Reflexiones en torno al teatro en la producción crítica de Alberdi y Sarmiento

This article examines the important role played by Juan B. Alberdi's and Domingo F. Sarmiento's literary articles in advancing the modern nationalist discourse in Argentina. I argue that in their performance reviews, these two men of letters advocated for the formation of a national theater in an effort to promote a national cultural expression.     

Topoiesis: Procesos de espacialización en la literatura (crítica y metodología)

ABSTRACT

Space in literary texts has been widely studied but poorly systematized. There is no valid method of analysis that gives space a critical meaning. For instance, critics have eluded the fact that time and space cannot be considered separately. On the other hand, they have used concepts or methods from disciplines aside literature such as anthropology, biology, psychology, or geography that do not help clarify the meaning or signification of a literary text. We begin this article by giving a review of the main theoretical and critical positions regarding space in literature from the second half of the twentieth century. We do this in order to evaluate the main results those studies have attained. Later on, we propose a methodology that may clarify the significance of space in a literary text. The concept topoiesis (as far as we know, it has not been used in the humanities) represents for us a key word. It helps us to distinguish one main process where space can turn from a signification practice to the production of meaning in a literary text.     

Literatura y realidad histórica en Las conversiones de Martín Recuerda

Abstract

Kathleen M. Glenn and Mercedes Mazquiarán de Rodríguez, eds. Spanish Women Writers and the Essay. Gender, Politics, and the Self. Columbia: University of Missouri Press, 1998. 294 pp. $34.95.

Watson, Janell. Literature and Material Culture from Balzac to Proust. The Collection and Consumption of Curiosities. Cambridge University Press, 1999. x + 227 pp.

Anne J. Cruz. Discourses of Poverty: Social Reform and the Picaresque Novel in Early Modern Spain. Toronto: University of Toronto Press, 1999. 320 pp.     

Conflicto político en el Poema de Fernán González

This article deals with the ways in which different political conflicts surrounding the emergence, independence, and consolidation of Castile as a political agent are managed and solved in the Poema de Fernán González. It shows how internal conflicts within the Castilian community are settled by favoring an authoritarian vision of leadership, discouraging consensus and shared decision making. Regarding conflicts with other political domains, the poem legitimizes Castilian independence by means of a narrative that makes natural Castilian claims on Visigothic heritage, while at the same time presenting Castile as following legal procedures and as a victim of external aggression.     

Negotiating Human Rights in Icíar Bollaín’s También la lluvia

This essay examines the interpretations of 16th-century and present-day human rights found within Icíar Bollaín’s 2010 film También la lluvia. I argue, firstly, that central to the film is the question as to whether human rights can foster justice and contest the cruelty of (neo)colonialism or if, conversely, they are designed and/or doomed to reinforce colonizing relationships and, secondly, that an interpretation of the film’s ambiguous response might contribute to recent criticism regarding the imperializing tendencies and emancipatory potential of human rights culture. By exploring the film’s self-reflexive and critical considerations of the violence human rights have caused as well as its treatment of spaces in which these rights bring about adaptations, inversions, and transformations of colonizing relationships, I propose that the film can be understood to reimagine human rights culture. In order to interpret the film’s representation of human rights, my article identifies and analyzes the processes of negotiation by which the relationship between rights and colonialism is revealed to be an unstable and malleable one, continually subject to change and in need of criticism that takes its adaptive character into account.     

De Manuel Zeno Gandía a Wilfredo Mattos Cintrón: Exploraciones en torno al género negro en Puerto Rico

This article proposes an analysis of Wilfredo Mattos Cintrón's seventh noir novel (novela negra), Las dos muertes de Catalino Ríos (2012), and a comparison of its poetics with that of Manuel Zeno Gandía's La charca (1894). The article questions the naturalist label often applied to Zeno Gandía's novel and instead views it as a nascent hardcore detective novel (proto novela negra). In comparing the two novels, it validates both Mattos Cintrón and Zeno Gandía as initiators of the noir thriller in Puerto Rico.     

Consejero de Felipe III en su Real Consejo de Indias: venalidad y corrupción en el servicio a la Monarquía

During the reign of Philip the III, one of the most famous legal proceedings of the 17th century took place. It was conducted against Pedro Franqueza and Alonso Ramírez de Prado, who were charged for taking advantage of the king's trust to obtain personal benefits and in detriment of the Monarchy. Two of the charges were referred to the case of an adviser from Indias: Lic. Francisco Alonso de Villagrá, who might have obtained the position through fraudulent activities with the all-powerful Pedro Franqueza. Based on the analysis of the documents pertaining to this case, the aim of this research is to unravel the events that took place, understand the causes that led Villagrá to become involved and the consequences of the way in which the position was acquired.     

Comercio y comerciantes en América Latina colonial: Reflexión historiográfíca

Tráfico de Indias y política oceánica. By Fernando Bordejé Y Morencos. Madrid: MAPFRE, 1992. Pp. 341.

Relaciones económicas entre España y América hasta la independencia. By John R. Fisher. Madrid: MAPFRE, 1992. Pp. 280.

Las comunicaciones en América. By Secundino‐José Gutiérrez Alvarez. Madrid: MAPFRE, 1993. Pp. 424.

Piratas, bucaneros, filibusteros y corsarios en América. Perros, mendigos y otros malditos del mar. By Manuel Lucena Salmoral. Madrid: MAPFRE, 1992. Pp. 306.

El dinero americano y la política del imperio. By María Emelina Martín Acosta. Madrid: MAPFRE, 1992. Pp. 333.

Cargadores a Indias. By Julian B. Ruiz Rivera and Manuela Cristina García Bernal. Madrid: Mapfre, 1992. Pp. 395.     

Epistemologías transculturales: prácticas y producción de conocimientos en zonas de contacto colonial en los Andes y Paraguay

It is proposed that there is an iconographic and epistemological relationship between some drawings in Felipe Guaman Poma de Ayala’s Nueva corónica y buen gobierno and the images recorded in several colonial wood vessels (qeros) which circulated widely during the time that Guaman Poma was writing his letter to the King of Spain. This connection shows that the work of Guaman Poma was not an isolated or singular act in the colonial context and that both communicative and creative processes, that of the Nueva corónica and that of the qeros, formed part of a process of shared colonial semiosis through which Andean societies maintained a certain autonomy in the production and circulation of their own discourses. Secondly, the article discusses the epistemological tension that results from the coexistence of different narratives (European and Andean) that used their own temporal and spatial categories to account for new colonial conditions.     

Jerusalén celestial en los Andes: apropiación iconográfica y autorrepresentación en la pintura mural tardo-colonial

Este artículo estudia la pintura mural de finales del período colonial como fenómeno de un cristianismo andino transcultural y agente. La investigación rastrea y analiza la representación de iglesias locales (en tanto autorrepresentadas en sus propios muros), observando en el motivo iconográfico la apropiación comunitaria del arte de la evangelización y la configuración de identidades locales en nuevas formas visuales. Se destacan las redes de referencia visual de estas imágenes con representaciones coetáneas, así como también su contraste con las técnicas del control doctrinario y con los registros documentales, con el objetivo de comprender la epistemología del espacio religioso forjada en los poblados indígenas de los siglos XVIII y XIX.     

Mitología e ingenio en el Poema heroico de San Ignacio de Domínguez Camargo

This article examines the mythological motifs in the Poema heroico de San Ignacio, by the Colombian poet Hernando Domínguez Camargo, not only as material extracted from a prestigious culture (i.e., classical culture), but as a starting point for the elaborations of wit, which is the main objective in the aesthetics of the wit.     

La fealdad de Safo: su tratamiento eufemístico en Leopardi

The ugliness of Sappho, despite the credibility it has enjoyed for centuries, has always been circumvented or attenuated in scholarly works, and even more so in literary recreations of the life and death of this celebrated muse. These strategies range from the portrait of Sappho as a beautiful woman to expressing her ugliness via euphemistic formulas: that which is resorted to most is the negation of the antonym (Sappho is not beautiful). Leopardi, with his Ultimo canto di Saffo, stands out among those who have explored this particular path in depth. Analysis of the most direct sources of this poem, as well as of some of its translations and imitations in Spanish, helps to see how in Leopardi euphemistic negation interweaves and fuses with suicidal negation, beautifying “nothingness” and suggesting readings at a second level, which simplify and run contrary to the logic of the discourse.