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1.
In this essay, I reflect on the massive and dramatic re-emergence of the dead of Cape Town’s District One in 2003, and its aftermath. I discuss how the resurfacing of these ancestors helps us understand how heritage discourses operate in Cape Town, and how their agency forces us to consider what it means to live in the city during post-apartheid urban renewal. I argue that the agency of the District One dead hinges on their exposure of the internal workings of discourse and the associated disciplinary practices through which we experience Cape Town and its heritage. This story ends ambiguously. I discuss how, following the storage of the District One dead in the Prestwich Ossuary, the gaze on Cape Town was redirected away from the city’s past and towards its future; I explore how their reinterment foreclosed a series of discussions regarding the reconciliation of past events with the present realities of Cape Town. I argue, finally, that truth at District One can be understood as a form of historical recapitulation.  相似文献   

2.
Abstract

This article focuses on the management of heritage and cultural tourism related to the complex identity of minority groups, where different components tend to produce different visions and practices. It highlights the impacts of globalized transnational networks and influences on political, cultural and religious identities and affiliations over long distances. In fact, diverse views, approaches, perceptions and representations may lead to disagreement and conflicts even within apparently compact ethnic or religious communities. The issues related to dissonant heritage management strategies and the related authorized heritage discourse, in terms of unbalanced power relations and diverging narratives, are considered. The theme of Jewish heritage tourism (J.H.T) is analysed, with a focus on the case of Syracuse, Italy. This historically cosmopolitan and multicultural city specializes in cultural tourism and tends to develop niche products, including J.H.T, in order to strengthen and diversify its international cultural destination status. Different components of the Jewish world, as well as non-Jewish stakeholders, practice different approaches to heritage tourism. Actors, discourses and reasons behind Jewish culture management and promotion will be highlighted and the reactions, perceptions and suggestions by the various stakeholders and groups involved will be portrayed, with the aim of contributing to the discussion about the complexity of niche heritage tourism processes in a multi-ethnic site.  相似文献   

3.
Heritage and rural gentrification in Spain: the case of Santiago Millas   总被引:1,自引:0,他引:1  
Although gentrification has been mostly understood as an urban phenomenon, the permanent establishment of urban dwellers in rural areas is becoming a widespread trend across the world. Despite its relevance to postindustrial societies, rural gentrification has been largely overlooked by heritage scholars, and has been explored very little in the context of Spain. In this article, I examine the relationship between heritage and rural gentrification through the case study of Santiago Millas, a village located in the Maragatería region of Spain. Based on long-term ethnographic engagement with different actors (newcomers, local residents, and public officials), I examine a specific instance of the globalizing phenomenon of rural gentrification, highlighting the key role heritage plays in this phenomenon, including (1) the impact on local governmentalities based on heritage discourse; (2) the refurbishing of houses and changes in the social spaces of villages; and (3) the transformation of social life and rituals into metacultural discourses of heritage. I emphasize the urgency to carry out more research in order to improve our understanding of the complex and multifaceted phenomenon of rural gentrification from a heritage perspective.  相似文献   

4.
In this article, I look at the reverberations of the global discourse about heritage at the margins of the global system in the Pacific. To this end, I analyse the development of indigenous concepts of cultural heritage on Baluan Island, in Manus Province, Papua New Guinea. I discuss how over the past 50?years two different heritage concepts have developed on the island, which have been used to reflect upon and direct cultural and social change. Further I show how the genesis and transformation of this local discourse about heritage is driven by local concerns and politics, as well as national and international developments.  相似文献   

5.
International cultural development projects entail a neoliberal agenda that frequently echoes colonial ideologies and discourses. Using the case study of Chaouen, a northern city in Morocco, I argue in this paper that former colonies and aid-receiving countries usually overlap, and serve the former metropolises to continue controlling the former colony’s human and economic resources. I discuss how the former colonial power, in this case Spain, regulates and promotes a particular heritage discourse that has conveniently been depoliticised. I further contend that in line with previous colonial narratives, Spain has silenced the painful history of struggle and resilience of the inhabitants of Chaouen.  相似文献   

6.
This essay addresses the need to look into ‘postcolonial’/‘post-Oslo’ Palestine heritage discourses and practices to uncover commonalities and divergences. These practices and discourses, I claim, tell a story about hidden codes of subjectivity while revealing the setbacks of postcolonial heritage discourses in a ‘postcolonial era’. I show that the Palestinian ‘postcolonial’ heritage polices and preservation practices echo colonial discourses in terms of approach, legal framework and end results. My premise is built on a long engagement with governmental and non-governmental heritage organisations as well as the literature on the topic that shows heritage discourses and practices implicated within the specific narrative that they are destined to (re) produce. I claim that postcolonial approaches to the material culture, consciously and unconsciously, reproduce the colonial situation and while the impetus towards preservation itself is a symptom of postmodernity, it is still carried out in a modernist spirit. Throughout my analysis, I show that what spills out from the heritage discourses, as well as the unintended consequences of heritage practices are worth considering in any analytical approach of heritage discourses.  相似文献   

7.
In my article I show how a very particular identity was created for women during the period of Franco's Spain. I will draw upon a varied range of materials from official discourses, particularly the Sección Femenina (the women's branch of Falange); the Álvarez Enciclopedia and other texts such as songs, poems and the popular press. Following Foucault (1980: 30) I analyse an identity based on oppressive discourses whose power ‘reaches into the very grain of individuals, touches their bodies and inserts itself into their actions and attitudes, their discourses, learning process and everyday life’. The nationalistic stress of this discourse is one that encourages women to create a new image of Spanish femininity that should be ‘different’ from the liberated portrayal of women coming from Europe, mainly through the path of growing tourism. The language of these discourses is somehow baroque, elaborated, energetic and highly dramatic. It tries to seek attention through an unnecessary and badly misorientated dramatism. It is cryptic and manipulative and claims to be poetical, but its main intention is to confine women indoors and to make them look at the world through the curtains or from a closed window. On the other hand it made women feel they were the representation of a unique matriarchal nationalism making them appear as the heroines of an essentialist national metaphor: women mothers of the nation. Inherent in Franco's equation of women = femininity = nation is a contradiction that defines women as ‘indoor heroines’ and bases nationalism in a naturalised representation of gender where women are a gendered representation of this nationalism.  相似文献   

8.
Faranak Miraftab 《对极》2007,39(4):602-626
Abstract: To achieve a world‐class city capable of attracting business in a competitive global market, the municipal government of Cape Town, South Africa, like many cities of the global North, has adopted a model of urban revitalization popularized by New York City: business or city improvement districts (BIDs or CIDs). By examining CIDs in city center Cape Town, the paper casts light on the socio‐spatial relationship facilitating the neoliberal post‐apartheid regime and its governance. Analyzing discursive and spatial practices of Cape Town Partnership, the managing body of downtown CIDs, from 2000 to 2006, the paper reveals its difficulties in stabilizing the socio‐spatial relations of a transnationalizing urban revitalization strategy and rejects the view of CIDS as simply a global roll‐out of neoliberal urban policies. It highlights how CIDs are challenged from both within and outside of their managing structures by contentious local issues, and in particular by vast social inequalities and citizens' historical struggle for inclusive citizenship and the right to the city. Whether and how CIDs' inherent limitations can be overcome to address socio‐spatial inequalities is an open question.  相似文献   

9.
ABSTRACT

In the last ten years or so, we have witnessed a shift towards so-called non-representational theories in heritage studies. In non-representational theories, one is interested in cognition, affect, and emotion, as well as textual or visual representations of heritage. This turn can be viewed as a prolongation of the popular approach of analysing heritage as discourse, in which heritage is viewed as a cultural process from which the objects of heritage evolve. However, this paper will demonstrate that some proponents of non-representational theories seem to have overlooked an already established linguistic tradition of analysing affect and emotion ‘in’ texts. Since human affect and emotion are linked with semiotic meaning-making, I argue that it is futile to attempt to separate discourse analysis and non-representational theories. I forward an argument that Critical Discourse Analysis (CDA) and Critical Realism (CR) as a philosophy of science may serve as platforms where non-representational and representational approaches can meet to more fully grasp how we represent and respond to heritage.  相似文献   

10.
Many scholars writing on colonial themes have associated the early Salvation Army with imperialism and related ideologies. Historians of Victorian Cape Town have been no exception. Their research has essentially identified the organisation with the imperial concerns of the city and its dominant middle-class culture. While there is some truth to this assessment, especially after the Army adopted an extensive social scheme in 1890, the earliest efforts of Salvationists at the Cape were often defined by very different objectives. The military-clad Salvationists arriving in Cape Town in 1883 owed something to a colonial age, but their sensational methods of evangelism quickly angered the local authorities. Despite sharing a bourgeois interest in temperance, the Army's working-class followers also received little support from the middle classes. Animated by a revivalism that violated conventional notions of religion, gender, and race, its pioneers in South Africa possessed few ties to imperialism or middle-class ideology.  相似文献   

11.
Cities in developed countries are increasingly challenged by the advent of a global economy that mandates generating creative images of their cities. Meanwhile, it is argued in this study that globalisation, and its Arabic version of Dubaisation, is affecting the sustainability of cities as distinguished destinations because urban representation is influenced not only by ‘standardised global cliché’ but also by ‘standardised local images’ that transforms local cultures into contested heritage as it intensifies an official and civic nexus. The paradox is examined in Jordan, specifically the famously branded ‘city of mosaic’ – Madaba, where the state government is currently competing for attracting international investments and tourism development to achieve neoliberal urban restructuring. Urban heritage representation has been subject to passive dominant official discourse that rests upon orthodox mosaic practices of remote past – a praxis that is not necessarily endorsed by civic Ahl elbalad. The local mosaic heritage has hitherto been transformed into a competing culture that fosters heritage dualities and challenges the internal implications of heritage representation with its elevated feelings of alienation, disempowerment, gentrification and socio-cultural exclusion. A theoretical framework has been suggested for an alternative civic-orientated heritage revival that allows reconciliation between the official/civic nexus yet meanwhile stimulates creative urban images and identities. Other insights are also considered in the study.  相似文献   

12.
ABSTRACT

In 2011, ICOMOS published its Guidance on Heritage Impact Assessment for Cultural World Heritage Properties. By 2016, over 100 Heritage Impact Assessments (HIAs) had been requested by UNESCO. This paper provides an analytical critique of the HIA Guidelines focusing on their implicit assumptions. We argue that the assumptions in the HIA Guidelines derive from the ‘preservation’ discourse in heritage management, rather than from the ‘conservation’ or ‘heritage planning’ discourses. This is important because the discourse affects the way impacts and their severity are assessed within HIAs, thereby potentially affecting the conclusions reached. We also argue that this framing results in miscommunication and misunderstanding amongst the different stakeholders, about: (1) their perceptions of the nature of heritage value; (2) the perceived purpose of HIA; (3) the way impacts are assessed; and (4) the differing agendas of stakeholders. We recommend that HIA practitioners acknowledge the existence of the various discourses. This could make HIA a more effective heritage management tool. We also consider that for HIAs to be more robust that they be conducted by a multidisciplinary group and with a peer-review mechanism.  相似文献   

13.
This article questions some recent analyses which claim that global neo‐liberal discourses are disseminated to shift the focus away from development towards a greater emphasis on security issues. Taking as its point of departure the analysis of empirical material from Cape Town, the article shows that security and development in South Africa were never separate concerns. After the ANC came to power in 1994 there was an effort to boost development efforts rather than security. However, these efforts were soon dwarfed by local circumstances, notably the pressure from local state employees who felt their jobs and lives to be under threat from the townships, and the changing nature of violence in the city. The first part of the article details the practices and discourses of state agencies; the second section analyses the consequences of reconfigured security and development concerns for the production of political subjectivity in South Africa's townships.  相似文献   

14.
National days are powerful moments of commemoration that aim at renewing the citizens' bonds to the nation and the state. In order to be successful, public rituals need to draw large audiences, and their ceremonial design therefore has to be adapted to suit the masses, employing elements of popular culture and everyday forms of nationhood. Despite drawing its significance from the declaration of independence in 1960, however, Gabon's independence jubilee was less concerned with history and commemoration than with celebrating the state and the nation in the present. The ceremonial design of Gabon's jubilee featured intensive preparations, official ceremonies, popular festivities and symbolic politics. In this article, I look at why history and commemoration played such an unimportant role during the celebrations and how Gabon's jubilee organisers included official as well as popular forms of nationhood to assure the population's participation.  相似文献   

15.
Wera Grahn 《Archaeologies》2011,7(1):222-250
From an intersectional perspective, this article will identify, critically analyse and deepen the understanding of how the social categories gender, class, ethnicity and nationality are inscribed and interlinked in the official narratives performed by the public actors in the field of cultural heritage management. This article will analyse the contemporary discourse of the official institutional cultural heritage management actors, with special emphasis on Protection Orders made by the Directorate for Cultural Heritage in Norway. It is important to analyse this kind of material because it can bring new knowledge and raise the level of awareness of the construction of identities that are present at a structural national level of representation. This has the potential to increase the understanding of how the societal feeling of being Norwegian is created, which in a strange way seems to have striking similarities to the representations of national identities in other Western countries.  相似文献   

16.
Jim Dyos, founding-father of British urban history, argued that cities have commonly acknowledged “individual characteristics” that distinguish them. Such distinctive characteristics, though usually based on material realities, are promoted through literary and visual representations. This article argues that those who seek to convey a city’s distinctiveness will do so not only through describing its particular topography, architecture, history or functions but also by describing its “local colour”: the supposedly unique customs, manner of speech, dress, or other special features of its inhabitants. In colonial cities this process involved white racial stereotyping of “others”. In Cape Town, depictions of “Coloured” inhabitants as unique “city types” became part of the city’s “destination branding”. The article analyses change and continuity in such representations. To this end it draws on the insights of Gareth Stedman Jones into changing depictions of London’s “Cockneys” and the insights of Stephen Ward into historical “place-selling”.  相似文献   

17.
This article analyses gendered discourses of development in rural North India, and addresses the usefulness of recent scholarship on development as ‘discourse’ for understanding connections between development and subjectivity. This scholarship is an excellent point of departure for exploring the contradictions inherent in the institutionalization of economic development and the global reach of its discourses, but it has focused primarily upon development as discourse at official sites of deployment, while paying less attention to how specific discourses and processes of development are appropriated by those constituted as beneficiaries of development. The under‐theorization of this aspect has meant that the range of processes through which development projects may encourage new subject positions are poorly understood. By investigating what some women in rural Kumaon have made of their own development, this article contributes to emerging scholarship on development and subjectivity with an ethnographic analysis of the polysemic enthusiasm for development expressed by some of its ‘beneficiaries’.  相似文献   

18.
19.
Since the 1990s, Indigenous groups in Taiwan have been increasingly engaged in retrieving and reviving cultural practices that are considered ‘traditional’ and markers of Indigenous identities. This article takes such recent and ongoing revival of cultural practices and connected material culture amongst Taiwanese Indigenous groups as the departure point to argue that the idea of a ‘contemporary Indigenous heritage’ is constructed (notably by Indigenous artists and artisans) through the conflation of ‘tradition’, ‘value’, ‘authenticity’ and ‘indigeneity’, as well as creativity and innovation. In the article, I endeavour to explain this process. To this end, I identify and illustrate a set of strategies and discourses through which Indigenous artists and artisans in Taiwan construct their work as both ‘Indigenous’ and ‘heritage’. I suggest that such strategies and discourses revolve around the following: (i) materiality, (ii) visual display and performance, (iii) Indigenous cultural research and (iv) knowledge transmission. Building on the Taiwanese case study, this article furthers scholarly enquiries into the making of heritage by generating an enhanced understanding of the role of artists and artisans in the creation, renewal, authentication and transmission of ‘Indigenous heritage’.  相似文献   

20.
The specific spatial context in the densely urbanized northern part of Belgium, Flanders, offers a sort of laboratory conditions to study, design and plan fragments of open space in an urbanizing context. A chronological analysis of documents in three periods relevant to Flemish spatial planning policy allows us to conclude that one single planning discourse has reigned spatial planning in Flanders already since the design of the first zoning plans 45 years ago. This planning discourse considers city and countryside as two separate and separated entities. Today, however, the validity of this dominant discourse is increasingly under pressure. An obvious societal need appears to be growing to turn around the perception of a possible contradiction between city and countryside. In a densely urbanized spatial context, alternative planning discourses should be based on the idea of open spaces that offer complementary services within a partnership between city and countryside.  相似文献   

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