The theatre of social change: nobility,opera industry and the politics of culture in Bologna between papal privileges and liberal principles

In Bologna, after Rome the second biggest city of the Papal States, the Teatro Comunale played a major role in the city's cultural self-representation from the eighteenth century. After the Unification of Italy local politicians and the rising middle class used the theatre - together with the famous university, the Liceo musicale and the Pinacoteca - to present Bologna as one of the young nation-state's cultural capitals. A study of Bologna's opera house as a social institution highlights social, cultural and political processes and conflicts which marked the transition from the papal regime to the liberal nation-state. Bologna's nobility, which owned the theatre's prestigious private boxes, opposed the idea of democratically elected politicians and professional experts determining the fate of their theatre, the theatre which for centuries had provided the preferred backdrop for staging their social status.     

Large-scale content analysis of historical newspapers in the town of Gorizia 1873–1914

We have digitised a corpus of Italian newspapers published in 1873–1914 in Gorizia, the county town of an area in the North Adriatic at the crossroad of the Latin, Slavic and Germanic civilizations, then part of the Habsburg Empire and now divided between Italy and Slovenia. This new corpus (of 47,466 pages) is analysed along with a comparable set of local Slovenian newspapers, already digitised by the Slovenian National Library. This large and multilingual effort in digital humanities reveals the statistical traces of events and ideas that shaped a remarkable place and period. The emerging picture is one of rapid cultural, social and technological transformation, and of rising national awareness, combining the larger European pattern with uniquely local aspects.     

社会心理学视域中的“社会认同”

社会认同理论是二十世纪八十年代以后逐渐兴起的社会心理学理论。伴随着全球化浪潮与社会认同、自我认同危机的逐渐显现,社会认同理论逐渐蔓延到社会学、政治学、民族学、人类学等社会科学研究之中,成为当代社会、文化、族群心理研究的重要理论之一。为了使我们更好地了解、运用社会认同理论,本文从社会心理学的角度就社会认同的概念、内涵及形成机制、支撑体系进行了梳理。     

Postcolonial cultural governance: a study of heritage management in post-1997 Hong Kong

This paper seeks to unpack the politics of heritage preservation in post-1997 Hong Kong. Referring to international frameworks on heritage preservation, it seeks to position Hong Kong’s cultural resource management on par with international discourses for the advancement of heritage governance. Debates surrounding heritage are indeed a part of the wider picture of Hong Kong’s cultural and identity politics and the Hong Kong-China relationship. By examining various contested cases of heritage conservation, and by linking those debates back to the government’s responses within the context of cultural governance, we suggest that heritage management has become a hot stove for cultural politics in post-colonial Hong Kong with deep repercussions in the political, social and economic spheres. The paper examines the rising social debates concerning the removal and conservation of built heritage, and the various government attempts to address these debates. It argues that the current heritage governance mechanism has failed to meet social needs and provide an articulated heritage policy. We propose that a coherent organisational structure is required to better accommodate diverse and contradictory views and discourses surrounding heritage and cultural governance and to tackle the various cultural challenges in postcolonial Hong Kong.     

西方国家历史文化旅游发展的现状和趋势

本文总结了历史文化旅游的特点。进而预测西方历史文化旅游将有如下发展趋势:1.文化吸引物的管理、筹资与营销变得更专业化;2.在全球化和区域化的背景下,政府和企业的强力推动使文化吸引物供应过剩,同时文化产业内部合作的缺乏,最终导致竞争的加剧;3.广泛运用网络、信息、虚拟等高新技术;4.必须采取新的手段来适应游客体验不断变化的特点。我们可以增加新项目、利用新主题组合旅游吸引物、举办大型城市或地方文化活动来吸引越来越多的旅游者和休闲者。     

The New Museum Folkwang in Essen. A Contribution to the Cultural and Economic Regeneration of the Ruhr Area?

Abstract

The “Bilbao effect” shows that major cultural investments can contribute to the regeneration of old industrial cities and regions. Four different contributions can be distinguished: the (1) direct economic effects of such an investment; (2) social functions of a cultural institution which often serves as a point of contact for local and regional elites; (3) symbolic functions as an expression of a new regional identity and (4) cognitive functions, for example, the contribution to regional diversity and the cross-fertilization of ideas. Taking the example of a major cultural investment in Germany, namely the renovation of Museum Folkwang prior to the European Capital of Culture RUHR.2010, this article discusses the economic, social, symbolic and cognitive contributions of this investment to the economic transformation of the town and the Ruhr area, which is now one of the largest urban agglomerations in Europe. A Bilbao effect was not intended and did not take place. The museum, however, contributed to the incremental transformation of the town by creating a different image of the town, its role as a meeting place and point of identification for local elites and companies and its contribution to the emergence of an integrated cultural district.     

‘A strong and prosperous condition’ — the geography of state building and social reform in Peter the Great's Russia

The point is often made that the rise of the modern state in Europe provided models which have been influential, if not actually copied, across much of the rest of the world. In Russia during the reign of Peter the Great (1682–1725), not only was the tsar aware of the European experience of state building, but consciously strove to base many of his political and social reforms on European models. Peter aimed at sweeping reform of the Russian state and society in the attempt to bring them into the modern world. The paper argues that the reforms were necessarily geographical, involving an attempt radically to reconstruct the country's economic and social geography. The focus is upon the spatial implications of reform, including the founding and development of the city of St. Petersburg as an experiment in social reconstruction. In the event, Peter's success was only partial, and the end product quite different from the models which had influenced his reforms. It is argued that this relative failure derived not only from the widespread resistance to reform but also from geographical, social and cultural circumstances peculiar to Russia. Greater scholarly sensitivity to the social and cultural contexts in which state building occurs might stimulate more cross-cultural and comparative perspectives and enrich this important area of social theory.     

European Capitals of Culture: elitism or inclusion? The case of Stavanger2008

Who participates in the European Capital of Culture? This article analyses participation in Stavanger, European Capital of Culture (ECOC) in 2008, drawing on data from a survey conducted among a cross-section of the population of the city and its closest surrounds. It examines whether there is systematic variation in the number and type of events attended across key social background characteristics such as gender, age, education and income, as well as interest in culture. It finds systematic, but small differences between the genders, age groups and people of different educational attainment, and no differences between people with high and low income. Participation levels are high in all social strata. However, interest in culture is an important predictor of participation. Differences in social background and cultural interest matter more for participation in high-brow events. The authors conclude that the ECOC event was fairly inclusive of different population segments.     

Advancing culture’s role in sustainable development: social change through cultural policy

ABSTRACT

This paper examines the potential for cultural policy to shape sustainable development in the context of expectations arising from research and policy work on development. We use, as the basis of a critique, the categorisation of the relationship between culture and sustainable development proposed by a major study funded by the European Union, being emblematical of how researchers and policymakers understand this relationship. The critique highlights a need for multiscalar social change, towards revaluing relations with the natural world, and reforming social relations between producers and consumers. This paper locates cultural policy as an arm of governance, with the capacity to lead social change across several interdependent pathways (revaluing technological change; fostering an aesthetic appreciation and environmental ethical consciousness; and pro-social behaviour) alongside the development of more sophisticated governance frameworks. The paper further proposes that through (re)education, cultural policy can and should play a more active role in shaping social change.     

Beyond race: constructions of ‘Europeanness’ in late-colonial legal practice in the Dutch East Indies

This article proposes to introduce the study of European identity into colonial history and vice versa. It analyses the ways in which the legal classification of the population functioned in late-colonial Indonesia. A close inspection of this case reveals that the oft-cited fundamental colonial difference between ‘ruler’ and ‘ruled’ was in reality not nearly as clear-cut. The concept of ‘Europeanness’ – as opposed to ‘Whiteness’ – is highlighted as the category at the center of colonial hierarchy. This leads to a re-evaluation of the relative significance of various differentiating categories in the colonial context, most importantly race and class. The author concludes that by not taking ‘Europeanness’ seriously as an independent category, scholars of ‘cultural racism’ have tended to overemphasise ‘race’, with the consequence of oversimplifying the complex, multi-layered nature of the colonial social hierarchy.     

Communism and Museums in Bulgaria

Despite the growing interest in Eastern European countries since the fall of the communist regimes in the late 1980s, they still remain obscure to Western Europeans. Media information on Eastern Europe focuses mainly on politics or the attractions of holiday resorts and, consequently, the history and local customs of the countries, their cultural affairs and different cultural institutions are little known. This paper describes the way Bulgarian museums developed during the governance of the Bulgarian Communist Party (1946–1989). It is hoped that revealing information on their operations within a broad historical and social context will lead to a better understanding of the country’s cultural affairs at a time when Bulgaria has become the latest member of the European Union. The findings are a result of PhD research.     

Entangled Memories: How to Study Europe’s Cultural Heritage

A fruitful direction for research on the European cultural heritage is to adopt a transnational approach. Rather than see cultural heritage as predominantly expressed in national contexts, it could be seen as primarily transnational and as plural. Such a view would also suggest a conception of national histories as themselves products of transnational encounters. In this perspective, the European dimension is not then necessarily something over and above nations, but part of their heritage. Moreover, as fundamentally transnational, the European heritage is not exclusively confined to Europe. Cultural heritage is not something that is fixed or based on an essence; it is produced and reinterpreted by social actors in different but overlapping contexts. This is also an interpretative approach that draws attention to the entangled nature of memories and especially the cultural logic by which new conceptions and narratives of heritage emerge from the encounter and entanglement of different memories. Such an approach offers new opportunities for comparative research on the European heritage as an entangled mosaic of histories and memories. This approach thus rejects not only particularistic but also universalistic ones such as alternative Eurocentric accounts.     

‘The best thing ever’: how children's popular culture matters

This paper reflects upon a popular cultural event which was, briefly, for a particular grouping of children in the UK, ‘the best thing ever’: namely the release of the CD-single Reach, by the British pop group S Club 7. I suggest that this event was illustrative of manifold cultural forms and practices which—being ostensibly banal, fun, faddish, lowbrow and ‘childish’—continue to go largely unheralded by many social/cultural geographers. Against this grain, this paper presents three apprehensions of S Club 7’s significance. First, I restate a particular case made via Anglo-American cultural studies that ‘children's popular culture’, ought to be taken more seriously in contexts salient to social/cultural geographers. Second, I detail how the S Club 7 phenomenon existed, practically and materially, and mattered, in some children's everyday lives. Third, refracting cultural geographers' recent apprehensions of affective, evental aspects of cultural practices, I suggest that the pop cultural phenomenon described herein mattered (to those children, there and then) in ways which elude and exceed canonical scholarly habits of writing/knowing popular cultural phenomena.     

中世纪晚期西欧乡村工业及乡村纺织业的兴起

中世纪晚期西欧乡村工业的发展蔚为壮观,其时乡村工业主要有家庭副业、家庭作坊和分散的手工工场等形式。西欧乡村工业的重心是在不断变迁的,其生产规模也在不断扩大;以市场为中心、以利润为目标使乡村工业逐渐从农业中脱离出来,这样与所谓的“原工业”相连接了。西欧乡村工业中最为突出的是纺织业,自然资源、技术与分工、农业商品化、乡村劳动力、市场需求等因素都是乡村纺织工业勃兴的原因。中世纪晚期西欧乡村工业的发展是西欧社会工业化或现代化的前奏。     

Creating Cultural Identity: Opus anglicanum and its Place in the History of English Medieval Art

The term opus anglicanum, as a designator of English national identity associated with embroidery and textiles, is unknown in any document written in England during the Middle Ages, but is used in papal and other European archives. The term has been questioned by a number of scholars who have suggested it may be a generic name used to describe a particular technique of attaching gold thread to an embroidered textile (underside couching). It is suggested in this article that the phenomenon of opus anglicanum during its golden age c. 1200–1400 was part of a wider European cultural development at a time when an appreciation of cultural identity as a transnational phenomenon emerged. The article goes on to examine the relationship between English pictorial artists and the craftswomen and men who made these textiles. It concludes with a case study of the orphrey associated with the Daroca Cope in Madrid — now associated with a designer in the artistic circle of the artist of the Wilton Diptych. The respect for, and reuse of, these works of art (many of which have survived through the care taken to preserve them in cathedral treasuries and private collections up to the present day) is an element in their continued importance as a part of our shared European heritage.     

European integration through ‘soft conditionality’. The contribution of culture to EU enlargement in Southeast Europe

Abstract

This article discusses how the European Commission employs cultural policy to facilitate EU enlargement processes. Since 1989 the European Commission has funded cultural programs in accession states as a ‘soft’ complement to its ‘hard’ conditionality. It reflects a more general trend in which the EU employs alternative modes of governance to deal with resistance against EU interference in national affairs. By investing in culture, the EU hopes to stimulate transnational cooperation, economic growth, social cohesion and identification with the EU. However, the outcomes of these investments cannot be predicted. Characteristic for soft policy programs is that participating states are responsible for their eventual interpretation and implementation. By comparing the policies and practices of EU cultural investments in accession states Southeast Europe, and particularly in Serbia, this paper discusses the limits and possibilities of EU funded initiatives to enlargement revealing an increasing governing through soft conditionality.     

A ‘Europe of the regions’? A view from Liverpool on the Atlantic Arc periphery

The paper attempts to address recent debates surrounding the supposed emergence of a ‘Europe of the Regions'—from the perspective of a city situated at the core of a lagging region’ on the European periphery, Liverpool. After briefly exploring whether the social and economic regeneration of Liverpool makes sense in this European context, the paper attempts to explain why the city's political participation in Europe has hitherto been relatively limited, drawing upon a combination of economic, social, political and cultural factors. Some of the constraints and choices that the city is facing in its attempts at urban regeneration are used to throw light on broader issues surrounding local and regional development in the European context and political and policy lessons are suggested.     

社交媒体时代的博物馆信息传播——以徐州博物馆为例

社交媒体时代下互联网与手机应用等新媒体技术的兴起,构建出覆盖全球的信息网络,以博物馆为锚点的连接,辐射向更广阔的文化景观与观众群体。社交媒体为一些鲜少涉足博物馆的潜在观众群提供了多种渠道互动沟通的可能。从社交媒体与受众群体的内容和特点入手,可将博物馆社交媒体的运营模式分为平台型、社群型和泛在型三类。从徐州博物馆与国内外博物馆在这一领域的实践探索来看,社交媒体在博物馆信息传播中已有一定的创新应用,收到较好效果,但也面临新的挑战。     

IMAGINED DIVERSITY

The period that takes in the first term of New Labour in Britain also spans the empowerment of a new elected National Assembly for Wales and the designation of Objective One European structural funds to parts of Wales. Analysis of cultural policy documents from those years finds that the endorsement of an eclectic cultural style as a collective identity for a diverse citizenry is compromised by the implication that it is the Welsh language, rather than diversity itself, that signifies diversity. Scrutiny of proposals for, or assertions about, a “branded” cultural identity reveals inconsistencies between the cultural practices of place‐based communities and the opportunistic affiliations that are deployed in the interests of social and economic development in a “new” information economy.