The Use of Optical Coherence Tomography for Monitoring the Subsurface Morphologies of Archaic Jades

We demonstrate the use of the Optical Coherence Tomography (OCT) technique for non‐invasive scanning of the subsurface morphologies of jade objects. The two‐dimensional tomography images show the refractive index or dielectric constant variations in the samples, reflecting their structures. Three samples of archaic jade objects from the Qijia and Liangzhu cultures in China are scanned in order to understand the subsurface morphologies of the naturally whitened jades. Also, two jade objects with artificial treatments (burning) are scanned and compared with the original materials in subsurface structures. In the original objects, the jade materials can generally be quite transparent, such that the backscattering intensity is weak, although the large‐scale (tens of microns or larger) subsurface morphology can be clearly observed. After burning, small‐scale (smaller than a few microns) structures are formed and the backscattering intensity is enhanced. In this situation, the large‐scale structures may be preserved or even newly generated. On the other hand, in an archaic object with natural whitening, small‐scale structures are also formed. Hence, the deeper distributions of significant backscattering intensity are observed, when compared with the unwhitened objects. Nevertheless, the large‐scale features diminish during the whitening process. With OCT scanning, such differences in subsurface morphology can provide us a valuable reference for authenticating archaic jade objects.     

Egyptian Blue cakes from the Ayanis fortress (Eastern Anatolia,Turkey): micro-chemical and -structural investigations for the identification of manufacturing process and provenance

The microstructure and chemical composition of blue cakes, found during the archaeological excavation of the Ayanis fortress (Eastern Anatolia, Turkey), have been investigated by means of scanning electron microscopy combined with energy dispersive spectrometry (SEM–EDS), X-ray diffraction (XRD), micro-Raman (μ-Raman) and optical microscopy (OM) techniques. The analysis of the Ayanis cakes has shown the presence of Egyptian blue (i.e. CuCaOSi₄O₁₀, cuprorivaite), as the major component, intermixed with minor amount of other phases such as partially reacted quartz grains, an adherent glass phase and copper oxides. Since the finding of Egyptian Blue in Turkey has been never reported so far, great attention has been paid to its characterisation. The micro-chemical and micro-structural investigations of the Ayanis cakes have allowed a further insight into the manufacturing process and into the sources of the starting materials. The results of the characterisation have revealed some significant differences with respect to Egyptian blue cakes found in Egypt and Mesopotamia, as for instance the absence of tin excluded the use of bronze scraps or filings in their preparation differently from those produced in Egypt and Mesopotamia. Furthermore, some peculiarities of Egyptian blue found in Ayanis, as the detection of zinc in the cakes, allow to put forward the hypothesis of a local production considering that a large part of the bronze artefacts found at the Ayanis fortress is characterised by the presence of zinc as minor alloying element.     

Investigating the likelihood of a reservoir offset in the radiocarbon record for ancient Egypt

Some radiocarbon dates for ancient Egypt have been significantly offset from the established historical chronology (see Bonani et al., 2001). In this paper, short-lived plant species collected in Egypt between 1700 and 1900 AD were used to investigate the possibility that the radiocarbon record had been influenced by reservoir effects. AMS radiocarbon measurements were made on 66 known-age samples, resulting in an average offset from expected values of 19 years. The implications of this minor discrepancy on the likelihood of a reservoir process are discussed, and the agreement of the data with recent models of radiocarbon seasonality is also considered.     

Material evidence for the use of Attic white-ground lekythoi ceramics in cremation burials

White-ground lekythoi ceramics offer important evidence for funeral practices in Ancient Greece (5th century BC). The images painted-on these oil containers provide the best visual narrative for the events surrounding death, including indications that the vessels themselves were used as part of the funerary rites. However, until now, their specific function and treatment within the funeral ceremony was not well understood. We present here material evidence that the vessels were ritually burned, together with the body of the deceased, during cremation, as evidenced by a diffuse purplish-red discolouration found on many white-ground lekythoi. Through EPMA and μXAS studies, we show that: (1) this characteristic purplish-red discolouration is due to the presence of metallic copper nano-particles embedded in a glassy layer; (2) this metal-glass matrix formed as the result of a high temperature reaction between painted-on Cu-based pigments (e.g., Egyptian blue) and the white-ground ceramic slip; and (3) the reaction occurred under a reducing environment. Given the mortuary context for these vessels, we propose the reduction firing to which the vessels were exposed was that associated with the cremation of the body. The observation of discontinuous formation of the purplish-red discolouration along adjoining fragments supports the hypothesis that the vessels were broken prior to being burned. The majority of lekythoi in museum collections lack information on their original archaeological context, and our data suggest the presence of this purplish-red discolouration may serve as a visual marker for cremation. As such, it is expected our findings will provide a new basis for interpreting how this important class of ceramic, and associated iconographic imagery, relates to Athenian funerary practices and the ancient Greek notion of death.     

Optical spectroscopy as a rapid and low-cost tool for the first-line analysis of glass artefacts: a step-by-step plan for Roman green glass

Archaeometric research on glass artefacts is continuously evolving and is converging towards a multidisciplinary research domain where different types of techniques are applied depending on the questions asked and the circumstances involved. The technique described in this work is optical spectroscopy. The benefit of this technique being the possibility of building up a knowledge database for a large amount of material in a relatively short period of time and with a relatively limited budget. This is of particular interest for the investigation of extensive and/or unexplored glass collections where a first-line analysis of artefacts could facilitate the selection of material needing further and more detailed examination.