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1.
Abstract

When we grieve during fieldwork, our grief forms new geographies of knowledge production and emotion. In this article, I use autoethnography to theorize my grief during fieldwork following the death of my sister. I examine grief’s methodological implications using the concept of ‘grief as method,’ an emotionally-inflected practice that accounts for the vulnerability produced by grief. By centering vulnerability, ‘grief as method’ also urges researchers to consider the practices and politics of ‘caring with’ our research subjects and caring for ourselves, raising larger questions about the role of care in research. Furthermore, this article demonstrates how grief’s geographical features—its mobility, its emergence in new sites and landscapes, and its manifestation as both proximity and distance—shape ‘grief as method’ profoundly. I examine grief’s spatial implications by building on Katz’s ‘topography’ to theorize a ‘topography of grief’ that stitches together the emotional geographies of researchers, blurring both spatial divisions (‘the field’ vs. ‘the not-field’) and methodological ones (the ‘researcher-self’ vs. the ‘personal-self’). If we see grief as having a topography, then the relationships between places darkened by grief come into focus. Moreover, by approaching grief methodologically, we can better understand how field encounters—relationships between people—are forged through grief. ‘Grief as method,’ in offering a spatial analysis of grief’s impact on fieldwork, envisions a broader definition of what engaged research looks like and where it takes place.  相似文献   

2.
Narratives about mental health in Africa often present people with mental illness in situations of extreme precarity, such as in chains or on the street. In this article, the author argues that such representations should not become the only story regarding mental illness in Africa. The article focuses on the story of Joseph, a man who is an outpatient of a psychiatric ward in Ouagadougou, Burkina Faso, and reflects upon his experience of mental illness in relation to the ongoing story of his life. His confident statement ‘I am also doing research’ provides an entry point for understanding his engagements with life and mental illness as acts of experimentation that are not necessarily rooted in precarity. His story shows how precarity and possibility can evolve alongside each other. It also shows the role that psychiatry already plays in (some of) the lives of people with mental illness in an African context, interacting with other narratives of mental troubles and healing.  相似文献   

3.
FEELING IS BELIEVING, OR LANDSCAPE AS A WAY OF BEING IN THE WORLD   总被引:3,自引:2,他引:1  
This article is work‐in‐progress, an orientation of thought towards possibilities for individual human beings to diminish the distance between outer and inner landscapes imposed by cultural norms and happenstances such as exile. The dominance of visual landscapes and visual perceptions is seen as a pivotal problem, to be solved by the engagement of all the senses in landscape discourse and formation. All the senses are engaged in earliest childhood, as they have been in ‘primitive’ societies. While returning to either a state of childhood or primitivism is an impossible dream, it is possible to edge closer to human nature by engaging and honing all the senses, especially the ‘earth‐bound senses’ of feel, smell and taste. Cultivating those senses and developing discourse about them, and incorporating them into landscape formation and enjoyment, is much more difficult than having a discourse about sight and hearing, for which there is a rich and well‐developed symbolic language and which can be shared through various types of media. The way towards a deeper discourse about the earth‐bound senses, and the way out of the tyranny of the visual, is to be found in stories, as several thinkers suggest. The story told is autobiographical and literary – a mode of geographic writing that I developed in a 2004 book (Bunk?e 2004a), in which the complex dilemmas of home and road were explored. This article shows how in the early 1970s I defined the individual's landscape as ‘a unity in one's surroundings perceived through all the senses’, with imagination as the key human faculty. And I tell the story of how through complex circumstances, a visually and emotionally repugnant landscape became emotionally and intellectually attractive, with a scent, not a picture or image causing the initial attraction. The external and internal landscapes are thus unified, resulting in a sense of timelessness and placelessness of deep existential significance for the person.  相似文献   

4.
While there are many self-reflexive accounts of ‘field’ experience, few researchers have explicitly examined how different places within the field shape gender performances and subsequently the research process. This paper spatialises the notion of ‘performance’ by examining how male and female bodies in particular places of the field are perceived both by researchers and participants as markers of gender identity. The analysis is based on fieldwork in Subhash Camp, a squatter settlement in New Delhi where the author and her research assistant conducted semi-structured interviews with the residents. The fieldwork highlighted how the embedded power structures in different places of the field created encounters between different gendered bodies and, in turn, how different relationships between researchers and participants shaped the field ‘experience’. I suggest that the ‘field’ should not be understood as a homogeneous terrain, but as a fragmented collection of places, each constructing multiple gender identities in research, and each telling its own research story.  相似文献   

5.
Abstract

In pursuing the question ‘what can scientists learn from theatre?’ Particularly, ‘what can scientists, as scientists, learn from theatre?’ this paper argues that science lacks a normative framework that theatre is capable of providing. Despite science’s well-earned epistemic reputation, there is adequate reason to question its ethical reputation, particularly at the point where cutting edge scientific technology impacts society. I consider science as operating in four categories: the scientific method; the scientific hypothesis; the scientific experiment; and the scientist’s personal character. The realms of the scientist’s hypothesis and personal character are those where social pressures are reciprocally exerted, where imaginative play mentality and epistemic values are most in evidence. Theatre can examine these realms effectively because it is able to use narratives that appeal not only to logical and social moral judgements but to emotional and visceral responses, so as to situate science in the social context in which the pressures of law, funding, experimentation, society, and personal ambition converge in ‘the game of life’.

This can be seen in the theatrical process known as ‘contracting with the audience’. I point out a spectrum of traditional narrative tropes by which science makes “contracts with” audiences. The paper draws on theories of entrainment and theatrical game-play from Peter Stromberg and Philippe Gaulier, as well as my own practice and research into the process of contracting with the audience, to propose how to reach beyond tradition and to shift normalising contracts “outside the box”. To illustrate my proposition, I examine the play Seeds by Annabel Soutar as directed by Chris Abraham for Crow’s Theatre and Theatre Porte Parole. Seeds follows the controversial court battles of Saskatchewan farmer Percy Schmeiser against agricultural-biotech corporation Monsanto, which sued him for patent infringement of its Genetically Modified Organism Roundup Ready Canola. Seeds helps its audience define a public arena for discourse even as it brings to our attention the factors that make this difficult to do, while making an excellent contribution to the genre of ‘Documentary Theatre’. It is a successful contract with the audience that creates a public forum for discussion about contemporary ethical debates in science, thereby merging artistic ambiguity and scientific theory.  相似文献   

6.
This article raises the question of how the cultural politics of race and nation manifest within contemporary queer femme movements, performances and aesthetic practices. Focussing on the feeling of ‘vintage’, I specifically examine symbols, icons and aesthetics used in projects to queer femininity that invoke ‘the 1950s’. Grounded in femme-inist multi-sited ethnographic research in a movement to which I also belong, I draw on interviews and participant observation in queer subcultural spaces and analyse two examples of ‘vintage’ iconography within contemporary femme organizing where ‘vintage’ is a form of archival activism that also relates to a broader cultural imaginary of racialized femininity. Then I turn to an example of queer performance where ‘vintage’ is used as a critique of imperialism and whiteness. In closing, I discuss how the feeling of ‘vintage’ relates to whiteness and to a form of imperialist nostalgia.  相似文献   

7.
By analyzing the 2008 war between Russia and Georgia, this paper stretches the limits of the anthropology of war and citizenship. Trying to overcome anthropologists' usual unease about commenting on ‘big topics’, I examine citizenship policies ‘from above’ and ‘from below’ that potentially lead to conflict and war. Special attention is paid to the role of nationality as a crucial feature of post‐Soviet citizenship, and to citizenship as an effective means of neo‐imperial expansion. In my conclusion, I contextualize my findings within anthropological debates about citizenship and argue that the recent stress on rights and entitlements needs to be balanced by an analysis of the repressive dimensions of citizenship regimes.  相似文献   

8.
This article investigates the complexities of negotiating subject positions in transnational and transcultural research by focusing on the gendering of race and racialization. As more people claim to be of mixed ‘racial’ descent and Western researchers grow more diverse, it is increasingly important that this diversity is reflected within geographical research; however, much of the existing research on subjectivity and its role in the research process has focused either on ‘white’ researchers in Global South contexts or on researchers working in their ‘home’ country or community. Less visible are accounts from those who challenge conceptions of ‘white’ Western researcher or whose racial identity can be conceived as hybrid. Moreover, there is a tendency to conceptualize race/racialization and their effects on subjectivity and positionality in relatively narrow terms. This article draws attention to the changing subjectivities of a racialized gendered body as it moves into different contexts. I examine how conceptualizations of race and discourses of racialization constitute researcher subjectivity, and how different understandings of ‘race’ mediate relationships between researcher and research participants (and others). To understand the spatial (re)configurations of (race) subjectivities and how this affects researcher positionality, I offer an autoethnography of a bi/multiracial Western woman of New Zealand Māori/Pākehā descent interpellated as ‘insufficient Other’ in her home context of Aotearoa New Zealand, then reconstituted as white and ‘sufficient Self’ in the Philippines by her research participants and Filipino ‘family’ and friends.  相似文献   

9.
Many contemporary feminist research methods employed in the interest of realizing social justice advocate ‘listening’ to subordinated others, groups variously categorized and marginalized by gender, sexuality, race, age, and so on, in order to examine the sources and workings of knowledge construction and social power. Increasingly, feminist scholars are using group discussion or focus groups, in an effort to give subordinated others ‘a voice.’ Group discussions are seen as potentially empowering in exploring and enabling group members’ social agency and knowledge production while at the same time diminishing the unequal power relations between the researched and researcher. In this article, I argue that the attention given to ‘voices’ in group discussions (dis)misses meaning‐ful silences thereby limiting its political potential. There exists an ‘epistemological messiness’ inherent in a feminist group discussion method that makes it difficult to hear meaning‐ful silences. Through reflection on my own research into the spaces of adolescent Latina gender identities, this article offers some insights into this messiness and recommends that a feminist group discussion method be guided by a politics of voice which includes ‘silence within voice.’  相似文献   

10.
ABSTRACT

One of Michele Sarfatti’s greatest accomplishments has been to challenge the notion that there was a fundamental difference between the biological racism predominant in Nazi Germany and the ‘cultural racism’ of Fascist Italy. I examine how this dichotomy took shape and the meaning it acquired over time. My basic argument is that this division is the result of dialogue between Italian and German population experts during the interwar period, and that making a sharp distinction between a ‘German’ and an ‘Italian’ style of racism helped them to construct their own identities. In other words, the debate on racism was a vehicle for defining what it meant to be a ‘true’ Nazi or Fascist. In this way, differences in racist ideology can be understood as a product of struggles over meaning. Ultimately, my aim is to de-essentialize the meaning of race in research on both Nazi Germany and Fascist Italy.  相似文献   

11.
In this article, I analyze socio-spatial processes of subject-making at the center of the restructuring of export industries. To do so, I develop the concept of ‘embodied negotiations’ to explain the spatial and corporeal experience of trade zone workers reproduced as migrants with the collapse of garment exports in the Dominican Republic. Drawing on ethnographic research, I examine ‘rural return’ as both a livelihood strategy and a discourse shaped by inter-related gender and racial ideologies of labor as well as the uneven transnationalization of rural and urban localities. I show how the negotiation of social position by subjects marked by race, gender and class is always also a negotiation of spatial position in and between localities structured through raced, gendered and class relations. Men's efforts to remain in urban areas as a form of social ‘whitening’ are compared to women's resistance to rural return as an attempt to stay in circulation as paid labor. Overall, I argue that feminist research on global production should be ‘spatialized’ by attending to livelihoods and practices of subject-making that emerge in parallel to export restructuring.  相似文献   

12.
This article offers a feminist analysis of how British military violence and war are, in part, made possible through everyday embodied and emotional practices of remembrance and forgetting. Focusing on recent iterations of the Royal British Legion’s Annual Poppy Appeal, I explore how the emotionality, and gendered and racial politics of collective mourning provide opportunities for the emergence of ‘communities of feeling’, through which differently gendered and racialised individuals can find their ‘place’ in the national story. I aim to show that in relying on such gendered and racial logics of emotion, the Poppy Appeal invites communities of feeling to remember military sacrifice, whilst forgetting the violence and bloodiness of actual warfare. In so doing, the poppy serves to reinstitute war as an activity in which masculinised, muscular ‘protectors’ necessarily make sacrifices for the feminised ‘protected’. The poppy is thus not only a site for examining the everyday politics of contemporary collective mourning, but its emotional, gendered and racialised foundations and how these work together to animate the geopolitics of war.  相似文献   

13.
In recent years, there have been exhortations for scholars working in the area of critical geopolitics to be more committed in initiating ‘primary fieldwork’. These appeals are predicated on the belief that the subdiscipline's apparent over-reliance on secondary (re)sources neglect the ways in which political processes and dynamics ‘play out’ on the ground. Not denying the validity of such observations, I further argue that critical geopolitics needs to take into account the fieldwork process which can arguably shape the progression and outcomes of research. Drawing on my ‘field’ research on violence and terrorism in the Philippines, I propose that thinking critically about how emotions are intertwined in the conduct of fieldwork can provide a pathway to appreciate the unpredictable nature of the research process and the wider contexts/agencies that shape research outcomes and knowledges produced. Crucially, the witnessing of violence/terror is emotionally demanding, often bequeathing the researcher with fully embodied experiences of the ‘real’ situation on the ground. It opens up the researcher to different emotional engagements and connections with his/her respondents, which in turn allows for critical reassessments of issues pertaining to danger, ethics and responsibility. In this sense, ‘emotional fieldwork’, as I term it, has much to offer to critical geopolitics if incorporated as part of the subdiscipline's methodological consciousness. It not only provides researchers with useful navigational guidelines to traverse the tricky research terrains of working in ‘dangerous’, conflict-plagued regions but it also provides the basis for weaving more accurate and situated narratives that complements and advances deconstructivist critiques of dominant geopolitical discourses in and around certain locales.  相似文献   

14.
This essay addresses the need to look into ‘postcolonial’/‘post-Oslo’ Palestine heritage discourses and practices to uncover commonalities and divergences. These practices and discourses, I claim, tell a story about hidden codes of subjectivity while revealing the setbacks of postcolonial heritage discourses in a ‘postcolonial era’. I show that the Palestinian ‘postcolonial’ heritage polices and preservation practices echo colonial discourses in terms of approach, legal framework and end results. My premise is built on a long engagement with governmental and non-governmental heritage organisations as well as the literature on the topic that shows heritage discourses and practices implicated within the specific narrative that they are destined to (re) produce. I claim that postcolonial approaches to the material culture, consciously and unconsciously, reproduce the colonial situation and while the impetus towards preservation itself is a symptom of postmodernity, it is still carried out in a modernist spirit. Throughout my analysis, I show that what spills out from the heritage discourses, as well as the unintended consequences of heritage practices are worth considering in any analytical approach of heritage discourses.  相似文献   

15.
I reflect upon a collaborative research project with activist groups at the Kalayaan Centre in Vancouver, in which we collected stories of family separation, loss, grief and traumatic returns to more fully trace the impacts of the Canadian temporary work visa program (the Live-in Caregiver Program), which brings mostly Filipino women to Canada as live-in domestic workers. Our hope is that these stories of maternal loss will find an audience and evoke an affective response among policy-makers and a wide public beyond the Filipino community in ways that earlier critiques of the program have not. The article draws upon critical literatures on trauma and testimony to consider some of the risks of circulating these kinds of testimonials, and the possibilities of moving the audience from the position of spectator to witness. I then work closely with two mothers' testimonies to experiment with ways of establishing a ‘more difficult contract’ between those who give testimony and those who receive it, one that creates a complex ethical and political space in which the audience is required to register their own complicity in the other's loss or grief. I consider of the possibilities of assembling stories that tell a collective history without reducing the complexity of individual's lives into the same sad story of victimization, and of telling these stories so that the categories of ‘good’ and ‘bad’ mother are exhausted and the listener/reader is forced to listen/read more closely, just beyond the expected story line or cultural cliché.  相似文献   

16.
This article reviews discussions concerning some of the main methodological difficulties surrounding the evaluation of structural adjustment policies, before suggesting a procedure to ‘save’ empirical discussion about new patterns of economic and social relations. In this light it proceeds to examine evidence gathered by the structural adjustment research programme of Nordiska Afrikainstitutet (Scandinavian Institute of African Studies) on the changing character of the ‘private sector’ and of the voluntary development sphere in contemporary Africa. The main conclusions are that, in what can be called ‘adjustment situations’, the main tendencies in these spheres are for a rise of trading capitals enjoying illicit relations to the state and for a privatization of local development. The article concludes with an argument that, had adjustment been implemented in a fuller and more consistent way, these tendencies would probably have been still more pronounced.  相似文献   

17.
Abstract

Drawing on interviews with women who identify as feminists in Estonia, this article explores how the stories we tell about feminism and its past influence the kind of theoretical and political work we are able to do. Zooming in on the story of the emergence of feminisms in postsocialist Estonia which has not been thoroughly researched yet, this article calls upon feminists in Estonia to reflect critically on how they conceptualize feminisms, while at the same time building a framework to think about local feminism within transnational feminist context. Starting from stories of how women became feminists in Estonia since the fall of the Soviet Union in the 1990s, I reflect on the gaps, chance encounters and tensions that my fieldwork revealed to narrate feminism differently, to bring forth new aspects of feminism in this context. In particular, I focus on two moments: the common imaginary of ‘real’ feminism as Western mass movement and the tensions between the local context and ‘Western feminism’. I complicate the narrative in the article through including interludes in between the main text to highlight how the incidents that happened outside and around the interviews shape my story of feminism in Estonia.  相似文献   

18.
19.
This paper traces the history of ‘caring for country’ tropes in writing about indigenous Australian land and land management. While ‘caring for country’ initially referred to dynamic land use and ownership practices, it progressively became a less historical, more primordial, conception of indigenous land ownership, use, and management. In reviewing constructions of ‘land’ in scholarly literatures and policy debates, I seek to explain how they interact with local indigenous practices and idioms. Drawing on examples from the cultural and linguistic fields of A?angu, speakers of Pitjantjatjara and Yankunytjatjara, I examine a variety of concurrent uses of ‘country’, ‘caring’, or ‘nurturance’ and ‘caring for country’. A cross‐linguistic perspective on these objectifications – in English, Aboriginal English, and central Australian indigenous languages – shows how they may attend selectively to the historical specificity of indigenous experience. But this, I argue, may be the key to their efficacy in intercultural projects. Coded messages in bilingual documents reflect a kind of agency whereby A?angu choose to leave equivocal histories unstated and thereby reconstitute government projects in terms that work for them. The referential flexibility around idioms of land and nurturance is a kind of alchemy in language and social life that is the condition of the success of actual land management activities. Terms including ‘country’ and ‘caring for country’ elide the socio‐political dynamics that otherwise complicate actual rights and uses of land. That is why they can form the social basis of common activities, the production of ‘congeniality’ both within A?angu social life and at the interface with outsiders, in land management and other fields.  相似文献   

20.
The aim of this paper is to examine the relationship between the way one lives in ‘private’ and one's political theory by considering Gramsci's views on both democracy and ‘the sexual question’, and in light of evidence from his marriage with Giulia Schucht, to assess whether the microstructural aspects of their lives reveal any ambiguity and contradictions with Gramsci's avowals on these two notions. Giulia's story suggests a need to reconsider perspectives on Gramsci. The inner coherence of her story highlights the inconsistencies between what Gramsci thinks and what he does (his ‘theory and praxis'). In short there is sufficient evidence to hypothesise that Gramsci had difficulty living up to his profession of democratic relations. The concluding sections of the paper consider the significance of Giulia's story for reconstituting political theory.  相似文献   

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