Bad Language and BBC Radio Four in the 1960s and 1970s

In the late 1960s and early 1970s there was a new intensityto complaints from listeners to BBC Radio about the strong languagethey heard on the air. There had long been a public expectationthat the BBC had some form of ‘guardianship’ overthe English language, but there was also now a desire from manyproducers within the BBC to reflect contemporary society moreclosely than it had done in the past, and the use of demoticspeech in dramas and documentaries was one dimension of thischange. Such a desire was part of a broader move towards ‘decensorship’in literature, film, theatre, and popular mores in Britain inthis period. The tension this caused between broadcasters andlisteners was especially acute on Radio Four—the main‘broad brow’ speech network of BBC Radio, and onecharacterized by a fiercely conservative audience. Through previouslyunpublished records of its internal discussions between c.1968and c.1979, this article explores the response of the BBC tolisteners’ complaints and press coverage about swearing.It suggests that BBC Radio reacted strongly to audience concern,but that wider anxiety about the reputation of the BBC as awhole also affected decisions over language. In so doing, itillustrates a previously neglected dimension to the BBC's taskof negotiating a precarious consensus on matters of taste anddecency.     

Imagined homeland: landscape painting in Palestine in the 1920s*

Abstract. This essay examines the proposition that landscape representations both reflect and endorse national ideology. By studying in detail selected landscape paintings by Jewish artists in pre‐State Israel some of the assumptions linking landscape and nationalism will be revisited. In particular, I shall challenge received notions in Israeli art historiography that interpret the numerous landscape paintings of the 1920s as directly expressing the identification with Zionism – the Jewish national movement. Analysis of the subject repertoire reveals that artists usually ignored images of the Zionist settlement in Palestine. They preferred instead to depict oriental countryside or ancient cities in an emblematic idealistic manner supported by stylistic borrowings from contemporary French painting. The country in these paintings is more an idea than a reality. Yet they evoke neither the biblical past nor a Zionist futuristic vision, but rather an oriental Arcadia of an unspecified time.     

Men Want Something Real: Frank Buchman and Anglo-American College Religion in the 1920s

In 1925 a Princeton University alumnus told a group of faculty that "men want something real." He felt that students at Princeton and other universities were trapped in institutions historian George Marsden later described as increasingly secularized and secularizing. Their education was too theoretical and their Christianity was too conventional. Caught in such a place, young men wanted some kind of real-life experience, unmediated by books or instructors. They wanted excitement and intensity, the kind their predecessors found in the Great War. In place of immorality, or conventional Christianity, evangelist Frank Buchman organized a cell group movement where men could get an exciting religious experience. He repackaged Anglo-American evangelicalism so it would appeal to modern young people. The movement began in America, but soon included elite college students in Britain as well. It focused particularly on "key men," vital to Buchman's goal of remaking the world.     

20世纪60～90年代爱国卫生运动初探

20世纪60～90年代的爱国卫生运动尽管在"文化大革命"时期不同程度地受到"左"倾思想的干扰,但仍持续发展,特别是党的十一届三中全会以后,随着经济的发展和社会的进步,其内容更加丰富,已成为社会主义现代化建设事业的重要组成部分.爱国卫生运动的历史告诉我们党和国家对爱国卫生运动的重视和领导是我国卫生防疫事业取得不断胜利的根本保证;教育、动员和组织人民群众参加爱国卫生运动是我国独具特色的卫生防疫事业的有效工作方式;爱国卫生运动与其他工作相结合、突击性与经常性相结合、治本与治标相结合是推动卫生防疫事业发展的重要方法.     

A Guarded Courtship: Soviet Cultural Diplomacy in Iran from the Late 1940s to the 1960s

By bringing to bear previously unstudied Soviet archival documents and conducting firsthand interviews with former diplomats, the article traces the ways in which the Soviet Union sought out opportunities to reinvigorate deteriorated Soviet?Iranian ties through cultural organizations and events in Iran during the decades following World War II. A variety of Soviet cultural representatives—from wrestlers to classical musicians to scholars of Iranian literature—were marshaled for this effort, which bore unexpected fruit considering the modest expectations of the Soviet leadership, ideological differences between the two countries, and increasingly dominant US cultural projection. The connections between cultural ties and state goals, Iranian perceptions of Russia, and the Soviet/Russian sympathies of some members of the shah’s government are among sub-themes examined.     

从"再造"国民党到"以党治国":论20年代末至30年代初孙科的政治主张

1927年国共分裂后,国民党开始了新一轮的权力重组的过程,蒋介石凭借军事实力,很快占据了国民党的权力中心.     

19世纪末至20世纪20年代美国外交思想探析

从19世纪末叶以来,美国外交思想经历了从孤立主义向所谓的“国际主义”的转变,这种转变到了第一次世界大战爆发后基本完成,其核心内容是美国借助着强大的经济、军事和化力量,大踏步地迈向国际政治竞技场,实现这一时期绝大多数美国领导人梦寐以求的世界领袖地位。然而,这种转变在国内外遇到了强大的阻力,最终把美国的世界领袖梦想化为烟云。不过,美国的政治、经济和战略等利益已经使美国无可解脱地与世界联系在一起。就美国外交而言,这是一个不可逆转的趋势,美国人厌恶卷入大洋之外政治事务的传统心态由此正发生着变化,这也预示着美国力图充任世界领袖的时代正在缓慢地到来。     

Constructing National Identity: The Image of the Medieval Grand Duchy of Lithuania in Lithuanian Art from the 1920s to the 1990s

Abstract

This article provides an overview of the ways in which the image of the medieval Grand Duchy of Lithuania, intended to awaken the national pride and contribute to the building of the national identity, was constructed by artistic means in the Republic of Lithuania during the 1920s and 1930s. It contains a brief discussion on the genesis of the image of the Grand Duchy, including the selection of appropriate historical heroes and events, and the main aspects of their interpretation. The article analyses some of the most striking and influential examples of the image of medieval Lithuania, such as the celebrations of the 500th anniversary of the death of Grand Duke Vytautas the Great in 1930 and art works created for that purpose, the decoration of public buildings (for example, the Museum of War and the Officers’ Club in Kaunas, and Lithuania’s pavilion in the New York World Fair of 1939). It also looks briefly at the dissemination of the image of the Grand Duchy of Lithuania in popular culture. The article also touches on isolated efforts by a number of intellectuals to warn of the dangers inherent in the extreme glorification of the past. The image of the medieval Grand Duchy of Lithuania, created in interwar Lithuania, was preserved during the period of Soviet occupation. After the restoration of Lithuanian independence in 1990, this image had a significant influence on the mentality and culture of Lithuanian society at the turn of the millennium. In this respect the situation in Lithuania could be treated as a case study, for a similar relation to the past can be encountered in other European post-Communist countries faced with the problem of creating a new identity.     

评“1920年代的中国”国际学术研讨会

2004年7月25—29日,正是酷热难熬的盛夏时节,中国社会科学院近代史研究所中华民国史研究室、《近代史研究》编辑部和四川师范大学历史系,在历史悠久,景色雄浑,而又气候宜人的塞上名城银川市联合举行“1920年代的中国”国际学术研讨会。