风情基诺山

有种民族叫做“舅舅的后代”,一听就知道是女性掌权的民族,小孩子只知道自己的亲身母亲,却不知道父亲是谁,舅舅的地位十分高贵,这就是西双版纳的“基诺旗”。“基”是舅父之意,“诺”是后代的意思。在中国的五十六个少数民旗当中,被承认的最年轻的民族就是基诺族。70年代末期才被国务院确认为单一民族,那时的基诺人还过着原始氏族部落的生活,他们从原始社会直接进入了社会主义,因此,至今在基诺山寨里仍然保留着一些有趣的原始遗风和遗俗。     

幕后故事：基诺山的唐吉诃德们

春天,杰波花开了：“特慕克”(注)也到了。跟云南各地的时尚一样,基诺年成了政府的节日,只是百姓的节日仍在寨子里过,村干部代替了从前氏族长老卓巴的职责,杀猪杀牛领着全寨老少吃喝一顿,高兴一天。几天来,基诺山最权威的歌手沙车、白佳林和白腊遮三个老倌跟着省社科院的民族学家老杜像往年一样在几个寨子奔走,游说干部把老卓巴请出来主持“特慕克”。     

【幕后故事】基诺山的唐吉诃德们

春天,杰波花开了,"特慕克"(注)也到了.跟云南各地的时尚一样,基诺年成了政府的节日,只是百姓的节日仍在寨子里过,村干部代替了从前氏族长老卓巴的职责,杀猪杀牛领着全寨老少吃喝一顿,高兴一天.     

高原绝唱 《玛纳斯》史诗的保护与传承

柯尔克孜族英雄史诗《玛纳斯》,颂扬了英雄玛纳斯及其七代子孙率领柯尔克孜人民与外来侵略者及各种邪恶势力进行斗争的事迹,同时还记录了柯尔克孜族传统生产知识、生活知识、仪式、节日等。2009年《玛纳斯》史诗入选联合国教科文组织"人类非物质文化遗产代表作名录"。     

《文家山》简介

《文家山》由浙江省文物考古研究所编著,文物出版社2011年出版。本书为16开本,正文共162页,彩色图版95页,定价298元。2000~2001年,对浙江省杭州市余杭区中部的瓶窑镇文家山遗址进行了发掘,揭露面积共计500多平方米,发现一处延续使     

冼星海、傅东岱绝唱之作：《牺盟大合唱》

人民音乐家冼星海作曲的《黄河大合唱》,已成为耳熟能详的抗战歌曲。但对于它的姊妹篇《牺盟大合唱》,恐怕就鲜为人知了。本文将这首成为词曲作者绝唱的大合唱的创作与相关链接奉献给广大读者,以纪念山西牺牲救国同盟会成立70周年。特殊的战斗群体形成了鲜活的艺术素材一切艺术     

藏汉奇缘《艽野尘梦》中的爱情绝唱

遇到他那年．她十五六岁．明眸皓齿、艳若桃李。那天．与往日并不甚不同。天高、云淡．草原上遍是野花的清香．少女们长长的毡裙如斑斓的蝴蝶在风中翩翩起舞。那天．她和一群天真烂漫的藏族少女一起为客人表演马上拔竿。鞭策疾驰、裙袂飘飞,在马经过立竿的时候俯身．敏捷的身姿让众人大声叫好．她一气拉拔五竿．精湛的马术让他瞠目结舌．瞬间．这个叫西原的藏族女子便深深嵌入了他的灵魂．至此一辈子也不曾离开过。     

王月芝与《虎丘山》

<正>1927年8月,苏州文新印刷公司出版了一本旅游指南《虎丘山》,编者为王月芝。《虎丘山》封面题鉴为民国书画家沈敬思,封底刊登苏州风景明信片、风景书笺的广告。该书除收录虎丘山的旅游景点之外,还附有历代名人题咏,同时收录了留园、西园、拙政园、北寺塔、双塔、寒山寺、玄妙观、宝带桥等名胜古迹。图书附录部分,则收集王薇伯、王月芝不同时期的一些照片以及名人信函等,其史料价值远大于这本旅游指南。     

国画《应战雷神山》

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论嵩山文化圈

嵩山及其周围的山、水、土、生(生物)、气(气候)和位(地理位置)诸环境因素综合作用下促使形成中原古文化,嵩山在中原古文化形成中起到发动机与孵化器的作用,故提出嵩山文化圈的概念.嵩山文化圈是全国古文化的核心,也是嵩山地区与周边地区文化不断交流的结果.中华民族文化"多元一统"和"多元一体"的特质,其要旨之一是有嵩山文化圈所起的核心作用.嵩山文化圈形成机制乃环境接壤的边缘效应.     

关于宋代的泰山香会

对大山的崇拜,在世界各民族中都有着一定的历史渊源;但像泰山那样历史文化延续之长、宗教信仰影响之大,乃至成为一个民族精神的象征,实不多见。因着这种历史的优势、文化的优势,作为泰山化身的泰山神,走出了大山,走向了全国。其信仰渗透于各个社会阶层之中,以致影响着一代帝王、一介百姓。封禅大典成就着帝王的理想与希冀;而年复一年的朝山进香,则寄托着庶民的渴望与追求。我们相信,对泰山的信仰是自由的,尤其对平民百姓而言。香客来泰山,或许愿,或还愿,是自发的。     

《白石道人诗说》伪托说考辨与南宋诗坛风气演变

《白石道人诗说》历来被认为是姜夔所作,但姜夔却在《诗说自序》中说此书得自山中＂异人＂。通过对姜夔及其友人的诗词分析,可知姜夔在淳熙丙午遇见隐士一事为真。《白石道人诗说》有可能是姜夔在他人的诗学思想影响下完成的。这与姜夔诗学思想的转变以及南宋中期诗坛风气的转变有着密切的关系。     

华夏文明之根--嵩山地区在华夏文明起源及早期发展中的地位

嵩山地区得天独厚的地理优势,使之成为四方辐辏之文明轴心,而数千年文化的一脉相承,延绵不绝,则是其无与伦比的历史底蕴.该地区在新石器时代后期至青铜时代早期的广泛而大量的吸纳周围地方的文化精华,多种文化因素的汇聚、碰撞、交融、升华,是华夏文明在中原地区生成和成长的巨大动因.     

Involved Knowing: On the Poetic Epistemology of the Humanities

The humanities represent a type of knowledge distinct from, and yet encompassing, scientific knowledge. Drawing on philosophical hermeneutics in the tradition of the Geisteswissenschaften, as well as on the Latin rhetorical tradition and on Greek paideia, this essay presents humanities knowledge as “involved knowing.” Science, in principle, abstracts from the subjective, psychological conditions of knowing, including its emotional and willful determinants, as introducing personal biases, and it attempts also to neutralize historical and cultural contingencies. Humanities knowledge, in contrast, focuses attention on precisely these subjective and historical factors as intrinsic to any knowledge in its full human purport. In particular, poetry, which historically is the matrix of knowledge in all fields, including science, deliberately explores and amply expresses these specifically human registers of significance. The poetic underpinnings of knowledge actually remain crucial to human knowing and key to interpreting its significance in all domains, including the whole range of scientific fields, throughout the course of its development and not least in the modern age so dominated by science and technology.     

Poetic Theology: Paul and Form

ABSTRACT

The article offers a reading of the letters of Paul in relation to their interpretation by a number of figures – Carl Schmitt, Jacob Taubes, Giorgio Agamben, and Alain Badiou. It traces the persistence of an economy of terms in Paul, in relation to the part and the whole, death and life, spirit and the flesh, and others, to argue that this economy morphs and transforms itself in the modern world, imparting and imposing a sociality of living and dying, a coercive distribution and withholding of violence in colonization, on a global scale. And this paper argues, at the same time, that the economy of terms Paul’s letters advance is interrupted, that it comes undone, and that, in this coming undone, the theological becomes poetic – that the letters if Paul teach us to read what may be called “poetic theology.”     

Poetic child realism: Scottish film and the construction of childhood

With this essay I suggest a move towards poetic realism in the representation of children in Scottish movies. After a brief discussion of the landscape context of film geographies I turn to the roots of Scottish film realism in British Free Cinema, with specific reference to filmmakers’ use of landscape and place‐characters. I then argue that Scottish filmmaker Lynne Ramsay moves most fully towards the context of poetic child realism. Ramsay frames and foments a quirky poetic realism with non‐professional child actors placed in carefully crafted landscapes to create important moral and social stories that evolve from a series of shocks and an emotive collision of ideas.     

不确定之美:论文字禅的诗意与连续性

从马克思自由时间理论来看,文字禅具有丰富的诗意,即文字禅是禅师和士大夫在自由时间内的自由精神生产活动.从传播媒介来看,文字禅具有文字与图像之间的连续性;从表现内容来看,文字禅具有自然与精神之间的连续性;从诠释方式来看,文字禅具有显现与沉默之间的连续性.文字禅的诗意性可作为当代文论建构的重要资源,而文字禅的连续性则蕴含着丰富的生态智慧.     

War-Games in the Song of Songs: A Reading of Song 2,4 in Light of Cognitive Linguistics

While the Song of Songs is often considered a tender love po-em, it also uses military metaphors to describe the loving relationship of its characters. This suggests that the Song’s concept of love may be more com-plex and perhaps more paradoxical than is usually assumed. Cognitive Lin-guistics, which currently represents the central point of reference for the study both of ordinary and literary metaphors, can shed light on the Song’s concep-tualization of love in terms of war. The present article provides i) a presenta-tion of some insights on metaphorical phenomena coming from Cognitive Linguistics, and ii) a reading of a paradigmatic warlike metaphor, i.e. Song 2,4, in light of this new, pioneering approach.