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1.
Infante Dom Henrique of Portugal, better known as Henry the Navigator, has enjoyed much attention from historians and public alike. Past writers have elevated him to an icon of chivalry and Portuguese national spirit, or, because of his impact on the early overseas expansion, ascribed to him a Promethean role in the rise of modernity. The works of Sir Peter E. Russell, including his new biography Henry ‘the Navigator’: a life (New Haven, 2000), have made a great contribution to separating the historical Dom Henrique from his ‘culture hero’ counterpart, Henry the Navigator. They represent a key point of departure for new research, which will need to focus on placing Dom Henrique in the context of his times and his contemporaries. Thanks to the dramatic advances that have taken place over the last twenty years in the historiography of late medieval Portugal and of the early European overseas expansion, as well as in the prosopography of the Iberian nobility, it is now possible to aspire to an in-depth contextualization of Dom Henrique's life and career. It is likewise possible to exploit much more fully the existing primary sources, both published and unpublished. The foundation now exists for an histoire totale approach to Dom Henrique, an undertaking called for by Vitorino Magalhães Godinho in his comprehensive 1990 program of research on the Portuguese overseas expansion.  相似文献   

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Cities in developed countries are increasingly challenged by the advent of a global economy that mandates generating creative images of their cities. Meanwhile, it is argued in this study that globalisation, and its Arabic version of Dubaisation, is affecting the sustainability of cities as distinguished destinations because urban representation is influenced not only by ‘standardised global cliché’ but also by ‘standardised local images’ that transforms local cultures into contested heritage as it intensifies an official and civic nexus. The paradox is examined in Jordan, specifically the famously branded ‘city of mosaic’ – Madaba, where the state government is currently competing for attracting international investments and tourism development to achieve neoliberal urban restructuring. Urban heritage representation has been subject to passive dominant official discourse that rests upon orthodox mosaic practices of remote past – a praxis that is not necessarily endorsed by civic Ahl elbalad. The local mosaic heritage has hitherto been transformed into a competing culture that fosters heritage dualities and challenges the internal implications of heritage representation with its elevated feelings of alienation, disempowerment, gentrification and socio-cultural exclusion. A theoretical framework has been suggested for an alternative civic-orientated heritage revival that allows reconciliation between the official/civic nexus yet meanwhile stimulates creative urban images and identities. Other insights are also considered in the study.  相似文献   

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《Central Europe》2013,11(2):181-203
Abstract

In 1884 the prominent nation-builder Jonas Basanavi?ius declared that castle mounds and literature were the only appropriate elements from which to build the Lithuanian nation. Basanavi?ius’s view, this article suggests, had a lasting influence on the public uses of history in twentieth-century Lithuania. The study explores the construction of two iconic images of the Grand Duchy of Lithuania, Trakai Castle and the ‘Palace of Sovereigns’ in Vilnius. Built in the fourteenth and fifteenth centuries, Trakai Castle was once the seat of the Grand Duke of Lithuania, but fell into neglect before its reconstruction in the 1960s. Dating back to the thirteenth century, the Palace in Vilnius deteriorated during the eighteenth century, was dismantled at the beginning of the nineteenth, and has been completely rebuilt since 2000. It is striking that the reconstructions of castles were the largest state investments in culture in both the Soviet and post-Soviet regimes. The reconstruction of Trakai Castle was criticized on economic and ideological grounds by Nikita Khrushchev. The rebuilding of the Palace polarized Lithuanian intellectuals. The presentation compares the intellectual, social, and political rationales which underpinned the two projects and explores the changes and continuities in the uses of the Grand Duchy of Lithuania under the Soviet and post-Soviet regimes.  相似文献   

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ABSTRACT

Sir Edward Grey is remembered largely as Britain's Foreign Secretary when ‘the lights went out all over Europe’ in the summer of 1914. His record remains contested. From David Lloyd George's crafty deception in his wartime memoirs to more recent revisionist historians, writers have sought to blame Grey for the outbreak of the First World War. Drawing on substantial research in private and official, British, and foreign archives, this paper will reconstruct Grey's career as Foreign Secretary with an emphasis on his objectives and the means which he employed to obtain them. Crucially, it places Grey's stewardship of British foreign policy within the broader international context, defined by the steep decline and subsequent renaissance of Russian power in the years between 1905 and 1912/13, with the aim of establishing the limitations of British power. More especially the shift in the international balance around 1913/14 shaped towards Russia, and away from Germany, shaped Grey's calculations during Europe's last summer. The July Crisis showed both the strengths and the limitations of Grey's diplomacy, this persistent and subtle pressing for mediation, but also his misreading of Austro-Hungarian policy.  相似文献   

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Immigrant-receiving societies are increasingly emphasizing the need for immigrants to integrate into mainstream life. In Britain, this trend has manifested itself in ‘social cohesion’ discourses and policies. Discussions about social cohesion have often focused on the residential patterns of immigrant and minority groups in British cities, with the assumption that residential patterns are an indication of social integration. Integration, however, is also a socio-political process by which dominant and subordinate groups negotiate the terms of social membership. We explore the ways in which British Arab activists conceptualize their membership in and responsibilities to their places of settlement; we also consider how they reconcile notions of integration with their connections to their places of origin. Our study participants speak of the need for immigrants to participate actively in their society of settlement, but they reject the idea that integration requires cultural conformity or exclusive loyalty to Britain. Their definition of integration as a dialogue between distinctive but equal groups sharing a given place provides a normative alternative to social cohesion discourses.  相似文献   

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The limitations of the ‘science-in-theatre’ genre is explored and the concept of the intermedial science play is introduced as an alternative to conventional science plays. How the science-in-theatre play dampens the mediality of the stage in order to establish a specific contract with its audience in order to realize what Carl Djerassi calls ‘didactic realism’ is considered. By virtue of the dramatic form and the didacticism it establishes, the science-in-theatre play limits the means by which audiences may encounter and enjoy responding to science. In particular, when staging concepts from the postclassical sciences, the intermedial science play offers artists and spectators new approaches to the sciences of infinities, complexity and emergence whilst also establishing a new, interactive contract with the audience based on forms of pedagogy associated with the thinking of Jacques Rancière. Using the media theory of Peter Boenisch and others, intermediality is identified as more than the mere presence of multimedia, but in terms of the effects it produce on the sensorium of the spectator.  相似文献   

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This paper is concerned with the context of the commissioning and the making of a Youghal lace coronation train, its ‘artistic beauty’, as well as the confusion about where it was worn and its ‘associations’ which, when it was made, displayed and worn, were diverse and complicated. The lace train began its material life in the Presentation Convent in Youghal in the south of Ireland, but had been commissioned then gifted to Queen Mary by the unionist ‘ladies’ of Belfast. Once made, it was exhibited in Belfast and London before its delivery to Buckingham Palace in time for the queen’s departure for India where, according to a number of published accounts, it was to be worn by Queen Mary in the ceremonies surrounding the Delhi Durbar; it was, in fact, worn in Calcutta. Considered one of the most magnificent examples of Irish needlepoint lace ever made, it expressed the loyalty of unionist women, but in its crafting it alluded to the space of nationalist women. The object highlights the workings of the Youghal Lace Cooperative that functioned in much the same way as do today’s fair trade networks (securing markets, returning profits to artisans), while at the same time the object speaks of social relationships, contested spaces, political tensions and agency.  相似文献   

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In the context of a research project concerned with contemporary cafés, the authors have revisited Habermas's famous 1962/1989 work on the transformation of the ‘public sphere’, wherein the figure of the early-modern English coffee-house holds considerable significance. The outlines of Habermas's claims are inspected, and three lines of critique—to do with spatiality, sociability and practices—are held up against his depiction of coffee-houses as contained and egalitarian spaces of calm rational-critical debate. Theoretical work is combined with a re-reading of Habermas's fragmentary notes on the coffee-house, together with borrowings from both secondary texts and republished primary sources. The chief aim is to develop critical materials to inform further inquiry into coffee-houses and similar establishments, past and present, as sites for the practical conduct of public life.  相似文献   

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The article discusses new studies of foreign soldiers in the Italian armed groups of the (Anti-)Risorgimento against the background of recent scholarship on ‘transnational soldiers’, which acknowledges the complexities of foreigners' initial motives for enlistment and of the transnational processes inside the single armies. The article suggests that from the mundane structures of military life to the perceptions of the rank-and-file, many aspects of the soldiering experience in the multinational armed groups on all sides of the Risorgimento actually advanced rather than obviated national boundaries. This paper further demonstrates that the military cultures of the nationalists and the anti-unity forces were much more porous and mutually constitutive than is often recognised. The histories of the ‘transnational soldiers’ in the armed groups of the Risorgimento and Anti-Risorgimento are crucial for a possibly new, comparative history of the armed groups of the (Anti-)Risorigmento. This paper explores approaches of the culturally revived ‘new military history’ and suggests that it provides much still unrealised potential for Risorgimento historiography.  相似文献   

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This paper focuses on Jan Monk's contribution to reinforcing diversity and collaboration in the field of human geography. It illustrates how gendered diversity and feminism is promoted in her academic work both inside the Anglo-American academic world and outside, by exposing the feminist voices from around the world and mainstreaming them in her collaborative work. Fostering and reinforcing diversity has become a body of knowledge in her extensive publications in which she assesses the varying extent and nature of feminist geography in the Anglophone world and across countries, attempting to interpret differences in terms of geographical and cultural contexts and disciplinary trends. The paper emphasizes how fostering diversity and collaboration in Jan's academic work is not only about writing articles, editing books and producing a film, but also engages the formulation of organizational structures such as the Routledge book series and the initiation and establishment of the Commission of Gender and Geography of the International Geographical Union which have contributed to the production of collaborative feminist geographical knowledge across spaces and places.  相似文献   

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This essay examines women's oppression and organizing against gender violence in contemporary Bangladesh through the lens of television. I argue that the telefilm Ayna (The Mirror, 2006), written and directed by popular film actor and women's rights activist Kabari Sarwar, offers a window into the changing social and economic landscape of contemporary Bangladesh and the complex negotiations of power and inequality across gender, class and community. Furthermore, it offers an opportunity to unpack the social messages underlying development and modernization initiatives, the new kinds of alliances as well as dependencies engendered by them, and their multiple and uneven consequences. An investigation of the representations of competing and contradictory notions of women's subjectivity and agency in this telefilm allows us to understand how these intersect with shifting notions of local/global patriarchies, feminist solidarity and women's empowerment in Bangladesh today. Further, this essay illuminates the disjunctures between representations of the ‘new woman’ circulated through development and certain feminist advocacy narratives with women's lived realities of oppression, and survival.  相似文献   

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In 1956, the British Ministry of Health instituted a vaccination programme against poliomyelitis, but run into myriad supply and administrative issues. When Coventry experienced an epidemic in 1957, it came to symbolise these problems. Throughout, it was claimed that the government lacked ‘common sense’. This article explores how and why ‘common sense’ was used as a rhetorical weapon in the debates over policy at the local and national level. While those claiming ‘common sense’ were often at odds with medical and administrative authorities, the arguments were often informed by deeply held beliefs about vaccination and disease.  相似文献   

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This paper describes two approaches to the facial approximation of three individuals from the Wairau Bar burial site (New Zealand). Two individuals were approximated working in direct reference to the remains and incorporated manual drafting. The third individual, ‘Aunty’ (the respectful title given by the iwi Rangitane elders) was approximated from CT scans and using computer graphics. The computer graphic approach enabled a greater level of precision in the application of the research and recommendations that inform a facial approximation, and facilitated collaboration with appropriate expertise. The computer-graphic approach, however, also resulted in a more photographic facial appearance, which can imply a greater level of knowledge about hard/soft tissue relationships than is currently available.  相似文献   

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