德国电影中的华人形象和中国形象——以三部德语故事片为主的分析

论文以三部华人题材的德语故事片为样本,分析了三部影片的内容及其与德媒涉华报道之关联、三部影片中的中国文化元素以及德国人关于华人和中国的刻板印象。分析显示,影片都设定有与其主题相应的、关于中国和华人群体的总体性认识框架,在该框架下影片将德国社会关于中国和华人的各种具体认知融合在一起,这些框架包括中国经济崛起框架、对华政治偏见框架、华人非法移民框架等。华人题材的德语影片对于中国形象和华人形象的建构,一方面与德国媒体涉华报道之间存在紧密的关联,另一方面与其他西方国家的华人题材电影之间具有一定的共性。     

文化认同的传承与创新：印度加尔各答华人的多元化宗教信仰研究

作为对印度加尔各答华人研究的一部分,本文基于田野调查获得的资料,从文化认同的理论视角,探讨了在南亚唯一唐人街及华人社区生活的加尔各答华人多元化宗教信仰。通过对其宗教信仰中“中国传承”和“住地创新”两方面内容的归纳分析,揭示出在印度加尔各答华人社区内,独特的中国及印度元素兼备的华人多元化身份特征及文化认同。     

三重身份：一位来自印度的加拿大华人的故事

多伦多大学的自助餐厅里,我站在柜台前面,柜台上面整齐地排列着汤碟和三明治,柜台后面大约有20来个饥肠辘辘的人,有些吵杂。这时,站在我前面的一个学生转过身来,朝我笑了笑。我认出他是写作班上坐在我对面的一个学生。他说他叫陈乔治（George Chan）。     

“山寨通胀”下的“个性紧缩”——从一句话和一部电影说起

秋风送爽,丹桂飘香。这是一句话,一句频频出现在各大报纸,期刊;演讲,报告;庆典,致辞里面的开头语。这句话在网上搜一下,会有一万五千多条的相关信息。     

Chinese Independent Documentary Films: Alternative Media,Public Spheres and the Emergence of the Citizen Activist

This article argues that contemporary independent documentary filmmaking in China has been used as a tool by Chinese citizens to intervene in the public sphere and to provoke social change. I therefore propose to look at the phenomenon of Chinese video activism under the umbrella of alternative media. In particular, I take into consideration the “rhizomatic” media approach, which focuses on the interaction of alternative media with authority, the market and civil society. The case studies I present consist of several documentary projects completed between 2004 and 2010 that opened up spaces of dialogue between filmmakers and local authority, mass media and civil society. The paper claims that documentary films have an impact on audiences, whose members are consequently motivated to engage in discussion and action. I argue that activist video-making in China is reshaping the identity of urban citizens: through filmmaking, urban citizens claim their right to access information and demonstrate their will to participate and intervene in social issues.     

Documentary Evidence and the Medieval Pottery Industry

EARLY in my study of the medieval pottery industry it became clear to me that, contrary to general belief, a reasonable body of documentary evidence bearing on the industry had survived, but that it would take some years to assemble and interpret. There is no corpus of documents from which to begin, for surviving evidence is not only scattered in a very wide variety of documents, but is also dispersed geographically in a number of local record repositories. It might seem sensible to delay publication until a larger proportion of this evidence has been studied, or at least to avoid analysis and generalization at this stage; but pottery and potters are of interest to archaeologists here and now, and there is nothing written on the industry save assemblages of unrelated facts, often strung together from widely different periods. An effort has, therefore, been made to assemble the material so far available into a coherent pattern. Since this is the first time that this has been done, the result will probably require drastic modification in a few years' time. If the interim report here presented stimulates others to prove it wrong, this paper will have achieved at least one of its purposes.¹     

《松漠纪闻》史料价值举例

《松漠纪闻》记载了女真民族的起源和发展壮大 ,叙述了北方各民族丰富多彩的社会生活 ,其中有关金朝科举及职官制度方面的记述也有很高的史料价值。     

文献考古方法论刍议

中国的古典文献浩如烟海 ,对中国考古学研究的重大贡献和意义是公认的。然而 ,一旦触及到具体问题时 ,文献的引用与理解又往往成为考古问题争议的焦点。十多年前有关夏文化讨论以及“汤亳”等相关问题的大辩论① ,对于有关文献的使用 ,仁者见仁 ,智者见智 ,莫衷一是。这虽然是学术研究中的必然和自然现象 ,但也充分暴露出我们对于文献在考古中的应用 ,缺乏方法论式的规范化 ,导致讨论共同的问题却没有共同的认识论的平台 ,于是达成共识的可能性很小。因此 ,对于中国考古学来说 ,建立文献考古方法论是十分必要的。一、文献考古方法论的定义“…