The role of classical music in the construction of nationalism: a cross‐national perspective

This paper explores the role of classical music in the construction of nationalism in the twentieth century. It takes its point of departure in the Danish composer Carl Nielsen and analyses competing interpretations and receptions of his works. The paper seeks to move beyond the single case study. Hence, it includes three additional cases: the Soviet composer Dimitry Shostacovich (particularly the reception of his 5th Symphony); the position of Paul Hindemith in the Third Reich; and finally the development in Aron Copland's oeuvre. In so doing, it aims to clarify the relationship between classical music and nationalism.     

Romanticism,music, nationalism

In manifold ways, the stylistic and performative features and evolving genre conventions of nineteenth‐century ‘classical’ music reflect the increasing grip of nationalism on cultural attitudes in Europe. Conversely, music could become an important medium for the expression and dissemination of nationalist ideals. A cross‐national, European‐wide survey of this interpenetration between musical and ideological developments is applied towards a tentative typological outline of ‘musical nationalism’.     

The nation as the cradle of nationalism and patriotism

This paper argues against dismissing as ‘populist nationalism’ every positive view of one's nation and ignoring patriotism as its antithesis. The European nation exists in two senses: as a large ‘social group’, a community of real people, and as an abstract community of cultural values promoted by intellectual elites grounded in a humanities‐based education. The widespread prejudice that condemns every positive expression of one's relationship to the nation has proved counterproductive because it has prompted ever stronger spontaneous reactions in the form of primitive nationalistic egoism. This has weakened the commitment people feel towards their nation and the humanistic potential that the nation possesses as a cultural community of values. Consequently, anti‐national European intellectual elites bear some responsibility – along with those preaching neoliberal individualism – for the success of populist demagogues and the decline in patriotic values. Given the state of education today, a revival of humanist culture for national elites seems impossible, making the continued rise of primitive nationalism appear unstoppable.     

Musical constructions of nationalism: a comparative study of Bartók and Stravinsky

Abstract. This article argues that music, and in particular the history of music, can make a considerable contribution to the study of nations and nationalism and illustrates it by analysing Béla Bartók and Igor Stravinsky, relating these analyses to significant debates within theories of nations and nationalism. Within studies of nations and nationalism the article concentrates on the different interpretations of the term ‘construction’ expressed in the works of Eric Hobsbawm and Anthony D. Smith.     

Alfred Marshall's economic nationalism

ABSTRACT. Alfred Marshall has been seen as an economic liberal and one of the founders of the neo‐classical school. However, this article challenges such conventional wisdom and argues that Marshall is best understood as an economic nationalist. Economic nationalism has been falsely associated with mercantilism, the zero‐sum view of international economies, and so on. However, a new approach for studying economic nationalism has recently been proposed to redefine its conception. The present article shows that Marshall's economic thought is compatible with this new conception of economic nationalism. Marshall emphasised the role of nationality in the economic process. The characteristics of his economic thought, such as the evolutionary view of economy, conform more closely to Friedrich List's economic nationalism than to economic liberalism. By portraying Marshall's theory as that of economic nationalism, the author concludes that economic nationalism can have a systematic theory.     

Losing the peace: Euroscepticism and the foundations of contemporary English nationalism

ABSTRACT. Political resistance to European integration in the UK laid important ideological foundations for contemporary English nationalism. The politics surrounding accession to the European Economic Community (EEC) was such that it signalled that accession was a matter of supreme national importance and, via the device of a referendum, it led to the fusing of parliamentary and popular sovereignty. The unfolding of the Thatcherite project in Britain added an individualistic – and eventually an anti‐European – dimension to this nascent English nationalism. Resistance to the deepening political and monetary integration of Europe, coupled with the effects of devolution in the UK, led to the emergence of a populist English nationalism, by now fundamentally shaped by opposition to European integration, albeit a nationalism that merged the defence of British and English sovereignty. Underpinning these three developments was a popular version of the past that saw ‘Europe’ as the ultimate institutional expression of British decline. Thus Euroscepeticism generated the ideology of contemporary English nationalism by legitimising the defence of parliamentary sovereignty through the invocation of popular sovereignty underpinned by reference to the past.     

Hans Kohn: the idea of secularized nationalism

More than seventy years after its publication, Hans Kohn's 1944 The Idea of Nationalism is still regarded as a ground‐breaking contribution to the study of nationalism. This essay is aimed to highlight a significant theme in this work which has largely gone unnoticed, namely, the pivotal role of religion and secularism in Kohn's account of nationalism, and especially, in his persistent struggle for a ‘perfect’ nationalism. Kohn's conception – and personal experience – of the relationship of nationalism and religion will be examined through several stages of his turbulent life. First, as a young Zionist in Prague, when he parlayed Martin Buber's Zionist creed into an ethnic concept of nationalism. Then, in Kohn's journalistic writing in the 1920s and in his first theoretical works on nationalism in the years 1929–1942. Finally, Kohn's more mature and crystallized account of nationalism in his 1944 book will be revisited from the perspective of the nationalism–religion relationship.     

The growth of artistic nationalism in Senegal

ABSTRACT. In the 1960s, Senegal's first national leaders narrowly defined how artists should practise nationalism through their work, particularly in the weaving craft, and enforced this definition through selective state patronage. This ideological and stylistic control echoed state control over economic markets. As subsequent administrations have restructured the economy, leading to a powerful informal business sector, so have independent contemporary weavers redefined artistic nationalism. Using ethnographic and archival interviews, this article examines nationalism in Senegalese weaving, placing the perspectives of contemporary weavers alongside those of two arts administrators who helped to develop state‐sponsored programmes in the 1960s and 1970s. I argue that contemporary weavers find inspiration from Senegalese nationalism of the mid‐twentieth century, yet have modified it to encompass individual expression. Because definitions of artistic nationalism in Senegal have shifted, it remains a significant ideology within the national arts scene.     

The national question: sociological reflections on nation and nationalism

The sociology of nation, national identity and nationalism has long been the subject of benign neglect. After examining the few positive contributions made by classical writers, we attempt to explain why the contribution of classical theory to the field is unreliable. In common with others we find that, for all that classical theory might treat the prominence of nation, national identity and nationalism as a passing phase, it in fact takes the existence of all three as givens to such an extent that they and their effects become invisible. But the sociology of nation and nationalism reached a turning point with the publication of Elie Kedourie's influential work in 1960. We explain the effect of this work on later writers, especially Ernest Gellner and Anthony Smith, and survey the work of these and other contributors to the field with an eye to their differences and similarities. We identify various stages in the development of the sociology of nation and nationalism, culminating in the most recent stage in which the significance of the subjective aspects of nationalism has received increased attention. We think there is room for a multiplicity of approaches to the subject and stress its central significance to sociology. We explain why nation, national identity and nationalism are certainly not in decline and suggest where the most fruitful lines of inquiry lie for future research.     

Varieties of nationalism in the political discourses of Habsburg Austria

Nationalism in the Habsburg Empire is traditionally viewed through an ethnic lens. Despite a growing literature on ‘national indifference’ that studies nationalism in Habsburg central Europe from a constructivist perspective and advances our knowledge concerning variations in national identifications, the nationalism implied in these works remains largely limited to an exclusionary ethnic type. This reductionist view of central European nationalism mirrors the traditional dichotomy of ethnic ‘Eastern’ versus civic ‘Western’ nationalism. In order to avoid this reduction, this article approaches nationalism as a thin-centred ideology and explores varieties of nationalism in Habsburg Austria during the long 19th century. Although certain ideational paths made ethno-nationalism appear, retrospectively, as a quasi-natural feature of central Europe, the findings show that there developed rival discursive traditions of nationalism and competing representations of nation.     

Between religion and nationalism in the Palestinian diaspora

This article examines Palestinian refugee articulations of the Palestinian homeland and struggle in relation to religion and nationalism. My contention is that the impact of Hamas's electoral victory in Palestine is visible within the discourse of Palestinians in Jordan. This discourse suggests a transformation of the meaning of Palestinian nationalism in which religion is taking an important albeit complex role in nationalism. Using the concept of intertwining, this article considers how Islam has been intertwined with Palestinian nationalism in ways that have privileged particular ideas about the national homeland and fight for liberation. While many suggest that Islamist politics is incompatible with nationalism, this article takes the local discourse of refugees and argues that Hamas and its supporters have yet to abandon the framework of nationalism, although certain tensions exist.     

‘Rocking the nation’: the popular culture of neo‐nationalism

The aim of this paper is to understand contemporary forms of nationalism in a socio‐political context in which neo‐nationalism has obtained a dominant role not just in politics but in public discourse and in the cultural field as well. It investigates the emergence of a particular music scene in the beginning of the 21^st century, shaped by rock bands and performers and supported by far‐right political actors, which has made the ‘national’ imagination emotionally and ideologically appealing to a considerable part of Hungarian society and first of all to young people.     

Theorising economic nationalism*

Abstract. Economic nationalism has been regarded as a set of attitudes rather than a coherent theory. However, by using Durkheim's analytical framework and bringing the concept of the nation into political economy, the author argues that economic nationalism can be provided with a systematic theory. This theory for economic nationalism helps us to grasp the reciprocal relationship between the political and economic power of the nation‐state. Economic modernisation, especially industrialisation, needs the powerful state, and the state derives its power from the nation. Economic development can amplify the social imaginary of the nation by expanding mobilisation and communication. Protectionism, industrial policy and Keynesian policy can strengthen not only the economy but also nationalism. The proposed theory for economic nationalism thus paves the way for understanding the role of nationalism in political economy.     

No place for ‘Kashmiri’ in Kashmiri nationalism*

Language is often taken as a primary differentiating factor between people as it functions as a vehicle of cultural expression, thus becoming one of the primary markers of identity. In the history of nationalism, language has always enjoyed a privileged position. Not only had the German Romantics such as Herder and Fichte held language as the fundamental characteristic of a nation, but modernist scholars such as Anderson, too, have given language a central place in their respective assessments of nationalism. In Anderson's analysis, ‘languages of power’ enable an imagined community to become real. However, are all nationalisms glotto‐centric? If not, why not? This article takes the case of Kashmiri nationalism, or the Tehreek, to demonstrate that language and nationalism are not necessarily codependent. The paper will first explain why Kashmiri never came to become a language of power in the region and how the disadvantaged position of the Kashmiri language precludes/d it from having any significant role in Kashmiri nationalism. Second, the paper argues that the multilingualism of Kashmiris has turned out to be a blessing in disguise for the Tehreek and allowed Kashmiri nationalism to assert its civic character.     

Anti‐nationalist nationalism: the paradox of Dutch national identity

Academic research on contemporary Dutch nationalism has mainly focused on its overt, xenophobic and chauvinist manifestations, which have become normalised since the early 2000s. As a result, less radical, more nuanced versions of Dutch nationalism have been overlooked. This article attempts to fill this gap by drawing attention to a peculiar self‐image among Dutch progressive intellectuals we call anti‐nationalist nationalism. Whereas this self‐image has had a long history as banal nationalism, it has come to be employed more explicitly for political positioning in an intensified nationalist climate. By dissecting it into its three constitutive dimensions – constructivism, lightness and essentialism – we show how this image of Dutchness is evoked precisely through the simultaneous rejection of ‘bad’ and enactment of ‘good’ nationalism. More generally, this article provides a nuanced understanding of contemporary Dutch nationalism. It also challenges prevalent assumptions in nationalism studies by showing that post‐modern anti‐nationalism does not exclude but rather constitutes essentialist nationalism.     

Between cosmopolitanism and nationhood: Italian opera in the early nineteenth century

The revival of interest in music evident in recent historiography has led to an investigation of the specifically transnational nature of musical languages and practices. This article explores the possibility of re-reading in a transnational perspective the classical theme of the relationship between the Risorgimento and opera. It focuses on two different points of view: on the one hand, the construction of the librettos as a delicate balance between European romantic narratives and dramatic themes evoking nationalistic sentiments; on the other, the fact that ideas and practices of the theatre as a vehicle of political mobilisation developed in a broad international context where Mazzini and many other nationalists found inspiration in multinational political experiences and discourses. The article concludes by saying that the meanings of terms such as cosmopolitanism and nationalism need to be carefully weighed when we look at nineteenth-century opera production. Only in the closing decades of the century did genuine competition between national traditions arise, which led in Italy to a veritable ‘obsession’ with ‘Italianness’ in music.     

Complexity and nationalism

Classic theories of nationalism, whether modernist or ethnosymbolist, emphasise the role of elites and spread of a common imagined community from centre to periphery. Recent work across a range of disciplines challenges this account by stressing the role of horizontal, peer-to-peer, dynamics alongside top-down flows. Complexity theory, which has recently been applied to the social sciences, expands our understanding of horizontal national dynamics. It draws together contemporary critiques, suggesting that researchers focus on the network properties of nations and nationalism. It stresses that order may emerge from chaos; hence, ‘national’ behaviour may appear without an imagined community. Treating nations like complex systems whose form emerges from below should focus research on four central aspects of complexity: emergence, feedback loops, tipping points and distributed knowledge, or ‘the wisdom of crowds’. This illuminates how national identity can be reproduced by popular activities rather than the state; why nationalist ideas may gestate in small circles for long periods, then suddenly spread; why secession is often contagious; and why wide local variation in the content of national identity strengthens rather than weakens the nation's power to mobilise.     

A flawed perspective: the limitations inherent within the study of Chinese nationalism1

ABSTRACT. Is nationalism in China on the rise? Is it making China more combative in the international arena? More fundamentally: Is a focus on nationalism the most effective intellectual framework for understanding how those living within the People's Republic of China (PRC) are defining their position in contemporary world politics? This article briefly answers each of these questions. It argues that, despite forwarding some compelling insights, previous work on Chinese nationalism has been undermined by a number of major flaws. It then finds that such shortcomings are in no small part a product of the narrowing gaze that a focus on nationalism alone imposes on the study of identity politics. The article then advocates that in place of the nationalism rubric, a turn to the broader question of national identity formation is merited. Utilising this perspective, it concludes by cautioning that incipient splits within contemporary Chinese national identity may portend a more tumultuous relationship between China and the rest of the world in the years to come.     

Nationalism studies between methodological nationalism and orientalism: an alternative approach illustrated with the case of El Greco in Toledo,Spain

Methodological nationalism is still dominant in nationalism studies. When studying the construction of national identities, scholars generally limit their study to the borders of one nation‐state, while only paying attention to members of that particular nation. Implicitly, foreign actors and influences are left out of the picture. I will challenge this methodological nationalism with a case study, which demonstrates that the place of Toledo within the Spanish national imagination, and more particularly that of El Greco, the most important representative of the city's artistic heritage, was largely determined by foreigners. During the nineteenth century, El Greco was rediscovered primarily by foreign scholars and artists. Moreover, it would be the rise of international tourism in the early twentieth century that convinced Toledans to adopt El Greco as the city's main artistic icon. This case, thus, clearly shows that in nationalism studies methodological nationalism can be avoided by also including foreign actors.     

Nineteenth- and early twentieth-century Estonian nationalism revisited

This article revisits the topic of Estonian nationalism during the second half of the nineteenth century and up to the eve of independence in the early twentieth century. It briefly surveys the treatment of the Estonian case in recent larger works on nationalism and then offers an assessment of various issues relating to Estonian nationalism in its early phase, including the suitability of a strictly modernist approach, nation formation and the question of the spread of national consciousness on a mass basis, and the role of cultural versus political aspects. The article also notes the deepening of research on nationalism in post-communist Estonia, especially studies of social mobilisation, ties with neighbouring Finland and Latvia, and the role of Russification. It concludes with a reassessment of the salient elements of Estonian national identity in this period.