines the Rothschilds’ relations with other foreign and local bankers in Naples. It also explores their role in Neapolitan society and their role in the re-establishment of the Jewish community in Naples in 1830, which they continued to watch with interest long after the family’s banking interests in the city had been wound up.     

Angono的家族艺术家

Nemlranda是马尼拉市郊Angono颇具名望的艺术家,自从他1975年搬到这里以后,Angono便逐渐成为马尼拉乃至菲律宾的一个艺术家聚集区。     

The haunting of Susan Lay: servants and mistresses in seventeenth-century England

At Easter 1650, Susan Lay, a servant in an Essex alehouse, saw the ghost of her mistress, who had been buried three days before. This article explores the history that lay behind her experience: of sexual relationships with both her master and his son, the births and deaths of two bastard children, and beneath it all, a relationship of antagonism, competition, and intimacy with her mistress. It uses this and other legal records to examine the relationship between women in early modern households, arguing that, while antagonisms between women are typically part of effective patriarchies, the domestic life and social structures of mid seventeenth-century England bound servants and mistresses peculiarly tightly together, giving servants licence to dream of replacing their mistresses and mistresses cause to feel threatened by their servants, and making the competitive relations between women functional to patriarchal order. It suggests, finally, that at this moment in time and in this context, seeing a ghost was the best, perhaps the only, way this servant had to tell a suppressed story and stake a claim to a household that had excluded her.     

Artists and policy-making: the English case

The 1980 UNESCO Recommendation concerning the Status of the Artist emphasised the importance of including artists in the policy-making process. However, 30 years later, evidence suggests that artists often have only marginal involvement in the policy-making of UNESCO member states. This paper explores how visual artists in England relate to arts policy-making. An overview is provided of how artists fared in arts policy during the 50 years following the creation of the Arts Council of Great Britain (ACGB) in 1946. A more detailed account is then given of how visual artists featured in the policy-making of Arts Council England (ACE) and the Department for Culture Media and Sport (DCMS) during the period of the New Labour government, 1997–2010. The conclusion is drawn that, despite an official rhetoric which claimed artists occupied a priority position within English arts policy during this period, in reality artists continued to lack visibility and influence.