Land Reforms at Centre Stage: The Evidence on West Bengal

The debate on the agrarian problem in developing countries has alternated between a stress on the necessity for land reforms and an emphasis on the introduction of productivity-enhancing technology, leading to a trickle-down effect. In the Indian state of West Bengal, the former strategy has been pursued since the mid-1970s. Most observers agree that this approach has stimulated a ‘virtuous circle’, leading to higher production, a decrease in poverty and in polarization, and a perceptible improvement of the human development index. This article addresses the causality sequence, namely, whether land reform or irrigation has acted as the kick-start mechanism to these improvements. The irrigation figures are not impressive, either in comparison with the outlay in other Indian states, or in terms of crop coverage. The explanation for activation of a virtuous circle may therefore be found in land reform, at least if land reform is considered and implemented in its comprehensive meaning: intervention in the relations of production, the forces of production and the broad social and political parameters.     

Hugo von Hofmannsthal: The Symbol as Experience

Dreams and Discourses (1627) by Francisco de Quevedo is a Baroque satirical work composed by five dreamlike narrations that criticize the moral decadence of seventeenth-century Spanish society. Traditionally, it has been read as a conservative Catholic text that conveys an official view of truth and morality. This article attempts to question that reading by addressing the use of subversive strategies, such as wordplay and ambiguity. Through an analysis of the paratext, the narrative voices, and the satire of popular trades—e.g., bankers—the article sheds light on the text's self-erosion of established moral and epistemological values. It concludes that behind its apparent religious correctness, the work reflects on the fundamental opacity of language. Theoretically, Quevedo's satire is understood as a disseminatory artifact following Derrida in Dissemination.     

The Singing War: Canadian Soldiers' Songs of the Great War

Singing was an important leisure activity for Canadian soldiers serving overseas in the Great War. Soldiers sang popular songs of the day and religious hymns, while also parodying them to better suit their wartime experience. Singing was a group activity that brought men together, forged bonds of comradeship, reinforced belonging in the group, and helped the soldiers endure the strain of unending combat and service. Wartime songs reveal the culture from below and shed new light on the soldiers' experience.